Oscar Predictions: Boy Kills World

If the Oscars ever do bring in a Best Stunt Ensemble race at their ceremony, perhaps a post for something like Boy Kills World would feel more appropriate. This is the latest John Wick style action thriller marking the directorial debut of Moritz Mohr. Bill Skarsgård is the central character in revenge mode after his family bites the dust. Costars include Jessica Rothe, Michelle Dockery, Famke Janssen, Sharlto Copley, Brett Gelman, Isaiah Mutafa, and Andrew Koji.

Out this weekend, this failed to generate any box office heat with less than $2 million. Critics were a tad kinder with a meh 61% RT score. The Wick pics get buzz for potential Sound or VE nods that do not materialize. If they can’t manage it, these perceived knock-offs are far behind. My Oscar Prediction posts will continue…

Bullet Train Review

David Leitch has done this cartoonishly bloody and dripping with sarcasm business before with John Wick and Deadpool 2. In Bullet Train, having Brad Pitt loaded for the quipping is a plus. The trip is rockiest in the beginning leg, but picks up steam for quite some time. In the later stages, you may be asking why we aren’t there yet with the climax.

Pitt’s assassin who goes by Ladybug boards the title mode of transportation with simple instructions to boost a briefcase. Hurtling at breakneck speed from Tokyo to Kyoto, he soon finds that many other types who share his profession are along for the ride. This includes “twins” Tangerine (Aaron Taylor-Johnson) and Lemon (Brian Tyree Henry). Their codenames may suggest Prince backup dancers, but they’re tasked with transporting the drug addled son (Logan Lerman) of a crime lord named White Death (Michael Shannon) back home. And they also want that briefcase.

Unlike Pulp Fiction where we are still collectively wondering what was in that case, we find out quickly here. Ladybug and his fruit monikered colleagues aren’t the only ones seeking it. There’s Prince (Joey King), who’s dressed not as a backup dancer but as a schoolgirl who fools many with her innocent appearance. Kimura (Andrew Koji) is a killer burdened with a young son in danger away from the tracks. There’s more – Zazie Beetz turns up as does Hiroyuki Sanada as Kimura’s elder (he’s called The Elder). Multiplatinum rapper Bad Bunny is The Wolf, who is avenging a family massacre that could have used cleanup from Harvey Keitel’s Winston Wolfe in the aforementioned Pulp. There’s cameos I won’t spoil. I will say they add little other than fleeting seconds of unexpected recognition.

Bullet Train gleefully revels in its violence. It kind of feels like a throwback to 90s excess that Tarantino’s landmark sophomore feature helped inspire. That’s not always a bad thing as the slicing and dicing is done with the visual flair we expect from Leitch. The screenplay from Zak Olkewicz is one of those where nearly every character is eventually connected. I found myself straining to care about those connections.  It takes a few minutes before Train gets up to speed. Yet Pitt’s considerable charisma and his support staff (particularly Henry and Taylor-Johnson) help alleviate a lot of those narrative bumps. So was the ride worth it? That’s debatable though I’d say there’s worse fates than taking it.

*** (out of four)

Oscar Predictions: Bullet Train

OK, no one’s saying that David Leitch’s Bullet Train was stationing itself for a Best Picture nomination. As for down the line tech nods, it’s at least worth discussing. The action comedy from the John Wick and Deadpool 2 maker stars Brad Pitt and is out Friday.

The review embargo has lifted and Bullet is currently at a middling 60% on Rotten Tomatoes. I would say the only races where nods seemed feasible were Sound and Visual Effects and I don’t envision either occurring. If the Academy were to ever put in a  category for Best Stunt Work (which isn’t a bad idea), the critical reaction indicates this might be in the mix. Absent that, don’t look for this Train anywhere near an awards show.

Leading man Pitt could, however, still find himself in the 2022 mix for Supporting Actor (we think it’s supporting) with Damien Chazelle’s Babylon. My Oscar Prediction posts will continue…

Bullet Train Box Office Prediction

Sony Pictures is hoping moviegoers catch the Bullet Train when it debuts August 5th. The action comedy comes from John Wick maker David Leitch with Brad Pitt headlining as an assassin. The supporting cast includes Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Zazie Beetz, Logan Lerman, Bad Bunny, and Pitt’s recent The Lost City costar Sandra Bullock (in a role first slated for Lady Gaga).

The Japan set stunt fest is hoping to turn out an adult audience ready for original programming in a summer filled mostly with plenty of sequels and superheroes.

Since starting a franchise with Wick in 2014, Leitch followed up with Atomic Blonde. It was a box office disappointment that debuted with just over $18 million. Train should have no trouble getting past that number. However, it won’t reach the earnings of his last two pictures which were built-in franchise entries: Deadpool 2 and Fast and Furious spin-off Hobbs & Shaw. 

Nope was able to reach mid 40s and it had the advantage of Jordan Peele’s brand. This will rely mostly on Pitt’s star power. I’m curious to see how word-of-mouth is in the coming days and that could increase or decrease my projection. My hunch is that mid 2os is the floor and low 40s could be the ceiling. I wouldn’t be surprised if it comes toward the lower end of that spectrum, and I’ll say high 20s to low 30s is where this lands.

Bullet Train opening weekend prediction: $29.7 million

For my Easter Sunday prediction, click here:

Easter Sunday Box Office Prediction

Snake Eyes Box Office Prediction

Blogger’s Note (07/21): I am revising from Snake Eyes prediction down from $21.2 million to $17.2 million

23 years after its release, Paramount Pictures has answered the call of the moviegoing masses by remaking the Brian De Palma action thriller Snake Eyes with Nicolas Cage. OK, not really. While Mr. Cage is looking for his stolen sow in a different theatrical release, the aforementioned studio is rebooting the G.I. Joe franchise.

This particular Snake Eyes arrives eight years after G.I. Joe: Retaliation (which followed G.I. Joe: The Rise of Cobra from 2009). It’s a whole new ball game with different players. Henry Golding is in the title role with a supporting cast including Andrew Koji, Ursula Corbero, Samara Weaving, and Iko Uwais. Robert Schwentke (no stranger to franchise work having done Insurgent and Allegiant from the Divergent series) directs.

The first iteration stemming from the Hasbro toy line impressed 12 years ago with a $54 million opening haul and eventual domestic gross of $150 million. Retaliation couldn’t match it with a $40 million premiere and $122 million overall take.

I’m not so sure there’s a major clamoring for this series to be revived. There’s also M. Night Shyamalan’s Old debuting against it and competing for some of the same sets of eyeballs. My hunch is that a low to mid 20s start is where this ends up and that likely means a stateside gross topping $100 million is unreachable. That could be bad news for Paramount as they are already planning sequels. Perhaps foreign grosses will make that a reality.

Snake Eyes opening weekend prediction: $17.2 million

For my Old prediction, click here:

Old Box Office Prediction