Daily Streaming Guide: April 1st Edition

Today’s Streaming Guide give us a mid 1980s comedic adventure that was an unexpected  blockbuster at the time and is available via Hulu:

Romancing the Stone was not expected to be a success at the time of its release. From director Robert Zemeckis, Michael Douglas had yet to establish himself as a bankable leading man. The pic casts him as a petty smuggler who assists Kathleen Turner’s romance novelist searching for her kidnapped sister in Colombia. Danny DeVito memorably costars as one of the kidnappers. Critics and audiences alike gave it the stamp of approval.

Stone, influenced by the Indiana Jones series, marked Zemeckis’s first major hit. Many would follow including Back to the Future, Who Framed Roger Rabbit, and Forrest Gump. The Douglas/Turner/DeVito trio would reunite for a sequel the next year with the less effective The Jewel of the Nile. They would join forces in 1989 for The War of the Roses, the black comedy directed by DeVito that is also well worth a look.

That does it for today, folks! Until next time…

Oscars 2019: The Case of Tom Hanks

The Case of posts for the pictures, directors, and performers nominated for this year’s Oscars brings us to our first Supporting Actor player – Tom Hanks for A Beautiful Day in the Neighborhood. Let’s look at the pros and cons for the legendary actor:

The Case for Tom Hanks

Well, he’s Tom Hanks. His work as beloved TV host Mister Rogers in Neighborhood brings him his sixth Oscar nod. He famously won back to back for Best Adtor in the 1990s with Philadelphia and Forrest Gimp, in addition to being nominated for Big, Saving Private Ryan, and Cast Away. Hanks is one of the most recognizable and appreciated movie stars in the world. Voters just witnessed him giving a touching and funny lifetime achievement speech at the Golden Globes.

The Case Against Tom Hanks

You might be surprised to learn that his nomination from the Academy is his first in 19 years. He was bypassed for such performances as Road to Perdition, Charlie Wilson’s War, Captain Phillips (I’m still salty about that snub), Saving Mr. Banks, Bridge of Spies, Sully, and The Post. In other words, Oscar voters may feel the two gold statues on his mantle are sufficient. As for the picture itself, Hanks’s inclusion in Supporting Actor is the sole nomination as Neighborhood couldn’t break out anywhere else with the Academy. While he snagged Globe and SAG mentions, he lost both to Brad Pitt from Once Upon a Time in Hollywood. 

The Verdict

While it’s good to see Hanks back in the mix, all signs point to this award winding up in Pitt’s neighborhood this year.

Up Next in my Case of posts… Kathy Bates in Richard Jewell!

Oscar Watch: A Beautiful Day in the Neighborhood

A Beautiful Day in the Neighborhood is one of the highest profile titles to debut in Toronto prior to its November 22 stateside rollout. From Marielle Heller (who directed Melissa McCarthy and Richard E. Grant to nods in last year’s Can You Ever Forgive Me?), it follows a journalist (Matthew Rhys) doing a story on legendary children’s show host Mister Rogers. And the film casts Tom Hanks, perhaps America’s most beloved actor, in the part.

Early reviews have keyed in one his work and he’s said to be terrific. Critical reaction has also cleared up any category placement confusion. Hanks is supporting here and would be nominated as such with Rhys likely going lead. A two-time winner for Philadelphia and Forrest Gump with three other nods under his belt, Hanks surprisingly hasn’t heard his name called since 2000 for Cast Away (I’m still sore he was snubbed for 2013’s Captain Phillips). He’s never been nominated outside of the lead actor race.

Neighborhood could certainly change that. As for Best Picture, I’m skeptical it gets in despite reviews saying it’s a tear jerking audience pleaser. The focus could rest solely on its very famous costar. One of the shocker snubs in 2018 was the exclusion of Won’t You Be My Neighbor? (about Rogers) from Documentary Feature. Academy voters could rectify that a bit in 2019. My Oscar Watch posts will continue…

Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

Best Year’s Ever

As one year turns to the next in short order, it got me thinking. What are some examples of actors and directors who had remarkable calendar frames over the past few decades? The guidelines are pretty simple – the individual must have had two (and in a couple of cases, three or more) pictures that made an impact during 19(fill in the blank) or 20(fill in the blank).

And wouldn’t you know it? My ruminations quickly turned into a lengthy list that I’ve paired down to a top 25. Let’s call this Best Year’s Ever and count down from #25 to #1!

25. Channing Tatum (2012)

It was a busy year for the performer to say the least. Tatum was in Steven Soderbergh’s Haywire, but three major roles made him the star he is today. There was the hit romance The Vow, hit comedy 21 Jump Street, and his signature and semi-autobiographical title role in the summer sleeper Magic Mike (also from Mr. Soderbergh).

24. John Travolta (1996)

Two years following his major comeback in Pulp Fiction and a year following his Golden Globe nominated lead in Get Shorty, Travolta’s hot streak continued with three hits: John Woo’s action thriller Broken Arrow and fantasy dramas Phenomenon and Michael.

23. Clint Eastwood (1971)

The last two months of 1971 were fruitful for the legend. In November, he made his directorial debut with the well-reviewed psychological thriller Play Misty for Me. This began a career of dozens of behind the camera works, including Best Picture winners Unforgiven and Million Dollar Baby. In December, Eastwood starred as Dirty Harry which spawned his lucky cop franchise.

22. Sigourney Weaver (1988)

Weaver won two Golden Globes 30 years ago – Best Actress (Drama) for Gorillas in the Mist and Supporting Actress for Working Girl. She would be nominated for two Oscars as well, but come up short. All part of a remarkable decade that included Ghostbusters and Aliens.

21. Joe Pesci (1990)

Pesci won an Oscar for his unforgettable supporting work in Martin Scorsese’s GoodFellas. That same fall, he was a burglar terrorizing Macaulay Culkin in the holiday classic Home Alone.

20. Kevin Spacey (1995)

Current scandals aside, there’s no denying Spacey was the movie villain of 1995. He won an Academy Award as (spoiler alert!) Keyser Soze in The Usual Suspects and as a demented serial killer in Seven. Earlier in the year, he costarred with Dustin Hoffman and Morgan Freeman in  Outbreak and headlined the critically approved indie comedy Swimming with Sharks.

19. Nicolas Cage (1997)

Leaving Las Vegas awarded Cage his Oscar two years prior. By the summer of 1997, he was a full-fledged action hero with two blockbusters in the same month: Con Air and Face/Off.

18. Will Ferrell (2003)

Ferrell’s transformation from SNL favorite to movie star happened here with the spring’s Old School as Frank the Tank and in the winter as Buddy in Elf.

17. Morgan Freeman (1989)

The nation’s Narrator-in-Chief had a trio of significant roles nearly three decades ago – his Oscar nominated chauffeur in the Best Picture winner Driving Miss Daisy, a dedicated and stern principal in Lean on Me, and a Civil War officer in Glory.

16. Steven Soderbergh (2000)

The prolific filmmaker made two Best Picture nominees with Erin Brockovich and Traffic (he would win Best Director for the latter). Both surpassed the century mark at the box office and Julia Roberts won Best Actress for Brockovich and Benicio del Toro took Supporting Actor in Traffic.

15. Halle Berry (2001)

Ms. Berry had a revealing role in the summer action fest Swordfish. She then became the first (and thus far only) African-American to win Best Actress for Monster’s Ball. This was all sandwiched between XMen hits.

14. Hugh Jackman (2017)

Berry’s XMen cast mate Jackman retired his Wolverine character to critical and audience admiration with Logan in the spring. At the end of the year, his musical The Greatest Showman was an unexpected smash.

13. Leonardo DiCaprio (2002)

Five years after Titanic, the jury was still out as to whether DiCaprio’s leading man status would hold up. His roles in Martin Scorsese’s Gangs of New York and Steven Spielberg’s Catch Me If You Can left little doubt. He’s been one of Hollywood’s most dependable stars since.

12. Francis Ford Coppola (1974)

In 1972, Coppola made perhaps the greatest American film of all time with The Godfather. Two years later, its sequel came with enormous expectations and exceeded them. Like part one, it won Best Picture. As if that weren’t enough, he made another Picture nominee in ‘74 with the Gene Hackman surveillance thriller The Conversation.

11. Michael Douglas (1987)

His signature role as greedy tycoon Gordon Gekko in Oliver Stone’s Wall Street won him an Oscar and gave him one of the most famous cinematic speeches ever. He also lit up the screen in the blockbuster thriller Fatal Attraction, which was the year’s second largest grosser.

10. Julia Roberts (1999)

She started the decade with a smash star making turn in Pretty Woman. Julia Roberts ended it with two romantic comedy summer $100 million plus earners: Notting Hill with Hugh Grant and Runaway Bride (which reunited her with Pretty costar Richard Gere). She’d win her Oscar the next year for Erin Brockovich.

9. Tom Cruise (1996)

1986 wasn’t too shabby either with Top Gun and The Color of Money. Yet it’s a decade later that serves as Cruise’s year with the franchise starter Mission: Impossible in the summer and Cameron Crowe’s Jerry Maguire, which earned Cruise a Golden Globe award and an Oscar nod. They were the third and fourth biggest hits of the year, respectively.

8. Sandra Bullock (2013)

Nearly two decades after her breakout role in Speed, Bullock had a banner 2013 alongside Melissa McCarthy in the summer comedy The Heat and her Oscar nominated turn as a stranded astronaut in the fall’s Gravity.

7. Sylvester Stallone (1985)

Sly was the undisputed champion of the box office (not to mention sequels and Roman numerals) in 1985, notching the second and third top hits of the year behind Back to the Future. They were for his two signature characters with Rambo: First Blood Part II and Rocky IV.

6. Robert Downey Jr. (2008)

A decade after all the wrong kind of headlines for his drug addiction, Downey Jr. pulled off perhaps the most impressive comeback in movie history. 2008 saw him as Tony Stark in Iron Man, the film that kicked off the MCU in grand fashion. Later that summer came Ben Stiller’s Tropic Thunder, which earned Downey a rare Oscar nod for a comedic performance.

5. Tom Hanks (1993)

There’s more than one year to consider for Hanks… 1995 (Apollo 13, Toy Story) comes to mind. Yet 1993 saw him with Meg Ryan in the now classic Sleepless in Seattle and winning an Oscar in Philadelphia as a lawyer diagnosed with AIDS. His status as a romantic and dramatic lead was solidified in a matter of months. A consecutive Academy Award followed in 1994 for Forrest Gump.

4. Mel Brooks (1974)

The director managed to make two of the most beloved comedies of all time in one year… Blazing Saddles and Young Frankenstein. The two features combined contain some of the funniest scenes ever filmed.

3. Jennifer Lawrence (2012)

Already an Oscar nominee two years prior for Winter’s Bone, Lawrence’s road to superstardom was paved in 2012. In March came The Hunger Games, the year’s third top earner that spawned three sequels. In December came Silver Linings Playbook, where she won Best Actress.

2. Jim Carrey (1994)

In 1993, Carrey was known as a great cast member of Fox’s groundbreaking sketch show “In Living Color”. By the end of 1994, he was the most bankable comedic star in America as Ace Ventura: Pet Detective, The Mask, and Dumb and Dumber all hit screens.

1. Steven Spielberg (1993)

In a list filled with lots of choices, the #1 selection was rather easy. The highest grossing filmmaker of all time’s 1993 was astonishing. Dino tale Jurassic Park in the summer was a marvel technical achievement that began a franchise. At the time of its release, it became the largest grosser in history with the top opening weekend yet seen. Six months later, Holocaust epic Schindler’s List won seven Academy Awards (including Picture and for Spielberg’s direction).

I hope your New Year is your best yet, readers! Have a happy one…

Oscar Watch: Welcome to Marwen

Nearly a quarter century ago, Robert Zemeckis was the toast of Oscar night with Forrest Gump, famously beating out now classic works including Pulp Fiction and The Shawshank Redemption. With the release of Welcome to Marwen this Friday, it’s clear that things have changed.

The true life drama (based on the acclaimed 2010 documentary Marwencol) casts Steve Carell as a victim of violence who develops amnesia and invents his own fantasy world. From the release of its first trailer, the film failed to garner any awards buzz. We are now seeing reviews only two days before it release. That’s rarely a positive sign. Its Rotten Tomatoes score is currently a troubling 21%. Box office estimates are low.

Bottom line: Welcome to Marwen never developed as a contender and the buzz out today shows why. There is one caveat. The pic did make the shortlist of ten possible nominees for Best Visual Effects. However, my current projections show Avengers: Infinity War, First Man, Black Panther, Ready Player One, and Mary Poppins Returns as the ones that will elevate. My weekly picks will be released early tomorrow and (spoiler alert!) Marwen will place 8th. My Oscar Watch posts will continue…

Welcome to Marwen Box Office Prediction

It’s looking to be a rough road ahead for Welcome to Marwen, which debuts next weekend and could get lost in the holiday shuffle. It casts Steve Carell in this based on a true story drama of an assault victim who develops amnesia and develops his own fantasy world. Robert Zemeckis, the man behind Back to the Future and Forrest Gump and most recently Allied, directs. Costars include Leslie Mann, Janelle Monae, and Gwendoline Christie.

Marwen simply hasn’t managed to generate any heat. It’s been the subject of zero awards chatter and we have a slew of real Oscar contenders populating multiplexes. If it performs poorly, it would be Carell’s second dramatic flop in a row this season after Beautiful Boy.

This film is reminding me a lot of last year’s Downsizing, which also opened Christmas weekend. It also had recognizable stars, a known director, genre similarities, and precious little buzz. The result? An opening of just over $5 million. I’m putting this even lower.

Welcome to Marwen opening weekend prediction: $3.8 million

For my Aquaman prediction, click here:

https://toddmthatcher.com/2018/12/11/aquaman-box-office-prediction/

For my Mary Poppins Returns prediction, click here:

https://toddmthatcher.com/2018/12/10/mary-poppins-returns-box-office-prediction/

For my Bumblebee prediction, click here:

https://toddmthatcher.com/2018/12/11/bumblebee-box-office-prediction/

For my Second Act prediction, click here:

https://toddmthatcher.com/2018/12/14/second-act-box-office-prediction/