Tag: Laika

October 30-November 1 Box Office Predictions

Halloween is typically a quiet time at the box office and that should play out in 2026 with it falling on a Saturday. There are no significant wide releases other than Christmas at the Kringles. I didn’t do an individual prediction post for the Briarcliff release. The comedic horror flick is slated to release on approximately 1800 screens and I don’t think it’ll make enough cash (maybe $2 to $2.5 million) to place in the top five.

That leaves holdovers for what could be a close contest between current champ Clayface and You Can See Everything, which has held the runner-up spot for two weeks in a row. I have the former dropping in the mid 40s with the latter easing in the mid 30s.

After kicking off on the higher end of its expected range, Wildwood should remain in third with Street Fighter and Wicker in a battle for fourth and fifth position. Here’s how I have it shaking out:

1. Clayface

Predicted Gross: $13.5 million

2. You Can See Everything

Predicted Gross: $12.9 million

3. Wildwood

Predicted Gross: $8 million

4. Wicker

Predicted Gross: $4 million

5. Street Fighter

Predicted Gross: $4 million

Box Office Results (October 23-25)

Sporting a reported $40 million budget (certainly small for the DC Universe), Clayface made $24 million for a slightly better debut than my $22 million prediction. The R-rated comic book adaptation’s results are alright considering the price tag as it hopes viewers will keep coming during the Halloween frame.

A24’s acclaimed doc You Can See Everything expanded wide and was second with $19.5 million. I went a little higher at $23.8 million though it can boast a better per theater average than Clayface. The probable Oscar contender has amassed $45 million.

Laika Animation’s Wildwood capitalized on rave reviews in third with $12.2 million. That’s still not great when factoring the $100 million plus budget, but it’s stronger than the lower forecasts including my own at $7.2 million.

Video game adaptation Street Fighter was knocked down from 1st to 4th in its sophomore outing with $8.5 million. That’s a whopping 72% plummet and under my $11.6 million projection. The two-week total is $46 million.

Wicker with Olivia Colman and Alexander Skarsgård built a commendable female following in fifth with $5.7 million. I went with $4.9 million.

Jessica Chastain’s horror pic Other Mommy was sixth with $3.9 million. My guess? $3.9 million! The three-week tally is $51 million.

Seventh place went to Sense and Sensibility as the Jane Austen adaptation made $3.3 million, not matching my $4.2 million call. The ten-day gross is an underwhelming $13 million.

Whalefall sunk to eighth in frame #2 with $3 million (I said $3.7 million). The whale tale is also at $13 million.

Last (and least), Taika Waititi’s Klara and the Sun had a dark debut in 15th (!) with just $701,000 and an average of under $800 per venue. Oof. I said it would do $2.3 million.

And that’s all for now, folks! Until next time…

October 23-25 Box Office Predictions

**Blogger’s Update (10/21): I didn’t do an individual post for Wicker with Olivia Colman, but with the news that it is debuting on over 1400 screens, my $4.9 million puts it in fifth place on my chart.

Clayface from the DC Universe was, until very recently, expected to easily rule the box office charts this weekend. That may be challenged from a previously unanticipated source. We also have Laika Animation’s critically acclaimed Wildwood and Taika Waititi’s far from acclaimed sci-fi dramedy Klara and the Sun starring Jenna Ortega premiering. You can peruse my detailed prediction posts on the newcomers here:

Clayface Box Office Prediction
Wildwood Box Office Prediction
Klara and the Sun Box Office Prediction

Clayface could gross high teens for a floor to possibly mid to high 20s in the best case scenario. My estimate puts it right in the middle of the range in the low 20s. That’s far from impressive but not too shabby considering its reported $40 million budget.

As mentioned, that figure was thought to be enough to give it bragging rights at #1. Then You Can See Everything happened. Nathan Fielder and Lance Oppenheim’s documentary about imprisoned Theranos founder Elizabeth Holmes exceeded all expectations with a sizzling #2 debut on 855 screens (more on its opening below). It is slated to grow to around 2600 venues this weekend. I think the word-of-mouth could mean a low to mid 20s output in its sophomore frame. That means I’m giving it the edge for the top spot.

Wildwood, despite glowing reviews, may fall under $10 million for a fourth place start. As for Klara, my meager $2.3 million guesstimate might mean it struggles to even make the top 10.

Current champ Street Fighter should be third with a low 60s percentage fall while holdovers Sense and Sensibility, Whalefall, and Other Mommy all post similar grosses.

Here’s how I see it all shaking out:

1. You Can See Everything

Predicted Gross: $23.8 million

2. Clayface

Predicted Gross: $22 million

3. Street Fighter

Predicted Gross: $11.6 million

4. Wildwood

Predicted Gross: $7.2 million

5. Wicker

Predicted Gross: $4.9 million

6. Sense and Sensibility

Predicted Gross: $4.2 million

7. Other Mommy

Predicted Gross: $3.9 million

8. Whalefall

Predicted Gross: $3.7 million

Box Office Results (October 16-18)

Video game based Street Fighter kicked off in line with expectations at $30.7 million for first, managing to outdo my $24.5 million take. I look for it to fade quickly.

A24 nailed down the second highest non-concert documentary opening in history behind 2004’s Fahrenheit 9/11 with You Can See Everything. With over $18k per screen, the doc (which no one knew existed until it surprise screened at Telluride) was runner-up with $15.6 million. That’s well beyond my $8.9 million prediction as its future looks rosy.

Other Mommy dropped to third with $8.2 million (a 70% plummet) compared to my $9.1 million call. The horror flick with Jessica Chastain sits at $44 million after two weeks.

Survival tale Whalefall flopped in fourth with $7.8 million, in line with my $8.2 million projection. Mixed reviews helped sink it.

Sense and Sensibility rounded out the top five with a respectable $7.2 million, ahead of my $5.3 million forecast. The latest Jane Austen adaptation may hold up fairly in subsequent weekends.

Finally, Verity was sixth with $6 million (I said $5.9 million) as the romantic thriller brought its three-week tally to $65 million.

And that does it for now, folks! Until next time…

Wildwood Box Office Prediction

Stop-motion animated fantasy Wildwood is the latest effort for distributor Laika and their first this decade. Directed by Travis Knight, the voice cast includes Peyton Elizabeth Lee, Jacob Tremblay, Carey Mulligan, Mahershala Ali, Awkwafina, Angela Bassett, Jake Johnson, Charlie Day, Amandla Stenberg, Jemaine Clement, Tom Waits, and Richard E. Grant. Following its premiere at the London Film Festival, it hits domestic screens on October 23rd.

Critics are on it side and it could be a frontrunner for Best Animated Feature prize at the Oscars. Rotten Tomatoes is at 100% with 86 on Metacritic. Laika’s projects are typically acclaimed and all five previous features have been Academy nominated in its genre category. That hasn’t always translated to box office dollars stateside.

In 2016, Kubo and the Two Strings (also directed by Knight) debuted with $12.6 million and that’s under what predecessors Coraline, ParaNorman, and The Boxtrolls started off with. That trio all premiered between $14-17 million. The last Laika tale, 2019’s Missing Link, was a major commercial failure with $5.9 million out of the gate.

I’m expecting Wildwood to do better, but not much better.

Wildwood opening weekend prediction: $7.2 million

For my Clayface prediction, click here:

Clayface Box Office Prediction

For my Klara and the Sun prediction, click here:

Klara and the Sun Box Office Prediction

Oscar Predictions: Wildwood

Stop-motion indie animation studio Laika is 5 for 5 when it comes to nominations for Best Animated Feature and 0 for 5 in podium trips. Each time they have lost to Disney. In 2009, Laika’s inaugural project Coraline went down to Up. Three years later, ParaNorman fell short to Brave while 2014’s The Boxtrolls couldn’t beat out Big Hero 6. In 2016, Kubo and the Two Strings didn’t catch Zootopia. Missing Link in 2019 was an honorable mention to Toy Story 4.

That dynamic may finally change in 2026. Travis Knight, who directed Kubo, is back with the studio (months after the live-action Masters of the Universe debacle) via Wildwood. The dark fantasy, based on a 2011 novel, has premiered at the London Film Festival and arrives theatrically on October 23rd. Voiceover artists include Peyton Elizabeth Lee, Jacob Tremblay, Carey Mulligan, Mahershala Ali, Awkwafina, Angela Bassett, Jake Johnson, Charlie Day, Amandla Stenberg, Jemaine Clement, Tom Waits, and Richard E. Grant.

For the last several weeks on the blog, I’ve had Wildwood listed at #1 in Animated Feature based mostly on hunch. There’s also the matter of Disney’s Toy Story 5 and Hoppers not seeming like win contenders. Early WOM from London encourages my notion. Rotten Tomatoes is at 100% with several reviews calling it Laika’s strongest entry thus far. I would be surprised if it didn’t remain my frontrunner in the animated field moving forward.

Can Wildwood branch out elsewhere? The short answer is yes. A solid campaign could open up Adapted Screenplay or Visual Effects. The score is being complimented and the Decemberists have an original song titled “The Better Part of Bravery”. I also could see this being a lone Animated Feature player and the first that gets past the Mouse House. My Oscar Prediction posts will continue…

Oscar Watch: Missing Link

The stop-motion animated adventure Missing Link hits theaters next weekend and it’s the latest effort from the studio Laika. Reviews have been sturdy for the Bigfoot tale featuring the voices of Hugh Jackman, Zoe Saldana, and Zach Galifianakis. Its Rotten Tomatoes score stands at 91%.

When it comes to Oscar nominations for their material, Laika has quite the batting average… as in 100%. For their four previous efforts, they’ve also all lost to Disney titles. In 2009, Coraline lost to Up. ParaNorman came up short to Brave in 2012. In 2014, it was Big Hero 6 over The Boxtrolls. Two years later, Kubo and the Two Strings couldn’t emerge over Zootopia.

Could history repeat itself? Absolutely. While critical reaction is solid, Link has little chance at winning the Best Animated Feature award. And, yes, Mouse Factory competition is legit with sequels Toy Story 4 and Frozen 2. There’s another sequel already released from DreamWorks – How to Train Your Dragon: The Hidden World – that also looks to nab a nod.

With five slots, there’s a chance Link could be the first Laika flick to miss a nomination. However, their track record is considerable and I wouldn’t count it out. My Oscar Watch posts will continue…

Missing Link Box Office Prediction

Blogger’s Note (04/11): On the eve of its premiere, revising this down from $13.2M to $11.7M

The studio Laika is back with their brand of critically acclaimed animated films next weekend with Missing Link. The stop-motion adventure follows an explorer tracking a Bigfoot with Hugh Jackman voicing the explorer and Zach Galifianakis as the creature. Other recognizable faces behind the mic include Zoe Saldana, Emma Thompson, Stephen Fry, Timothy Olyphant, and Matt Lucas. Chris Butler, who made the company’s 2012 effort ParaNorman directs.

All four Laika titles in the past decade have grossed between $12-$17 million for their starts. On the high-end, there’s 2014’s The Boxtrolls with just over $17 million. On the low-end is 2016’s Kubo and the Two Strings with $12.6 million. I see no reason why Link wouldn’t fall in that same range.

Reviews have been positive as this currently stands at 90% on Rotten Tomatoes. Of the new releases out next weekend, it actually opens widest on approximately 3500 screens (more than Hellboy).

I don’t believe this will top Boxtrolls, but a premiere between $13-$14 million is certainly possible.

Missing Link opening weekend prediction: $11.7 million

For my Hellboy prediction, click here:

https://toddmthatcher.com/2019/04/03/hellboy-box-office-prediction/

For my Little prediction, click here:

https://toddmthatcher.com/2019/04/06/little-box-office-prediction/

For my After prediction, click here:

https://toddmthatcher.com/2019/04/07/after-box-office-prediction/

Oscar Watch: Sing and Kubo and the Two Strings

Much attention has been paid on this blog to the Best Actress race at the 2016 Oscars and deservedly so as it figures to be the most competitive it’s been in some time. Yet there’s another category that’ll be fun to watch. This year has been a banner one for animated features. In some years, it’s a bit of a challenge to think of five worthy of inclusion. In 2016, it’ll be fascinating to see what’s left out.

Two contenders have an odd thing in common: Matthew McConaughey. The 2013 Best Actor winner for Dallas Buyers Club has his voice featured in both Kubo and the Two Strings and Sing, which has screened in Toronto and will be out statewide in time for Christmas. Animated McConaughey has, in fact, had a much stronger year than the Lincoln Lawyer in human form. His summer Civil War drama Free State of Jones was a critical and commercial flop. Late last month, he starred in Gus Van Sant’s drama The Sea of Trees. It also received scorn from reviewers and has grossed a truly embarrassing $20,000 in its limited release. Perhaps this December’s Gold will turn things around for him.

Back to his cartoon version. Kubo opened last month to decent box office numbers (it’s made $40 million domestically thus far). Critics went wild for it though and its RT score stands at 97%. Though there’s other animated material that will gross far more than it, its inclusion for a nomination looks solid.

One of those movies that’ll probably far outgross it is Sing. The 3D computer animated musical comes from the company behind the Despicable Me franchise. In addition to McConaughey, it feature the voices of Reese Witherspoon, Scarlett Johansson, Seth MacFarlane, and John C. Reilly. Early reaction from Toronto is positive and suggests it’ll be a major holiday hit.

Yet its chances at an Animated Feature nod appear murkier due to the aforementioned heavy competition. Let’s briefly run the rest of the contenders down. There’s Disney’s spring juggernaut Zootopia. It’s in. There’s Disney’s Moana, their November offering from the team behind The Little Mermaid and Aladdin. Most prognosticators, including myself, are reserving a slot for it. The foreign title The Red Turtle opened to raves at Cannes. Japanese entry Miss Hokusai looks to be a factor. And there’s mega-hits like Finding Dory and The Secret Life of Pets to think about. Finally, how about Sausage Party?

All in all, this is one of the most exciting races to follow in 2016 and who knew the stoner guy from Dazed and Confused would be right in the thick of it?