Warner Bros looks for its fruitful 2025 to keep rolling when The Conjuring: Last Rites hits theaters on September 5th. The studio has had horror hits this year via Sinners and Weapons. Rites marks the fourth proper feature in the series that began in 2013 and ninth overall in the franchise when counting spinoffs Annabelle and The Nun and their sequels. Patrick Wilson and Vera Farmiga reprise their roles as paranormal investigators Ed and Lorraine Warren. Michael Chaves, who made #3 The Conjuring: The Devil Made Me Do It and The Nun II, directs. Costars include Mia Tomlinson and Ben Hardy.
2021’s Devil actually had the lowest opening weekend of the entire franchise with $24 million. That comes with an asterisk as it premiered during COVID times and was unveiled simultaneously on HBO Max. 2023’s The Nun II brought the scary universe back to normal debuts at $32 million. The original Nun from 2018 boasts the highest debut of the whole lot at $53 million.
Last Rites is pacing to reach those heights and should exceed the $40 million beginnings like the first two Conjuring pics managed to do at $40 million and $41 million, respectively. I am projecting that it’ll outdo The Nun for a franchise best haul.
The Conjuring: Last Rites opening weekend prediction: $58.2 million
It was exclusively revealed today by The Hollywood Reporter that My Mom Jayne is eligible for Oscar consideration in the Documentary Feature competition. Marking the directorial debut of Mariska Hargitay (of Law & Order: Special Victims Unit fame), the actress explores the life of her mother who passed away when she was just three years old. That mom would be Hollywood starlet Jayne Mansfield.
The doc premiered at Cannes and was released on Max (or HBO Max or whatever they’re calling it this week) in late June. The Reporter‘s reporting reveals that it was given a low-key theatrical run which puts it in awards contention.
Reviews for Jayne give it 100% on Rotten Tomatoes and a 72 Metacritic. The article makes it clear that Hargitay and Max will give it a spirited campaign. That said, the doc branch at the Academy has been reluctant and arguably allergic to nominating works centered on notable celebs. Recent snubs include Won’t You Be My Neighbor?, Val (focused on the late Val Kilmer), and Still: A Michael J. Fox Movie. And that’s just scratching the surface when it comes to omissions.
Therefore this faces an uphill climb to enter voter consciousness. We may find out just how effective Max is at campaigning. My Oscar Prediction posts will continue…
Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.
The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:
Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.
The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.
Here’s how I envision the top 5 playing out:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $109.1 million
2. Avatar: The Way of Water
Predicted Gross: $6.1 million
3. Puss in Boots: The Last Wish
Predicted Gross: $5.8 million
4. Magic Mike’s Last Dance
Predicted Gross: $5.5 million
5. 80 for Brady
Predicted Gross: $4.2 million
Box Office Results (February 10-12)
Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.
Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.
Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.
The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.
80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.
Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.
Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.
**Blogger’s Update (02/03): There are reports that the film is only releasing on around 1500 screens. Therefore I am revising my estimate down significantly from $17.7M to $10.7M. If the theater count changes, I will update accordingly.
A decade after they turned a meagerly budgeted $7 million dramedy into a $100M+ hit, Magic Mike’s Last Dance is the third iteration (or gyration) of Steven Soderbergh and Channing Tatum’s franchise. The former returns to direct after sitting out 2015’s sequel Magic Mike XXL after helming the 2012 original. The latter is back in the role that turned him into a superstar. His costars from the first two are MIA, but Salma Hayek Pinault, Ayub Khan Din, and Caitlin Gerard join the fun.
After being absent onscreen for several years, Tatum returned to multiplexes in 2022 with his directorial debut Dog ($61 million domestic gross) and The Lost City alongside Sandra Bullock ($105 million stateside). Last Dance was originally slated for an HBO Max premiere before Warner Bros opted for the theatrical output.
It’s worth noting that Magic Mike XXL couldn’t match part 1. The 2012 model made $113 million. XXL generated half of that with $66 million. The diminishing returns could continue unless female moviegoers are feeling especially nostalgic. That’s possible, but I’m skeptical. Some of that demographic may opt for the Titanic re-release instead. Low teens is probably the floor and I don’t believe this surpasses $20 million out of the gate.
Magic Mike’s Last Dance opening weekend prediction: $10.7 million
For my Titanic 25th Anniversary prediction, click here:
Blogger’s Update (01/11): Considering its meager 1500 screen count and scant buzz, I’m revising my House Party prediction down from $6 million to $3 million.
Warner Bros hopes audiences RSVP to the House Party reboot when it debuts January 13th. Directed by Calmatic (best known for music videos and commercials), Jacob Latimore and Tosin Cole star as best friends who hatch a plan to hold a blowout bash at the estate of LeBron James. The NBA superstar plays himself as do musical celebs like Kid Cudi, Lil Wayne, and Snoop Dogg.
The 1990 original featured hip hop act Kid N’ Play (who appear here) and spawned two sequels. It was a surprise box office success that also drew critical kudos. This was originally slated for an HBO Max only premiere last summer before the studio shifted emphasis to theatrical output.
Rolling out over the long MLK weekend, Party could manage to over perform. There’s a real question which new release will make the most money with A Man Called Otto and Plane as the other contenders. The trio should all fall behind Avatar: The Way of Water and M3GAN. I’ll project this falls short of double digits earnings by a notable margin.
House Party opening weekend prediction: $3 million (Friday to Monday estimate)
After winning the Grand Jury Prize in the World Cinema Documentary competition at Sundance, All That Breathes has been winding its way through the fest circuit including Cannes and New York. The environmental doc from Shaunak Sen holds a 100% Rotten Tomatoes rating. It’s slated for an eventual HBO Max streaming bow after a limited and awards qualifying theatrical run before year’s end.
As I’ve opined about many times on this blog, predicting Documentary Feature is often the trickiest category to nail down. Breathes certainly has the prerequisites to make the quintet, but that often doesn’t matter. Bottom line: this is certainly one that should be in the conversation. My Oscar Prediction posts will continue…
The fall movie season kicks off in horrific fashion with Barbarian, Zach Cregger’s directorial debut which premiered at Comic-Con in July to solid buzz. Whether its festival reaction translates to positive box office numbers is questionable.
Georgina Campbell, Bill Skargard (who’s had huge success in the genre with It and its sequel), and Justin Long star in a pic whose plot is being kept rather secretive. Early word-of-mouth suggests horror fans might be best served by entering this one cold.
September is not looking overly encouraging for blockbuster possibilities. It is, however, filled with scary flicks. Barbarian starts the trend with Pearl out a week later and Smile arriving at month’s end. Barbarian needs that chatter from its screenings to seep into the mainstream and I’m not sure it has. One comp could be Malignant, which premiered on the same post Labor Day weekend last year. It made just over $5 million though it was simultaneously streaming on HBO Max.
This should benefit a little from being theatrical only. I’ll say Barbarian will be lucky to make close to double digits, but may to settle for $6-8 million.
Barbarian opening weekend prediction: $7.1 million
Reinaldo Marcus Green’s King Richard is the next film to be served up in my Case Of posts focused on 2021’s Best Picture nominees. For my takes on the other five entries thus far, you can peruse them here:
The uplifting tale of Richard Williams (Will Smith) and his tutelage of Venus and Serena hit all its expected categories on nomination morning: Picture, Actor, Supporting Actress (Aunjanue Ellis), Original Screenplay, Editing, and Original Song (courtesy of Beyonce). It’s an easy movie to like and if Academy voters are in feel good mode, they could court this one for attention.
The Case Against King Richard:
There’s other feel good choices with Belfast and CODA. Green showing up in Best Director would have been an indicator of strength, but it didn’t materialize. Richard also struggled at the box office (it simultaneously premiered on HBO Max). The best opportunity it has for a win is with Smith, who might make it to the podium in Actor on his third try.
The Verdict
Smith definitely has the strongest chance to feel the Richard love. It’s a long shot for BP.
My Case Of posts will continue with Licorice Pizza…
Denis Villeneuve’s Dune brings us to the halfway point of my ten Case Of posts for the Best Picture contenders. If you missed the first four, you can access them here:
If the Academy’s voters are looking to honor the nominee that garnered the highest box office returns, they can do so here as the sci-fi epic made $107 million domestically while being simultaneously available on HBO Max. Dune stands as the second most nominated film of 2021 with 10 mentions including Adapted Screenplay and a number of tech nods that it’s expected to win.
The Case Against Dune:
Many anticipated that this would garner the most mentions on Oscar nomination morning, but it fell short by two to The Power of the Dog. In doing so, Dune missed a major race when Villeneuve surprisingly failed to make the director cut. Quite simply, it’s hard to imagine this taking the big prize without its filmmaker being acknowledged.
The Verdict:
Dune should have no trouble winning some Oscars next month. Sound and Visual Effects are likely in the bag and Cinematography, Costume Design, Editing, Makeup and Hairstyling, Original Score, and Production Design are all feasible. Picture seems out of reach and voters will have another chance to honor it (and its director) with the forthcoming sequel.
Focused on the Russian opposition leader who was mysteriously poisoned in 2020, Navalny struck a chord with Sundance festival goers and won the documentary audience award and festival favorite prize.
It comes from filmmaker Daniel Roher and is slated for distribution on CNN and via HBO Max in the early portion of the year. Standing at 100% on Rotten Tomatoes, this will attempt to carry its buzz forward through awards season and could absolutely be a factor in the Doc Feature competition at next year’s Oscars.
Sundance is often a successful launching pad in the genre. Last year, a third of the 15 doc contenders (including Flee, Faye Dayi, and Summer of Soul) got their starts in Park City. Navalny may be on the list this time in 2023 and my Oscar Prediction posts will continue…
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