Tag: Knives Out

35th Producers Guild of America Awards Nominations Predictions

As if there weren’t enough Oscar precursor activity with the SAG and DGA nominations arriving tomorrow, the Producers Guild of America (PGA) unveil their ten nominees for Best Theatrical Motion Picture and Best Animated Motion Picture on Friday.

In 2021, the Academy reverted back to a set 10 for BP contenders. There was an 8 for 10 correlation that year between the PGA’s movies and the Academy’s. Last year it was 7 for 10.

One commonality is that international titles usually don’t make the cut with PGA. While Parasite was a rare exception in 2019, Drive My Car and All Quiet on the Western Front weren’t to be found on PGA’s list in the last two years. Therefore I’m leaving out Anatomy of a Fall and The Zone of Interest for the 35th ceremony. Either or both could pop up, but this seems to be the smarter play.

With those potential Oscar BP hopefuls out, I do believe there’s a somewhat safe 8 to predict: American Fiction, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, and Poor Things. I could see one or two potentially miss – Fiction, Maestro, and Lives might be vulnerable. Yet I won’t go as far in projecting any of them out.

That leaves two slots. The PGA often goes for blockbusters that the Academy ignores. Examples over the past decade include Straight Outta Compton, Deadpool, Wonder Woman, A Quiet Place, Crazy Rich Asians, Knives Out, and its sequel Glass Onion: A Knives Out Mystery.

The list does not include Spider-Man: Into the Spider-Verse from 2018 (somewhat surprisingly). I’m hesitant, therefore, to include its sequel Spider-Man: Across the Spider-Verse. The PGA could simply decide that it’ll likely win their Animated race and can be left off. However, Across was an even bigger financial success with glowing reviews. I’ve gone back and forth on this one, but I’m giving Spidey one of the open spots.

For the tenth film, there’s plenty of hopefuls. Could this be where The Color Purple makes a last stand for viability with the Academy? Could The Iron Claw pop up? Perhaps PGA will go with an unexpected title that didn’t garner across the board critical acclaim, but has a high profile director. Napoleon or Ferrari come to my mind. Will Saltburn or May December get in?

Those are all, to varying degrees, feasible. I ultimately am going with Air from Ben Affleck. While I don’t think it gets in for BP at the Oscars, the reviews and overall feeling that this is a rock solid sports drama puts it in over some of the aforementioned others.

As for the animated race and their five contenders, we’ve already established that Spidey is in. Because of the international movies thing, you may not find freshly minted Golden Globe winner The Boy and the Heron here. That same logic could apply to Chicken Run: Dawn of the Nugget. We shall see.

Let’s get to the list of nominees and an alternate, shall we?

Best Theatrical Motion Picture

Predicted Nominees:

Air

American Fiction

Barbie

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Past Lives

Poor Things

Spider-Man: Across the Spider-Verse

Alternate: The Color Purple

Best Animated Motion Picture

Predicted Nominees:

Elemental

Spider-Man: Across the Spider-Verse

The Super Mario Bros. Movie

Teenage Mutant Ninja Turtles: Mutant Mayhem

Wish

Alternate: Chicken Run: Dawn of the Nugget

Oscars: The Case of Jamie Lee Curtis in Everything Everywhere All at Once

As the no-nonsense IRS inspector with hot dog hands in an alternate universe, Jamie Lee Curtis’s in Everything Everywhere All at Once is next up for my Supporting Actress Case Of posts.

The Case for Jamie Lee Curtis:

For four and a half decades, Curtis has been a mainstay on the silver screen across all genres from Halloween to Trading Places to A Fish Called Wanda and True Lies to Freaky Friday and Knives Out. Despite that impressive and varied filmography, Everything marks her first nom from the Academy. A victory could double as a career achievement award. That could help explain her surprise win last night at SAG. She also made the cut at the Golden Globes, Critics Choice, and BAFTAs.

The Case Against Jamie Lee Curtis:

The same career achievement narrative can be applied to Angela Bassett for Black Panther: Wakanda Forever and she won the Globe and Critics Choice. Kerry Condon from The Banshees of Inisherin took the BAFTA. Curtis could also split votes with her costar Stephanie Hsu.

Previous Nominations:

None

The Verdict:

If I had written this post on Saturday, I wouldn’t have given Curtis much of a chance. The SAG recognition puts her in a three-way race with Bassett and Condon.

My Case of Posts will continue with Barry Keoghan in The Banshees of Inisherin!

Write-ups for Curtis’s competition can be accessed here:

Oscars: The Case of Angela Bassett in Black Panther: Wakanda Forever
Oscars: The Case of Hong Chau in The Whale
Oscars: The Case of Kerry Condon in The Banshees of Inisherin
Oscars: The Case of Stephanie Hsu in Everything Everywhere All at Once

Oscars: The Case of Ana de Armas in Blonde

Ana de Armas is Marilyn Monroe in Andrew Dominik’s Blonde and she’s the second Best Actress hopeful in my Case Of Posts.

The Case for Ana de Armas:

Despite the film itself garnering mixed reactions (more on that below), de Armas was widely praised. This resulted in nods at the Globes, SAG, and BAFTAs.

The Case Against Ana de Armas:

I’m talking really mixed reactions for the film. Blonde received the most Razzie nominations (8) of any 2022 title. Some critics and viewers outright despised the Netflix effort as evidenced by the 42% Rotten Tomatoes score and even lower 32% audience rating. She has yet to win anywhere.

Previous Nominations:

None

The Verdict:

The fact that so many had their knives out for Blonde makes her a non-factor in this competition (unless we see a shocking SAG or BAFTA victory). We should see the Academy’s ladies and gentlemen prefer Cate Blanchett (Tár) or Michelle Yeoh (Everything Everywhere All at Once).

My Case Of posts will continue with Colin Farrell in The Banshees of Inisherin!

If you missed my other write-ups for the Actress nominees, you can find them here:

Oscars: The Case of Cate Blanchett in Tár
Oscars: The Case of Andrea Riseborough in To Leslie
Oscars: The Case of Michelle Williams in The Fabelmans
Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

34th Producers Guild of America Awards Predictions

The Screen Actors Guild and the Director Guild announced their nominees today. Tomorrow it’s the Producers Guild time to reveal their 10 selections for outstanding films and 5 picks for animated feature.

This list often comes pretty darn close to mirroring the Academy’s eventual BP contenders. Over the past decade, here’s the matches:

2012 – 8/9

2013 – 8/9

2014 – 7/8

2015 – 7/8

2016 – 9/9

2017 – 7/9

2018 – 8/8

2019 – 9/9

2020 – 7/8

2021 – 8/10

That’s a pretty remarkable 78/87 over the past 10 ceremonies. We have seen some British or foreign pics make the Academy cut and not with PGA including last year with Drive My Car. Other recent examples include Amour, Darkest Hour, and The Father.

Some PGA nominees that Oscar voters didn’t honor include some pics with more of a popcorn flavor. They include Skyfall, Gone Girl, Deadpool, Wonder Woman, Crazy Rich Asians, Knives Out, and Borat Subsequent Moviefilm.

Keeping that in mind, that’s why I have All Quiet on the Western Front on the outside looking in. It could certainly materialize, but gotta pay attention to history, eh? Same goes for Aftersun.

I could envision something like The Menu, Nope, or RRR appearing on the list though I’m not feeling bold enough to pick either. As with BP, I feel there’s a relatively safe 7: Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick. In addition to the aforementioned hopefuls, the remaining three slots could be down to: Babylon (I feel it’s more possible here than with the Academy), Glass Onion: A Knives Out Mystery (same), Guillermo del Toro’s Pinocchio, The Whale, The Woman King, Women Talking.

Here’s how I see it shaking out:

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Predicted Nominees:

Avatar: The Way of Water

The Banshees of Inisherin

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Tár

Top Gun: Maverick

The Woman King

Women Talking

Runner-Up: Babylon

As for the animated fare, Guillermo del Toro’s Pinocchio should be way out front. For the other five possibilities, you just need to pick which one to eliminate.

Outstanding Producer of Animated Theatrical Motion Pictures

Predicted Nominees:

The Bad Guys

Guillermo del Toro’s Pinocchio

Marcel the Shell with Shoes On

Puss in Boots: The Last Wish

Turning Red

Runner-Up: Wendell and Wild

I’ll have a recap up tomorrow!

29th Screen Actors Guild Awards Nomination Predictions

Another significant piece of the Oscar prognosticating puzzle is put together on Wednesday when nominations for the 29th Screen Actors Guild (SAG) Awards are dropped. The ceremony’s main prize, it’s important to note, is not Best Picture but Best Ensemble. That means a correlation from the Oscar BP and the top race here is not apples to apples. It is worth noting that half of the last 10 SAG Ensemble victors (Argo, Birdman, Spotlight, Parasite, CODA) did go on to win BP from the Academy. On the other hand, three recent BPs (The Shape of Water, Green Book, Nomadland) didn’t make the SAG quintet at all.

Let’s go through all six categories one by one with my picks and a runner-up call, shall we?

Outstanding Performance by a Cast in a Motion Picture

There are plenty of possibilities including box office hits like Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick. For Panther, the original won Ensemble in 2018 so the sequel materializing is feasible. I wouldn’t discount the sprawling cast of Babylon though middling reviews could hurt it. It’s tempting to pick Glass Onion but I’m hesitant since Knives Out was snubbed in 2019.

Everything Everywhere All at Once and The Fabelmans seem safe. Despite the small call sheet for The Banshees of Inisherin (with just four significant roles), I could see the SAG branch honoring it. I’m also liking The Woman King‘s chances. Women Talking is perhaps the biggest question mark. It has underperformed with precursors. A couple of months ago, I’d have considered it a potential frontrunner to win. Now I wonder if it makes it at all. Nevertheless – here’s my take:

Predicted Nominees:

The Banshees of Inisherin

Everything Everywhere All at Once

The Fabelmans

The Woman King

Women Talking

Runner-Up: Glass Onion: A Knives Out Mystery

Outstanding Performance by a Female Actor in a Leading Role

In the previous decade, SAG in Actress has matched the Academy 4/5 on six occasions and 3/5 on four. There are no perfect correlations. SAG has shown they will throw in a shocker – Jennifer Aniston in Cake, Sarah Silverman for I Smile Back or Emily Blunt in The Girl on the Train are recent examples. If there’s one here, look out for Naomi Ackie (Whitney Houston: I Wanna Dance with Somebody).

Margot Robbie (Babylon) is currently the one I’ve got in the Academy five (for the moment) that I don’t have here. Ana de Armas (Blonde) is a real threat. If she makes this quintet, look for her Oscar stock to soar. With those possibilities mentioned, my choices are…

Predicted Nominees:

Cate Blanchett, Tár

Viola Davis, The Woman King

Danielle Deadwyler, Till

Michelle Williams, The Fabelmans

Michelle Yeoh, Everything Everywhere All at Once

Runner-Up: Ana de Armas, Blonde

Outstanding Performance by a Male Actor in a Leading Role

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), and Brendan Fraser (The Whale) should all be safe. Bill Nighy (Living) is fourth though I suspect there’s a better chance at SAG leaving him off than the Academy. Then there’s that five spot. It could be Tom Cruise (Top Gun: Maverick), Tom Hanks (A Man Called Otto), Hugh Jackman (The Son), or Paul Mescal (Aftersun). Take your pick. I’m leaning toward the star of the year’s biggest hit. On a side note, there’s been a SAG/Oscar match of 5/5 for the previous two cycles.

Predicted Nominees:

Austin Butler, Elvis

Tom Cruise, Top Gun: Maverick

Colin Farrell, The Banshees of Inisherin

Brendan Fraser, The Whale

Bill Nighy, Living

Runner-Up: Paul Mescal, Aftersun

Outstanding Performance by a Female Actor in a Supporting Role

Last year was an anomaly when just 2 of the SAG nominees (Ariana DeBose for West Side Story and The Power of the Dog‘s Kirsten Dunst) scored Oscar nods. The magic number is usually 3 or 4. The wide open nature of this race has been discussed a lot on the blog. Beyond my picks and runner-up, don’t discount Dolly De Leon (Triangle of Sadness), Claire Foy (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), Janelle Monae (Glass Onion: A Knives Out Mystery), and Carey Mulligan (She Said).

Predicted Nominees:

Angela Bassett, Black Panther: Wakanda Forever

Jessie Buckley, Women Talking

Hong Chau, The Whale

Kerry Condon, The Banshees of Inisherin

Jamie Lee Curtis, Everything Everywhere All at Once

Runner-Up: Stephanie Hsu, Everything Everywhere All at Once

Outstanding Performance by a Male Actor in a Supporting Role

Like Supporting Actress last year, there was only a 2 for 5 match with Troy Kotsur in CODA and Kodi Smit-McPhee in The Power of the Dog. Usually it’s 4. For 2022, I believe only Ke Huy Quan and Brendan Gleeson are safe assumptions. The remaining three slots should be some combo of Paul Dano (The Fabelmans), Tom Hanks (Elvis), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Brian Tyree Henry (Causeway), Brad Pitt (Babylon), and Eddie Redmayne (The Good Nurse) sorting it out.

Predicted Nominees:

Paul Dano, The Fabelmans

Brendan Gleeson, The Banshees of Inisherin

Barry Keoghan, The Banshees of Inisherin

Ke Huy Quan, Everything Everywhere All at Once

Eddie Redmayne, The Good Nurse

Runner-Up: Brian Tyree Henry, Causeway

Outstanding Performance by a Stunt Ensemble

Don’t discount The Batman or Doctor Strange in the Multiverse of Madness, but my quintet is as follows…

Predicted Nominees:

The Batman

Black Panther: Wakanda Forever

Everything Everywhere All at Once

Top Gun: Maverick

The Woman King

Runner-Up: RRR

That equates to these movies generating these numbers:

5 Nominations

The Banshees of Inisherin, Everything Everywhere All at Once

3 Nominations

The Fabelmans, The Woman King

2 Nominations

Black Panther: Wakanda Forever, Top Gun: Maverick, The Whale, Women Talking

1 Nomination

The Batman, Elvis, The Good Nurse, Living, Tár, Till

On Wednesday evening you can expect a recap of what happens after noms are revealed!

AFI Recap: Yes on Nope and Nope on Babylon

The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.

The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:

Avatar: The Way of Water

Elvis

Everything Everywhere All at Once

The Fabelmans

Nope

She Said

Tár

Top Gun: Maverick

The Woman King

Women Talking

It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.

I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).

Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.

In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.

If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.

In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.

What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.

If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.

I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:

2022 Golden Globe Nomination Predictions

Updated Oscar predictions will be on the blog Tuesday!

AFI Top Ten Predictions 2022

The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.

Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.

So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.

It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out, Star Wars: The Force Awakens, and Straight Outta Compton.

Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.

We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.

I’ll have a recap up tomorrow with commentary and how I did!

AFI Top Predictions

Avatar: The Way of Water

Babylon

Elvis

Everything Everywhere All at Once

The Fabelmans

Glass Onion: A Knives Out Mystery

Guillermo del Toro’s Pinocchio

Top Gun: Maverick

The Woman King

Women Talking

December 2-4 Box Office Predictions

After a historically weak Thanksgiving frame that left moviegoers hungry for other options, the first weekend of December should be rather quiet at multiplexes as well. The lone wide release is Violent Night with David Harbour as a gun toting Santa. You can peruse my detailed prediction post on it here:

Violent Night Box Office Prediction

Night, even though I have it falling under $10 million, should slide into the runner-up position behind Black Panther: Wakanda Forever. The MCU sequel looks to four-peat and should have no trouble doing so. A low to mid 50s drop would put it over $20 million. It’s likely to be #1 for five weekends until Avatar: The Way of Water arrives on December 16th.

After a disastrous opening (more on that below), Strange World should fall to third. With a weak B Cinemascore grade, the Disney animated flop could experience a plummet in the mid to high 50s. Who knows? Maybe even higher.

The four and five spots could be close between the second and third frames of Devotion and The Menu. Both should see dips in the mid 40s.

Here’s how I see the top 5 looking:

1. Black Panther: Wakanda Forever

Predicted Gross: $21.3 million

2. Violent Night

Predicted Gross: $9.4 million

3. Strange World

Predicted Gross: $5.2 million

4. Devotion

Predicted Gross: $3.3 million

5. The Menu

Predicted Gross: $3.1 million

Box Office Results (Thanksgiving Weekend)

The Turkey Day holiday didn’t bring in the masses as the weekend fell under $100 million. That’s despite plenty of new releases for crowds to chew on.

Strangely enough, the biggest winner belonged to a streamer. Netflix doesn’t officially report numbers. They put Glass Onion: A Knives Out Mystery, the acclaimed sequel to 2019’s blockbuster, on just under 700 screens. Word is out that it did approximately $9.2 million from Friday to Sunday and $13.3 million since the Wednesday start. That per theater average of over $13k is easily the best of the bunch. Onion is scheduled to leave its venues tomorrow before it hits Netflix on December 23rd.

Now back to the movies that do report official tallies. Black Panther: Wakanda Forever easily stayed atop the charts with $45.5 million, besting my $37.9 million prediction in weekend #3. The 17-day total is $367 million.

The story of the holiday was the dismal Strange World performance. The Mouse Factory had a disappointing result over the summer with Lightyear. This made it look like a phenomenon. World took in an embarrassing $12.1 million from Friday to Sunday and $18.8 million in the five-day. I said it would manage $19.3 million and $26.7 million, respectively. Simply put, Disney animated efforts aren’t supposed to do those anemic figures.

I suppose technically Glass Onion was third, so the war saga Devotion was fourth. Despite mostly decent reviews, it was a flop considering the reported $90 million budget. The Friday to Sunday take was $5.9 million with $9 million when counting Wednesday and Thursday. I went higher with $7.2 million and $10.7 million.

The Menu rounded out the top five at $5.4 million (I said $6.4 million) to bring the two-week gross to $18 million.

Black Adam was sixth with $3.2 million, on target with my $3.3 million prediction. Total is $162 million.

Steven Spielberg’s awards hopeful The Fabelmans was on 638 screens and was seventh with $2.2 million ($3.1 million for the five-day). That’s under my guesstimates of $2.8 million and $4.1 million. While that’s easily the second best average of the newbies (after Onion), it’s still not too impressive. It will hope to develop legs during awards season.

The cannibalistic romance Bones and All wasn’t a recipe for success with an 8th place showing. The $2.2 million and $3.6 million three and five day earnings couldn’t match my $3.5 and $5.3 million projections.

Ticket to Paradise was ninth with $1.8 million (I went with $2.3 million) as the rom com is up to $65 million.

Fathom Event The Chosen Season 3: Episodes 1 and 2 was 10th as it dove 81% to $1.5 million. I was more giving at $2.4 million. In ten days, it’s made $13 million.

Finally, She Said was 11th after its poor premiere last weekend. With $1.1 million (I said $1.6 million), it’s at a lowly $4 million.

And that does it for now, folks! Until next time…

November 25-27 Box Office Predictions

Hollywood is hoping audiences mix a trip to the multiplex in their holiday plans. We have a slew of new releases, but it should be a three-week old leftover topping the Turkey weekend charts. Disney’s animated Strange World, aerial adventure Devotion, cannibalistic romance Bones and All, and Steven Spielberg’s coming-of-age awards hopeful The Fabelmans all debut or expand. You can peruse my detailed prediction posts on them here:

Strange World Box Office Prediction
Devotion Box Office Prediction
Bones and All Box Office Prediction
The Fabelmans Box Office Prediction

Let’s begin with a title you don’t see. Rian Johnson’s Glass Onion: A Knives Out Mystery is the eagerly awaited and well-reviewed follow-up to Knives Out, which opened over the same holiday three years ago. Netflix is the distributor and it will be before our streaming eyes for Christmas. Onion is hitting approximately 600 venues for a sneak preview from Wednesday to Sunday. It is not expected that Netflix will report its financials. That’s why you won’t find it in the top 10. If they do end up deciding to do so, I imagine it’ll do quite well (and be either third or fourth).

Back to movies where we expect box office grosses! Strange World is the Mouse Factory’s latest animated offering to be unveiled over Thanksgiving. Yet the marketing campaign has been weak. My high teens three-day and mid 20s five-day is very subpar for the studio. On the bright side, they’ll certainly have numbers 1-2 as Black Panther: Wakanda Forever should three-peat with a drop in the low 40s range.

Devotion could over perform if enough older moviegoers check in. I have it settling for a so-so third place in the high single digits for the traditional frame and low double digits for the Wednesday to Sunday portion.

The Menu should be fourth after an appetizing start (more on that below). I think it’ll only fall in the high 20s or low 30s for the sophomore outing. Bones and All could round out the top five. Its gory subject matter could prevent crowds from perusing its gruesome menu.

Spielberg’s The Fabelmans is out on just 600 screens. That limits the potential and I have a gut feeling it may fall short of expectations anyway. I have it pegged for 7th place as it hopes that Oscar buzz improves its earnings in later weekends.

Here’s how I envision the top 10 looking with 3 and 5 day estimates for the newcomers:

1. Black Panther: Wakanda Forever

Predicted Gross: $37.9 million

2. Strange World

Predicted Gross: $19.3 million (Friday to Sunday); $26.7 million (Wednesday to Sunday)

3. Devotion

Predicted Gross: $7.2 million (Friday to Sunday); $10.7 million (Wednesday to Sunday)

4. The Menu

Predicted Gross: $6.4 million

5. Bones and All

Predicted Gross: $3.5 million (Friday to Sunday); $5.3 million (Wednesday to Sunday)

6. Black Adam

Predicted Gross: $3.3 million

7. The Fabelmans

Predicted Gross: $2.8 million (Friday to Sunday); $4.1 million (Wednesday to Sunday)

8. The Chosen Season 3: Episodes 1 and 2

Predicted Gross: $2.4 million

9. Ticket to Paradise

Predicted Gross: $2.3 million

10. She Said

Predicted Gross: $1.6 million

Box Office Results (November 18-20)

Black Panther: Wakanda Forever didn’t quite drop as far as MCU predecessors Doctor Strange in the Multiverse of Madness or Thor: Love and Thunder, but it was still a steep decline. The sequel to 2018’s phenomenon slid 63% in weekend 2 with $66.4 million, under my $70.3 million projection. The ten-day tally is $287 million.

The Menu was the rare pic for the grown-ups that performed admirably. The culinary satire was runner-up with $9 million, a bit ahead of my $8.2 million prediction. Look for it for to hold well over Thanksgiving.

The Chosen Season 3: Episodes 1 and 2 had its core audience believing as the Fathom Events experience was third with $8.7 million (topping my $7.5 million estimate). Last December, Christmas with the Chosen: The Messengers had a 71% plummet in its second weekend. Expect similar results here.

Black Adam was fourth with $4.6 million (I said $5.3 million) as the superhero pic is up to $157 million after four weeks.

Ticket to Paradise rounded out the top five at $3.1 million, below my $4.1 million prediction. The rom com has grossed $61 million.

Finally, She Said was a dud. Focused on the journalistic journey to expose Harvey Weinstein, it was a quiet sixth at $2.2 million. I went with $3.4 million.

And that does it for now, folks! Have a Happy Thanksgiving!!

2022 Oscar Predictions: The State of the Best Picture Race

My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:

2022 Oscar Predictions: The State of the Best Director Race
2022 Oscar Predictions: The State of the Best Actress Race
2022 Oscar Predictions: The State of the Best Actor Race
2022 Oscar Predictions: The State of the Supporting Actress Race
2022 Oscar Predictions: The State of the Supporting Actor Race

At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.

Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.

On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.

However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.

Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).

It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).

While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.

The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.

The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).

Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick, Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.

Best Picture

Predicted Nominees:

1 . The Fabelmans (Previous Ranking: 1) (Even)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Women Talking (PR: 4) (E)

5. The Banshees of Inisherin (PR: 5) (E)

6. Top Gun: Maverick (PR: 6) (E)

7. Tár (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Triangle of Sadness (PR: 9) (E)

10. She Said (PR: 12) (+2)

Other Possibilities:

11. All Quiet on the Western Front (PR: 11) (E)

12. Decision to Leave (PR: 10) (-2)

13. Avatar: The Way of Water (PR: 14) (+1)

14. Elvis (PR: 13) (-1)

15. Glass Onion: A Knives Out Mystery (PR: 15) (E)

Stay tuned for estimates on all the races coming up soon!