Bumblebee Movie Review

Steven Spielberg has executive produced all five Transformers movies prior to Bumblebee and he holds that title here. Yet it’s in this prequel/spin-off that his influence feels the most pronounced. In the case of this franchise, that’s a welcome development. Michael Bay’s quintet of loud metal on metal action orgies that began in 2007 are generally nonsensical explosion excuses with occasional jaw dropping moments. Travis Knight, taking over directorial duties, gives Bumblebee a heart and the loudest audio belongs to the terrific 80s soundtrack.

This is a prequel and the happenings occur in 1987, which explains The Smiths, Duran Duran, and Tears for Fears providing the tunes. A prologue on the planet Cybertron shows our title character (voiced by Dylan O’Brien) being sent to Earth by Optimus Prime in order to escape death by The Decepticons. He crash lands, of all places, right in the middle of a military training exercise in California where no nonsense Colonel Jack Burns (John Cena) assumes him to be a hostile creature. Bumblebee manages to transform into that iconic 1967 Volkswagen Beetle, but not after being rendered mute when his voice box is disabled. By the way, this all happens in like ten minutes. Pacing is not an issue in this picture, unlike other bloated Transformers flicks.

That Beetle ends up in a junkyard frequented by Charlie (Hailee Steinfeld), a gear head who’s just turned 18. It’s her storyline that brings the Spielberg vibes front and center. She’s experienced parental loss as her beloved father has passed. She’s an outcast in the suburbs. Charlie has an awkward pending romance with her neighbor (Jorge Lendeborg Jr.). There’s also a resistance to diving (even though she’s a terrific diver) that we correctly assume will figure into the plot. She also works at a low rent amusement park that looks straight outta Adventureland. When she commandeers the Volkswagen, she discovers the giant yellow extraterrestrial and befriends him. Their relationship is quite E.T. like, if that alien had tires strapped to his back and communicated through radio waves playing Steve Winwood.

Knight, maker of the acclaimed Kubo and the Two Strings, is making a Transformers experience that could have been made in the 80s. And it mostly works. There’s only so much he can do with the fight scenes after the Decepticons (voiced by Angela Bassett and Justin Theroux) track Bumblebee to this planet. The tech team here manages to make them easier to follow than Bay’s mashups. So when Colonel Burns and other dumber than they should be government types get involved in the plot, I found myself actually caring a bit. That’s due to screenwriter Christina Hodson’s establishment of Charlie as a full fledged character and Steinfeld’s work elevating her. Her charming interaction with Bee is enough to warrant something the Transformers epics don’t get and that’s a recommendation.

*** (out of four)

Oscar Watch: Missing Link

The stop-motion animated adventure Missing Link hits theaters next weekend and it’s the latest effort from the studio Laika. Reviews have been sturdy for the Bigfoot tale featuring the voices of Hugh Jackman, Zoe Saldana, and Zach Galifianakis. Its Rotten Tomatoes score stands at 91%.

When it comes to Oscar nominations for their material, Laika has quite the batting average… as in 100%. For their four previous efforts, they’ve also all lost to Disney titles. In 2009, Coraline lost to Up. ParaNorman came up short to Brave in 2012. In 2014, it was Big Hero 6 over The Boxtrolls. Two years later, Kubo and the Two Strings couldn’t emerge over Zootopia.

Could history repeat itself? Absolutely. While critical reaction is solid, Link has little chance at winning the Best Animated Feature award. And, yes, Mouse Factory competition is legit with sequels Toy Story 4 and Frozen 2. There’s another sequel already released from DreamWorks – How to Train Your Dragon: The Hidden World – that also looks to nab a nod.

With five slots, there’s a chance Link could be the first Laika flick to miss a nomination. However, their track record is considerable and I wouldn’t count it out. My Oscar Watch posts will continue…

Missing Link Box Office Prediction

Blogger’s Note (04/11): On the eve of its premiere, revising this down from $13.2M to $11.7M

The studio Laika is back with their brand of critically acclaimed animated films next weekend with Missing Link. The stop-motion adventure follows an explorer tracking a Bigfoot with Hugh Jackman voicing the explorer and Zach Galifianakis as the creature. Other recognizable faces behind the mic include Zoe Saldana, Emma Thompson, Stephen Fry, Timothy Olyphant, and Matt Lucas. Chris Butler, who made the company’s 2012 effort ParaNorman directs.

All four Laika titles in the past decade have grossed between $12-$17 million for their starts. On the high-end, there’s 2014’s The Boxtrolls with just over $17 million. On the low-end is 2016’s Kubo and the Two Strings with $12.6 million. I see no reason why Link wouldn’t fall in that same range.

Reviews have been positive as this currently stands at 90% on Rotten Tomatoes. Of the new releases out next weekend, it actually opens widest on approximately 3500 screens (more than Hellboy).

I don’t believe this will top Boxtrolls, but a premiere between $13-$14 million is certainly possible.

Missing Link opening weekend prediction: $11.7 million

For my Hellboy prediction, click here:

https://toddmthatcher.com/2019/04/03/hellboy-box-office-prediction/

For my Little prediction, click here:

https://toddmthatcher.com/2019/04/06/little-box-office-prediction/

For my After prediction, click here:

https://toddmthatcher.com/2019/04/07/after-box-office-prediction/

McConaughey: Everything’s Not Alright Alright

When this blog started in the fall of 2012, Matthew McConaughey was coming off a solid two-year period which saw him headline the surprise legal drama hit The Lincoln Lawyer and attract rave reviews for his supporting role in Magic Mike.

Yet 2013 elevated the actor to a whole new stratosphere. His work in the acclaimed indie pic Mud garnered Oscar chatter. He had a memorable cameo alongside Leonardo DiCaprio in Martin Scorsese’s The Wolf of Wall Street. It ironically turned out that McConaughey’s scene partner in that film was his biggest competition for an Oscar. Dallas Buyers Club would see the Texan playing Ron Woodruff, a real life AIDS patient in the 1980s. McConaughey’s work was praised and he took home the gold statue. His luck streak continued into the following year starring in Christopher Nolan’s Interstellar, which stands as his largest grossing live-action feature.

Since then? Well, let’s just say the McConaissance has been interrupted. Or borrowing his most famous catchphrase from 1993’s Dazed and Confused – it’s not Alright Alright.

This weekend, his stoner comedy The Beach Bum tanked at the box office. Its approximate $1.8 million opening is the worst release of the actor’s career. And it follows a pattern of now seven live-action duds (he did provide voice work in the animated pics Sing and Kubo and the Two Strings). And to give a modicum of credit, he did skip the subpar sequel Magic Mike XXL.

At least Nicolas Cage had a string of action hits after his Oscar before delving into VOD territory. McConaughey hasn’t been so fortunate and he quickly needs a critical or commercial success to redeem things. His list of recent material is an unsuccessful and largely forgettable one. In three years, we’ve had:

  • Free State of Jones, his summer 2016 Civil War drama that took in $20 million domestically against a $50 million budget. Its Rotten Tomatoes score was 46%.
  • The Sea of Trees from later that summer. The drama wasn’t even released wide and didn’t make a million dollars (13% RT score).
  • True life crime drama Gold in January 2017. 42% RT. $14 million gross stateside.
  • The Dark Tower in summer 2017. The critically maligned Stephen King adaptation had a 16% RT rating and immediately ended the possibility of a franchise with earnings of $50 million.
  • Another based on actual events crime drama from last fall – White Boy Rick. 58% RT and $24 million gross.
  • Noir thriller Serenity from earlier this year. Barely promoted, it made an embarrassing $8 million total with a 23% RT score.

And now The Beach Bum, which won’t reach $10 million domestically either. It’s time for McConaughey’s people to find him some better stuff. His most memorable appearances lately have been in car commercials. If they can’t manage to do so, there’s always 2013.

Bumblebee Box Office Prediction

Times have changed in significant ways for the Transformers franchise that started eleven years ago. They manifest themselves with the release next weekend of Bumblebee, a prequel to the multi-billion series. For starters, Michael Bay is not in the director’s chair for the first time after making the first five. Travis Knight, most known for the acclaimed animated Kubo and the Two Strings, takes over those duties. Hailee Steinfeld headlines the 1980s set tale alongside John Cena, Jorge Lendeborg Jr., John Ortiz, and the voice of Dylan O’Brien as the title Autobot.

A second major difference: Bumblebee is unexpectedly getting very good reviews with a current Rotten Tomatoes rating of 97%. Nearly every sequel since the 2007 original has been critically lambasted while still bringing in the bucks. Positive word-of-mouth should only help, but competition is fierce as the holidays approach. Two days before this debuts, Mary Poppins Returns is out and will take away family audiences. Opening directly against it is Aquaman, which will siphon away action fans.

Which brings us to point #3 – expectations have fallen for the franchise and Paramount hopes its best revenge is better than anticipated returns. This will almost surely have the smallest premiere of the series. That’s even with the caveat that four of the five Transformers pics got early jumps and opened during the middle of the week. The series showed rust in the summer of 2017 when The Last Knight had a $44 million traditional Friday to Sunday rollout and a $130 million domestic haul (by far the lowest of the quintet).

Add all that up and I’m not convinced the pleasing critical (ahem) buzz gets this beyond mid 20s considering its venerable competitors.

Bumblebee opening weekend prediction: $26.2 million

 

For my Aquaman prediction, click here:

https://toddmthatcher.com/2018/12/11/aquaman-box-office-prediction/

For my Mary Poppins Returns prediction, click here:

https://toddmthatcher.com/2018/12/10/mary-poppins-returns-box-office-prediction/

For my Second Act prediction, click here:

https://toddmthatcher.com/2018/12/14/second-act-box-office-prediction/

For my Welcome to Marwen prediction, click here:

https://toddmthatcher.com/2018/12/15/welcome-to-marwen-box-office-prediction/

Todd’s Updated 2016 Oscar Winner Predictions

Good Sunday all! 15 days from today, the Oscars will air and for the next three Sundays, I’ll be giving you my take on where I see each category standing. This means my winner prediction and each nominee listed in order of likelihood to take their prize.

My final predictions will post on Sunday, February 26 prior to the broadcast the next day. Let’s get to it, shall we?

BEST PICTURE

1) La La Land

2) Moonlight

3) Manchester by the Sea

4) Hidden Figures

5) Lion

6) Arrival

7) Hacksaw Ridge

8) Hell or High Water

9) Fences

BEST DIRECTOR

1) Damien Chazelle, La La Land

2) Barry Jenkins, Moonlight

3) Kenneth Lonergan, Manchester by the Sea

4) Denis Villeneuve, Arrival

5) Mel Gibson, Hacksaw Ridge

BEST ACTOR

1) Casey Affleck, Manchester by the Sea

2) Denzel Washington, Fences

3) Ryan Gosling, La La Land

4) Viggo Mortensen, Captain Fantastic

5) Andrew Garfield, Hacksaw Ridge

BEST ACTRESS

1) Emma Stone, La La Land

2) Natalie Portman, Jackie

3) Isabelle Huppert, Elle

4) Meryl Streep, Florence Foster Jenkins

5) Ruth Negga, Loving

BEST SUPPORTING ACTOR

1) Mahershala Ali, Moonlight

2) Dev Patel, Lion

3) Jeff Bridges, Hell or High Water

4) Michael Shannon, Nocturnal Animals

5) Lucas Hedges, Manchester by the Sea

BEST SUPPORTING ACTRESS

1) Viola Davis, Fences

2) Naomie Harris, Moonlight

3) Octavia Spencer, Hidden Figures

4) Michelle Williams, Manchester by the Sea

5) Nicole Kidman, Lion

BEST ADAPTED SCREENPLAY

1) Moonlight

2) Lion

3) Hidden Figures

4) Fences

5) Arrival

BEST ORIGINAL SCREENPLAY

1) Manchester by the Sea

2) La La Land

3) Hell or High Water

4) The Lobster

5) 20th Century Women

BEST ANIMATED FEATURE

1) Zootopia

2) Kubo and the Two Strings

3) Moana

4) My Life as a Zucchini

5) The Red Turtle

BEST FOREIGN LANGUAGE FILM

1) The Salesman

2) Toni Erdmann

3) Land of Mine

4) A Man Called Ove

5) Tanna

BEST DOCUMENTARY FEATURE

1) I Am Not Your Negro

2) O.J.: Made in America

3) 13th

4) Fire at Sea

5) Life, Animated

BEST CINEMATOGRAPHY

1) La La Land

2) Moonlight

3) Arrival

4) Lion

5) Silence

BEST COSTUME DESIGN

1) Jackie

2) La La Land

3) Fantastic Beasts and Where to Find Them

4) Florence Foster Jenkins

5) Allied

BEST EDITING

1) La La Land

2) Moonlight

3) Arrival

4) Hacksaw Ridge

5) Hell or High Water

BEST MAKEUP AND HAIRSTYLING

1) Star Trek Beyond

2) Suicide Squad

3) A Man Called Ove

BEST PRODUCTION DESIGN

1) La La Land

2) Arrival

3) Fantastic Beasts and Where to Find Them

4) Hail, Caesar!

5) Passengers

BEST ORIGINAL SCORE

1) La La Land

2) Lion

3) Moonlight

4) Jackie

5) Passengers

BEST ORIGINAL SONG

1) “City of Stars” from La La Land

2) “How Far I’ll Go” from Moana

3) “Can’t Stop The Feeling!” from Trolls

4) “Audition (The Fools Who Dream)” from La La Land

5) “The Empty Chair” from Jim: The James Foley Story

BEST SOUND EDITING

1) La La Land

2) Hacksaw Ridge

3) Arrival

4) Deepwater Horizon

5) Sully

BEST SOUND MIXING

1) La La Land

2) Hacksaw Ridge

3) Arrival

4) Rogue One: A Star Wars Story

5) 13 Hours: The Secret Soldiers of Benghazi

BEST VISUAL EFFECTS

1) The Jungle Book

2) Rogue One: A Star Wars Story

3) Doctor Strange

4) Kubo and the Two Strings

5) Deepwater Horizon

Next Update will be Be Sunday!

Todd’s 2016 Oscar Nominations Reaction

And… they’re out! After months of predictions and Oscar Watch posts, the 2016 Oscar nominations were announced this morning. Save for a couple of the technical categories, I must say I’m pretty pleased with my results! Per usual, there were a couple of surprising inclusions and omissions.

Let’s go race by race and see how I did, shall we? I am also including my commentary with each category and, for the first time (!) giving my first predictions on who and what will win…

Best Picture

Todd’s Performance: 9/9 (!)

Analysis: Since the Oscars went to the format where 5-10 Pictures can be nominated, 9 has mostly been the magic number and that held true this time around. There were no surprises here, as evidenced by my perfect score with the biggest race of all. The nominees are: Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight.

Winner Prediction: La La Land

There are 3 films that stand a chance – La La, Manchester, and Moonlight. Yet there’s no denying that Damien Chazelle’s musical is the front runner, as it tied the record of 14 nominations today along with All About Eve and Titanic.  

Best Director

Todd’s Performance: 4/5

Analysis: There were four easy picks to make and they were all honored: Chazelle (La La), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester), and Denis Villeneuve (Arrival). The fifth slot has consistently been the tricky one in recent weeks and I went with DGA nominee Garth Davis (Lion). The Academy instead brought previous winner Mel Gibson back into their good graces once again for Hacksaw Ridge.

Winner Prediction: Damien Chazelle, La La Land

This one is tougher than Picture. Barry Jenkins has emerged victorious in a number of precursors. Ultimately I’m forecasting that Picture and Director will match in honoring Chazelle’s return to the Hollywood musical.

Best Actor

Todd’s Performance: 5/5 (!)

Analysis: The five performers recognized today have been the most likely to get in for about a month, at least. They are: Casey Affleck (Manchester), Andrew Garfield (Hacksaw), Ryan Gosling (La La), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). It played out as such.

Winner Prediction: Casey Affleck, Manchester by the Sea

Actor is essentially a two man race between Affleck and Denzel, but the Manchester lead has racked up the lions share of other awards show and I feel Oscar will follow.

Best Actress

Todd’s Performance: 4/5

Analysis: Let’s get the four women I got right out of the way: Isabelle Huppert (Elle), Natalie Portman (Jackie), Emma Stone (La La), and Meryl Streep (Florence Foster Jenkins). No surprises there, but what was a bit startling was the omission of Amy Adams in Arrival. I had her ranked third out of five possibilities. Then – my sixth (Annette Bening, 20th Century Women) and seventh (Emily Blunt, The Girl on the Train) place alternate picks didn’t make it in. That slot was filled with #8 – Ruth Negga in Loving. Not a huge shock as Actress has been packed for some time, but I thought Negga getting it would replace either Huppert or Streep. Not so.

Winner Prediction: Emma Stone, La La Land

I could see Stone, Portman, and maybe even Huppert taking the statue, but I’ll give Stone the gold.

Best Supporting Actor

Todd’s Performance 5/5 (!)

Analysis: I’ll give myself a hearty pat on the back for this as Supporting Actor was a tough race to wrap your head around this year. The nominees: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals).

Winner Prediction: Mahershala Ali, Moonlight

Ali has won the bulk of precursors and this is the safe pick. That said, this is often a race where upsets happen and I could see Bridges, Patel, and possibly Shannon standing a chance.

Best Supporting Actress 

Todd’s Performance: 5/5 (!)

Analysis: I’ll give myself a softer pat on the back with this one as the five expected nominees held court. They are: Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester).

Winner Prediction: Viola Davis, Fences

Of all the acting races, this is the easiest to project as Davis has been the front runner for months and remains so.

Best Adapted Screenplay

Todd’s Performance: 4/5

Analysis: As expected – Arrival, Fences (which some had on the fence), Lion, and Moonlight are in. I had Nocturnal Animals getting a nod, but the writers chose Hidden Figures instead.

Winner Prediction: Moonlight

The Barry Jenkins picture is a heavy, heavy favorite here.

Best Original Screenplay

Todd’s Performance: 3/5

Analysis: I correctly predicted Hell or High Water, La La Land, and Manchester by the Sea. I was a bit surprised to see Captain Fantastic left off, not as much so for dark horse pick I, Daniel Blake. In their place: The Lobster and 20th Century Women.

Winner Prediction: Manchester by the Sea

Kenneth Lonergan’s script is the favorite, but don’t discount a La La sweep factoring in here. Hell or High Water is a potential upset pick.

Best Animated Feature

Todd’s Performance: 4/5

Analysis: I went with a bit of an upset pick with Pixar’s Finding Dory… and you usually don’t associate this category not including that studio’s work. Instead, The Red Turtle got in along with predicted nominees Kubo and the Two Strings, Moana, My Life as a Zucchini, and Zootopia. 

Winner Prediction: Zootopia

Disney is likely to see their blockbuster take the prize, though Kubo could be lurking.

Best Documentary Feature

Todd’s Performance: 4/5

Analysis: I Am Not Your Negro, Life, Animated, O.J.: Made in America, and 13th were correct estimates while Fire at Sea nabbed a nod instead of Cameraperson.

Winner Prediction: I Am Not Your Negro

This is a tough one as O.J. and 13th also stand decent chances.

Best Foreign Language Film

Todd’s Performance: 4/5

Analysis: Tanna got in instead of predicted The King’s Choice. Other nominees: Land of Mine, A Man Called Ove, The Salesman, and Toni Erdmann.

Winner Prediction: The Salesman

The safe money could be on German comedy Erdmann, but I’m leaning toward Iranian drama The Salesman. I could switch back before showtime.

Best Cinematography

Todd’s Performance: 4/5

Analysis: My Nocturnal Animals love bore no fruit again as my first alternate Lion was nominated. Other nominees: Arrival, La La Land, Moonlight, and Silence.

Winner Prediction: La La Land

I’ll go with the probable Best Picture winner, but Moonlight and Arrival are possibilities.

Best Costume Design

Todd’s Performance: 5/5 (!)

Analysis: I guess I know my costumes as I correctly predicted Allied, Fantastic Beasts and Where to Find Them, Florence Foster Jenkins, Jackie, and La La Land.

Winner Prediction: Jackie

The La La love could extend here and possibly even Colleen Atwood’s work for Fantastic Beasts, but I’ll go Jackie.

Best Editing

Todd’s Performance: 4/5

Analysis: Hell or High Water got in as opposed to Manchester. Other nominees: Arrival, Hacksaw Ridge, La La Land, and Moonlight.

Winner Prediction: La La Land

This category often matches Picture and it should here, too. Hacksaw and Arrival have shots.

Best Makeup and Hairstyling

Todd’s Performance: 1/3

Analysis: Not so good… There were seven possibilities out of three nominees and I only was able to get Star Trek Beyond right. In place of Deadpool and Florence Foster Jenkins are A Man Called Ove and Suicide Squad.

Winner Prediction: Star Trek Beyond

I guess I’ll go with it since it’s the only one I named correctly. This could change…

Best Original Score

Todd’s Performance: 3/5

Analysis: Jackie and a legitimately unforeseen Passengers got in instead of Florence Foster Jenkins and Nocturnal Animals, along with La La Land, Lion, and Moonlight.

Winner Prediction: La La Land

The musical should win here, but Lion could possibly be an upset winner. Not likely though.

Best Original Song

Todd’s Performance: 4/5

Analysis: Expected nominees got in like the two from La La (“Audition” and “City of Stars”), Moana‘s “How Far I’ll Go”, and Justin Timberlake’s Trolls chart topper “Can’t Stop the Feeling!”. I went with “Drive It Like You Stole It” from Sing Street but the voters surprisingly chose “”The Empty Chair” from Jim: The James Foley Story, a tune that was never even on my radar.

Winner Prediction: “City of Stars” from La La Land

It’s won the Golden Globe and should take this one.

Best Production Design

Todd’s Performance: 2/5

Analysis: Damn production designers! This one threw me for a loop as I only got Arrival and La La Land right. I whiffed on Jackie (which I was certain would get in), Nocturnal Animals (again), and Silence. In their place: Fantastic Beasts and Where to Find Them, Hail, Caesar!, and those darn Passengers.

Winner Prediction: La La Land 

La La should have this wrapped up over the competitors.

Best Sound Editing

Todd’s Performance: 4/5

Analysis: Sully got in here instead of Rogue One: A Star Wars Story, along with Arrival, Deepwater Horizon, Hacksaw Ridge, and La La Land.

Winner Prediction: Hacksaw Ridge

Could be La La, Arrival, or even Deepwater, but I’ll give this to Hacksaw for its lone win.

Best Sound Mixing

Todd’s Performance: 4/5

Surprise nod here for 13 Hours: Secret Soldiers of Benghazi. I had Sully picked. Other nominees: Arrival, Hacksaw Ridge, La La Land, and Rogue One.

Winner Prediction: La La Land

Hard to imagine La La not taking this one.

Best Visual Effects

Todd’s Performance: 3/5

Deepwater Horizon and Kubo and the Two Strings made it in as opposed to Arrival (bit surprised there) and Fantastic Beasts (not as much so). Other nominees: Disney trio Doctor Strange, The Jungle Book, and Rogue One.

Winner Prediction: The Jungle Book

This could be a close one with Rogue, but I’ll predict Mowgli and his amazing CG animals pals.

That leaves this official breakdown of nominations:

14 Nominations

La La Land

8 Nominations

Arrival, Moonlight

6 Nominations

Hacksaw Ridge, Lion, Manchester by the Sea

4 Nominations

Fences, Hell or High Water

3 Nominations

Hidden Figures, Jackie

2 Nominations

Deepwater Horizon, Fantastic Beasts and Where to Find Them, Florence Foster Jenkins, Kubo and the Two Strings, A Man Called Ove, Moana, Passengers, Rogue One: A Star Wars Story

1 Nomination

Allied, Captain Fantastic, Doctor Strange, Elle, Fire at Sea, Hail, Caesar!, I Am Not Your Negro, Jim: The James Foley Story, The Jungle Book, Land of Mine, Life, Animated, The Lobster, Loving, My Life as a Zucchini, Nocturnal Animals, O.J.: Made in America, The Red Turtle, The Salesman, Silence, Star Trek Beyond, Suicide Squad, Sully, Tanna, 13th, 13 Hours: The Secret Soldiers of Benghazi, Toni Erdmann, Trolls, 20th Century Women, Zootopia

And HERE is my current WINNER breakdown:

9 Wins

La La Land

2 Wins

Manchester by the Sea, Moonlight

1 Win

Fences, Hacksaw Ridge, I Am Not Your Negro, Jackie, The Jungle Book, The Salesman, Star Trek Beyond, Zootopia

And that (whew) does it for now! You can rest assure I’ll be back shortly before the big ceremony to make final winner picks. Until then…