Detroit is one of those pictures that’s been earmarked for an Oscar Watch post ever since its announcement. After all, this is the third collaboration between director Kathryn Bigelow and screenwriter Mark Boal. The first was 2009’s The Hurt Locker and it won Best Picture and made history when Bigelow was the first female to win Best Director. Boal won Original Screenplay and the film received three other technical victories. Their follow-up, 2012’s Zero Dark Thirty, received Picture and another Screenplay nod for Boal, though Bigelow was surprisingly not nominated. It also won Sound Editing and was nominated for overall Editing. These collaborations also resulted in a Best Actor nod for Jeremy Renner for Locker and Best Actress nom for Jessica Chastain for Zero Dark.
So it goes without saying that their third teaming merits awards chatter. That picture is Detroit, which opens on August 4. The period drama recounts the Algiers Hotel incident during the city’s riots of 1967. The review embargo lifted today and early notices are positive (it’s at 100% at the moment on Rotten Tomatoes). For those who say the August release date could be problematic, don’t forget that Hurt Locker hit in the summer as well. That said, some critics have said it doesn’t quite measure up with the first two Bigelow/Boal efforts. If there’s any acting attention, perhaps John Boyega could here his name bandied about in Best Actor. There may be a better chance for costar Will Poulter in Supporting (he’s said to be a standout).
Based on very early reaction, the Picture itself, Bigelow, and Boal look to be in the mix for nominations. Yet it doesn’t seem as slam dunk as eight years ago and maybe not even five years ago.
My Oscar Watch posts will continue…