Best Picture 2004: The Expanded Ten

Previously on the blog, I wrote a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 in recently years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned numerous posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them! Also – I still need to write these posts for 2023 and 2024. They’re coming.**

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five movies that I believe would’ve gotten in. I’ve already covered 2005-08 and you can peruse my posts on them here:

Best Picture 2005: The Expanded Ten

Best Picture 2006: The Expanded Ten

Best Picture 2007: The Expanded Ten

Best Picture 2008: The Expanded Ten

We move to 2004. There’s an obvious five pictures that would’ve made the cut and that’s the group that were nominated. It begins with Clint Eastwood’s Million Dollar Baby. That boxing drama made a late surge 21 years back and took four trophies – Picture, Director, Actress (Hilary Swank), and Supporting Actor and was nominated for three more.

Martin Scorsese’s The Aviator scored a ceremony high 11 nods and won five – Cate Blanchett in Supporting Actress, Art Direction, Cinematography, Costume Design, and Film Editing. Finding Neverland from Marc Forster landed 7 nominations with a victory in Original Score. Taylor Hackford’s musical biopic Ray made Jamie Foxx a Best Actor victor and won Sound Editing in addition to nods in BP, Director, and two tech races. Alexander Payne’s Sideways was also up for Director, two acting races (though notably not Paul Giamatti in lead actor), and was the recipient of Adapted Screenplay.

That’s the quintet we know. Now we can speculate. And that begins with an unlikely contender in Michael Moore’s Fahrenheit 9/11. Moviegoers of a certain younger age may not recall. but the documentarian’s critical look at George W. Bush’s presidency and the Iraq War was a Palme d’Or winner at Cannes, a critical smash, and became the highest grossing documentary of all time in the summer of 2004. However, Moore chose not to submit Fahrenheit for consideration in Documentary Feature where it probably would’ve been a lock to win that prize.

Fahrenheit was, however, eligible for BP. And this is the rare place on the blog where I will speak of politics coming into play. Had President Bush lost reelection in 2004, Fahrenheit might’ve been seen as a contributing factor. And in Hollywood, that might’ve been enough to earn it a spot among the theoretical 10 nominees. That did not happen and I’m therefore not including it among the expanded contenders.

While Fahrenheit is a question mark, there are some features that I feel strongly would have made the longer list. Mike Leigh’s Vera Drake was up for Director, Actress (Imelda Staunton), and Original Screenplay. Michel Gondry’s Eternal Sunshine of the Spotless Mind was the winner in Original Screenplay while Kate Winslet was up in Actress (though Jim Carrey was notably snubbed in Actor). Hotel Rwanda was also nominated in Original Screenplay along with performers Don Cheadle and Sophie Okenedo.

In previous posts covering 2007-2008, Ratatouille and Wall-E made the expanded 10. For 2004, same goes for The Incredibles. The Pixar property was the Animated Feature and Sound Editing honoree and it had nominations in (you guessed it) Original Screenplay and Sound Mixing.

That leaves one spot and there’s lots of contenders. Mel Gibson’s The Passion of the Christ was a box office smash that was up for Original Score, Cinematography, and Makeup. Yet I question whether the Academy would’ve gone for it even with five added possibilities.

Collateral from Michael Mann saw Jamie Foxx as a double nominee in Supporting Actor and a Film Editing nod. Closer had supporting nominations for Clive Owen and Natalie Portman. If it had managed a Screenplay nomination, I might’ve included it. Various tech nominations were bestowed upon Harry Potter and the Prisoner of Azkaban, Lemony Snicket’s A Series of Unfortunate Events, The Phantom of the Opera, Spider-Man 2, and A Very Long Engagement. If this were a do-over list, Azkaban probably would get in considering many believe it’s the best of the franchise. I don’t believe you’d see it at the time. Same goes for the second Spidey adventure.

For the tenth spot (and it’s admittedly a tricky one), I’m settling on The Motorcycle Diaries from Walter Salles. Diaries was subject to controversy at the Oscars in the Best Foreign Language Film (now International Feature Film) competition. The Academy ruled it ineligible in that race because “it didn’t have sufficient elements from any of the countries to qualify” (huh?). It still picked up nods in Adapted Screenplay and won Original Song. With a doubling of nominees, I think voters would’ve found room for it. That’s especially since it should have been a lock in the foreign derby.

This means my expanded ten consists of:

The Aviator

Eternal Sunshine of the Spotless Mind

Finding Neverland

Hotel Rwanda

The Incredibles

Million Dollar Baby

The Motorcycle Diaries

Ray

Sideways

Vera Drake

I’ll have 2003 up next in this series!

January 31-February 2 Box Office Predictions

DreamWorks Animation looks for Dog Man to lap all competitors this weekend as the critically hailed horror pic Companion also opens. Detailed prediction posts on the newcomers can be found here:

Dog Man Box Office Prediction

Companion Box Office Prediction

A spinoff of 2017’s Captain Underpants: The First Epic Movie, I have Dog performing right in range with its predecessor in the mid 20s. That should easily give it top dog status.

As for Companion, I’m thinking it’ll be runner-up. This latest scary movie starring Sophie Thatcher may perform similarly in the low double digits like her previous genre title Heretic did last November.

Flight Risk landed in 1st place this past frame in line with my expectations (more on that below). With a troubling C Cinemascore grade and poor reviews, I have it plummeting over 50% in its sophomore outing. That could mean a fall from 1st to 5th with holdovers Mufasa: The Lion King and One of Them Days having significantly smaller declines.

Here’s how I envision the top 5 shaking out:

1. Dog Man

Predicted Gross: $25.4 million

2. Companion

Predicted Gross: $10.6 million

3. Mufasa: The Lion King

Predicted Gross: $6.5 million

4. One of Them Days

Predicted Gross: $6 million

5. Flight Risk

Predicted Gross: $5.7 million

Box Office Results (January 24-26)

Mel Gibson’s action thriller Flight Risk with a balding Mark Wahlberg led all pics with $11.5 million, in line with my $11.3 million call. It’s a fairly ho-hum start during these January doldrums and, as mentioned, I look for it to lose altitude quickly.

Mufasa: The Lion King was second with $8.5 million, on target with my $8.7 million prediction. The Disney property bumped its tally to $220 million after six weeks.

One of Them Days with Keke Palmer and SZA rode a wave of complimentary buzz to a 32% dip in weekend #2. It took in $8 million to rise above my $6.8 million projection. The ten-day take is $25 million.

Sonic the Hedgehog 3 was fourth with $5.3 million (I said $5.1 million) for a six-week showing of $225 million.

While I correctly called the 1-4 order, I whiffed on the rest of my top 6. Moana 2 was fifth with $4.1 million for $449 million after nine weeks.

Steven Soderbergh’s experimental haunted house tale Presence debuted in sixth with $3.3 million. I did not do a predictions post for it. Profitability should happen given its reported $2 million price tag.

Wolf Man flamed out in its second weekend in seventh with a 70% drop and $3.2 million. I was more generous at $4.6 million and it has grossed a mere $17 million.

Finally, Brave the Dark, the latest drama from Angel Studios, was 12th with a lowly $2.8 million. Once again, I was kinder with a $5.1 million estimate.

And that does it for now, folks! Until next time…

January 24-26 Box Office Predictions

Mark Wahlberg looks to guide Flight Risk to #1 this weekend and Angel Studios premieres their latest drama Brave the Dark. You can peruse my detailed prediction posts on the newcomers here:

Flight Risk Box Office Prediction

Brave the Dark Box Office Prediction

The doldrums of January should continue at multiplexes with Flight Risk seeking action fans to get onboard. Directed by his Daddy’s Home 2 and Father Stu costar Mel Gibson, I have Wahlberg’s latest in the low double digits. That should be enough for the top spot.

After returning to first place by a nose, Mufasa: The Lion King should slip to second with One of Them Days in third after a better than anticipated runner-up showing (more on that below).

The fourth slot could be close between Brave the Dark and Sonic the Hedgehog 3‘s 6th frame. Wolf Man had a disappointing rollout and could ease to sixth with a decline in the mid 50s or so.

And with that, here’s how I envision the top 6:

1. Flight Risk

Predicted Gross: $11.3 million

2. Mufasa: The Lion King

Predicted Gross: $8.7 million

3. One of Them Days

Predicted Gross: $6.8 million

4. Sonic the Hedgehog 3

Predicted Gross: $5.1 million

5. Brave the Dark

Predicted Gross: $5.1 million

6. Wolf Man

Predicted Gross: $4.6 million

Box Office Results (January 17-19)

In the weakest MLK weekend in nearly a quarter century, Mufasa: The Lion King managed to climb back into the winners circle with $12 million from Friday to Sunday. That’s ahead of my $9.5 million call and it gives the Disney property $206 million after five weeks.

Buddy comedy One of Them Days starring Keke Palmer and SZA rode a wave of solid reviews to second place and $11.8 million, easily overshadowing my $7.8 million projection. This is the first 2025 title to exceed expectations.

The same cannot be said for Wolf Man. Blumhouse’s horror reboot received plenty of subpar critical notices and audiences turned away. While I had it pegged for 1st at $16.6 million, it was third with only $10.8 million.

Sonic the Hedgehog 3 was fourth with $8.6 million compared to my $6.6 million estimate for a five-week total of $216 million.

Last weekend’s champ Den of Thieves 2: Pantera fell to fifth with $6.5 million. The 56% drop was steeper than I figured as I had it at $8.2 million. The ten-day take is $26 million.

And that does it for now, folks! Until next time…

Flight Risk Box Office Prediction

Two weeks after Den of Thieves 2: Pantera started Lionsgate on a positive 2025 note after a disastrous 2024, the studio looks for Flight Risk to keep things looking up. Out January 24th, Mel Gibson directs the action thriller starring Mark Wahlberg, Topher Grace, and Michelle Dockery.

Originally slated for October of last year, this marks Gibson’s first behind the camera exercise since 2016’s Best Picture nominee Hacksaw Ridge. He recently costarred with Wahlberg in 2022’s largely forgotten Father Stu.

Competing for a male audience with the NFL playoffs could be a tall order (as well as the general January doldrums at multiplexes). Another hurdle is that audiences may be used to seeing Wahlberg in direct to streaming fare with Spenser Confidential, Infinite and The Union being recent examples in the genre.

My guess is this gets to low double digits and maybe into the teens.

Flight Risk opening weekend prediction: $11.3 million

For my Brave the Dark prediction, click here:

Brave the Dark Box Office Prediction

Furiosa: A Mad Max Saga Box Office Prediction

Furiosa: A Mad Max Saga storms into theaters this Memorial Day weekend as it hopes to improve upon the numbers of its 2015 predecessor Mad Max: Fury Road. The fifth feature of a franchise that began in 1979, George Miller returns to the director’s chair and this is the first Max tale without Max (in the form of Mel Gibson or Tom Hardy). The prequel casts Anya Taylor-Joy in the title role that Charlize Theron played nine years back. Chris Hemsworth costars along with Alyla Browne, Tom Burke, Lachy Hulme, Nathan Jones, Josh Helman, John Howard, and Angus Sampson.

With a reported budget of nearly $170 million, Warner Bros is banking on fruitful stateside returns and buoyant international results. Early signs are encouraging. Its Cannes premiere has produced an 88% RT score. While that’s not as high as Fury, word-of-mouth should be solid.

Back in 2015, Fury grossed $45 million in its mid-May opening slot en route to $153 million domestically. Furiosa will have the benefit of a four-day report due to the holiday. Hitting $50 million is achievable from Friday to Monday. I suspect it may slightly fall under that figure.

Furiosa: A Mad Max Saga opening weekend prediction: $47.2 million (Friday to Monday estimate)

For my The Garfield Movie prediction, click here:

The Garfield Movie Box Office Prediction

For my Sight prediction, click here:

Sight Box Office Prediction

Oscar Predictions – Chicken Run: Dawn of the Nugget

Arriving over 23 years after its predecessor, Chicken Run: Dawn of the Nugget hatches on Netflix this December. Critics got their first look at it this weekend during the London Film Festival. Sam Fell directs with a voice cast including Thandiwe Newton, Zachary Levi (taking over from Mel Gibson), Bella Ramsey, Romesh Ranganathan, Jane Horrocks, Imelda Staunton, and Miranda Richardson.

In 2000, the original Chicken Run was a critical and commercial success with a 97% Rotten Tomatoes score. It arrived one year before the Academy established their Best Animated Feature race. Had it existed, it’s a safe bet that it would’ve been nominated.

Nugget is more of a question mark. Reviews are not as effusive (it’s at 83% on RT). I would put it behind two other sequels as far as its chances go behind frontrunner Spider-Man: Across the Spider-Verse and Teenage Mutant Ninja Turtles: Mutant Mayhem. With other hopefuls like Elemental, Wish, and Nimona (among others) in the mix, there may not be enough room in the quintet for this long in the works follow-up. My Oscar Prediction posts will continue…

December 9-11 Box Office Predictions

Audiences weren’t digging the leftovers in the first frame of December and it’ll get even worse this weekend. The top 5 could look awfully familiar with Black Panther: Wakanda Forever on top for a fifth time before Avatar: The Way of Water looks to liven up multiplexes beginning December 16th.

There are only two semi-wide newcomers to speak of and I didn’t do individual prediction posts on either. Father Stu: Reborn is a recut version of this spring’s true life drama with Mark Wahlberg and Mel Gibson. It earned a not so heavenly but not terrible $20 million a few months back. This version is PG-13 and not R. I don’t believe it’ll clear $1 million and that puts it outside the top five.

Spoiler Alert, another true life drama and this one featuring Jim Parsons, expands to approximately 600 venues after opening in six theaters this past weekend. It might be lucky to hit a million and that would leave it outside the top five too.

There’s a small chance that Violent Night, the Santa shoot-em-up with David Harbour, could elevate to 1st place after a decent debut (more on that below). However, Black Panther : Wakanda Forever should manage to make it five in a row before James Cameron’s sequel hits.

Meanwhile the battle for third could be close between the third weekend of Disney dud Strange World and the fourth helping of The Menu.

Here’s how I see the top 6 playing out:

1. Black Panther: Wakanda Forever

Predicted Gross: $10.6 million

2. Violent Night

Predicted Gross: $8.5 million

3. Strange World

Predicted Gross: $3.1 million

4. The Menu

Predicted Gross: $2.8 million

5. Devotion

Predicted Gross: $1.7 million

Box Office Results (December 2-4)

MCU sequel Black Panther: Wakanda Forever made it four in a row with $17.5 million. That’s under my projection of $21.3 million as the 62% fall was rather steep considering the lack of competition. The total did rise to $393 million.

Violent Night dropped at the higher end of its range with $13.4 million, outpacing my $9.4 million take. The grisly Yuletide tale could manage to play well over the coming holidays.

Strange World continued the embarrassing returns for the Mouse Factory with only $5 million in its sophomore weekend. I was close with $5.2 million. That’s a mere $25 million in its first 12 days.

The Menu was fourth with $3.4 million (I said $3.1 million) as it’s made $24 million thus far.

Devotion had a turbulent 54% plummet in weekend #2 with $2.7 million. I estimated a bit more at $3.3 million. Overall gross is $13 million.

And that does it for now, folks! Until next time…

Violent Night Box Office Prediction

If Mel Gibson in 2020’s Fatman didn’t satiate your desire to see Kris Kringle toting semiautomatic weapons, we’ve got Violent Night sliding into theaters on December 2nd. David Harbour of Stranger Things fame is Santa in the satiric action pic from director Tommy Wirkola. Supporting players include John Leguizamo (currently appearing in The Menu), Cam Gigandet, Alex Hassell, Alexis Louder, and Beverly D’Angelo (already a holiday silver screen staple thanks to Christmas Vacation).

Universal is hoping audiences want a little comedic savagery in their Yuletide viewing plans. Harbour hasn’t had a big screen breakout. In fact, it’s quite the opposite as 2019’s Hellboy was a dud (he did turn up in last year’s MCU blockbuster Black Widow).

The best case scenario would be a premiere approaching 2015’s Krampus, which rolled out on the same December weekend. It made just over $16 million and eventually topped out at $42 million domestically. I don’t anticipate that kind of showing for Violent Night. There’s a chance it won’t even reach double digits. I’ll put it a hair under.

Violent Night opening weekend prediction: $9.4 million

Best Picture 2016: The Final Five

We have reached 2016 in my posts speculating on a specific piece of Oscar history. As awards followers are aware, 2009 saw the Academy expand the Best Picture category from five movies to ten. That lasted for two years and in 2011, it switched to anywhere from 5-10 with 8 or 9 as the magic numbers for several years. In 2021, the number reverted back to a set ten.

What if that hadn’t happened? What if the BP derby had stayed at a quintet? What pictures would have made the cut? If you missed my write-ups centered on 2009-15, you can peruse them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

Best Picture 2012: The Final Five

Best Picture 2013: The Final Five

Best Picture 2014: The Final Five

Best Picture 2015: The Final Five

We know one thing for sure – Moonlight from Barry Jenkins is in. As you may recall, it had to wait a tad longer to win Best Picture when an envelope mishap caused Warren Beatty and Faye Dunaway to wrongly proclaim La La Land as the voters choice.

As for the 8 other hopefuls (including La La), here’s my take on which half of them would have made the dance.

Arrival

Denis Villeneuve’s sci-fi drama tied Moonlight for the second most nods at 8. In addition to BP, the director and adapted screenplay were nominated along with tech mentions in Sound Editing (where it won), Sound Mixing, Production Design, Cinematography, and Editing. On the flip side, star Amy Adams was omitted in Best Actress. It stands as one of the most surprising acting snubs of the past decade.