Tag: Zero Dark Thirty

Best Picture 2012: The Final Five

My latest Final Five post brings us to 2012 and the Oscars that occurred nearly a decade ago. If you’re reading this series for the first time, this is where I whittle the 8-10 Best Picture nominees from every year since 2009 to five. As you may know, it was in 2009 that the Academy stopped listing a quintet of movies for the big prize and expanded it upwards. If you missed my write-ups about 2009, 2010, and 2011 – you can access them here:

Best Picture 2009: The Final Five

Best Picture 2010: The Final Five

Best Picture 2011: The Final Five

As we do with each year, we start with the obvious. Ben Affleck’s Argo certainly would have made the cut since it won BP. 2012 was a strange year with the Academy’s voters. Argo emerged as the first film since 1989’s Driving Miss Daisy where the BP recipient’s director wasn’t nominated in that category. It’s happened twice since with 2018’s Green Book and last year’s CODA. I will admit that picking a fifth entry was challenging. The other 3 besides Argo seem pretty clear. Let’s get into it!

Amour

Michael Haneke’s French drama was the easy winner of Foreign Language Film and nabbed 3 other nods: Director, Actress (Emmanuelle Riva), and Original Screenplay.

Does It Make the Final Five?

No, though an argument can certainly be made. I would venture that with only five, the narrative would’ve been that it had no trouble in the foreign race and that would be the reward.

Beasts of the Southern Wild

This micro-budgeted indie fantasy from Benh Zeitlin scored a surprise directing nod as well as Actress (Quvanzhane Wallis) and Adapted Screenplay.

Does It Make the Final Five?

No. It received the least amount of nominations of the nine nominees and won none of its four mentions. That said, it’s not entirely out of the question that it could have snuck in.

Django Unchained

Quentin Tarantino scored the biggest hit of his career with this Western which won Original Screenplay and Supporting Actor (Christoph Waltz). It also received nods for Cinematography and Sound Editing.

Does It Make the Final Five?

No, though an argument can be made yet again (especially with the Original Screenplay victory). That said, misses for directing and editing are indications that it might have just missed.

Les Miserables

With 8 nominations and wins for Supporting Actress (Anne Hathaway), Sound Mixing, and Makeup and Hairstyling, the adaptation of the famed musical was one of the biggest box office performers of the bunch.

Does It Make the Final Five?

No… and stop me if you’ve heard this before… but an argument could be made. Like Django, the directing and editing omissions prevent me from saying it is top five.

Life of Pi

Ang Lee’s visually striking adaptation of a bestseller tied with most nominations (11). Lee would win for his behind the camera work and it would pick up gold statues for Score, Cinematography, and Visual Effects. Unlike our last two contenders, it did receive an editing nod.

Does It Make the Final Five?

Yes. Furthermore, it was probably the runner-up for the win.

Lincoln

Steven Spielberg’s historical tale was the other movie to receive 11 nominations. The sole win was for Daniel Day-Lewis’s embodiment of the 16th POTUS in Best Actor.

Does It Make the Final Five?

Yes. Despite the 1 for 11 showing, the sheer number of nods strongly suggest its inclusion.

Silver Linings Playbook

With 8 nominations and Jennifer Lawrence taking Best Actress, this was the rare pic that scored nominations in all 4 acting derbies. Unlike Lawrence – Bradley Cooper, Robert De Niro, and Jacki Weaver didn’t win their respective races. This was also up for David O. Russell’s direction, Adapted Screenplay, and Editing.

Does It Make the Final Five?

Yes – based on where else it landed attention.

Zero Dark Thirty

Kathryn Bigelow’s follow-up to her Oscar winning The Hurt Locker won Sound Editing. Jessica Chastain was up for Actress with Original Screenplay and Editing nods making it five overall. Bigelow’s snub in the directing race was unexpected.

Does It Make the Final Five?

Yes, but this is the one I’m most unsure about. One could easily make the case for Amour or Beasts or Django or Les Miserables. The fact that this had the screenplay nod and editing made me pick it.

So in my view your abbreviated 2012 BP lineup would be:

Argo

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty 

2013 is up next!

Oscars 2021: The Case of Jessica Chastain

The first hopeful in a very interesting Best Actress competition is up next in my Case Of posts for the 94th Academy Awards and that’s Jessica Chastain for The Eyes of Tammy Faye. 

The Case for Jessica Chastain:

Of the five nominees in Actress, only Kristen Stewart (Spencer) and Chastain have yet to win an Oscar. Somewhat surprisingly, she’s only been nominated twice and the last time was nine years ago. There could already be a feeling that she’s overdue and Olivia Colman, Penelope Cruz, and Nicole Kidman have already won. Her embodiment of evangelist Tammy Faye Bakker (with its nominated makeup team) drew raves from critics and she received nods at the Golden Globes, SAG Awards, and Critics Choice Awards.

The Case Against Jessica Chastain:

The film itself did not draw raves with a middling 69% Rotten Tomatoes score. Furthermore, it was a bust at the box office with just over $2 million domestically.

Previous Nominations: 2

The Help (2011 – Supporting Actress); Zero Dark Thirty (2012 – Actress)

The Verdict:

Best Actress is wide open at this juncture. So-so reviews for the picture itself didn’t hurt Renee Zellweger in 2019 with Judy and it may not hurt Chastain. She’s a possibility to win, but then again, so are the others.

My Case of posts will continue with our first Best Actor nominee – Javier Bardem in Being the Ricardos…

Oscar Predictions: Eyes on Jessica Chastain

When I wrote my Oscar Predictions post for The Eyes of Tammy Faye back in September and talked about Jessica Chastain’s viability in Best Actress, I penned the following passage:

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain.

Two months later, I still feel the same about Kristen Stewart in Spencer. She remains the frontrunner for a nomination and a potential victory. And a solid argument can still be made that Chastain’s performance as Tammy Faye Bakker sits in the runner-up position for inclusion for the five actresses who will be up for consideration. That said, I’m not as declarative as I once was. Given a redo, I might say a sharpened pencil over a pen.

Why? The Best Actress race is stacked in 2021 and more realistic competitors continue to pop up. Just this week, there were three pictures screened that increased or helped solidify the chances for their leading ladies: Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), and Alana Haim (Licorice Pizza). That’s in addition to Olivia Colman (The Lost Daughter), Penelope Cruz (Parallel Mothers), and Frances McDormand (The Tragedy of Macbeth). They’ve been in the mix since festival season early this autumn.

That’s eight performances thus far. We can add others to the already released fold: Jodie Comer (The Last Duel), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), and Tessa Thompson (Passing). 12. I can think of four more from the unscreened column: Sandra Bullock (The Unforgivable), Jennifer Lawrence (Don’t Look Up), Rooney Mara (Nightmare Alley) and Rachel Zegler (West Side Story). 16. I’m not really feeling a Bullock nod, but any of the others could bubble up.

Add to that the off chance that a surprise nominee could materialize of those I’ve basically written off: Halle Berry (Bruised), Marion Cotillard (Annette), Emilia Jones (CODA), or Charlotte Rampling (Benedetta).

20 possibilities (though some admittedly are far fetched). Still – there’s several realistic hopefuls and that’s reason enough to doubt anyone but Stewart making the eventual quintet.

Chastain faces other challenges for her third nomination (the previous two were supporting for 2011’s The Help and lead the following year in Zero Dark Thirty). Despite widespread acclaim for her acting, audiences completely tuned out to Tammy. It earned a tiny $2.4 million at the box office. Reviews for the pic itself were just so-so (66% on Rotten Tomatoes). I’ve heard comparisons made to Renee Zellweger’s victory in 2019 for Judy as far as poor box office and critical reaction. It’s not a totally unfair comp but Zellweger’s winning work garnered 82% on RT and made $24 million domestically.

When Tammy screened up north, the idea of Chastain and her costar Andrew Garfield (in Supporting Actor) both being up seemed feasible. I don’t feel Garfield has much of a shot now (though he definitely does in lead for Tick, Tick… Boom!).

Bottom line: I still have Chastain in my five, but with considerably less assuredness than before.

Oscar Predictions: The Eyes of Tammy Faye

The Best Actress race just got more interesting and we can thank Jessica Chastain for that. Michael Showalter’s The Eyes of Tammy Faye has emerged from the Toronto Film Festival. While the reviews for the film are mixed, Chastain’s performance as Tammy Faye Bakker is drawing raves.

Based on a 2000 documentary, this dramatized bio of the extreme makeup wearing televangelist and her husband Jim (Andrew Garfield) has never been pegged as much of a Best Picture contender. The critical reaction confirms that. Mr. Garfield is getting some solid notices. I question whether he gains traction in the acting derby. He’ll have another shot in 2021 with the as yet unseen Tick, Tick… Boom! If that one doesn’t materialize, Searchlight could push him in supporting.

Chastain is another story with her viability. She appears firmly in line for her third nomination. The first was in 2011 in supporting for The Help. Her second came the next year in lead for Zero Dark Thirty. Not only does she seem headed for Oscar recognition, she could be a threat to win. In other words, we may not want to crown Kristen Stewart (Spencer) the victor yet.

Makeup and Hairstyling is another obvious race where this could get in. Perhaps the gaudy 80s fashion will be noticed for Costume Design.

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain. My Oscar Prediction posts for the films of 2021 will continue…

Jojo and Parasite Get the Writers Approval

The Writers Guild of America held their awards ceremony this evening and it serves as a significant indicator for the direction Oscar voters might go for the Adapted and Original Screenplay categories.

In Original Screenplay, this race was looked at as a showdown between Marriage Story and Parasite. The other nominees (1917, Booksmart, Knives Out) weren’t much in contention. For awards followers, you might notice I didn’t say Quentin Tarantino’s script for Once Upon a Time in Hollywood. There’s a reason as the filmmaker is not a member of the guild and therefore not eligible for recognition. In the 2010s, we’ve already seen that factor come into play once when his Django Unchained screenplay wasn’t listed (Zero Dark Thirty won instead). Quentin went on to Oscar victory.

This evening, it is Bong Joon-Ho and Han Jin-won taking the prize for Parasite. My feeling is that the recipient between that and Noah Baumbach’s Marriage Story now has the upper hand to compete with Hollywood at the Academy ceremony next weekend. So it’s a good night for the Parasite team.

Adapted Screenplay was definitely one to watch. Two nominees – A Beautiful Day in the Neighborhood and Joker – were looked at as long shots at best. This one came down to The Irishman (Steve Zaillian), Jojo Rabbit (Taika Waititi), and Little Women (Greta Gerwig). That holds true for Oscar (the five nominees here match the Academy’s). Waititi is the victor for Rabbit. The film most negatively affected is The Irishman, as Adapted Screenplay looks to be its most viable chance for a major category pickup. The narrative lately is that Gerwig could win the Oscar, especially since she was snubbed for Director. Yet Waititi’s trophy tonight puts him in the soft front runner position.

Look for lots more Oscar coverage on the blog as we are eight days away from the event itself!

1917 Box Office Prediction

Blogger’s Note (01/05): The film’s victory for Best Drama at the Golden Globes is pushing my estimate up… from $26.8 million to $31.8 million

1917 blasts onto screens next weekend and hopes to generate its awards buzz into a rousing first frame at multiplexes. The World War I epic comes from Sam Mendes, Oscar winning director of American Beauty who’s been busy with the Bond franchise lately with Skyfall and Spectre. Cast members include George MacKay, Dean-Charles Chapman, Mark Strong, Andrew Scott, Richard Madden, Colin Firth, and Benedict Cumberbatch.

Critics have been on its side as 1917 currently sports a 90% Rotten Tomatoes score. The film is expected to nab several Oscar nods (including possibly Picture and Director and tech nods) on the Monday following its wide release. In the limited rollout over the holidays, it held a sturdy per theater average of over $50,000.

War movies have done well in January over the past few years. The high water mark is American Sniper, which made nearly $90 million out of the gate five years ago. This isn’t anticipated to be anywhere near that, but there are other decent comps to consider. In 2013, Zero Dark Thirty took in $24 million in its expansion.

This is right in the range where I see 1917 landing in the mid 20s (SEE BLOGGER’S NOTE ABOVE).

1917 opening weekend prediction: $31.8 million

For my Just Mercy prediction, click here:

https://toddmthatcher.com/2020/01/01/just-mercy-box-office-prediction/

For my Like a Boss prediction, click here:

https://toddmthatcher.com/2020/01/01/like-a-boss-box-office-prediction/

For my Underwater prediction, click here:

https://toddmthatcher.com/2020/01/02/underwater-box-office-prediction/

Oscar History: 2012

It’s been quite some time since I’ve done an Oscar History post (about two and a half years) and I’m at 2012. It was a year in which Seth MacFarlane hosted the show – fresh off his comedy smash Ted. Here’s what transpired in the major categories with some other pictures and performers I might have considered:

The year saw nine nominees for Best Picture in which Ben Affleck’s Argo took the top prize. Other nominees: Amour, Beasts of the Southern Wild, Django Unchained, Les Miserables, Lincoln, Silver Linings Playbook (my personal favorite of the year), and Zero Dark Thirty. 

Many Wes Anderson fans would contend that Moonrise Kingdom should have made the cut. And I could certainly argue that The Avengers (perhaps the greatest comic book flick and the year’s biggest grosser) was worth a nod.

The nominations in Best Director were a huge surprise at the time. While Argo won the top prize of all, Affleck was not nominated for his behind the camera efforts. It was the first time since Driving Miss Daisy‘s Bruce Beresford where an Oscar-winning Picture didn’t see its filmmaker nominated.

Instead it was Ang Lee who was victorious for Life of Pi over Michael Haneke (Amour), David O. Russell (Silver Linings Playbook), Steven Spielberg (Lincoln), and Benh Zeitlin (Beasts of the Southern Wild).

In addition to Affleck, it was surprising that Kathryn Bigelow (Zero Dark Thirty) was not included. And I certainly would have put in Tarantino for Django.

The race for Best Actor seemed over when the casting of Daniel Day-Lewis as Abraham Lincoln was announced. And that’s exactly how it played out as he won his third Oscar over a strong slate of Bradley Cooper (Playbook), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master), and Denzel Washington (Flight).

The exclusion of John Hawkes in The Sessions could have been welcomed, but I’ll admit that’s a solid group.

Jennifer Lawrence won Best Actress for Silver Linings over Jessica Chastain (Zero Dark), Emmanuelle Riva (Amour), Quvenzhane Wallis (Beasts), and Naomi Watts (The Impossible).

Again, no major qualms here. I did enjoy the work of Helen Mirren in Hitchcock (for which she did get a Golden Globe nod).

Supporting Actor was competitive as Christoph Waltz won his second statue for Django (three years after Inglourious Basterds). He was a bit of a surprise winner over Tommy Lee Jones in Lincoln. Other nominees: Alan Arkin (Argo), Robert De Niro (Playbook), and Philip Seymour Hoffman (The Master).

Here’s a year where there’s a lot of others I thought of. Waltz won, but I think the work of Leonardo DiCaprio and Samuel L. Jackson in Django was equally impressive. There’s Javier Bardem as one of the greatest Bond villains ever in Skyfall. Or John Goodman’s showy role in Flight. As for some other blockbusters that year, how about Tom Hiddleston in The Avengers or Matthew McConaughey in Magic Mike? And my favorite comedic scene of that year was due to Giovanni Ribisi in Ted…

In Supporting Actress, Anne Hathaway was a front-runner for Les Miserables and there was no upset. Other nominees: Amy Adams (The Master), Sally Field (Lincoln), Helen Hunt (The Sessions), and Jacki Weaver (Playbook).

Judi Dench had more heft to her part as M in Skyfall that year and I’ll also give a shout-out to Salma Hayek’s performance in Oliver Stone’s Savages.

And there’s your Oscar history for 2012! I’ll have 2013 up… hopefully in less than two and a half years!

Oscar Watch: Molly’s Game

Jessica Chastain has landed two Oscar nods over the years – for Supporting Actor in 2011’s The Help and in lead actress in 2012’s Zero Dark Thirty. Since then, she’s been in the mix but didn’t land nods for films such as A Most Violent Year and Miss Sloane.

Screening at the Toronto Film Festival yesterday, it appears Chastain is back in the fold once again for Molly’s Game. The pic marks the directorial debut of acclaimed screenwriter Aaron Sorkin and tells a true life tale that features Chastain running a high-priced and eventually dangerous underground poker empire.

Reviews for Game have been mostly positive and it stands at 86% currently on Rotten Tomatoes. Costars include Idris Elba and Kevin Costner, who appear to be long shots for Supporting Actor. If that changes, expect Elba to get the attention. The film itself is unlikely to play in Best Picture.

For Chastain, it’s a different story. Critical notices have noted she carries Game and could well find herself recognized in an extremely competitive Best Actress field. I had her listed in my initial round of early Oscar predictions last week and that will almost surely hold true this week.

My Oscar Watch posts will continue…

Detroit Box Office Prediction

Blogger’s Note (08/03): My estimate has been revised down just a bit to $11.6M on eve of release.

Director Kathryn Bigelow and screenwriter Mark Boal team up for the third time next weekend with Detroit. Their first collaboration resulted in a Best Picture win and Bigelow being the first female to win a gold statue for direction with 2009’s The Hurt Locker, focused on the Iraq War. 2012 follow-up Zero Dark Thirty also received a Best Pic nod, among other nominations, as it zeroed in on the hunt for Osama Bin Laden.

Their third feature goes back 50 years in history to the Algiers Hotel Incident and race riots in the title city. John Boyega of Star Wars fame stars alongside Will Poulter, Algee Smith, Jason Mitchell, John Krasinski, and Anthony Mackie. Early critical reaction has been strong – it stands at 100% on Rotten Tomatoes currently. Oscar attention could potentially come its way as well.

Detroit seems like the kind of title where solid word of mouth could allow it to play well throughout the month of August , where competition isn’t overly fierce. The strong reviews could propel it to a high teens gross under a best scenario out of the gate. However, I think it’s more likely it will debut in the low double digits to low teens with hopes of smaller drop-offs in follow-up weekends.

Detroit opening weekend prediction: $11.6 million

For my The Dark Tower prediction, click here:

https://toddmthatcher.com/2017/07/26/the-dark-tower-box-office-prediction/

For my Kidnap prediction, click here:

https://toddmthatcher.com/2017/07/26/kidnap-box-office-prediction/

Oscar Watch: Detroit

Detroit is one of those pictures that’s been earmarked for an Oscar Watch post ever since its announcement. After all, this is the third collaboration between director Kathryn Bigelow and screenwriter Mark Boal. The first was 2009’s The Hurt Locker and it won Best Picture and made history when Bigelow was the first female to win Best Director. Boal won Original Screenplay and the film received three other technical victories. Their follow-up, 2012’s Zero Dark Thirty, received Picture and another Screenplay nod for Boal, though Bigelow was surprisingly not nominated. It also won Sound Editing and was nominated for overall Editing. These collaborations also resulted in a Best Actor nod for Jeremy Renner for Locker and Best Actress nom for Jessica Chastain for Zero Dark.

So it goes without saying that their third teaming merits awards chatter. That picture is Detroit, which opens on August 4. The period drama recounts the Algiers Hotel incident during the city’s riots of 1967. The review embargo lifted today and early notices are positive (it’s at 100% at the moment on Rotten Tomatoes). For those who say the August release date could be problematic, don’t forget that Hurt Locker hit in the summer as well. That said, some critics have said it doesn’t quite measure up with the first two Bigelow/Boal efforts. If there’s any acting attention, perhaps John Boyega could here his name bandied about in Best Actor. There may be a better chance for costar Will Poulter in Supporting (he’s said to be a standout).

Based on very early reaction, the Picture itself, Bigelow, and Boal look to be in the mix for nominations. Yet it doesn’t seem as slam dunk as eight years ago and maybe not even five years ago.

My Oscar Watch posts will continue…