Tag: Antoine Fuqua

Oscar Predictions: Michael

Ahead of its weekend release where it’s expected to dominate the charts, the review embargo for musical biopic Michael is up. Critics are saying it’s not thrilling with many calling it… well, bad (I’ll stop with the puns now). From director Antoine Fuqua, the look at Michael Jackson’s life from the mid 60s to late 80s stars the singer’s nephew Jaafar in the title role. Costars include Nia Long, Laura Harrier, Juliano Krue Valdi, and Colman Domingo as the King of Pop’s domineering father Joseph.

The film would love to replicate the box office success of 2018’s Bohemian Rhapsody of which it shares producers. That Freddie Mercury biopic nabbed five Oscar nods including Best Picture and a victory in Best Actor for Rami Malek. Based on today’s reaction, I wouldn’t bank on it.

Michael‘s Rotten Tomatoes score is only 30% with 38 on Metacritic. Those numbers will not get you in the Best Picture discussion – full stop. Jafaar Jackson and Colman Domingo are being singled out despite the primarily mediocre buzz. When I did my first ranked predictions post on Sunday, I had Domingo in my Supporting Actor five (listed fourth). That projection would give the performer his third nom in four years after leading mentions for Rustin (2023) and Sing Sing (2024). I don’t think he’s completely out of the race, but I suspect he’ll be dropped from my quintet in my next update a few days from now.

If Michael manages any nominations at the 99th ceremony, it could be in Makeup and Hairstyling or especially Sound. As far as contention in the major races, its chances fell precipitously with the embargo lapse. My Oscar Prediction posts will continue…

April 24-26 Box Office Predictions

Michael looks to set records for its genre just as its title subject set records in the music business decades ago. Antoine Fuqua’s look at Michael Jackson’s life is the primary wide release this weekend and you can peruse my detailed prediction post on it here:

Michael Box Office Prediction

As outlined in that post, Michael looks to surpass the $60 million mark that Straight Outta Compton set for best ever in the musical biopic field. I am projecting it will do so with plenty of room to spare in the mid-70s. If it hits that figure, it will certainly stand a good shot at surpassing the $216 million that Bohemian Rhapsody made back in 2018. If and when it achieves a gross beyond that number, it’ll set the high mark overall domestically in the genre. There is some concern that subpar reviews might be a hindrance, but I’m still banking on a wide audience turnout.

The emergence of the King of Pop will cause The Super Mario Galaxy Movie and Project Hail Mary to drop spots after being 1-2 for the last three weekends. Lee Cronin’s The Mummy should see the biggest percentage drop of holdovers are an unimpressive start (more on that below) with The Drama rounding out the top five.

I will note that Mother Mary with Anne Hathaway could pop into the high five with a planned expansion. However, I’ve yet to see a theater count following a limited release on the coasts so I’m not placing it there.

Here’s how I envision it all shaking out:

1. Michael

Predicted Gross: $74 million

2. The Super Mario Galaxy Movie

Predicted Gross: $19.9 million

3. Project Hail Mary

Predicted Gross: $15.3 million

4. Lee Cronin’s The Mummy

Predicted Gross: $4.4 million

5. The Drama

Predicted Gross: $2.8 million

Box Office Results (April 17-19)

The Super Mario Galaxy Movie ruled the charts once again in its third frame with $36.4 million, in range with my $38.4 million prediction. After three weeks, the animated sequel has generated $356 million as it should blast past $400 million in short order.

Project Hail Mary was runner-up and it continued a remarkable run of meager declines. The sci-fi critical and commercial hit made $20.5 million, ahead of my $17.9 million forecast. The five-week total is rock solid $285 million.

Horror heavy franchise reboot Lee Cronin’s The Mummy stumbled in third with $13.5 million, under my $17.2 million take. With so-so reviews, scary movie fans did not turn out in the way Warner Bros. hoped for. With a C+ Cinemascore grade, look for this to wrap up its theatrical run quickly.

The Drama was fourth with $4.8 million, not matching my $6 million call. The unconventional romance is up to $39 million after three weekend.

Rom com You, Me & Tuscany fell 50% in its sophomore outing to fifth with $3.8 million (I said $4.5 million) for $14 million overall.

And that does it for now, folks! Until next time…

Michael Box Office Prediction

Lionsgate looks for Michael to pop with a large audience when it debuts April 24th. Antoine Fuqua moves away from Equalizer franchise flicks to helm the biopic of Michael Jackson. The legend’s nephew Jafaar Jackson is in the title role. Costars include Colman Domingo and Nia Long as MJ’s parents as well as Laura Harrier, Juliano Krue Valdi (playing the singer as a boy), and Miles Teller.

This genre has been flooded with titles in the last decade or so. Massive successes include Bohemian Rhapsody and Elvis. Others like Rocketman and Bob Marley: One Love performed admirably while Whitney Houston: I Wanna Dance with Somebody and Springsteen: Deliver Me from Nowhere had their struggles.

Centered on one of music’s most beloved and controversial performers, expectations are understandably lofty for Michael. This should appeal to multiple demographic groups. There are records in the musical biopic classification that appear likely to be broken. Bohemian has the largest overall stateside earnings at $216 million. Straight Outta Compton boasts the best opening at $60 million. This could cause both of those high marks to bite the dust.

Anything below Compton‘s $60 million would be considered underwhelming. My hunch is to put this at the upper end of its range in the mid 70s. I wouldn’t even be shocked to see it surpass that despite subpar reviews.

Michael opening weekend prediction: $74 million

The Equalizer 3 Box Office Prediction

On September 1st, Denzel Washington is back in theaters showcasing his particular set of violent skills in The Equalizer 3. Antoine Fuqua, who collaborated with the lead on the first two pics as well as Training Day and The Magnificent Seven, directs. Costars include Dakota Fanning (reuniting with Washington nearly 20 years after Man on Fire), Eugenio Mastrandrea, David Denman, Sonia Ammar, and Remo Girone.

The Italian set action threequel is billed as the finale of the trilogy that began in 2014. Originally based on the stylish 1980s TV show with Edward Woodard, part one generated $34 million in its debut and $101 million overall domestically. The 2018 follow-up posted very similar earnings with a $35 million start and $102 million total.

I suspect that consistency will continue the third time. It has the advantage of premiering over the four-day Labor Day frame with no newcomers out and most holdovers fading. From Friday to Monday, a gross topping $40 million is certainly achievable. I’ll put it a bit under.

The Equalizer 3 opening weekend prediction: $39.2 million (Friday to Monday estimate)

Oscar Predictions: Emancipation

Will Smith rather notoriously won his first Best Actor Oscar last year for King Richard. His victory was not a surprise. Smith’s onstage slap of Chris Rock approximately 30 minutes before he received the gold statue was.

The superstar actor’s career has taken a hit since with some canceled or delayed projects. It has not altered the release of Emancipation. The historical action drama casts Smith as slave Whipped Peter, whose Civil War era photograph has become an iconic image. Antoine Fuqua, best known for shoot-em-ups like Olympus Has Fallen and The Equalizer pics, directs. The supporting cast includes Ben Foster, Charmaine Bingwa, Steven Ogg, Mustafa Shakir, and Timothy Hutton.

Emancipation is out in limited fashion tomorrow prior to a December 9th streaming rollout on Apple TV (they paid a whopping $130 million for the rights). The Rotten Tomatoes score is a mixed 63%.

There is praise for the performances, including Smith. An early consensus is that the action works better than some of the dramatic elements. Bottom line: this doesn’t sound line much of an awards contender whether there had been The Slap or no slap. One exception could be Robert Richardson’s cinematography. He’s a three-time winner for JFK, The Aviator, and Hugo. Richardson won’t get a fourth podium trip, but making the cut isn’t out of the question. My Oscar Prediction posts will continue…

Emancipation Enters the Oscar Race

In an alternative universe, Emancipation might be in my top 10 predicted Best Picture nominees. I could potentially be discussing Will Smith’s chances of being the first back to back acting winner since Tom Hanks in 1993 and 1994.

I didn’t think this alternative universe could be a potential reality in the 2022 awards season. In 2021, Apple TV beat Netflix and others to the punch as CODA was the inaugural streaming Best Picture winner. For a while, Martin Scorsese’s Killers of the Flower Moon appeared to be Apple’s best shot at making it two years in a row. That’s until it got pushed to 2023. In recent weeks, there was speculation that Ridley Scott’s Napoleon starring Joaquin Phoenix could make a jump to 2022. It wasn’t to be.

This has left Apple without a legit across the board Oscar player… until maybe today. Why? The streamer announced that Antoine Fuqua’s historical drama Emancipation will hit theaters for an awards qualifying run on December 2nd and then be available for home viewing on December 9th. The trailer was unveiled this morning.

And in case you’re still wondering why I’m skeptical… two words: The Slap. Yes, the slap heard around the globe when Chris Rock presented Best Documentary Feature at the Academy Awards and cracked a joke about Jada Pinkett Smith. And, of course, slap provider Will Smith giving his acceptance speech a few minutes later when he was victorious in Best Actor for King Richard.

Since then, many of Smith’s planned projects have entered turnaround status. Emancipation, in which he plays a slave who joins the Union Army, was already filmed. And Apple made the surprising decision in early October to get it out two months later. This surely means Smith will be subject to interviews where he’ll address The Slap sooner than later.

So… the obvious question: can Smith get nominated? Can the film itself do so in other categories? Even though the star resigned from the Academy in the aftermath of the incident, he can still be nominated (and he can attend if invited by other members). So while the short answer is yes… the real answer is more complicated.

My gut is that Smith’s work in Emancipation would have to be undeniably awards worthy to make the final five. Even that could be a stretch. Time heals controversies and not much time has passed. As for the film itself, it could surely garner nods from Best Picture on down (I’m curious if Ben Foster gets any chatter for Supporting Actor). Yet it starts off at a unique disadvantage.

We won’t know until reviews start surfacing and that could be a few weeks. I can only assume Apple will give this a major push for consideration. It’s a campaign that is an uphill battle for reasons unfathomable just a few months ago.

Oscar Predictions: The Guilty

Despite numerous critically acclaimed performances, Jake Gyllenhaal has but one Oscar nomination to his credit in Supporting Actor for 2005’s Brokeback Mountain. On October 1, his crime thriller The Guilty streams on Netflix. Based on a heralded 2018 Danish pic, it has premiered at the Toronto Film Festival over the weekend.

Early reviews are decent at 73% on Rotten Tomatoes. Interestingly enough, some claim viewers may like it more if they haven’t seen the superior original. The Guilty is helmed by Antoine Fuqua, who directed Denzel Washington to a Best Actor win and Ethan Hawke to a Supporting Actor nod in 2001’s Training Day. Hawke costars here along with Riley Keough, Christina Vidal, Eli Goree, Da’Vine Joy Randolph, Paul Dano, and Peter Sarsgaard.

In 2014, Gyllenhaal was snubbed (in the opinion of many, including this blogger) for Nightcrawler. More recently, the Academy bypassed his leading roles in Nocturnal Animals and Stronger. The Toronto verdict indicates that nomination #2 probably isn’t coming with The Guilty. My Oscar Predictions posts for the films of 2021 will continue…

The Equalizer 2 Box Office Prediction

Denzel Washington is back in action mode when The Equalizer 2 is released next weekend. In his decades long career filled with numerous hits, this is actually the first ever sequel for the star. Antoine Fuqua is back directing and it’s the fourth collaboration between two after 2001’s Training Day (for which Washington won an Oscar), 2014’s The Equalizer, and 2016’s The Magnificent Seven. Costars include Melissa Leo, Pedro Pascal, Ashton Sanders, and Bill Pullman.

When it comes to the action genre, few actors are as bankable as Denzel. The first Equalizer, which is based quite loosely a 1980s TV show starring Edward Woodward, made $34.1 million for its start and ended up at $101 million overall domestically. Two years later, The Magnificent Seven took in $34.7 million out of the gate and $93 million total. Nearly all of Washington’s titles in the genre in the past decade or so have achieved mid 20s or more in their premieres.

While The Equalizer 2 may face a challenge scoring a #1 opening over a very different follow-up (Mamma Mia! Here We Go Again), a high 20s to possibly low 30s roll out seems quite achievable.

The Equalizer 2 opening weekend prediction: $26.8 million

For my Mamma Mia! Here We Go Again prediction, click here:

https://toddmthatcher.com/2018/07/10/mamma-mia-here-we-go-again-box-office-prediction/

For my Unfriended: Dark Web prediction, click here:

https://toddmthatcher.com/2018/07/11/unfriended-dark-web-box-office-prediction/

King Arthur: Legend of the Sword Box Office Prediction

Director Guy Ritchie has, in recent years, brought back Sherlock Holmes to pleasing box office results and The Man From U.N.C.L.E. to less than pleasing returns. Next weekend comes his take on another well-known character as King Arthur: Legend of the Sword debuts.

Charlie Hunnam is the title character in this adventure epic that costars Jude Law, Astrid Berges-Frisbey, Djimon Hounsou, Aidan Gillen, and Eric Bana. The Warner Bros production comes with a budget just north of $100 million.

The last time the legend of King Arthur was on the screen in the summer was 13 years ago and the result was a flop. Antoine Fuqua’s take that starred Clive Owen and Keira Knightley managed just a $15 million opening weekend and $51M eventual domestic gross.

Legend of the Sword should fair better, but by how much? Well, there is a considerable roadblock with Guardians of the Galaxy Vol. 2 being in its second weekend. Poor reviews won’t help. I’ll predict this gets to low to mid 20s, which could put it in a battle for second place with Snatched (though Sword is getting the edge).

King Arthur: Legend of the Sword opening weekend prediction: $24.4 million

For my Snatched prediction, click here:

https://toddmthatcher.com/2017/05/03/snatched-box-office-prediction/

The Magnificent Seven Box Office Prediction

There are few actors out there who can truly open a movie, but Denzel Washington is one of them. He’s back on screen for the first time in two years with The Magnificent Seven next weekend. A remake of the 1960 classic with Yul Brynner (which itself was a reworking of 1954’s Seven Samurai), this Western re-teams Washington with his Training Day and The Equalizer director Antoine Fuqua. It also features the red-hot Chris Pratt, Training costar Ethan Hawke, Vincent D’Onofrio, Peter Sarsgaard, and Haley Bennett.

Early reviews for Seven have been mixed, but this is likely to be a critic proof exercise that delivers an impressive debut. To give you some perspective on Washington’s star power, his last seven pictures have made over $20 million out of the gate (The Taking of Pelham 123, The Book of Eli, Unstoppable, Safe House, Flight, 2 Guns, The Equalizer). Three (Eli, House, Equalizer) have topped $30M and Safe House managed $40M. With its familiar title and the participation of Pratt (coming off summer 2014’s biggest hit Guardians of the Galaxy and summer 2015’s biggest hit Jurassic World), Seven could also join the plus $40M club. In fact, if this reaches over $43 million (the number that Washington’s 2007 pic American Gangster accomplished), it would mark his largest opening.

I believe it will accomplish that feat for a mid to high 40s debut and that would give it the #2 September premiere of all time.

The Magnificent Seven opening weekend prediction: $47.1 million

For my Storks prediction, click here:

https://toddmthatcher.com/2016/09/14/storks-box-office-prediction/