Oscar Watch: Teen Titans! Go To the Movies

This Friday, Warner Bros animation is out with Teen Titans! Go To the Movies based on the Cartoon Network series. It’s a superhero spoof blending the characters of the show with notable icons from their catalog, including Nicolas Cage voicing Superman and Jimmy Kimmel as the Caped Crusader.

Early reviews are quite encouraging and it currently stands at 100% on Rotten Tomatoes. It has the potential to be a summer sleeper that could appeal to kids and their parents. Will  Oscar take note?

That could be a reach. Warner Bros has had a critically acclaimed output recently with their Lego series. However, The Lego Movie, The Lego Batman Movie, and The Lego Ninjago Movie all failed to garner recognition in the Best Animated Feature category.

We can pretty safely say that two 2018 releases are already in for nods: Wes Anderson’s Isle of Dogs and Pixar’s superhero toon Incredibles 2. And there’s plenty more animated material to come. Despite positive buzz, that could mean Academy voters could fail to remember the Titans in a few months.

Teen Titans Go! To the Movies Box Office Prediction

***Blogger’s Note II (07/26): On the eve of its premiere, I’m bumping my estimate back up from $13.4M to $16.4M

**Blogger’s Note (07/20): My estimate for Titans has dwindled from $17.4M to just $13.4M. That could mean a debut in the lower rungs of the top 5.

Teen Titans Go! To The Movies attempts to be the next animated hit of the summer when it debuts next weekend. This is a big screen version of the Cartoon Network’s series that debuted five years ago focusing on some fresh DC Comics superheroes. The cast of the show is here to voice their characters including Greg Cipes, Scott Menville, Khary Payton, Tara Strong, and Hynden Walch. And we have some familiar faces joining the voice over party including Kristen Bell, Will Arnett, Jimmy Kimmel as Batman, James Corden, Halsey, and Lil Yachty. Nicolas Cage, who was supposed to play the Man of Steel in a scrapped live-action Tim Burton pic nearly two decades ago, finally gets to be Superman.

Fans of the series won’t propel this to the heights of other animated efforts this season like Incredibles 2 or Hotel Transylvania 3: Summer Vacation. While Mission: Impossible – Fallout will undoubtedly dominate the charts next weekend, Titans will make a go for the #2 spot over holdovers Mamma Mia! Here We Go Again and The Equalizer 2. 

A mid to high teens gross might be enough to achieve it and that’s the ballpark where I have this landing.

Teens Titans Go! To The Movies opening weekend prediction: $16.4 million

For my Mission: Impossible – Fallout prediction, click here:

https://toddmthatcher.com/2018/07/17/mission-impossible-fallout-box-office-prediction/

The Shape of Oscar 2017

Well, the 90th Annual Academy Awards have come and – after 220 minutes of ceremony – gone. This is my annual wrap up of the show and (of course most importantly) how I did with my predictions!

In short, not too shabby…

I went 19/21 on my predictions – missing out on just Best Original Song (“Remember Me” from Coco won over my upset pick “Stand Up for Something” from Marshall and A Fantastic Woman took Foreign Film over The Insult). Neither were a surprise.

In fact, the night was rather predictable as far as winners. The Shape of Water was the big victor, taking Picture, Director (Guillermo del Toro), Production Design, and Original Score. The acting winners (Gary Oldman for Darkest Hour, Frances McDormand and Sam Rockwell for Three Billboards Outside Ebbing, Missouri, Allison Janney in I, Tonya) were the wise ones to have in the pool. Get Out got its recognition via Jordan Peele’s Original Screenplay. Legends like James Ivory (for his Call Me by Your Name Adapted Screenplay) and cinematographer Roger Deakins (for his Blade Runner 2049 work) finally won gold statues.

Some other quick observations:

  • Jimmy Kimmel, as he was last year, is a solid host for the show. I would have no problem with him essentially being the new Billy Crystal and hosting every year or every other year. That said, it sure would be interesting to see what a Tiffany Haddish or Dave Chappelle could do with it.
  • That 90 years in movies Oscar montage could have gone on another half hour and I would have been fine with it.
  • I hope the Phantom Thread costume designer is enjoying his jet ski today.
  • And, of course, no Best Picture screw up! Warren Beatty and Faye Dunaway can relax today.

And there you have it, folks! That’s my shape of Oscar 2017.

 

The Boss Baby Box Office Prediction

Next weekend, Alec Baldwin is The Boss Baby in Dreamworks Animation’s latest feature. Based on a 2010 childrens book, the pic has the SNL hosting record setter voicing a wiser than his years infant. Other voice over work is provided by Tobey Maguire, Steve Buscemi, Jimmy Kimmel, and Lisa Kudrow.

Baby arrives in the midst of a number of titles catering to younger audiences and their families. Beauty and the Beast will be in its third weekend and still posting large earnings. Power Rangers will be in its sophomore frame and Smurfs: The Lost Village will debut the weekend after.

Reviews haven’t been strong so far with just a 27% rating on Rotten Tomatoes. That said, Baldwin has surely been visible as of late with his President Trump impression and Dreamworks has a mostly impressive track record in their animated division.

The competition is likely to be a factor keeping this from truly significant grosses, but I’ll still estimate Baby manages a high 20s to possibly low 30s birth.

The Boss Baby opening weekend prediction: $28.6 million

For my Ghost in the Shell prediction, click here:

https://toddmthatcher.com/2017/03/23/ghost-in-the-shell-box-office-prediction/

2016 Oscars Reaction

Well… then! Who expected that ending at the Oscars?? One that involved Bonnie and Clyde, Leonardo DiCaprio, wrong envelopes, and a mild Best Picture upset! Yes, the jokes about that already infamous finale to the 89th Annual Academy Awards deserves the endless tweets about M. Night Shyamalan coming up with it and Steve Harvey being off the hook for his Miss Universe gaffe.

All in all, it was a fairly unpredictable night even up until that wild conclusion. My predictions went 14 for 21. Expect for Picture, I did get all the high-profiles race right: Damien Chazelle (La La Land) for Director, Casey Affleck (Manchester by the Sea) for Actor, Emma Stone (La La) for Actress, Mahershala Ali (Moonlight) for Supporting Actor, Viola Davis (Fences) for Supporting Actress, Moonlight for Adapted Screenplay, and Manchester for Original Screenplay. Animated Feature Zootopia and Foreign Language Film The Salesman were also rightly called. Down the line categories that I got right: Original Score and Song (La La and “City of Stars” from that film), Production Design and Cinematography (La La), and Visual Effects (The Jungle Book).

I whiffed on Documentary – O.J.: Made in America was the front runner and won over my upset pick I Am Not Your Negro. Others: Sound Editing (Arrival instead of Hacksaw Ridge), Sound Mixing (Hacksaw instead of La La), Makeup and Hairstyling (Suicide Squad over Star Trek Beyond), Costume Design (Fantastic Beasts and Where to Find Them over Jackie), and Editing (Hacksaw over La La).

And, of course, Best Picture, where La La Land won for about two minutes before the Academy’s producers pointed out a mistake and that Moonlight actually won.

The evening started on a happy note with Justin Timberlake dancing his way into the auditorium to his hit “Can’t Stop the Feeling!” from Trolls. Jimmy Kimmel did a decent job hosting for the most part. Some bits worked better than others. I enjoyed the group of tourists unknowingly being brought to the theater and his endless ribbing of Matt Damon. The candy and cookies falling down to the audience felt a little old hat. The In Memorium package was a little tough with the legends lost this year and props to Jennifer Aniston for mentioning the passing of Bill Paxton as news had just broke that morning.

Did the show feel long? Of course. It always does, but for those that stuck around… yowza! That was an Oscar ending that will not soon be forgotten.

David Letterman’s Goodbye Begins

This evening brings the beginning of the end for the longest tenured late night host in the history of the television medium. After 33 legendary years, David Letterman’s final run of programs kicks off tonight with five and a half weeks and 28 shows left.

A CBS press release confirmed what many suspected: the final Dave shows will be a very star studded affair. Many Letterman regulars will make their pilgrimage over the next month and change (his swan song is Wednesday, May 20).

That impressive list includes Bill Murray, Oprah Winfrey, Tom Hanks, Julia Roberts, Howard Stern, Steve Martin, Jerry Seinfeld, Robert Downey Jr., Sarah Jessica Parker, Martin Short, Don Rickles, Ray Romano, George Clooney, Scarlett Johannson, Will Ferrell, Alec Baldwin, Michael Keaton, Jack Hanna, John Travolta, Bruce Willis, Tina Fey and Billy Crystal, among others. Not too shabby. Musical guests include Elvis Costello, Mumford and Sons, and Dave Matthews Band.

The press release promises more names not yet revealed over the last 28 hours of Letterman’s TV existence. Who could that be? Let’s start with the easy. Foo Fighters are Dave’s favorite band and it is likely they could be the final musical performance. I also wouldn’t be surprised to see Dave’s late night brothers come to pay their respects. That list includes Jimmy Fallon, Jimmy Kimmel, Jon Stewart and Letterman’s successor Stephen Colbert. I also anticipate an appearance by Jay Leno – something that would truly be an event after their over 20 year history of being rivals and their battle for The Tonight Show after Dave’s idol Johnny Carson retired in 1992.

Furthermore, it wouldn’t surprise me to see politicos such as Hillary or Bill Clinton or even President Obama appear. I will have one more post timed to Letterman’s departure to pontificate on what his show has meant to me and, frankly, my sense of humor. It’s not insignificant.

Until then, it’s going to be an interesting few weeks of Dave bidding America farewell.

The Rise of Jimmy Fallon

If you’ve followed my blog regularly over the last near year and a half, you may have noticed that I’ve got quite a keen interest in the “late night wars”. Recently, I wrote a post speculating about who may be in line to replace David Letterman on CBS when the day comes. You can read that here:

https://toddmthatcher.com/2014/01/25/the-history-and-future-of-late-night-talk-shows/

In the past week, Jimmy Fallon has taken over “The Tonight Show” following Jay Leno’s second retirement from the program. Fallon has moved into the role without the controversy that involved Conan O’Brien’s brief ascension to hosting duties a few years back. Of course, it was the Conan fiasco that allowed Jimmy to take over “Late Night” five years ago.

Truth be told, when Fallon was announced as host of that program – my reaction wasn’t all that positive. While I admired a good deal of his work on “SNL”, I didn’t consider myself a big fan of his. I had my serious doubts as to whether he’d be a decent fit for the late night talk show format.

Well, folks, I was wrong. Very wrong. As evidenced by his tenure on “Late Night” and his first week hosting “Tonight” – Fallon has mastered the art form. What’s even more astonishing is he’s done it in a way that seems to appeal to the widest audience possible. He has started out of the gate at #1 beating Letterman and Kimmel and I’ll predict that crown will not be relinquished.

Why is Fallon so good? There are several reasons, as I see it. He’s a master impressionist and his sketches playing musical artists are genius… Google Fallon-Jim Morrison-Reading Rainbow if you don’t believe me (or watch it in the link I provided below).

He has an easy rapport with his guests. Leno came off (to me) as robotic during celebrity interviews. Letterman is much better, but sometimes he appears disinterested when the new starlet is plugging her latest mediocre project. Frankly, Dave probably is disinterested. Jimmy succeeds at actually seeming genuinely interested with his guests.

Fallon’s skits (whether musical or playing around with Justin Timberlake, his best guest) have become the stuff of YouTube legend. More than anyone, he has honed the art of web based comedy gold that is watched and re-watched over and over.

Most of all, it’s Fallon’s enthusiasm that shines through. This is kind of harder to explain. Every time I watch him, I come away with the notion that Jimmy is extraordinarily grateful for the opportunities given to him. He seems to love hosting the show. While Dave Letterman has earned his reputation as a somewhat grumpy curmudgeon – Jimmy Fallon is almost always positive.

Don’t get me wrong – I firmly believe Letterman is a genius. And his 30 years of work has influenced comedy more than anyone else – from Stewart to Conan to Colbert to Kimmel and so on. While Dave’s show can still be great – I must admit that there’s a feeling of autopilot from time to time.

Over on ABC, Jimmy Kimmel has carved a nice niche for himself. His show has the loosest feel of them all, he’s a solid interviewer, and many of the comedy pieces score.

Nowadays, though, Fallon’s getting it done the best. And I never would have expected that. I fall into the category of thought that Leno more or less botched his tenure as host of “Tonight”. Jay seemed to try way too hard to appeal to the widest audience possible and what we were left with was a show that usually felt empty and bland and too middle of the road. And I must admit that the whole “Nice Guy Jay” routine felt forced to me, especially when knowing this is the same man who hid in a closet at NBC to spy on his bosses discussions on him and Letterman.

Ironically, Jimmy is in the similar position as most accessible to viewers compared to his rivals. With Jimmy – it doesn’t feel forced. It feels natural. That’s because Fallon is a natural. And for the first time in 22 years, I’m left with the feeling that someone is hosting “The Tonight Show” who is truly an heir to the throne that Johnny perfected.