Tag: John C. Reilly

Film Festival Season Approaches: The 2018 Hopefuls

We may be smack dab in the middle of the summer movie season, but Oscar season will be taking shape before we know it. This week, the organizers of the Toronto and Venice Film Festivals have unveiled lineups for the pictures that will be premiering at their events in a few weeks. Many of them are awards hopefuls.

To give you an idea of the importance of festivals when it comes to Oscar nominees, six of last year’s nine nominees premiered at some combination of Toronto, Venice, Telluride, New York, Sundance, or Cannes. Every Best Picture winner from this decade and beyond played at one of them. The last one that didn’t was The Departed back in 2006.

The months of September-December are the fertile ground for most nominated features. Last year, seven of the nine Picture nominees came out in that time frame. In 2016 – it was 8 out of 9.

Beginning in late August/early September, I will begin my weekly Oscar prediction columns. It works like this:

Late August/Early September – first posting of predictions in the categories of Best Picture, Director, Actor, Actress, Supporting Actor, Supporting Actress

Months of September and October – weekly Oscar predictions column post covering those 6 categories, as well as Adapted Screenplay and Original Screenplay. For Best Picture, I will be ranking possibilities numbered 1-25. For other categories, it will be numbered 1-15.

Months of November through announcement of nominations – weekly Oscar predictions column covering every category involving feature films. For Best Picture, I will be ranking possibilities numbered 1-15. For other categories, it will be numbered 1-10.

While these posts are a month away, today I bring you 25 fall awards hopefuls that I suspect I’ll be mentioning frequently. Most of these are premiering at the high-profile quartet of upcoming fests (Venice, Toronto, New York, Telluride). Some aren’t, but could certainly be added to Telluride or New York especially (as they’re more known for surprise screenings).

Let’s get to it!

A Star is Born

The third remake of the musical drama marks the directorial debut of Bradley Cooper and features a potential showcase role for his costar Lady Gaga. Early word of mouth is already strong.

At Eternity’s Gate

He received a nomination for his supporting work last year for The Florida Project and Willem Dafoe plays Vincent Van Gogh in what could be another awards bait role.

**NO TRAILER AT PRESS TIME

Backseat

Expect Adam McKay’s follow-up to The Big Short to receive plenty of attention. Christian Bale is Cheney with Amy Adams as wife Lynne and last year’s Supporting Actor winner Sam Rockwell as George W. Bush.

**NO TRAILER AT PRESS TIME

Beautiful Boy

Steve Carell plays the father of a meth addict played by Timothee Chalamet, who was nominated last year for Call Me by Your Name.

Ben is Back

Lucas Hedges and Julia Roberts headline this family drama that premieres at Toronto.

**NO TRAILER AT PRESS TIME

Bohemian Rhapsody

Despite some behind the scenes drama in its filming, all eyes will be on Rami Malek’s work as Queen front man Freddie Mercury.

Boy Erased

Perhaps an even larger showcase role for Lucas Hedges is this drama where he plays a homosexual sent to conversion camp. Joel Edgerton directs and costars along with Nicole Kidman and Russell Crowe.

Can You Ever Forgive Me?

Melissa McCarthy received an Academy Award nomination with her breakthrough role in Bridesmaids. This drama about writer Lee Israel could muster attention for her yet again.

First Man

Director Damien Chazelle has seen both of his efforts (Whiplash, La La Land) nominated for Best Picture and he’s the youngest filmmaker to ever win Best Director. His third pic is a Neil Armstrong biopic starring Ryan Gosling. It opens the Venice Film Festival.

If Beale Street Could Talk

The follow-up to his Oscar winning Moonlight, Barry Jenkins directs this drama set in 1970s Harlem.

July 22

United 93 and Captain Phillips director Paul Greengrass brings his latest to Netflix and it focuses on the 2011 terrorist attacks in Norway.

**NO TRAILER AT PRESS TIME

Life Itself

Premiering at Toronto, this ensemble drama includes Oscar Isaac, Olivia Munn, Annette Bening, and Antonio Banderas.

Mary Poppins Returns

She’s already a contender for A Quiet Place and Emily Blunt could face competition from herself with Disney’s expected monster hit.

Mary Queen of Scots

They were both nominated for Best Actress last year and now Saoirse Ronan and Margot Robbie star in this historical drama about the title character and Queen Elizabeth I.

Old Man & The Gun

David Lowery directs Robert Redford in the true life tale of a prison escape artist. Sissy Spacek and Casey Affleck costar.

On the Basis of Sex

The documentary RBG could get noticed by the Documentary branch, as could this biopic which casts Felicity Jones as Supreme Court Justice Ruth Bader Ginsburg.

Peterloo

Acclaimed British director Mike Leigh returns with this historical 19th century drama.

Roma

This Mexican family drama is Alfonso Cuaron’s first directorial effort since his acclaimed Gravity.

Suspiria

Call Me by Your Name maker Luca Guadagnino shifts gears for this remake of the 1970s horror classic. Don’t be surprised if this receives attention in some technical categories.

The Favourite

The Lobster director Yorgos Lanthimos is behind this historical drama featuring Olivia Colman, Emma Stone, and Rachel Weisz.

The Front Runner

Jason Reitman directs this biopic of failed Presidential candidate Gary Hart with Hugh Jackman cast in the role.

**NO TRAILER AT PRESS TIME

The Sisters Brothers

John C. Reilly, Joaquin Phoenix, and Jake Gyllenhaal are among the cast in this Western from acclaimed French director Jacques Audiard.

Welcome to Marwen

Steve Carell stars in this unique looking drama from Forrest Gump maker Robert Zemeckis.

Widows

It’s been five years between projects for Oscar winning 12 Years a Slave director Steve McQueen. This heist thriller stars recent winner Viola Davis.

And there’s your very early preview of some titles to keep an eye on over the coming months. Those Oscar posts will start rolling out weekly in about a month! Stay tuned…

Kong: Skull Island Movie Review

Some stuff is considerably bigger and louder in the newest iteration of the 84 year-old franchise featuring cinema’s most famous plus sized ape. The sound effects are turned up to a higher volume. Since it’s set in the mid 70s, the fashion is louder. The cast of characters we have to keep track of is more populous and filled with familiar faces. And King Kong, himself, is quite bigger. He’s the size of a building this time around. What’s not larger is the running time and that’s a good thing. It was something that hindered Peter Jackson’s lovingly constructed remake of the 1933 classic in 2005. That version ran three hours plus, which was about an hour too long. Kong: Skull Island gets the running time right (two hours) and it gets other things right, too.

I liked the fact that our title character is truly monstrous in size this time around. I enjoyed that it’s set in the Watergate era right as the Vietnam War is winding down. I appreciated the sense of humor and B movie escapism that this Kong often gleefully exudes. Yet when the credits rolled, I couldn’t shake a feeling that the idea of Kong: Skull Island was cooler than the overall execution.

The pic opens with a prologue during World War II where an American and Japanese fighter pilot crash-land on a deserted island. Confronting one another, they mistakenly believe they must only fight each other for survival. Turns out there’s another inhabitant hanging around and he’s about the size of a building.

Flash forward to 1973. John Goodman is Bill Randa, who works for a government agency called Monarch. He’s seen as a crackpot with wild conspiracy theories and one of them involves Skull Island, a remote South Pacific island. Bill convinces his higher-ups to fund a mission to the location and he takes along a whole crew of military guys. They include Colonel Packard (Samuel L. Jackson), who’s looking for any action as the Vietnam War is closing out. There’s also British Captain Conrad (Tom Hiddleston), who’s charged with navigating through this unknown jungle terrain. Brie Larson is Mason, an anti-war photojournalist fresh from the war and she’s there to document Skull Island. I could continue listing the supporting players. There are lots of them and few of them are very interesting. This is not a screenplay where the human beings are given preferential treatment.

When the team reaches their destination, they discover they are not alone. Kong is there, of course, but so are the island’s natives and that American WWII fighter pilot who is now John C. Reilly with a beard that rivals what David Letterman looks like now. There’s other creatures, too. “Skullcrawlers”, as Reilly coined them because it sounded cool, are reptile like menaces that are the real villains around these parts. That doesn’t matter to Colonel Packard, however, as he’s determined to wipe out Kong for protecting his territory and destroying some of the Colonel’s men along the way.

While 2005’s overstuffed King Kong attempted to be a five-course meal in the giant ape’s filmography, Skull Island is junk food. It mostly knows it is. Many of the actors involved (some fun overacting by Reilly and Jackson) know it is. Director Jordan Vogt-Roberts allows moments where the kitschy 70s vibe provides some smiles (watch that Richard Nixon bobblehead shaking during some helicopter escapades). The special effects are, as expected, state of the art. Having said that, I didn’t really feel the Kong we see here is much more impressive than the 2005 version, even though he’s much more ginormous.

The film may have been more effective had it not introduced so many humans and their threadbare subplots and focused instead on – say – three or four of them. Better yet, the focus could have been on the mutated animals and their battle royales. After all, the point of this picture is to eventually produce a King Kong vs. Godzilla extravaganza. In that sense, the 2014 Godzilla reboot directed by Gareth Edwards was a more satisfying appetizer while Kong is a bit less filling.

**1/2 (out of four)

Kong: Skull Island Box Office Prediction

The most famous ape in movie history in back on screen for the first time in over a decade when Kong: Skull Island debuts next weekend. With a reported $190 million budget, Warner Bros. is hoping to keep their monster franchise reaping big grosses as they move toward a planned Godzilla/Kong pic.

Jordan Vogt-Roberts directs and he’s certainly an interesting choice as his only feature was the low-budget indie The Kings of Summer in 2013. The director may not be high-profile, but the cast is. Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, John C. Reilly, Jing Tian, Toby Kebbell, Corey Hawkins, and Jason Mitchell headline. Even with those recognizable names, the real star is that giant CG creature that first graced the screen almost 85 years ago.

Kong is not expected to match the earnings of the Godzilla reboot three years ago. It had a plum summer release date and made over $90 million out of the gate. Competition from the second weekend of the acclaimed Logan could also hinder this a bit.

I expect this will hover right above or below $50 million and word of mouth will determine how it goes from there.

Kong: Skull Island opening weekend prediction: $48.6 million

Sing Box Office Prediction

Illumination Entertainment has become a force in the animated world with huge hits including the Despicable Me franchise, spin-off Minions, and this summer’s The Secret Life of Pets.

They’re back at it again looking for a Christmas cash in with 3D animated musical Sing. The $75 million production should have no trouble bringing in kids and their parents over the holiday season. Singing animals is usually a decent formula for a blockbuster and this should be a strong #2 to the second weekend of Rogue One. There’s plenty of recognizable faces behind their characters including Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, John C. Reilly, Taron Egerton, and Nick Kroll.

I’ll predict Sing takes in high 40s during the long holiday weekend while reaching mid 60s when you include its Wednesday debut.

Sing opening weekend prediction: $55.3 million (Friday to Monday), $74.1 million (Wednesday to Monday)

For my Passengers prediction, click here:

https://toddmthatcher.com/2016/12/14/passengers-box-office-prediction/

For my Assassin’s Creed prediction, click here:

https://toddmthatcher.com/2016/12/14/assassins-creed-box-office-prediction/

For my Why Him? prediction, click here:

https://toddmthatcher.com/2016/12/14/why-him-box-office-prediction/

For my Fences prediction, click here:

https://toddmthatcher.com/2016/12/14/fences-box-office-prediction/

Oscar Watch: Sing and Kubo and the Two Strings

Much attention has been paid on this blog to the Best Actress race at the 2016 Oscars and deservedly so as it figures to be the most competitive it’s been in some time. Yet there’s another category that’ll be fun to watch. This year has been a banner one for animated features. In some years, it’s a bit of a challenge to think of five worthy of inclusion. In 2016, it’ll be fascinating to see what’s left out.

Two contenders have an odd thing in common: Matthew McConaughey. The 2013 Best Actor winner for Dallas Buyers Club has his voice featured in both Kubo and the Two Strings and Sing, which has screened in Toronto and will be out statewide in time for Christmas. Animated McConaughey has, in fact, had a much stronger year than the Lincoln Lawyer in human form. His summer Civil War drama Free State of Jones was a critical and commercial flop. Late last month, he starred in Gus Van Sant’s drama The Sea of Trees. It also received scorn from reviewers and has grossed a truly embarrassing $20,000 in its limited release. Perhaps this December’s Gold will turn things around for him.

Back to his cartoon version. Kubo opened last month to decent box office numbers (it’s made $40 million domestically thus far). Critics went wild for it though and its RT score stands at 97%. Though there’s other animated material that will gross far more than it, its inclusion for a nomination looks solid.

One of those movies that’ll probably far outgross it is Sing. The 3D computer animated musical comes from the company behind the Despicable Me franchise. In addition to McConaughey, it feature the voices of Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, and John C. Reilly. Early reaction from Toronto is positive and suggests it’ll be a major holiday hit.

Yet its chances at an Animated Feature nod appear murkier due to the aforementioned heavy competition. Let’s briefly run the rest of the contenders down. There’s Disney’s spring juggernaut Zootopia. It’s in. There’s Disney’s Moana, their November offering from the team behind The Little Mermaid and Aladdin. Most prognosticators, including myself, are reserving a slot for it. The foreign title The Red Turtle opened to raves at Cannes. Japanese entry Miss Hokusai looks to be a factor. And there’s mega-hits like Finding Dory and The Secret Life of Pets to think about. Finally, how about Sausage Party?

All in all, this is one of the most exciting races to follow in 2016 and who knew the stoner guy from Dazed and Confused would be right in the thick of it?

 

 

Oscar History: 2006

Rocky over Taxi Driver. Ordinary People over Raging Bull. Dances with Wolves over GoodFellas. These are all examples where, in hindsight, pictures directed by Martin Scorsese and the auteur himself probably should have received Oscars wins and not just nominations. In 2002, Scorsese’s Gangs of New York was seen as a Best Picture frontrunner until Chicago stole its thunder. The same held true two years later with The Aviator until Clint Eastwood’s Million Dollar Baby had a late surge and took the prize. By 2006, Scorsese was undoubtedly the most acclaimed director whose films had never won the gold statue. And neither had he.

This would finally come to an end with The Departed, his crime thriller that won Best Picture and this kicks off my 2006 Oscar History.

The other four nominees were Alejandro Gonzales Inarritu’s Babel, Clint Eastwood’s Letters from Iwo Jima, Jonathan Dayton and Valerie Feris’s Little Miss Sunshine, and Stephen Frears’s The Queen. The voters got it right. The Departed was the Best Picture of the year.

As for other pictures I would’ve considered: Alfonso Cuaron’s terrific Children of Men, Guillermo del Toro’s visual feast Pan’s Labyrinth, the Ryan Gosling drama Half Nelson, and Todd Field’s Little Children. And for an outside the box pic – why not Casino Royale, which brought the Bond franchise back in grand fashion and ranks as my 2nd all-time 007 pic after From Russia with Love?

Scorsese, as mentioned before, would win Director over Inarritu, Eastwood, Frears, and Paul Greengrass for United 93. Once again – my list would’ve found room for Cuaron and del Toro.

In the Best Actor race, Forest Whitaker expectedly won for his performance as Idi Amin in The Last King of Scotland. Other nominees: Leonardo DiCaprio for Blood Diamond (many thought he’d get nominated instead for Departed), Ryan Gosling for Half Nelson, Peter O’Toole for Venus (his final nomination), and Will Smith for The Pursuit of Happyness.

Once again, my ballot might’ve listed Daniel Craig for his electric take on James Bond. Others to consider: Clive Owen (Children of Men), Aaron Eckhart (Thank You for Smoking), or Matt Damon’s work in The Departed.

No surprise in the Best Actress race as Helen Mirren’s work as Queen Elizabeth II was honored in The Queen over Penelope Cruz (Volver), Judi Dench (Notes on a Scandal), Meryl Streep (The Devil Wears Prada), and Kate Winslet (Little Children).

That’s a strong Actress category, but I would’ve also had Natalie Portman’s fine performance in V for Vendetta included.

The only true surprise at the 2006 Oscars occurred in the Supporting Actor category where Eddie Murphy’s acclaimed work in Dreamgirls was expected to win. Instead the Academy honored Alan Arkin’s performance in Little Miss Sunshine. Other nominees: Jackie Earle Haley (Little Children), Djimon Hounsou (Blood Diamond), and Mark Wahlberg (The Departed).

Instead of Wahlberg, many believed it would be Jack Nicholson for Departed that received the nomination. I was cool with it – considering Nicholson had already won three times before and this marked Wahlberg’s first nod. Other names I would have possibly included: Steve Carell (Little Miss Sunshine), Stanley Tucci (The Devil Wears Prada), Michael Sheen (The Queen), and for his brilliant comedic work – John C. Reilly in Talladega Nights: The Ballad of Ricky Bobby.

Jennifer Hudson had the distinction of being the first “American Idol” contestant turned Oscar winner with her lauded role in Dreamgirls – winning out over Babel actresses Adriana Barraza and Rinko Kikuchi, young Abigail Breslin from Little Miss Sunshine, and Cate Blanchett in Notes on a Scandal.

My list would have absolutely included Shareeka Epps with her fabulous work in Half Nelson and probably Vera Farmiga in The Departed.

And that’s your 2006 Oscar history! I’ll be back soon with 2007 where another beloved director (s) would take home their first Oscar gold.