Tag: Shazam!

March 24-26 Box Office Predictions

John Wick: Chapter 4 is set to easily achieve a franchise best record this weekend. It’s the only new wide release burning up the screens and you can peruse my detailed prediction post on it here:

John Wick: Chapter 4 Box Office Prediction

When I did my initial projection last week, I had Keanu and company hitting close to $70 million. Sizzling buzz now has me projecting in the mid 80s for a series that keeps growing financially with each entry.

The rest of the top 5 will be holdovers. Shazam! Fury of the Gods got off to a middling start (more on that below) and it should fall a bit further than the 54% decline of its predecessor in 2019.

It could be a close call for #3 between Scream VI (which I have dipping in the mid 40s) and Creed III (which could see a lower 40s fall). 65 looks to round out the high five.

Here’s how I see it shaking out:

1. John Wick: Chapter 4

Predicted Gross: $85.5 million

2. Shazam! Fury of the Gods

Predicted Gross: $12.9 million

3. Scream VI

Predicted Gross: $9.4 million

4. Creed III

Predicted Gross: $8.8 million

5. 65

Predicted Gross: $3 million

Box Office Results (March 17-19)

Shazam! Fury of the Gods could’ve used Irish luck or any other type as it came nowhere near the $53 million that its predecessor debuted at. The DCEU sequel made $30.1 million. While it managed to barely top my $27.9 million call, this is a subpar start to be kind. On the heels of Ant-Man and the Wasp: Quantumania not matching expectations, there seems to be some superhero fatigue. With a B+ Cinemascore (compared to part 1’s “A”), look for this to suffer substantial declines in the weeks ahead.

Scream VI was second after a franchise high opening with $17.3 million. That’s right on pace with my $17.6 million forecast for a ten-day haul of $75 million (just below the $81 million that #5 earned in total stateside).

Creed III was third with $15.3 million (I said $16.5 million) for a three-week tally of $127 million. That puts it beyond the $115 million that part II made overall.

65 was fourth with $5.8 million, a smidge ahead of my $4.8 million projection. Adam Driver’s dino adventure stands at a muted $22 million thus far.

Ant-Man and the Wasp: Quantumania rounded out the top five with $4.2 million, in line with my $4.3 million prediction. Total is $205 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Shazam! Fury of the Gods

When the DCEU superhero flick Shazam! landed in 2019, it did so with a 90% Rotten Tomatoes score and an A Cinemascore rating. It did not generate any awards attention and that includes tech races like Visual Effects where this genre often nabs spots. However, it’s the MCU usually getting those noms and not their rival DC.

Director David F. Sandberg and star Zachary Levi reunite for Shazam! Fury of the Gods this Friday. Early reviews suggest it is a step down from its predecessor and the RT score is 70%. Prognosticators are projecting the box office will also fall short of the original from four years ago.

As far as awards prospects, the call is simple. Lightning won’t strike again with this franchise. My Oscar Prediction posts will continue…

March 17-19 Box Office Predictions

**Blogger’s Update (03/16): My Shazam! estimate continues to fall as I’m taking it down from $32.9M to $27.9M. Also bumping Scream VI from $16.6 to $17.6M and Creed III from $15.4M to $16.5M

Shazam! Fury of the Gods will keep the run of sequels in first place going at the box office, but it could deliver a so-so start. The DCEU follow-up to 2019’s original is the only wide release of the weekend and you can peruse my detailed prediction post on it here:

Shazam! Fury of the Gods Box Office Prediction

Zachary Levi’s superhero hopes to top the $53 million earned by its predecessor four years ago. I have it falling about $10 million shy of that mark in the low 40s which would be considered a letdown. This is especially true considering the recent franchise best starts for the Creed and Scream series. ***Blogger’s Update (03/15): Two days before its premiere, I have significantly lowered my estimate from $42.9M to $32.9M

Speaking of, it could be a close race for #2 between Scream VI and Creed III. The former slashed it way to a terrific debut (more on that below). Given its genre, a hefty sophomore decline is likely while Creed III may not suffer a steep drop.

A ginormous fall will probably greet 65 after the premiere. Adam Driver’s battle with dinosaurs managed only a C+ Cinemascore grade which means word-of-mouth may cause a second weekend percentage plummet close to its title number. It should be in a tight battle with Ant-Man and the Wasp: Quantumania for fourth position.

Here’s how I envision that top 5 looking:

1. Shazam! Fury of the Gods

Predicted Gross: $27.9 million

2. Scream VI

Predicted Gross: $17.6 million

3. Creed III

Predicted Gross: $16.5 million

4. 65

Predicted Gross: $4.8 million

5. Ant-Man and the Wasp: Quantumania

Predicted Gross: $4.3 million

Box Office Results (March 10-12)

Scream VI needed to pass the $34 million earned by Scream 3 in 2000 to achieve the franchise’s high mark. It did so easily with $44.4 million, just edging my $42.6 million call. With a B+ Cinemascore (same as last year’s Scream which was Scream 5 and just not called that), audiences are liking what they’re seeing. As mentioned, it should still see a dip in the high 50s to low 60s range.

Creed III fell a respectable 53% to second with $27.2 million, punching past my $25 million take. The threequel from director and star Michael B. Jordan has amassed $101 million in ten days on its way to becoming the largest earner of the trilogy.

65 was third with $12.3 million. While that beats my $10.7 million prediction, that’s a meager beginning considering its reported large budget. Per above, expect this to become extinct quickly.

Ant-Man and the Wasp: Quantumania was fourth with $7.1 million compared to my $6.5 million estimate. The MCU adventure is approaching the double century club at $198 million. It might barely outpace its predecessor from 2018.

Cocaine Bear rounded out the top five with $6.2 million. My prediction? $6.2 million! The three-week total is $51 million.

Sports comedy Champions with Woody Harrelson kicked off in sixth with a blah $5.1 million. I said it would make… $5.1 million! The good news is its A Cinemascore and it will hope for small percentage losses in the frames ahead.

Finally, Jesus Revolution was seventh with $5.1 million and I said… (you guessed it!) $5.1 million. The three-week gross is $39 million.

And that does it for now, folks! Until next time…

Shazam! Fury of the Gods Box Office Prediction

**Blogger’s Update (03/16): My Shazam! estimate continues to fall as I’m taking it down from $32.9M to $27.9M.

Blogger’s Update (03/15): Two days before its premiere, I’m significantly lowering my estimate from $42.9M to $32.9M

Arriving four years after its predecessor was a solid hit with critics and audiences, Shazam! Fury of the Gods hopes for box office luck and plenty o’ green beginning March 17th. The DCEU title finds Zachary Levi returning to the superhero role with Asher Angel (as alter ego Billy Batson), Jack Dylan Grazer, Adam Brody, Ross Butler, and Djimon Hounsou back from the 2019 original. Newcomers to the franchise include Rachel Zegler, Lucy Liu, Meagan Good, and Helen Mirren. David F. Sandberg is again in the directorial chair.

Shazam! managed to slightly exceed its forecasts when it earned $53 million in its premiere with a $140 million eventual gross. Last fall’s spin-off Black Adam climbed with $67 million out of the gate and a $168 million domestic haul (the presence of Dwayne Johnson provided an assist).

Early tracking last week indicated potential trouble for the sequel. Some estimates had Fury as low as $35 million. That seems unlikely. In 2023, sequels are managing to build upon previous installments. Creed III and Ant-Man and the Wasp: Quantumania are recent examples.

That said, Ant-Man has not been a runaway success compared to expectations. Moviegoers could be experiencing a little sequelitis and comic book adaptation fatigue by the time this hits. And while Shazam! was well-received, I wouldn’t say it’s beloved (similar to Ant-Man).

I’ll project that this doesn’t match what part 1 accomplished and fall about $10 million under it.

Shazam! Fury of the Gods opening weekend prediction: $27.9 million (UPDATED PER ABOVE)

Black Adam Review

In 1993, NBA superstar Charles Barkley famously told the world in a commercial that he was not a role model. Nearly three decades later, cinematic superstar Dwayne Johnson tells us repeatedly in Black Adam that he is not a hero. This latest offering from the DC Extended Universe kind of has a mid 90s vibe when it comes to comic book adaptations. That was a weak time for the genre prior to its explosion in the 21st century. As far as quality, this has more in common with 1996’s Kazaam, which starred Barkley’s Inside the NBA colleague Shaquille O’Neal. Adam may have a connection to 2019’s Shazam!, but shares little of its entertainment value.

A prologue in 2600 B.C. introduces us to the fictional Middle Eastern nation of Kahndaq. A young boy enslaved by an evil ruler chooses to take a stand against the oppression (even as his elders discourage it). He is rewarded by the Council of Wizards – hence that Shazam! tie-in as he’s given the immense powers of that character.

Flash forward 5000 years and Kahndaq is under a different kind of oppression from a crime syndicated known as Intergang. Archeologist Adrianna (Sarah Shahi) is in search of the Crown of Sabbac, which turns its wearer into a demonic being. Intergang is looking for it as well. When they clash, she manages to awaken Teth-Adam. He’s believed to be that heroic rebel from 50 centuries ago. Dwayne Johnson is the awoken being. Adam insists that’s he not a hero and keeps saying it.

The presence of this superhuman relic attracts the attention of Amanda Waller (Viola Davis), who you may remember as The Suicide Squad‘s recruiter. Adam is looked at as a potential threat. The Squad doesn’t intervene. Neither does Superman or Batman or The Flash (though they’re glimpsed on the bedroom wall of Adrianna’s teenage son). Instead the Justice Society books passage to Kahndaq to investigate just how dangerous Adam is. Pierce Brosnan is the clairvoyant Doctor Fate, Aldis Hodge is Hawkman, Noah Centineo plays Atom Smasher (think Ant-Man but he can only grow big), and Quintessa Swindell is the twirling Cyclone. If this sounds like the B list of the DC pages, that’s certainly how it feels. That superficiality extends to the villain (Marwan Kenzari), the Intergang leader who dons the devilish crown. He might be more forgettable than Justice League‘s baddie Steppenwolf (Ciarán Hinds) and that’s saying a lot.

Jaume Collet-Serra directed Johnson in the pretty enjoyable Jungle Cruise. That collaboration was a better ride than this. Johnson is saddled with a hero (wait… NOT a hero!!!) who’s often a sullen bore. Very little of the actor’s dynamic personality comes through. It breaks through on occasion but not nearly enough. We’re cooking at a low boil. Everything in Black Adam has been done with more pizzazz in other DCEU and especially MCU pictures. Dwayne Johnson (and Tina Turner) are right in this case. We don’t need another hero.

*1/2 (out of four)

Black Adam Box Office Prediction

Dwayne Johnson looks to bring his often rock solid box office bonafides to the DC Extended Universe with Black Adam on October 21st. The 11th feature in the franchise that began with Man of Steel nearly a decade ago is a spinoff of 2019’s Shazam! Like that pic, it is centered on a less widely known hero in the DC arsenal. Jaume Collet-Serra (who worked with Johnson recently in Jungle Cruise) directs. The supporting cast includes Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Viola Davis, and Pierce Brosnan.

It’s somewhat surprising that we’ve waited this long to see the live-action comic book genre and this leading man hook up. While this should perform well, Adam is unlikely to approach the opening grosses of the DCEU’s earlier titles like Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman, and Justice League. They all made over $100 million (or close to it) out of the gate. Yet this should top the $53 million earned by Shazam! The best comp I see is Aquaman, which made $67 million during its traditional Friday to Sunday rollout. I’ll say it makes a little less.

Black Adam opening weekend prediction: $64.7 million

For my Ticket to Paradise prediction, click here:

Ticket to Paradise Box Office Prediction

American Underdog Box Office Prediction

American Underdog tells the story of Kurt Warner, who went from undrafted quarterback to Super Bowl winner in his first season as a starter. It comes from directors Andrew and Joe Erwin, who have found success with faith based dramas like Woodlawn (another true life gridiron tale) and I Can Only Imagine. Zachary Levi of Shazam! fame is Warner with Anna Paquin as his wife and Dennis Quaid playing Coach Dick Vermeil.

Opening Christmas Day (a Saturday), Underdog will indeed be just that considering the holiday competition. The Erwin brothers have a commendable track record, but whether this registers with a Christian fanbase is an open question.

Underdog could surprise and reach double digits, but a gross of $6-8 million for its (rare) two-day opening weekend is likely where this plays.

American Underdog opening weekend prediction: $7.2 million

For my The Matrix Resurrections prediction, click here:

The Matrix Resurrections Box Office Prediction

For my Sing 2 prediction, click here:

Sing 2 Box Office Prediction

For my The King’s Man prediction, click here:

The King’s Man Box Office Prediction

For my A Journal for Jordan prediction, click here:

A Journal for Jordan Box Office Prediction

Shazam! Movie Review

Mixing the typical comic book movie issues with a little Big and even a touch of the recent Instant Family, the DC Comics adaptation of Shazam! is able to produce crowd pleasing results. As the DCU must turn to their less iconic characters for feature attention, I would say the title hero here is somewhat equivalent to the MCU’s Ant-Man. He’s sarcastic. He’s not as serious. In fact, if the knock on this overall universe is that it’s too dark (think Batman v Superman: Dawn of Justice or Justice League), Shazam! is practically translucent.

Billy Batson (Asher Angel) is a foster kid jumping between temporary dwellings after being separated from his mom as a toddler. The young teen seems to find a decent home with five other children and kindly caregivers. Yet he’s still searching from mom.

In a prologue circa 1974, we meet another youngster by way of Thaddeus Sivana. He experiences a mystical meetup with Shazam in the form of Djimon Hounsou in heavy old age makeup. Trying to find a human worthy of inheriting his considerable superpowers, he deems him not properly pure of heart. Sivana grows up to be Mark Strong with a myopic focus on battling the eventual Shazam.

That turns out to be Billy. When he is called for his own encounter with Hounsou, he gets the job. This means when he utters “Shazam!”, he turns into Zachary Levi (who could have been cast as Superman). He’s still a teen embodying a comic book strongman and that takes a lot of learning. One of his foster siblings (Jack Dylan Grazer) is in on the secret.

A lot of exposition must be established here and Shazam! probably doesn’t need to be over two hours long. The mommy and daddy issues explored are quite familiar to genre fans. The film does manage to find slightly different angles. Just as Instant Family showed the true heroism of foster parents, so does this. Levi is a hoot as our crime fighting man child. Strong is fine, but he doesn’t exactly alter the general rule that the villains in many of these pics aren’t as interesting as they should be.

Shazam! works best when it’s focused on Billy/Shazam while he works with his new family and not while grappling with Savani and his monstrous CGI creatures that represent The Seven Deadly Sins. Director David F. Sandberg has crafted an origin story with a lot of heart among the usual action and it fosters enough appreciation to make this rewarding.

*** (out of four)

May 3-5 Box Office Predictions

As we all catch our breath from the astounding debut of Avengers: Endgame, the first weekend of May brings three new titles all vying for second place behind Tony Stark and company. They are the animated UglyDolls, Seth Rogen/Charlize Theron comedy Long Shot, and homeownership thriller The Intruder with a demented Dennis Quaid. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2019/04/23/uglydolls-box-office-prediction/

https://toddmthatcher.com/2019/04/24/long-shot-box-office-prediction/

https://toddmthatcher.com/2019/04/23/the-intruder-box-office-prediction/

All three films have legit chances at premiering in second. I’m skeptical about UglyDolls, even though the plush toys it’s based on are well-known. Long Shot has reviews on its side, but could be more of a slow builder. That leaves The Intruder and I do believe it could appeal to an older and African-American audience. Therefore I’ll say it becomes the silver medalist.

This brings us to the sophomore frame of Endgame. It broke basically every record there is over the weekend (more on that below). Predecessor Infinity War dipped 55% last year. This might be a tad more front loaded, but probably not by much. I’ll give it a 57% slide. That means another record should be in store as my estimate puts it over the best all-time second weekend, which is Star Wars: The Force Awakens at $149 million.

And with that, my top 5 estimates for the weekend ahead:

1. Avengers: Endgame

Predicted Gross: $153.6 million

2. The Intruder

Predicted Gross: $15.2 million

3. UglyDolls

Predicted Gross: $13.8 million

4. Long Shot

Predicted Gross: $13.1 million

5. Captain Marvel

Predicted Gross: $5.9 million

Box Office Results (April 26–28)

History was made this weekend as Avengers: Endgame rocketed past even the most lofty expectations and left record after record in its wake. The MCU epic took in an otherworldly $357.1 million, scorching my $289.6 million projection. That’s not only the biggest opening of all time… it’s $100 million more than previous holder Avengers: Infinity War from last summer. The question as to whether it eventually surpasses the $936 million achieved by all-time domestic earner The Force Awakens is real.

As if Endgame didn’t provide enough embarrassment of riches, Captain Marvel climbed to second (thanks drive-ins) with $8.3 million (I said $8.7 million) for $413 million overall.

The Curse of La Llorona was third with $8 million compared to my higher $10 million forecast. The two-week tally is $41 million.

Breakthrough was fourth with $6.8 million (I said $6.3 million). Total is $26 million.

Shazam! rounded out the top five with $5.5 million. I was generous at $7.4 million. It’s at $131 million.

And that does it for now, folks! Until next time…

April 26-28 Box Office Predictions

After the worst Easter weekend at the box office in a decade and a sub par 2019 overall, expect things to pick up considerably on Friday. In case you hadn’t heard, there’s a little something called Avengers: Endgame debuting and it appears poised to smash the all-time opening record. You can peruse my detailed prediction post on it here:

https://toddmthatcher.com/2019/04/16/avengers-endgame-box-office-prediction/

The grand finale of this current MCU phase has been selling out theaters for weeks and anticipation for the multi billion dollar franchise epic is sky-high. In order to top the record holder, it will need to rise up over the $257 million earned one year ago by predecessor Avengers: Infinity War.

I believe it will do that with more than $30 million to spare as it injects needed life into the movie business. As you can imagine, no other feature dared to premiere against Iron Man and his pals. The Curse of La Llorona should fall to second after a decent debut. Captain Marvel could be the beneficiary of the rare drive-in effect as the MCU flick should be paired with Endgame in multiple venues. This helped Black Panther last year when it dropped only 4% thanks to Infinity War. DC’s superhero tale Shazam! should dip to fourth with Breakthrough rounding out the top five.

And with that, my projections for a potentially historic weekend:

1. Avengers: Endgame

Predicted Gross: $289.6 million

2. The Curse of La Llorona

Predicted Gross: $10 million

3. Captain Marvel

Predicted Gross: $8.7 million

4. Shazam!

Predicted Gross: $7.4 million

5. Breakthrough

Predicted Gross: $6.3 million

https://m.youtube.com/watch?v=GRTS9yZJREk

Box Office Results (April 19–21)

As mentioned, the Easter frame was hardly hopping as many moviegoers decided to save their cash for Endgame. The Curse of La Llorona, as expected, posted the lowest start ever for a Conjuring Cinematic Universe title. However, its $26.3 million haul did scare up more than my $20.1 million projection.

Shazam! dropped to second after two weeks in first with $16.4 million, ahead of my $14 million forecast. The total is $120 million.

Faith based drama Breakthrough was no Heaven Is for Real in third with $11.2 million from to Friday to Sunday and $14.7 million since its Wednesday premiere. That’s quite a bit under my respective expectations of $16.9 million and $22 million.

Captain Marvel had a remarkable increase from the previous weekend with $9.1 million for fourth place. That’s well above my $6 million estimate as the MCU behemoth reached $400 million domestically, right in time for her Endgame appearance.

Little rounded out the top five with $8.3 million (I said $7.8 million) for $29 million in two weeks.

Finally, the DisneyNature doc Penguins fell flat with just $2.2 million for 12th place and $3.2 million counting its Wednesday jumpstart. I was higher at $3.5 million and $5 million.

That does it for now, folks! Until next time…