No, I’m not rethinking my 2022 decision to forego an Oscar Predictions post on the Liam Neeson action flick Memory. This is the write-up for the same monikered Michel Franco drama that premiered at the Venice Film Festival. The somber drama is led by Jessica Chastain (2021’s Actress winner for The Eyes of Tammy Faye) and Peter Sarsgard with a supporting cast including Merritt Wever, Jessica Harper, Elsie Fisher, and Josh Charles.
The Rotten Tomatoes meter stands at 88% with critics particularly complimenting the performances of the two leads. The Italian fest jury took notice as Sarsgard received the Best Actor award.
Assuming this makes the domestic release calendar by year’s end (release date is still TBD), its distributor MUBI has their work cut for them to break Chastain and Sarsgard into the lead conversations. Some critics prize attention could help and I’m taking a wait and see attitude with Memory‘s prospects. My Oscar Prediction posts will continue…
The 80th Venice Film Festival has signed off and the Grand Jury’s verdict has honored what’s expected to be a major awards player. From 2017-2020, the four films that took the Golden Lion (the fest’s top prize) went onto receive Best Picture nominations at the Oscars: The Shape of Water (which won), Roma, Joker, and Nomadland (another victor). 2021 French pic Happening and 2022’s documentary All the Beauty and the Bloodshed bucked the trend.
Yet I would suspect the correlation between Lion and BP nominee returns in 2023 as Yorgos Lanthimos’s Poor Things is the Lion recipient. Based on reaction from Italy, Things established itself as a major contender across many categories and this assists in cementing that. Expect to read lots about this movie in my prediction posts in the weeks and months ahead.
Venice likes to spread the wealth around. Poor Things didn’t take the directing or screenplay categories or name Emma Stone as Best Actress. Instead that statue went to Cailee Spaeny as Elvis’s young bride Priscilla in Sofia Coppola’s biopic. This does nothing but help Spaeney’s chances in what appears to be an already crowded Actress derby.
Peter Sarsgard is your Best Actor for Michael Franco’s Memory (he and Jessica Chastain are drawing raves for their work). Its distributor would need to mount a shrewd campaign for Academy voters to take notice.
The fest’s runner-up trophy (the Grand Jury Prize) went to Ryusuke Hamaguchi’s Evil Does Not Exist. Japan recently opted to select Perfect Days from Wim Wenders as their International Feature Film hopeful. Best Screenplay went to El Conde from Pablo Larrain, which will likely be Chile’s best best for IFF inclusion.
Poor Things was the odds on favorite for the Lion as Venice rolled along. Look for it to roar as the season continues.
You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.
That history lesson is, of course, given to you because reboot The Batman  with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.
So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes.Â
Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…
Another chapter for the Caped Crusader flies into theaters March 4th with The Batman. The franchise reboot comes with high expectations and pent up anticipation as Robert Pattinson takes over the title role. Matt Reeves, best known for Cloverfield and the last two Planet of the Apes pics, directs. The supporting cast includes Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and an unrecognizable Colin Farrell as the Penguin. Originally slated for summer 2021, it looks to rule the month of March after its COVID delay.
There is little competition in its way and its event picture status should propel it to huge numbers. How big? The Batman could be in line for a larger opening weekend than 2008’s The Dark Knight ($158 million) and 2012 follow-up The Dark Knight Rises ($160 million). And you may have forgotten that 2016’s Batman v Superman: Dawn of Justice actually holds the highest Bat premiere at $166 million.
Spider-Man: No Way Home showed that moviegoers were more than ready to turn out in force with the right product. Early IMAX offerings have already sold out for opening day. Estimates are wide. It could be as low as $100 million or approach $200 million. I’m thinking $145-$165 million is the likeliest range.
The Batman opening weekend prediction: $155.2 million
For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.Â
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
Despite numerous critically acclaimed performances, Jake Gyllenhaal has but one Oscar nomination to his credit in Supporting Actor for 2005’s Brokeback Mountain. On October 1, his crime thriller The Guilty streams on Netflix. Based on a heralded 2018 Danish pic, it has premiered at the Toronto Film Festival over the weekend.
Early reviews are decent at 73% on Rotten Tomatoes. Interestingly enough, some claim viewers may like it more if they haven’t seen the superior original. The Guilty is helmed by Antoine Fuqua, who directed Denzel Washington to a Best Actor win and Ethan Hawke to a Supporting Actor nod in 2001’s Training Day. Hawke costars here along with Riley Keough, Christina Vidal, Eli Goree, Da’Vine Joy Randolph, Paul Dano, and Peter Sarsgaard.
In 2014, Gyllenhaal was snubbed (in the opinion of many, including this blogger) for Nightcrawler. More recently, the Academy bypassed his leading roles in Nocturnal Animals and Stronger. The Toronto verdict indicates that nomination #2 probably isn’t coming with The Guilty. My Oscar Predictions posts for the films of 2021 will continue…
Maggie Gyllenhaal’s directorial debut The Lost Daughter has screened at Venice prior to its theatrical and Netflix release in December. Olivia Colman stars as a college professor who confronts her familial past. The supporting cast includes Dakota Johnson, Jessie Buckley, Peter Sarsgaard, and Ed Harris.
In addition to being behind the camera, Gyllenhaal (a 2009 Supporting Actress nominee for Crazy Heart) also adapted the screenplay based on an Elena Ferrante novel. Reviews indicate this is an impressive start to her directing career and it stands at 100% on Rotten Tomatoes.
Will the Academy take notice? It certainly may with Colman, who’s unsurprisingly drawing raves. Best Actress should be a crowded field so this is no guarantee. If Colman does manage one of the five spots, it would be her third nod in four years. She won the lead race in 2018 for The Favourite and was nominated in Supporting Actress for The Father last year. Johnson and Buckley are slightly longer shots for supporting and Netflix could concentrate primarily on Colman.
I’m not sure Picture or Director are feasible, but you never know if the streamer goes all in on a campaign. Bottom line: Colman may have the best odds, but The Lost Daughter could find its way into other competitions with the right push. My Oscar Prediction posts for the films of 2021 will continue…
Pablo Larrain’s Jackie presents a subject in a horrific stage of grief on a stage very few can identify with. Dealing with loss is a universal feeling. The universe watching you grieve is rare and was even more so in November 1963 when the 35th President of the United States was assassinated. A country turned to Jackie Kennedy and her decisions in the days following the tragedy are explored here.
Yet the most effective moments in the picture belong to Jackie’s quieter moments as she deals with her husband’s death. They are made even more powerful by Natalie Portman’s portrayal of her. In what is easily her finest performance since her Oscar-winning turn in BlackSwan, Jackie is propelled by her even when narrative shortcomings present themselves.
The film is primarily set in the immediate days after President Kennedy’s fateful ride in Dallas. Mrs. Kennedy is tasked with planning a funeral when national security concerns are at a fever pitch. She’s also already grappling with how to preserve his legacy and we  witness that through her interview with a journalist (Billy Crudup). It is here we see Jackie’s recollection of the proper way to memorialize a slain leader. How extravagant should the funeral be from a First Lady accused of being a bit extravagant? We see brief glimpses of tension with President Johnson (John Carroll Lynch) and especially his aide Jack Valenti (Max Casella).
Some of Jackie’s decisions literally have potential world implications. Far more personal ones are there like informing two young children. We also witness her bond with Bobby Kennedy (Peter Sarsgaard) and childhood friend Nancy Tuckerman (Greta Gerwig). Her psyche is explored in another flashback narrative as she talks about it with a priest, played by the late John Hurt.
The dual flashback setup often feels a tad familiar and sometimes stale. Those with a passing knowledge of the JFK assassination aftermath won’t learn much here. What is rewarding is Portman’s mesmerizing work. There’s also a haunting musical score by Mica Levi. John F. Kennedy has been called the first TV President. One thing does come through here with his First Lady’s recounting of events is her understanding of that. In her darkest moments, she also realizes that she must do all she can to control the story before others do. This does provide some fascinating moments of conversation with Crudup’s reporter. Even in her fragile and stricken state, Jackie feels the duty to write this chapter of history her way.
Hello all! Welcome to December and welcome to my weekly Thursday Oscar predictions!
It’s been seven days since my last Turkey Day estimates in the eight major categories. A lot can change in a week and there’s been significant developments since we were all couch bound after our Thanksgiving feasts.
Let us count them…
1) Martin Scorsese’s Silence finally held some screenings, meaning buzz is out. Official reviews are embargoed until December 10, but the first reactions indicate that the director’s latest could be a force in the Oscar race. My predictions reflect that. Furthermore, initial word makes one wonder whether it’ll be Liam Neeson or Adam Driver that get the lion’s share of attention in Supporting Actor.
2) A number of awards precursors have rolled out their winners and nominations. We begin with the National Board of Review. Yesterday, the NBR bestowed their winners upon us. They are: Manchester by the Sea (Best Film), Barry Jenkins for Moonlight (Director), Casey Affleck in Manchester by the Sea (Actor), Amy Adams in Arrival (Actress), Jeff Bridges in Hell or High Water (Supporting Actor), Naomie Harris in Moonlight (Supporting Actor), Manchester by the Sea (Original Screenplay), and Silence (Adapted Screenplay). The critics organization also lists ten other pictures on the year’s best list and they are: Arrival, Hacksaw Ridge, Hail Caesar!, Hell or High Water, Hidden Figures, La La Land, Moonlight, Patriots Day, Silence, and Sully. Now – the NBR’s list of films have not and will not match what the Academy does. For instance, Hail Caesar! is not going to nab a Best Picture nod (it’s never been in my top 20 list of possibles and still isn’t). All the others, however, are at least feasible. The most notable snub is Fences, though I’d say it’s still near the top for Academy recognition. Lion is another notable omission.
3) The Critics Choice Awards came out today with their nominations. An important caveat: Silence (and Passengers and Rogue One: A Star Wars Story) weren’t screened in time for consideration. The CCA nominates 10 pictures and they are: Arrival, Fences, Hacksaw Ridge, Hell or High Water, La La Land, Lion, Loving, Manchester by the Sea, Moonlight, and Sully. Another note: the upcoming Jackie got no Picture love from the NBR or CCA.
There are seven nominees for Best Director and six each in the acting and screenplay races. They are:
Director: Damien Chazelle (La La Land), Mel Gibson (Hacksaw Ridge), Barry Jenkins (Moonlight), Kenneth Lonergan (Manchester by the Sea), David Mackenzie (Hell or High Water), Denis Villeneueve (Arrival), and Denzel Washington (Fences). Gibson’s nod is a fascinating one and he may have slightly increased his chances at Oscar attention. That said, it’s important to remember that Scorsese (who’s almost sure to get a nomination) was ineligible.
Actor: Casey Affleck (Manchester), Joel Edgerton (Loving), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Tom Hanks (Sully), and Denzel Washington (Fences). Nothing out of the ordinary here, though Garfield seems more likely to get Acting attention for Silence via the Academy.
Actress: Amy Adams (Arrival), Annette Bening (20th Century Women), Isabelle Huppert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), and Emma Stone (La La Land). Note: No nod for either Meryl Streep (Florence Foster Jenkins) or Jessica Chastain (Miss Sloane).
Supporting Actor: Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Ben Foster (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). Note: While some awards prognosticators have listed Hugh Grant in Florence Foster Jenkins as a possibility, his fortunes seem to be dwindling. Also, no Mykelti Williams or Stephen Henderson for Fences.Â
Supporting Actress: Viola Davis (Fences), Greta Gerwig (20th Century Women), Naomie Harris (Moonlight), Nicole Kidman (Lion), Janelle Monae (Hidden Figures), and Michelle Williams (Manchester by the Sea). No real surprises here.
Original Screenplay: Hell or High Water, La La Land, The Lobster, Loving, Manchester by the Sea, Moonlight. Again, no shocks though the ignoring of Jackie continues here.
Adapted Screenplay: Arrival, Fences, Hidden Figures, Lion, Nocturnal Animals, Sully. With Hacksaw getting Pic and Director and Actor attention, a bit surprising it didn’t land a nod here.
4) The New York Film Critics Circle named their winners today. La La Land (the current front runner for Best Picture) was victorious. However, Director went to Barry Jenkins yet again for his work in Moonlight. Casey Affleck took another Actor prize with Isabelle Huppert in Elle helping her case out with an Actress win. Mahershala Ali (Moonlight) and Michelle Williams (for both Manchester and Certain Women) won their Supporting categories. The NYFCC combines screenplay into one and Manchester took top honors there.
Whew. Lots of information, I know, with plenty to digest! Taking all that into account and knowing there’s a bunch more precursors to come – here’s where I have the eight major races standing at this moment:
Best Picture
Predicted Nominees
1. La La Land (Previous Ranking: 1)
2. Silence (PR: 4)
3. Moonlight (PR: 3)
4. Manchester by the Sea (PR: 6)
5. Fences (PR: 2)
6. Lion (PR: 5)
7. Arrival (PR: 8)
8. Hidden Figures (PR: 10)
9. Loving (PR: 7)
Other Possibilities:
10. Hell or High Water (PR: 11)
11. Jackie (PR: 9)
12. Hacksaw Ridge (PR: 16)
13. Sully (PR: 15)
14. Patriots Day (PR: 13)
15. 20th Century Women (PR: 12)
16. Nocturnal Animals (PR: 17)
17. Live by Night (PR: 14)
18. Passengers (PR: Not Ranked)
19. The Jungle Book (PR: 18)
20. The Founder (PR: 19)
Dropped Out:
Gold
Best Director
Predicted Nominees
1. Damien Chazelle, La La Land (PR: 1)
2. Martin Scorsese, Silence (PR: 2)
3. Barry Jenkins, Moonlight (PR: 4)
4. Denzel Washington, Fences (PR: 3)
5. Kenneth Lonergan, Manchester by the Sea (PR: 5)
Other Possibilities
6. Denis Villeneuve, Arrival (PR: 6)
7. Garth Davis, Lion (PR: 7)
8. Mel Gibson, Hacksaw Ridge (PR: Not Ranked)
9. Jeff Nichols, Loving (PR: 8)
10. Theodore Melfi, Hidden Figures (PR: 10)
Dropped Out:
Pablo Larrain, Jackie
Best Actor
1. Denzel Washington, Fences (PR: 1)
2. Casey Affleck, Manchester by the Sea (PR: 2)
3. Tom Hanks, Sully (PR: 4)
4. Ryan Gosling, La La Land (PR: 5)
5. Andrew Garfield, Silence (PR: 9)
Other Possibilities
6. Joel Edgerton, Loving (PR: 3)
7. Viggo Mortensen, Captain Fantastic (PR: 7)
8. Michael Keaton, The Founder (PR: 6)
9. Andrew Garfield, Hacksaw Ridge (PR: Not Ranked)
Happy Turkey Day all! And yes we all know it’s Thursday and that also means my weekly Oscar predictions are here for you to stuff yourself with. Over the last week, we have seen new developments as Allied opened, reviews came out, and its awards chances went buh bye.
Furthermore, both PatriotsDay and TheFounder (both out next month) had critical reaction come in. Patriots has established itself as a dark horse candidate for recognition with Founder popping up in the bottom of possibilities based on their reviews.
Added to that… Martin Scorsese’s Silence finally got a trailer release about a month before its premiere.
So there’s a bit of movement happening on the charts and here’s my Thanksgiving projections for the eight major categories:
BESTPICTURE
Predicted Nominees
1. LaLaLand (Previous Ranking: 1)
2. Fences (PR: 2)
3. Moonlight (PR: 3)
4. Silence (PR: 5)
5. Lion (PR: 4)
6. ManchesterbytheSea (PR: 6)
7. Loving (PR: 9)
8. Arrival (PR: 7)
9. Jackie (PR: 8)
Other Possibilities
10. HiddenFigures (PR: 10)
11. HellorHighWater (PR: 11)
12. 20thCenturyWomen (PR: 12)
13. PatriotsDay (PR: Not Ranked)
14. LivebyNight (PR: 13)
15. Sully (PR: 14)
16. HacksawRidge (PR: 15)
17. NocturnalAnimals (PR: 17)
18. TheJungleBook (PR: 16)
19. TheFounder (Not Ranked)
20. Gold (PR: 20)
Dropped Out:
Allied
FlorenceFosterJenkins
BESTDIRECTOR
Predicted Nominees
1. Damien Chazelle, LaLaLand (PR: 1)
2. Martin Scorsese, Silence (PR: 4)
3. Denzel Washington, Fences (PR: 2)
4. Barry Jenkins, Moonlight (PR: 3)
5. Kenneth Lonergan, ManchesterbytheSea (PR: 5)
Other Possibilities
6. Denis Villeneuve, Arrival (PR: 6)
7. Garth Davis, Lion (PR: 7)
8. Jeff Nichols, Loving (PR: 9)
9. Pablo Larrain, Jackie (PR: 8)
10. Theodore Melfi, HiddenFigures (PR: 10)
BESTACTOR
Predicted Nominees
1. Denzel Washington, Fences (PR: 1)
2. Casey Affleck, ManchesterbytheSea (PR: 2)
3. Joel Edgerton, Loving (PR: 3)
4. Tom Hanks, Sully (PR: 4)
5. Ryan Gosling, LaLaLand (PR: 5)
Other Possibilities
6. Michael Keaton, TheFounder (PR: 7)
7. Viggo Mortensen, CaptainFantastic (PR: 9)
8. Warren Beatty, RulesDon’tApply (PR: 6)
9. Andrew Garfield, Silence (PR: 8)
10. Matthew McConaughey, Gold (PR: 10)
BESTACTRESS
Predicted Nominees
1. Emma Stone, LaLaLand (PR: 1)
2. Natalie Portman, Jackie (PR: 2)
3. Annette Bening, 20thCenturyWomen (PR: 3)
4. Ruth Negga, Loving (PR: 5)
5. Jessica Chastain, MissSloane (PR: 6)
Other Possibilities
6. Amy Adams, Arrival (PR: 4)
7. Meryl Streep, FlorenceFosterJenkins (PR: 7)
8. Isabelle Huppert, Elle (PR: 8)
9. Rebecca Hall, Christine (PR: 9)
10. Taraji P. Henson, HiddenFigures (PR: 10)
BESTSUPPORTINGACTOR
Predicted Nominees
1. Mahershala Ali, Moonlight (PR: 2)
2. Dev Patel, Lion (PR: 3)
3. Michael Shannon, NocturnalAnimals (PR: 1)
4. Mykelti Williamson, Fences (PR: 6)
5. Lucas Hedges, ManchesterbytheSea (PR: 4)
Other Possibilities
6. Jeff Bridges, HellorHighWater (PR: 10)
7. Stephen Henderson, Fences (PR: 5)
8. Liam Neeson, Silence (PR: 7)
9. Hugh Grant, FlorenceFosterJenkins (PR: 9)
10. Peter Sarsgaard, Jackie (PR: 8)
BESTSUPPORTINGACTRESS
Predicted Nominees
1. Viola Davis, Fences (PR: 1)
2. Naomie Harris, Moonlight (PR: 2)
3. Michelle Williams, ManchesterbytheSea (PR: 3)
4. Nicole Kidman, Lion (PR: 4)
5. Greta Gerwig, 20thCenturyWomen (PR: 5)
Other Possibilities
6. Janelle Monae, HiddenFigures (PR: 8)
7. Octavia Spencer, HiddenFigures (PR: 7)
8. Molly Shannon, OtherPeople (PR: 6)
9. Helen Mirren, EyeintheSky (PR: 9)
10. Felicity Jones, AMonsterCalls (PR: 10)
BESTORIGINALSCREENPLAY
Predicted Nominees
1. Moonlight (PR: 1)
2. ManchesterbytheSea (PR: 3)
3. LaLaLand (PR: 2)
4. HellorHighWater (PR: 5)
5. 20thCenturyWomen (PR: 6)
Other Possibilities
6. Loving (PR: 7)
7. Jackie (PR: 4)
8. TheLobster (PR: 8)
9. CaptainFantastic (PR: 9)
10. Gold (PR: Not Ranked)
Dropped Out:
I, DanielBlake
BESTADAPTEDSCREENPLAY
Predicted Nominees
1. Fences (PR: 1)
2. Lion (PR: 2)
3. Silence (PR: 4)
4. Nocturnal Animals (PR: 5)
5. Arrival (PR: 3)
Other Possibilities
6. HiddenFigures (PR: 6)
7. LivebyNight (PR: 7)
8. HacksawRidge (PR: 10)
9. Elle (PR: 7)
10. Sully (PR: 9)
And that does it for your Thanksgiving edition of my Oscar predictions… Enjoy those leftovers!
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