Tag: Everything Everywhere All at Once

96th Academy Awards FINAL Winner Predictions

After scores of Oscar Prediction posts, 35 Case Of write-ups making the argument for and against winners in BP, Director, and the four acting derbies, and numerous articles covering the key precursors – we have arrived at my final winner predictions for the 96th Academy Awards. The ceremony airs Sunday night with Jimmy Kimmel back hosting (remember: it starts an hour earlier than normal at 7PM EST).

Truth be told, some of the major races come with little to zero suspense and you’ll read about that below. On the other hand, there are a handful of competitions that are quite unpredictable with the most visible being Best Actress.

As I do each year, I’ll give you the nominees, brief analysis, and a winner and runner-up pick for all the feature-length categories. Let’s get to it!

BEST PICTURE

Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest

Let’s keep this simple. Oppenheimer is the easiest BP selection to predict in quite some time and there’s been some obvious ones recently (including Everything Everywhere All at Once last year). It has taken all the precursors it needs to including the Globes, BAFTA, SAG and Critics Choice. Frankly, the more difficult call is runner-up (and it doesn’t really matter). I’ll go with Poor Things since it had the second most noms and showed up in all the major races where it was expected to contend.

Prediction: Oppenheimer

Runner-Up: Poor Things

BEST DIRECTOR

Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)

You could literally copy and paste everything about Picture for Director with the man who made Oppenheimer and throw in the fact that he took DGA as well. Another no brainer.

Prediction: Christopher Nolan, Oppenheimer

Runner-Up: Jonathan Glazer, The Zone of Interest (I guess)

BEST ACTRESS

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)

And now it gets complicated. Of the four acting races, this is by far the hardest one. Why? It appears to be a coin flip between Stone and Gladstone. They split the Golden Globes as anticipated. Stone received BAFTA and Critics Choice and appeared to be out front. And then Gladstone swooped in for SAG. That recency factor could serve as a boost. Additionally, Gladstone’s victory would be historic. For Stone, it would be her second statue in seven years after her La La Land prize. Stone could absolutely make the podium trip and it wouldn’t be unexpected at all. Yet for the reasons above…

Prediction: Lily Gladstone, Killers of the Flower Moon

Runner-Up: Emma Stone, Poor Things

BEST ACTOR

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

Best Actor also looked like a pick ’em for a bit between Murphy and Giamatti. They split the Globes and then Giamatti was your Critics Choice choice. Murphy, however, regained momentum with BAFTA and SAG. A Giamatti win could occur, but it seems unlikelier now.

Prediction: Cillian Murphy, Oppenheimer

Runner-Up: Paul Giamatti, The Holdovers

BEST SUPPORTING ACTRESS

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

There was some thought that this race could become interesting at some point with an Emily Blunt upset at SAG or maybe even Brooks scoring a shocking victory. It never happened and Randolph has emerged everywhere. This is one of the easiest categories to call.

Prediction: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

BEST SUPPORTING ACTOR

Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)

This quintet of performers all come from BP nominees, but the winner will be from the BP recipient. Downey Jr. has swept this season thus far and that’ll continue.

Prediction: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

BEST ORIGINAL SCREENPLAY

Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives

You’ll notice a common theme with both Screenplay derbies. It looked like each would difficult to figure out, but precursors have had consistency. In Original, that’s been Anatomy of a Fall and this should mark its sole Oscar since France inexplicably didn’t make it their International Feature Film submission.

Prediction: Anatomy of a Fall

Runner-Up: The Holdovers

BEST ADAPTED SCREENPLAY

Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest

There is a little more intrigue here with Barbie in the mix and a potential Oppenheimer juggernaut being rewarded even here. That said, Fiction kept racking up precursors and I can’t bet against it for its solo prize.

Prediction: American Fiction

Runner-Up: Oppenheimer

BEST INTERNATIONAL FEATURE FILM

Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest

As mentioned, with Anatomy left out, this becomes easy. Zone is the only BP nominee listed in this group.

Prediction: The Zone of Interest

Runner-Up: Society of the Snow

BEST ANIMATED FEATURE

Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse

We’ve got real drama here as Heron took the Globe and BAFTA while Spidey is the Annie and Critics Choice selection. I’m leaning toward the latter, but Heron could fly away with the minor upset.

Prediction: Spider-Man: Across the Spider-Verse

Runner-Up: The Boy and the Heron

BEST DOCUMENTARY FEATURE

Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol

Doc Feature can be a head scratcher from time to time and I’m tempted to go with Daughters or even something else to shake it up. Mariupol, though, has collected the bulk of notable precursors. It’s the safe pick.

Prediction: 20 Days in Mariupol

Runner-Up: Four Daughters

BEST CINEMATOGRAPHY

Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things

Sometimes brevity is appreciated. There are some of these tech races where Oppenheimer is way out front. This would be one.

Prediction: Oppenheimer

Runner-Up: Poor Things

BEST COSTUME DESIGN

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

Here’s one where Oppenheimer isn’t really expected to win. Instead, like Production Design, this should be between Barbie and Poor Things and it’s 50/50 in my view. I have a strange feeling that Barbie will win more than 1 Oscar (there’s one coming below where it’s basically a slam dunk). This could mark that second trophy.

Prediction: Barbie

Runner-Up: Poor Things

BEST FILM EDITING

Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things

A very easy call for Oppenheimer.

Prediction: Oppenheimer

Runner-Up: Anatomy of a Fall

BEST MAKEUP AND HAIRSTYLING

Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow

Poor Things is a genuine threat, but I’ll say this is Maestro‘s only victory.

Prediction: Maestro

Runner-Up: Poor Things

BEST ORIGINAL SCORE

Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things

It is Oppenheimer‘s destiny to take this one.

Prediction: Oppenheimer

Runner-Up: Killers of the Flower Moon

BEST ORIGINAL SONG

Nominees: “The Fire Inside” from Flamin’ Hot; “I’m Just Ken” from Barbie; “It Never Went Away” from American Symphony; “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon; “What Was I Made For?” from Barbie

Here’s where Barbie is the safe pick with either tune. “Ken” nabbed a Critics Choice prize, but Billie Eilish’s ballad scored at the Globes and Grammys.

Prediction: “What Was I Made For?” from Barbie

Runner-Up: “I’m Just Ken” from Barbie

BEST PRODUCTION DESIGN

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

Per Costume Design, a showdown between Barbie and Bella of Poor Things. Unlike Costume Design, my coin is flipped to Poor Things for what I’m projecting is its only Academy Award.

Prediction: Poor Things

Runner-Up: Barbie

BEST SOUND

Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest

This looked like a no thinking pick for Oppenheimer until Zone managed the BAFTA. I could see that repeating, but I’m not confident enough to bet against Oppenheimer.

Prediction: Oppenheimer

Runner-Up: The Zone of Interst

BEST VISUAL EFFECTS

Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon

Along with Actress, this is where I’ve struggled the most. VE is kinda wild this year with Oppenheimer not listed (it won Critics Choice), Dune: Part Two having been pushed to 2024, and Poor Things (which won BAFTA) not in the quintet. So… your guess is as good as mine. I’m really tempted to go with Godzilla. Guardians and Napoleon are possible (I really don’t see Mission as the pick). Yet I’ll say The Creator edges them out as it just took some Visual Effects Society awards. Confidence level? Nada.

Prediction: The Creator

Runner-Up: Godzilla Minus One

That means I’m speculating that every BP nominee except Past Lives will win an Oscar… and that Barbie is the only other picture with more than one trophy other than Oppenheimer.

Here’s the projected breakdown for victories:

8 Wins

Oppenheimer

2 Wins

Barbie

1 Win

American Fiction, Anatomy of a Fall, The Creator, The Holdovers, Killers of the Flower Moon, Maestro, Poor Things, Spider-Man: Across the Spider-Verse, 20 Days in Mariupol, The Zone of Interest

And there you have it! I’ll have a recap up Sunday evening with how I did and general takeaways…

30th SAG Awards Winner Predictions

The 30th SAG Awards air this Saturday and they are rightly viewed as an often reliable barometer for the Oscars, especially in the acting derbies. The biggest prize honors the strongest ensemble and that’s a less reliable match with Best Picture. Over the past 10 ceremonies, the correlation has been 5 out of 10 and that includes the last two shows with CODA and Everything Everywhere All at Once.

On the other hand, it was four for four in Actress, Actor, and the supporting competitions last year. That also holds true for 2021.

Sunday’s program could solidify frontrunner statuses for Actress/Actor hopefuls and further potential sweeps for the supporting players. Let’s walk through all 6 categories with a winner and runner-up selection.

Outstanding Performance by a Cast in a Motion Picture

Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer

You have to go back to the second SAG Awards and The Birdcage to find a nominee that wasn’t an Oscar BP nominee so you can cross The Color Purple out immediately. My hunch is this comes down to Barbenheimer. We know that Oppenheimer is the overwhelming favorite for the Academy’s BP. However, Barbie could legitimately pick this up. This is a close call and I wouldn’t totally rule out Fiction. Yet the fact is that Oppenheimer might be strong enough to nab this one in addition to all the other precursors.

Predicted Winner: Oppenheimer

Runner-Up: Barbie

Outstanding Performance by a Female Actor in a Leading Role

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)

This is where Gladstone could make the Oscar race a nail biter. Stone has taken Critics Choice and BAFTA. If she gets the victory at SAG, she’ll become the easy favorite. Arguably a coin flip, but I’m sensing Stone gets it.

Predicted Winner: Emma Stone, Poor Things

Runner-Up: Lily Gladstone, Killers of the Flower Moon

Outstanding Performance by a Male Actor in a Leading Role

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

Read what I said about Female Actor in a Leading Role. In this race, Cillian Murphy is Emma Stone. Paul Giamatti is Lily Gladstone (except Giamatti took Critics Choice). Murphy could achieve frontrunner status or Giamatti could make it a jump ball. I’m projecting the latter.

Predicted Winner: Paul Giamatti, The Holdovers

Runner-Up: Cillian Murphy, Oppenheimer

Outstanding Performance by a Female Actor in a Supporting Role

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penélope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

Randolph has been the victor everywhere important and I don’t see SAG interrupting her sweep.

Predicted Winner: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

Outstanding Performance by a Male Actor in a Supporting Role

Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)

Read what I said about Female Actor in a Supporting Role. Robert Downey Jr. is Da’Vine Joy Randolph.

Predicted Winner: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick: Chapter 4, Mission: Impossible – Dead Reckoning

The sequel heavy lineup marks the first nomination for a John Wick pic. Some prognosticators are going with it, but I’m forecasting the Mission series (in its third try) pulls through.

Predicted Winner: Mission: Impossible – Dead Reckoning

Runner-Up: John Wick: Chapter 4

That means the tally goes like this:

2 Wins

The Holdovers, Oppenheimer

1 Win

Mission: Impossible – Dead Reckoning, Poor Things

I’ll have a recap up after the show this weekend!

Oscars: The Case of Robert Downey Jr. in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

Chaplin (Actor, 1992); Tropic Thunder (Supporting Actor, 2008)

The Case for Robert Downey Jr.:

It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).

The Case Against Robert Downey Jr.:

Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.

The Verdict:

At this point, anything other than a Downey Jr. victory would be a significant upset.

My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…

Oscars: The Case of Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered six of the BP nominees. They are linked at the bottom of the post. Next up is Christopher Nolan’s Oppenheimer.

The Case for Oppenheimer:

Since it debuted last summer, the biopic of the “father of the atomic bomb” stood out as a massive awards player. It has a director who’s considered overdue for Oscar recognition. There’s widespread critical acclaim. And it’s an opportunity for the Academy to recognize a pic that general audiences flocked to (nearly a billion worldwide). The 13 nominations are the most of any film and it has already taken top honors at the Golden Globes and Critics Choice. The other nods are for Nolan in Director, Actor (Cillian Murphy), Supporting Actress (Emily Blunt), Supporting Actor (Robert Downey Jr.), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, Production Design, and Sound. I would contend it has a real shot at picking up gold for at least 8 of them, in addition to BP.

The Case Against Oppenheimer:

There’s no doubt that it’s the frontrunner. And sometimes being the frontrunner causes a backlash that begets an upset. Usually the movie with the most nods doesn’t take BP (it’s only happened 3 out of the last 10 years with Birdman, The Shape of Water, and Everything Everywhere All at Once).

The Verdict:

Yes, there’s always the chance for a shocker. The Holdovers looms as a spoiler and perhaps the huge press generated by the Barbie snubs could propel it to a BP victory. Poor Things has its ardent supporters. That said, Oppenheimer is the far and away favorite for this and other prizes on March 10th.

My Case Of posts will continue with Past Lives…

Oscars: The Case of American Fiction
Oscars: The Case of Anatomy of a Fall
Oscars: The Case of Barbie
Oscars: The Case of The Holdovers
Oscars: The Case of Killers of the Flower Moon
Oscars: The Case of Maestro

The L.A. Critics Are In The Zone

Since 2009, every Best Film winner from the LA Film Critics Association has nabbed a Best Picture nomination at the Oscars with the exception of 2020’s Small Axe (which wasn’t eligible for Academy consideration). Five, including last year’s Everything Everything All at Once, went on to win. And this is why today’s announcement that Jonathan Glazer’s The Zone of Interest is the recipient of the big prize feels important. Zone is looked at as a coin toss for making the BP cut and victories like today help (I currently have it ranked 8th in the standings). The Holocaust drama also took Director and Music/Score and I have it receiving Oscar noms in both of those derbies as well.

The L.A. branch doesn’t differentiate between genders in their acting races and they name two winners in both lead and supporting. Sandra Hüller took a lead trophy for both Anatomy of a Fall and The Zone of Interest alongside Emma Stone for Poor Things. Both are expected to make plays in Best Actress at the Oscars (Hüller for Anatomy).

In Supporting, Rachel McAdams (Are You There God? It’s Me, Margaret) and Da’Vine Joy Randolph (The Holdovers) were the selections. The latter is widely expected to be among the Supporting Actress quintet of hopefuls. The former seems to be rising and I placed her in fifth earlier today in my latest round of predictions.

All of Us Strangers is your SoCal Screenplay winner. It hopes to make the list in Original Screenplay at the Oscars, but competition is fierce.

Other prizes:

Cinematography: Poor Things

Editing: Anatomy of a Fall

Production Design: Barbie

Film Not in the English Language: Anatomy of a Fall

Documentary/Non-Fiction Film: Menus-Plaisirs: Les Troigros

Animation: The Boy and the Heron

Keep an eye on the blog for major precursor news as we move closer to Oscar nomination morning!

Gotham Honors Past Lives

The 33rd Annual Gotham Awards were held this evening and it was looking like a potential night of missed opportunities for Celine Song’s Past Lives… until the end. Of the five nominees for Best Feature, the acclaimed A24 romantic drama was really the only one with legit Best Picture aspirations at the Oscars. It did take the top prize over Passages, Reality, Showing Up, and A Thousand and One.

This was following its director Song surprisingly not being awarded Breakthrough Director. That instead went to A.V. Rockwell for A Thousand and One and made the announcement for the big race a bit suspenseful.

Of the 20 pictures that have taken Best Feature at the Oscars (this category has existed since 2004 and there was a tie one year), 12 have become Academy hopefuls for BP. Half of those (The Hurt Locker, Birdman, Spotlight, Moonlight, Nomadland, Everything Everywhere All at Once) won. As a reminder, until this year, contenders for the Gothams were typically lower budgeted titles. Even with the budgetary restrictions removed, some heavy hitters like Oppenheimer and Killers of the Flower Moon opted not to compete at this ceremony.

As far as Past Lives is concerned, the perception of it losing could’ve hindered its Oscar chances. So it helped itself tonight by doing what it was expected to do. That said, it missed another possible victory with Greta Lee coming up short in Outstanding Lead Performance. Lily Gladstone took the trophy… not for the non-contending Killers of the Flower Moon, but for The Unknown Country. Gladstone seems on her way to a Best Actress slot for Moon. This is another unexpected win for an awards body that frequently provides them.

Outstanding Supporting Performance went to Charles Melton in May December and he might’ve upped his Oscar stock more than anyone. This race saw potential victors like Ryan Gosling (Barbie) and Da’Vine Joy Randolph (The Holdovers) end up behind him. **Note that the Gothams recently switched to ten nominees in lead and supporting without a divide for gender**. I’ve had Melton in my projected quintet recently and am feeling more and more confident about that. While Melton is a long shot to win at the big show, it should be noted that the previous two recipients (Troy Kotsur in CODA and Ke Huy Quan for Everything Everywhere) took the Supporting Actor Oscar.

Justine Triet’s Anatomy of a Fall received the Screenplay and International Feature awards. France did not select it as their pick for International Feature Film at the Academy Awards (where it probably would’ve been locked in a fierce competition with The Zone of Interest). Fall is a coin toss for BP inclusion so every little bit helps.

Finally, Four Daughters is your Documentary Feature pick (over 20 Days in Mariupol) as it increases it exposure.

Keep an eye on the blog for an Oscar predictions update in the coming days!

Gotham Nominations: A Notebook Report

The highly unpredictable Gotham Awards released nominations today for their 2023 best. And, as expected, it was… unpredictable. There was added intrigue because the organization (dedicated to independent film) dropped their “low” budget requirements (traditionally $35 million or under) to qualify for inclusion. However, likely Oscar heavy hitters such as Killers of the Flower Moon, Oppenheimer, and The Color Purple took themselves out of contention.

That was not the case with Barbie, but it managed just one nomination in Outstanding Supporting Performance for Ryan Gosling. His costar from The Notebook Rachel McAdams will compete against him for her work in Are You There God? It’s Me, Margaret. Last year, the Gothams dropped their gender divisions with ten nominees in the lead and supporting derbies. We’ll cover those momentarily.

We start with Best Feature which showcases five pictures. From 2014-16, the Gotham recipient matched the Academy’s BP with Birdman, Spotlight, and Moonlight. The same occurred in 2020 with Nomadland and last year with Everything Everywhere All at Once. In other recent years, there’s been at least one nominee that got into BP at the big dance, including The Favourite, Marriage Story, and Tár. The only recent exception in the last decade was in 2021.

This year’s contenders are Passages, Past Lives, Reality, Showing Up, and A Thousand and One. Only Past Lives seems poised to make BP at the Oscars and even that isn’t a foregone conclusion.

Andrew Haigh’s romantic ghost tale All of Us Strangers actually led all nominees with four: Screenplay, International Feature, Outstanding Lead Performance (Andrew Scott), and Outstanding Supporting Performance (Claire Foy).

Last year, four of the ten leading performance nominees managed Oscar nominations. That includes the two winners (Brendan Fraser for The Whale and Michelle Yeoh in Everything Everywhere All at Once) as well as Paul Mescal (Aftersun) and Cate Blanchett (Tár). Danielle Deadwyler (Till), who was snubbed by the Academy, won.

In addition to the aforementioned Scott for Strangers, the other nine up for lead in 2023 are Aunjanue Ellis-Taylor (Origin), Lily Gladstone (The Unknown Country), Greta Lee (Past Lives), Franz Rogowski (Passages), Babetida Sadjo (Our Father, the Devil), Cailee Spaeny (Priscilla), Teyana Taylor (A Thousand and One), Michelle Williams (Showing Up), and Jeffrey Wright (American Fiction). I would argue that unlike Fraser, Yeoh, and Blanchett from the previous ceremony, none of the nominees here are guaranteed Oscar spots. Those with the best chance? Probably Lee, Wright, Spaeny, and Scott. Gladstone should get in, but it will be for Killers of the Flower Moon and not Country.

The supporting derby in 2022 yielded three eventual nominees including Supporting Actor victor Ke Huy Quan (Everything Everywhere) as well as Hong Chau (The Whale) and Brian Tyree Henry (Causeway). Quan also took the Gotham.

Our ten supporting players for this year’s ceremony are the aforementioned Foy (All of Us Strangers) and McAdams (Margaret) and Gosling (Barbie). Then there’s Juliette Binoche (The Taste of Things), Penelope Cruz (Ferrari), Jamie Foxx (They Cloned Tyrone), Glenn Howerton (BlackBerry), Sandra Hüller (The Zone of Interest), Charles Melton (May December), and Da’Vine Joy Randolph (The Holdovers). With the exception of Foxx, I would say all nine have solid to at least feasible shots at making the Oscar cut (especially Gosling and Randolph).

How will it all shake out? Don’t look for the Gothams to provide too much guidance. Yet today’s announcement at least gives us a peek at movies and performers who could keep or gain momentum. Movies like The Holdovers, Poor Things, Anatomy of a Fall, and more that came up short today? They shouldn’t worry too much.

2023 Oscar Predictions: October 3rd Edition

The September triumvirate of high profile festivals (Venice, Toronto, Telluride) is in the rearview mirror. The New York Film Festival is happening now though there’s not a huge number of pictures that didn’t already premiere at earlier fests. One that did – Garth Davis’s Foe – proved to be an awards bust. With a 21% Rotten Tomatoes score, you can assume this is the last time it will be mentioned in these prediction posts.

Truth be told, there are just a few Oscar bait titles left to screen. They include The Color Purple, Napoleon, Disney’s Wish, The Iron Claw, and Wonka (in some tech races).

I thought this might be an opportune time to tell you how my 2022 predictions from this same time of year stood up. Last year, when I did forecasts for the 95th Academy Awards on October 5th, it yielded an impressive 8 of the eventual nominees (winner Everything Everywhere All at Once, All Quiet on the Western Front, The Banshees of Inisherin, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking). The other two nominees (Avatar: The Way of Water and Elvis) were both listed in other possibilities.

For Best Director, I correctly called three of the five (winners the Daniels for Everything Everywhere, Todd Field for Tár, Steven Spielberg with The Fabelmans). Martin McDonagh (The Banshees of Inisherin) and Rüben Ostlund (Triangle of Sadness) were identified as other possibilities.

The #3 also applied to Actress as I named winner Michelle Yeoh (Everything Everything) along with Cate Blanchett (Tár) and Michelle Williams (The Fabelmans). Ana de Armas (Blonde) was tagged under other possibilities while Andrea Riseborough (To Leslie) was not yet on the radar screen. Same goes for Best Actor (3) where I had winner Brendan Fraser (The Whale), Austin Butler (Elvis), and Colin Farrell (The Banshees of Inisherin) and Bill Nighy (Living) in othjer possibilities. Paul Mescal (Aftersun) was outside of the top ten.

In the supporting derbies, my 2022 early October projections gave you only two of the eventual five in Supporting Actress with Kerry Condon (The Banshees of Inisherin) and Hong Chau (The Whale). Stephanie Hsu (Everything Everywhere) was an other possibility. The winner Jamie Lee Curtis (Everything Everywhere) was not yet in my listed ten nor was fellow nominee Angela Bassett (Black Panther: Wakanda Forever). For Supporting Actor, I correctly had three with winner Ke Huy Quan (Everything Everywhere) and Banshees costars Brendan Gleeson and Barry Keoghan. Judd Hirsch (The Fabelmans) was in other possibilities while Brian Tyree Henry (Causeway) had not entered my mix.

Whew. For those keeping score, that means I predicted 22 of the 35 movies, directors, and actors in those six races at this same juncture in 2022.

My first October projections contain a few alterations from my final September write-up. As much as I don’t like taking Toronto’s People’s Choice Award victor American Fiction out of my BP lineup, I’m doing so with The Zone of Interest back in that list. On the same note, Zone‘s filmmaker Jonathan Glazer returns to my directing quintet with Celine Song (Past Lives) on the outside looking in.

Greta Lee (Past Lives) jumps back in Actress with Margot Robbie (Barbie) omitted. However, Lee’s costar John Magaro is dropped from Supporting Actor in favor of Charles Melton (May December).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Oppenheimer (Previous Ranking: 1) (Even)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. The Color Purple (PR: 6) (+1)

6. Past Lives (PR: 5) (-1)

7. Maestro (PR: 8) (+1)

8. The Holdovers (PR: 7) (-1)

9. Anatomy of a Fall (PR: 9) (E)

10. The Zone of Interest (PR: 11) (+1)

Other Possibilities:

11. American Fiction (PR: 10) (-1)

12. Air (PR: 12) (E)

13. Napoleon (PR: 15) (+2)

14. Spider-Man: Across the Spider-Verse (PR: 14) (E)

15. Origin (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Christopher Nolan, Oppenheimer (PR: 1) (E)

2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)

3. Yorgos Lanthimos, Poor Things (PR: 3) (E)

4. Greta Gerwig, Barbie (PR: 4) (E)

5. Jonathan Glazer, The Zone of Interest (PR: 8) (+3)

Other Possibilities:

6. Justine Triet, Anatomy of a Fall (PR: 6) (E)

7. Celine Song, Past Lives (PR: 5) (-2)

8. Bradley Cooper, Maestro (PR: 9) (+1)

9. Alexander Payne, The Holdovers (PR: 7) (-2)

10. Blitz Bazawule, The Color Purple (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Emma Stone, Poor Things (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Carey Mulligan, Maestro (PR: 3) (E)

4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)

5. Greta Lee, Past Lives (PR: 7) (+2)

Other Possibilities:

6. Fantasia Barrino, The Color Purple (PR: 6) (E)

7. Margot Robbie, Barbie (PR: 5) (-2)

8. Cailee Spaeny, Priscilla (PR: 9) (+1)

9. Annette Bening, Nyad (PR: 8) (-1)

10. Natalie Portman, May December (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Cillian Murphy, Oppenheimer (PR: 1) (E)

2. Bradley Cooper, Maestro (PR: 5) (+3)

3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 2) (-1)

4. Colman Domingo, Rustin (PR: 3) (-1)

5. Paul Giamatti, The Holdovers (PR: 4) (-1)

Other Possibilities:

6. Jeffrey Wright, Amerian Fiction (PR: 6) (E)

7. Andrew Scott, All of Us Strangers (PR: 7) (E)

8. Joaquin Phoenix, Napoleon (PR: 9) (+1)

9. Barry Keoghan, Saltburn (PR: 10) (+1)

10. Anthony Hopkins, Freud’s Last Session (PR: Not Ranked)

Dropped Out:

Teo Yoo, Past Lives

Best Supporting Actress

Predicted Nominees:

1. Danielle Brooks, The Color Purple (PR: 1) (E)

2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)

3. Emily Blunt, Oppenheimer (PR: 4) (+1)

4. Taraji P. Henson, The Color Purple (PR: 3) (-1)

5. Viola Davis, Air (PR: 5) (E)

Other Possibilities:

6. Penelope Cruz, Ferrari (PR: 6) (E)

7. Julianne Moore, May December (PR: 7) (E)

8. Jodie Foster, Nyad (PR: 9) (+1)

9. Rosamund Pike, Saltburn (PR: 8) (-1)

10. America Ferrera, Barbie (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Robert Downey Jr., Oppenheimer (PR: 1) (E)

2. Ryan Gosling, Barbie (PR: 2) (E)

3. Mark Ruffalo, Poor Things (PR: 3) (E)

4. Robert De Niro, Killers of the Flower Moon (PR: 4) (E)

5. Charles Melton, May December (PR: 7) (+2)

Other Possibilities:

6. Willem Dafoe, Poor Things (PR: 6) (E)

7. Colman Domingo, The Color Purple (PR: 8) (+1)

8. John Magaro, Past Lives (PR: 5) (-3)

9. Jesse Plemons, Killers of the Flower Moon (PR: Not Ranked)

10. Glenn Howerton, BlackBerry (PR: 9) (-1)

Dropped Out:

Sterling K. Brown, American Fiction

Best Original Screenplay

Predicted Nominees:

1. Barbie (PR: 1) (E)

2. Past Lives (PR: 2) (E)

3. The Holdovers (PR: 3) (E)

4. Anatomy of a Fall (PR: 4 ) (E)

5. Air (PR: 5) (E)

Other Possibilities:

6. Maestro (PR: 6) (E)

7. May December (PR: 7) (E)

8. Asteroid City (PR: 8) (E)

9. Fair Play (PR: 10) (+1)

10. Saltburn (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Oppenheimer (PR: 3) (E)

4. American Fiction (PR: 4) (E)

5. All of Us Strangers (PR: 5) (E)

Other Possibilities:

6. The Zone of Interest (PR: 8) (+2)

7. Hit Man (PR: 6) (-1)

8. The Color Purple (PR: 7) (-1)

9. Origin (PR: 9) (E)

10. Spider-Man: Across the Spider-Verse (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. The Zone of Interest (PR: 1) (E)

2. The Taste of Things (PR: 2) (E)

3. Perfect Days (PR: 3) (E)

4. About Dry Grasses (PR: 5) (-1)

5. Fallen Leaves (PR: 4) (+1)

Other Possibilities:

6. Society of the Snow (PR: 7) (+1)

7. The Peasants (PR: Not Ranked)

8. The Settlers (PR: Not Ranked)

9. The Delinquents (PR: 8) (-1)

10. The Promised Land (PR: 9) (-1)

Dropped Out:

The Teachers’ Lounge

Io capitano

Best Animated Feature

Predicted Nominees:

1. Spider-Man: Across the Spider-Verse (PR: 1) (E)

2. The Boy and the Heron (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. The Wish (PR: 4) (E)

5. Nimona (PR: 7) (+2)

Other Possibilities:

6. Teenage Mutant Ninja Turtles: Mutant Mayhem (PR: 5) (-1)

7. Chicken Run: Dawn of the Nugget (PR: 6) (-1)

8. The Peasants (PR: Not Ranked)

9. The Super Mario Bros. Movie (PR: 8) (-1)

10. Ruby Gillman, Teenage Kraken (PR: Not Ranked)

Dropped Out:

Suzume

Robot Dreams

Best Documentary Feature

Predicted Nominees:

1. Beyond Utopia (PR: 1) (E)

2. 20 Days in Mariupol (PR: 3) (+1)

3. Stamped from the Beginning (PR: 4) (+1)

4. Still: A Michael J. Fox Movie (PR: 2) (-2)

5. The Eternal Memory (PR: 7) (+2)

Other Possibilities:

6. Every Body (PR: 9) (+3)

7. The Mother of All Lies (PR: 8) (+1)

8. Orlando, My Political Biography (PR: 5) (-3)

9. It Ain’t Over (PR: 10) (+1)

10. The Deepest Breath (PR: Not Ranked)

Dropped Out:

American Symphony

Best Cinematography

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Maestro (PR: 4) (E)

5. The Zone of Interest (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 6) (E)

7. Ferrari (PR: Not Ranked)

8. The Killer (PR: 9) (+1)

9. The Color Purple (PR: 7) (-2)

10. Barbie (PR: 10) (E)

Dropped Out:

Asteroid City

Best Costume Design

Predicted Nominees:

1. Barbie (PR: 2) (+1)

2. Poor Things (PR: 1) (-1)

3. The Color Purple (PR: 3) (E)

4. Killers of the Flower Moon (PR: 4) (E)

5. Chevalier (PR: 5) (E)

Other Possibilities:

6. Napoleon (PR: 8) (+2)

7. Asteroid City (PR: Not Ranked)

8. Priscilla (PR: 6) (-2)

9. Oppenheimer (PR: 7) (-2)

10. Wonka (PR: 9) (-1)

Dropped Out:

Maestro

Best Film Editing

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Poor Things (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. Maestro (PR: 4) (-1)

Other Possibilities:

6. Air (PR: 7) (+1)

7. Barbie (PR: 10) (+3)

8. The Holdovers (PR: 8) (E)

9. Ferrari (PR: 6) (-3)

10. Anatomy of a Fall (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. Poor Things (PR: 1) (E)

2. Maestro (PR: 2) (E)

3. Guardians of the Galaxy Vol. 3 (PR: 3) (E)

4. Barbie (PR: 4) (E)

5. Killers of the Flower Moon (PR: 10) (+5)

Other Possibilities:

6. Priscilla (PR: 5) (-1)

7. The Color Purple (PR: 8) (+1)

8. Beau is Afraid (PR: Not Ranked)

9. Golda (PR: 9) (E)

10. Nyad (PR: 7) (-3)

Dropped Out:

Oppenheimer

Best Original Score

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Killers of the Flower Moon (PR: 2) (E)

3. Elemental (PR: 3) (E)

4. Past Lives (PR: 5) (+1)

5. The Killer (PR: 7) (+2)

Other Possibilities:

6. Poor Things (PR: Not Ranked)

7. Napoleon (PR: 4) (-3)

8. The Boy and the Heron (PR: 9) (+1)

9. Ferrari (PR: 10) (+1)

10. Barbie (PR: Not Ranked)

Dropped Out:

Spider-Man: Across the Spider-Verse

Asteroid City

Best Original Song

Predicted Nominees:

1. TBD from The Color Purple (PR: 1) (E)

2. “What Was I Made For?” from Barbie (PR: 2) (E)

3. “Road to Freedom” from Rustin (PR: 3) (E)

4. “The Wish” from Wish (PR: 4) (E)

5. “I’m Just Ken” from Barbie (PR: 5) (E)

Other Possibilities:

6. “Joan Still” from Theater Camp (PR: 9) (+3)

7. “Dance the Night” from Barbie (PR: 10) (+3)

8. “Gonna Be You” from 80 for Brady (PR: 7) (-1)

9. “Quiet Eyes” from Past Lives (PR: 6) (-3)

10. “Peaches” from The Super Mario Bros. Movie (PR: Not Ranked)

Dropped Out:

“High Life” from Flora and Son

Best Production Design

Predicted Nominees:

1. Barbie (PR: 3) (+2)

2. Poor Things (PR: 1) (-1)

3. Killers of the Flower Moon (PR: 2) (-1)

4. Oppenheimer (PR: 4) (E)

5. Asteroid City (PR: 6) (+1)

Other Possibilities:

6. The Color Purple (PR: 5) (-1)

7. Napoleon (PR: 7) (E)

8. Maestro (PR: 8) (E)

9. The Zone of Interest (PR: Not Ranked)

10. Saltburn (PR: 10) (E)

Dropped Out:

Wonka

Best Sound

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Ferrari (PR: 3) (+1)

3. Napoleon (PR: 4) (+1)

4. The Color Purple (PR: 2) (-2)

5. Spider-Man: Across the Spider-Verse (PR: 6) (+1)

Other Possibilities:

6. Killers of the Flower Moon (PR: 5) (-1)

7. The Creator (PR: Not Ranked)

8. Barbie (PR: 8) (E)

9. The Zone of Interest (PR: 10) (+1)

10. Maestro (PR: 7) (-3)

Dropped Out:

The Killer

Best Visual Effects

Predicted Nominees:

1. Oppenheimer (PR: 1) (E)

2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)

3. The Creator (PR: 3) (E)

4. Napoleon (PR: 6) (+2)

5. Rebel Moon (PR: 5) (E)

Other Possibilities:

6. Indiana Jones and the Dial of Destiny (PR: 7) (+1)

7. Dungeons & Dragons: Honor Among Thieves (PR: 9) (+2)

8. Poor Things (PR: 4) (-4)

9. Barbie (PR: 10) (+1)

10. Killers of the Flower Moon (PR: 8) (-2)

That means I’m projecting these movies will garner these numbers of nominations:

12 Nominations

Killers of the Flower Moon, Oppenheimer

10 Nominations

Poor Things

9 Nominations

Barbie

6 Nominations

The Color Purple, Maestro

5 Nominations

Past Lives

4 Nominations

The Holdovers, The Zone of Interest

3 Nominations

Anatomy of a Fall

2 Nominations

Air, Elemental, Guardians of the Galaxy Vol. 3, Napoleon, Rustin, Spider-Man: Across the Spider-Verse, Wish

1 Nomination

About Dry Grasses, All of Us Strangers, American Fiction, Asteroid City, Beyond Utopia, The Boy and the Heron, Chevalier, The Creator, The Eternal Memory, Fallen Leaves, Ferrari, The Killer, May December, Nimona, Perfect Days, Rebel Moon, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Taste of Things, 20 Days in Mariupol

A Killer Development in Best Actress

Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.

And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.

What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.

As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.

When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.

Oscar Predictions: Joy Ride

Between No Hard Feelings and this Friday’s Joy Ride, the raunchy comedy is back in multiplexes for the summer of 2023. The latter centers on four women (Ashley Park, Sherry Cola, Everything Everywhere All at Once‘s Oscar nominee Stephanie Hsu, Sabrina Wu) on an international road trip. Costars include Ronny Chieng, Lori Tann Chinn, David Denman, and Annie Mumolo. Adele Lim makes her directorial debut. She’s best known for cowriting 2018’s Crazy Rich Asians (which the Academy surprisingly completely ignored) and Disney’s 2021 animated pic Raya and the Last Dragon (which nabbed an Animated Feature nomination).

Since its premiere back in March at South by Southwest, buzz for Ride has been glowing. The Rotten Tomatoes meter is parked at 97% as the Lionsgate release hopes to have sleeper potential at the box office. Its awards prospects could be tied to that. If it achieves a high profile, perhaps an Original Screenplay nod is doable. I will note, however, that this genre is not exactly a favorite of the voters.

A more likely scenario is the Golden Globes taking notice in the Musical/Comedy race where Crazy Rich Asians did compete. It could be a reach, but the reviews are there for it to occur. My Oscar Prediction posts will continue…