Oscar Watch: Palm Springs

Hulu gave us a nice surprise this weekend with the release of Palm Springs, a refreshingly clever take on the Groundhog Day concept from director Max Barbakow and screenwriter Andy Saria. I wrote my review of it yesterday and you can find it here:

https://toddmthatcher.com/2020/07/10/palm-springs-movie-review/

The sci-fi comedy originally debuted at the Sundance Film Festival and reviews have been impressive (to the tune of a 95% Rotten Tomatoes rating). Starring Andy Samberg and Cristin Milioti, the RT score for Springs easily eclipses that of The King of Staten Island at 72%. The latter has been mentioned for potential awards attention – albeit in a long shot fashion.

So could this even more acclaimed pic be a contender? Unlikely, but you never know in this highly unusual 2020. If Springs were to vie for any prize, I feel Original Screenplay would be its best hope. The story could be different when it comes to the Golden Globes. That’s where the genres of Drama and Musical/Comedy are divided. Depending on the competition coming in the last half of this long year, both Samberg and especially Milioti (in a breakout role) could at least be on the minds of Globes voters.

I know one thing. Based on my very positive reaction to it, I think it should at least be considered. My Oscar Watch posts will continue…

The Oscars Go Streaming

The COVID-19 pandemic has obviously changed the operation of movie theaters for the past two months and that looks to continue into the foreseeable future in many states across the nation. For someone who has a blog that focuses on a lot on Oscar forecasting, this has raised numerous questions. The primary one is: could there really be an Oscar telecast for 2020 pictures next year if there’s little product being released? And I certainly don’t think Sonic the Hedgehog or Birds of Prey will sweep the ceremony in February 2021.

A significant part of the answer to that question was revealed today. The Academy, after an internal Zoom conference, announced that streaming and VOD product will indeed be eligible for Oscar consideration. You may ask – weren’t Netflix and other streamers already being nominated? After all, 2019 saw Best Picture and/or acting nods for The Irishman, Marriage Story, and The Two Popes. Well, not really. The previous rule was that each streaming entry had to screen in Los Angeles for a one week awards qualifying run. That rule (at least for 2020) has been abolished.

So what does that mean? The uncertainty surrounding the opening of theaters could mean a lot more features hitting Netflix, Amazon Prime, Hulu, and any other VOD platforms. We have witnessed this already with Trolls World Tour landing on small screens when it was supposed to hit multiplexes. That’s not all. Just yesterday, Judd Apatow’s latest comedy King of Staten Island starring Pete Davidson skipped its theatrical run and opted for a June VOD date. The Lovebirds, which reunites Kumail Nanjiani with his The Big Sick director Michael Showalter, arrives May 22 on Netflix. The Seth Rogen comedy An American Pickle will now premiere on HBO Max.

With today’s announcement, I suspect we could see many Oscar contenders (especially lower budget ones) make the streaming move. And with the uncertainty regarding film festivals like Cannes, Venice, Toronto, and Telluride (typically the launching pads for such content), this could be the easiest way to get such features to the masses around the same time frame.

My Oscar coverage, when it’s available, will continue here!

Daily Streaming Guide: April 3rd Edition

Today’s Streaming Guide focuses on an Oscar nominated period drama that is available for viewing via Hulu:

1998’s Gods and Monsters is responsible for introducing many American filmgoers to the work of Ian McKellen before he became a household name shortly thereafter with the X-Men and Lord of the Rings franchises. He’s cast as director James Whale, most known for his horror classics Frankenstein and Bride of Frankenstein. Set in the 1950s, Whale is aging and medically fragile and under the care of Lynn Redgrave’s nurse. Brendan Fraser (in rare dramatic work) costars as a young gardener who befriends Whale and is the object of his affection.

Monsters deservedly garnered Academy nominations for McKellen and Redgrave and won Best Adapted Screenplay. It’s worthy of a look.

That does it for now, folks! Until next time…

Daily Streaming Guide: April 1st Edition

Today’s Streaming Guide give us a mid 1980s comedic adventure that was an unexpected  blockbuster at the time and is available via Hulu:

Romancing the Stone was not expected to be a success at the time of its release. From director Robert Zemeckis, Michael Douglas had yet to establish himself as a bankable leading man. The pic casts him as a petty smuggler who assists Kathleen Turner’s romance novelist searching for her kidnapped sister in Colombia. Danny DeVito memorably costars as one of the kidnappers. Critics and audiences alike gave it the stamp of approval.

Stone, influenced by the Indiana Jones series, marked Zemeckis’s first major hit. Many would follow including Back to the Future, Who Framed Roger Rabbit, and Forrest Gump. The Douglas/Turner/DeVito trio would reunite for a sequel the next year with the less effective The Jewel of the Nile. They would join forces in 1989 for The War of the Roses, the black comedy directed by DeVito that is also well worth a look.

That does it for today, folks! Until next time…

Daily Streaming Guide: March 29th Edition

The Streaming Guide today starts with a bold picture that defies genre explanation from 2018 and it’s currently available on Hulu:

Sorry to Bother You is one of the most audacious directorial debuts in recent memory from  Boots Riley, most known for his contributions to the world of hip hop. It is a daring race relations comedy and drama with an unmistakable point of view on capitalism. Sorry is also a romance, a tale of unions, and it manages to somehow incorporate science fiction elements with human and horse hybrids. That’s right… if you’re looking for something wholly original to view, this fits the bill. The cast includes Lakeith Stanfield, Tessa Thompson, Armie Hammer, and Danny Glover.

For my second pic (also via Hulu), I turn to 2017’s I, Tonya. From Craig Gillespie, it recounts the sordid saga of the 1994 Winter Olympics attack on figure skater Nancy Kerrigan. Margot Robbie earned an Oscar nod for her portrayal of rival Tonya Harding and Allison Janney took Supporting Actress gold as her wildly eccentric mother. Seek out ESPN’s 30 for 30 doc about the subject and watch I, Tonya as an added bonus.

And that does it for today, folks! Until next time…

Daily Streaming Guide: March 23rd Edition

Today’s Daily Streaming Guide brings us a must watch for horror fans who like a little comedy and irreverence spliced in!

2012’s The Cabin in the Woods is streaming on Hulu. What begins as a seemingly run-of-the-mill scary pic about college students being terrorized in a cabin takes all kinds of unexpected and often humorous turns. The film is cowritten by Joss Whedon and a month after its release, he struck box office gold with the first Avengers. This is directed by his colleague Drew Goddard (making his debut) with a cast includes Thor himself Chris Hemsworth, Richard Jenkins and Bradley Whitford doing sublime work, and genre legend Sigourney Weaver in a small yet pivotal role.

Cabin wasn’t a big hit at the multiplexes, but it’s deservedly achieved cult status since. I find it to be one of the wildly entertaining flicks of its kind in recent times.

That’s all for now, folks! Until next time…

Daily Streaming Guide: March 22nd Edition

Today’s edition of my Daily Streaming Guide centers on two captivating documentaries, which are both available for viewing via Hulu:

The 2014 doc Life Itself is about the life and death of renowned film critic Roger Ebert. From his wilder days in Chicago to becoming sober to his famed partnership with fellow reviewer Gene Siskel, the pic is an all encompassing look at the legendary Pulitzer Prize winning writer. The most touching moments involve his debilitating cancer battle that ended his life in 2013. Emotionally resonant and often funny, Life Itself is a great watch even for people who weren’t tremendously influenced by his work (like me).

2018’s Three Identical Strangers can be filed under the heading “truth is stranger than fiction”. That phrase plays throughout the tale of identical triplets who didn’t know of one another’s existence until they were 19. The less you know about it going in, the better. Just know that you’ll be entertained and consistently surprised.

And that does it for now, folks! Until next time…

Daily Streaming Guide: March 21st Edition

My Daily Streaming Guide rolls along today with three new movies worthy of your binge watching consideration:

Amazon Prime

From 2007, David Fincher’s Zodiac finds the filmmaker in his dark and visually stylish wheelhouse. The man behind Seven and Fight Club meticulously details the case of the Zodiac Killer in the late 1960s and early 1970s with a top-notch cast including Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr. (one year before his first appearance as Tony Stark in the MCU).

Netflix

Speaking of stylish, Nicholas Winding Refn’s Drive from 2011 has it in spades. It also defies genre placement. Ryan Gosling doesn’t have much dialogue, but this is one of his finest roles as a stunt performer who moonlights in underground criminal circles. A contemplative pic with violent outbursts, Drive is a stunner.

Hulu

On the cinematic front, J.J. Abrams is best known for revitalizing the Star Trek and Star Wars series. His stand-alone 2011 effort Super 8 has a Stranger Things vibe before that landmark show existed. With a heavy Spielberg influence, it would have been right at home being released in 1985. It’s a lot of fun and there’s a humdinger of a trash crash sequence.

And that does it for now, folks! Until next time…

Daily Streaming Guide: March 19th Edition

My Daily Streaming Guide for titles worthy of including in your binge watching escapades continues with some lighter and laugh inducing material:

Amazon Prime

Our taste for cinematic whodunits increased this fall with the release of the blockbuster Knives Out. For those who haven’t seen Clue, not only is it my favorite flick based on a board game – it’s one of my favorite murder mysteries (packed with great one-liners). Featuring an array of hilariously broad performances led by Tim Curry, the pic has deservedly turned into a cult classic. I watched it endlessly as a kid and find it just as entertaining today.

Netflix

Over a decade before Robin Williams donned a dress and spectacles in Mrs. Doubtfire, Dustin Hoffman did the same in 1982’s massive hit Tootsie. Nominated for 10 Academy Awards, a new generation might not be familiar with it. If you haven’t seen it, it’s definitely worth a look.

Hulu

For something more recent, Mark Wahlberg and Rose Byrne headline the dramedy Instant Family. It casts the pair as foster parents entering unknown and often funny and dramatically resonant territory. Certainly a worthwhile experience that the whole family can enjoy.

I’ll be back at it tomorrow! Until then…

Daily Streaming Guide: March 18th Edition

Continuing on with my Daily Streaming Guide for worthy titles available on various services – let’s call today the Alex Garland Edition. He’s the director behind both science fiction titles that are highly worthy of a look:

Netflix

We begin with his intelligent 2015 effort about artificial intelligence – Ex Machina starring Domhnall Gleeson, Oscar Isaac, and Alicia Vikander. Made for a reported lowly $15 million, this is the type of sci-fi that Stanley Kubrick probably would have been proud of. Machina even won the Oscar for Visual Effects over high-profile features like Mad Max: Fury Road and Star Wars: The Force Awakens. It also features one of the greatest out of nowhere dance sequences in cinematic history in my view.

Hulu

Garland’s excursion into high minded sci-fi continued with Annihilation, his 2018 follow-up. The visually stunning experience featuring Natalie Portman and Isaac (again) has themes that will stick with you post credits. And just like Ex Machina features a scene that floored me, so does this. The former involved dancing. The latter involves a human and a bear sharing the same voice. You’ll see what I mean. It’s terrifying and thrilling simultaneously.

I’ll be back at it soon, folks! Until then…