Out this Labor Day weekend and not expected to make much of a box office splash is the historical crime drama By Any Means. It has quiet word-of-mouth and seems generic enough that I called it By All Means in my box office prediction post for it. Two or three days passed before I realized I had the wrong title. Yahya Abdul-Mateen II, Mark Wahlberg, Nicole Beharie, Josh Lucas, David Strathairn, and Giancarlo Esposito are among cast members.
To be fair, the reviews aren’t bad with 67% on Rotten Tomatoes and 56 on Metacritic. And perhaps it’ll bring in a larger than expected adult crowd over the holiday weekend. However, this was never seen as an awards player. That is… until a few days ago.
Enter Diane Warren. Oscar pundits know the name well. The prolific songwriter has been nominated 17 times for her original songs without a victory to show for it. That’s the most at bats without a home run. The Academy did give her an honorary statue in 2022. It was announced that Warren is behind the title track for Any, performed by the Isley Brothers and David Kushner. Warren currently stands at nine nominated tracks in a row dating back to 2017. Simply put, history indicates “By Any Means” could by all means become the 10th in succession. Once again, a win could be elusive. My Oscar Prediction posts will continue…
There are multiple new releases making their way to multiplexes over the Labor Day frame, but I only have one managing a top five showing. That would be 1960s set crime thriller By Any Means with Mark Wahlberg and Yahya Abdul-Mateen II as it attempts double digits over the holiday weekend. You can peruse my detailed prediction post on it here:
As summer turns into fall on the cinematic calendar, the MCU should be perched atop the charts for a sixth weekend in a row courtesy of Spider-Man: Brand New Day. A note that over this particular weekend, holdovers often experience minimal percentage declines or even a slight increase as moviegoers catch up on recent offerings. From Friday to Monday, I have Spidey essentially doing what it did in its fifth outing.
The Odyssey could return to second place from third while Coyote vs. Acme drops a spot after a notable premiere (more on that below). The latter’s second week drop is a head scratcher and it could be more front-loaded that I’m assuming. On the flip side, families could show up in solid numbers since it appears to have fresh word-of-mouth with an A Cinemascore.
Means may flirt with $10M+ in a best case scenario though I’ve got falling under for a fourth place start and Insidious: Out of the Further rounding out the top five.
As for other fresh product, I’m skeptical that horror offering Onslaught from Adam Wingard, survival flick sequel Fall 2: Deadpoint (out Wednesday), or Pixar’s 20th anniversary re-issue of Cars populate the top half of the top ten so no individual posts for that trio.
And with that, here’s how I have the top 5 shaking out and keep in mind that these are Friday through Monday guesstimates:
1. Spider-Man: Brand New Day
Predicted Gross: $23 million
2. The Odyssey
Predicted Gross: $14.8 million
3. Coyote vs. Acme
Predicted Gross: $13.2 million
4. By Any Means
Predicted Gross: $7.8 million
5. Insidious: Out of the Further
Predicted Gross: $7.5 million
Box Office Results (August 28-30)
As anticipated, Spider-Man: Brand New Day had no trouble swinging to a fifth victory with $22.5 million, in line with my $23.2 million call. With $891 million in its coffers, Day looks to exceed domestic record holder Star Wars: The Force Awakens ($936 million) in short order.
After Warner Bros jettisoned it as a tax write-off in 2023, Ketchup Entertainment squeezed some decent figures out of the live-action/animated hybrid Coyote vs. Acme. With $15.9 million, it was runner-up and surpassed my $13.8 million projection. Considering it was never going to see the light of day if WB had their way, it’s a better than expected result.
The Odyssey was third after four weeks in second position with $14.3 million, just under my $15.6 million call for a seven-week take of $563 million.
Insidious: Out of the Further dropped 59% in its sophomore weekend with $10.2 million compared to my $9.4 million take. The sixth feature in the horror franchise is at $43 million total.
With so-so reviews and muted WOM, Ridley Scott’s The Dog Stars starring Jacob Elordi, Josh Brolin, and Margaret Qualley failed to find an audience in fifth with $7.7 million (I said $8.3 million).
Finally, Roadside Attractions had a laudable showing with the low-budget Buddy in sixth. I didn’t do a prediction write-up for it, but the satirical horror tale made $5.5 million. The per theater average nearly equaled that of Acme.
As August closes out and September dawns, film festival season is nearly upon us. Venice begins on Wednesday with Telluride playing out over Labor Day weekend. Between those two events, we are expected to get screenings and critical reaction for Martin McDonagh’s Wild Horse Nine, Jesse Eisenberg’s The Debut, Danny Boyle’s Ink, Lance Oppenheim’s Primetime, Florian Zeller’s Bunker, Mike Leigh’s Tender Loving Care, Simon Stone’s Elsinore, Andrew Haigh’s A Long Winter, and Werner Herzog’s Bucking Fastard to name a few.
September 10th brings Toronto with their own premieres including Sian Heder’s Being Heumann, Chris Rock’s Misty Green, Susanna White’s Prima Facie, Peter Farrelly’s I Play Rocky, and Bassam Tariq’s Your Mother Your Mother Your Mother.
Needless to say you can expect a bunch of Oscar Prediction posts over the next three weeks. And if history is any guide, my next update in a couple weekends should look quite different.
Away from festival buzz, there was a significant piece of news since my last update two weeks ago. It was announced that Diane Warren is behind the title track to the upcoming By Any Means starring Yayha Abdul-Mateen II and Mark Wahlberg. The songwriter has famously racked up 17 Best Original Song nominations without a win. She currently is up to nine noms in a row since 2017. It would be foolish to not include her in my five predicted tracks.
There’s not a ton of movement in the major races though it is a solid update for The Invite. Olivia Wilde’s dramedy rises to the #1 spot in Adapted Screenplay over The Black Ball with the filmmaker entering the directorial quintet for the first time. She knocks out Phil Lord and Christopher Miller (Project Hail Mary).
You can read all the movement below and expect plenty of posts in the coming days and weeks as the festivals commence!
Best Picture
Predicted Nominees:
1. The Odyssey (Previous Ranking: 1) (Even)
2. The Black Ball (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Wild Horse Nine (PR: 4) (E)
5. Dune: Part Three (PR: 6) (+1)
6. Fjord (PR: 7) (+1)
7. The Invite (PR: 8) (+1)
8. The Debut (PR: 5) (-3)
9. Obsession (PR: 9) (E)
10. Behemoth! (PR: 10) (E)
Other Possibilities:
11. Ink (PR: 12) (+1)
12. Digger (PR: 11) (-1)
13. All of a Sudden (PR: 13) (E)
14. Elsinore (PR: 16) (+2)
15. Michael (PR: 15) (E)
16. Primetime (PR: 18) (+2)
17. The Social Reckoning (PR: 14) (-3)
18. Sense and Sensibility (PR: 17) (-1)
19. Werwulf (PR: 21) (+2)
20. Being Heumann (PR: 22) (+2)
21. The Further Mis-Adventures of Cliff Booth (PR: 20) (-1)
22. Josephine (PR: 25) (+3)
23. Disclosure Day (PR: 24) (+1)
24. Club Kid (PR: Not Ranked)
25. A Long Winter (PR: Not Ranked)
Dropped Out:
Fatherland
Artificial
Best Director
Predicted Nominees:
1. Christopher Nolan, The Odyssey (PR: 1) (E)
2. Javier Ambrossi and Javier Calvo, The Black Ball (PR: 2) (E)
3. Martin McDonagh, Wild Horse Nine (PR: 3) (E)
4. Cristian Mungiu, Fjord (PR: 4) (E)
5. Olivia Wilde, The Invite (PR: 6) (+1)
Other Possibilities:
6. Phil Lord and Christopher Miller, Project Hail Mary (PR: 5) (-1)
7. Denis Villeneuve, Dune: Part Three (PR: 7) (E)
8. Alejandro G. Iñárritu, Digger (PR: 8) (E)
9. Tony Gilroy, Behemoth! (PR: 9) (E)
10. Ryusuke Hamaguchi, All of a Sudden (PR: 11) (+1)
11. Jesse Eisenberg, The Debut (PR: 10) (-1)
12. Danny Boyle, Ink (PR: 13) (+1)
13. Curry Barker, Obsession (PR: 12) (-1)
14. Lance Oppenheim, Primetime (PR: Not Ranked)
15. Robert Eggers, Werwulf (PR: 15) (E)
Dropped Out:
Pawel Pawlikowski, Fatherland
Best Actress
Predicted Nominees:
1. Julianne Moore, The Debut (PR: 1) (E)
2. Inde Navarrette, Obsession (PR: 2) (E)
3. Olivia Wilde, The Invite (PR: 4) (+1)
4. Renate Reinsve, Fjord (PR: 3) (-1)
5. Sandra Hüller, Rose (PR: 5) (E)
Other Possibilities:
6. Virginie Efira, Al of a Sudden (PR: 8) (+2)
7. Cynthia Erivo, Prima Facie (PR: 6) (-1)
8. Emily Blunt, Disclosure Day (PR: 12) (+4)
9. Mikey Madison, The Social Reckoning (PR: 7) (-2)
10. Ruth Madeley, Being Heumann (PR: 11) (+1)
11. Léa Seydoux, Gentle Monster (PR: 9) (-2)
12. Daisy Edgar-Jones, Sense and Sensibility (PR: 13) (+1)
13. Sandra Hüller, Fatherland (PR: 10) (-3)
14. Rosalind Eleazar, Misty Green (PR: 14) (E)
15. Mason Reeves, Josephine (PR: 15) (E)
Best Actor
Predicted Nominees:
1. Matt Damon, The Odyssey (PR: 1) (E)
2. John Malkovich, Wild Horse Nine (PR: 2) (E)
3. Ryan Gosling, Project Hail Mary (PR: 3) (E)
4. Andrew Scott, Elsinore (PR: 4) (E)
5. Robert Pattinson, Primetime (PR: 5) (E)
Other Possibilities:
6. Tom Cruise, Digger (PR: 6) (E)
7. Pedro Pascal, Behemoth! (PR: 7) (E)
8. Sebastian Stan, Fjord (PR: 9) (+1)
9. Jaafar Jackson, Michael (PR: 8) (-1)
10. Seth Rogen, The Invite (PR: 10) (E)
11. Jack O’Connell, Ink (PR: 12) (+1)
12. John Turturro, The Only Living Pickpocket in New York (PR: 11) (-1)
13. Timothée Chalamet, Dune: Part Three (PR: 14) (+1)
14. Dominic Sessa, Tony (PR: 13) (-1)
15. Javier Bardem, The Beloved (PR: 15) (E)
Best Supporting Actress
Predicted Nominees:
1. Anne Hathaway, The Odyssey (PR: 1) (E)
2. Penélope Cruz, The Invite (PR: 3) (+1)
3. Mariana di Girolamo, Wild Horse Nine (PR: 2) (-1)
4. Olivia Colman, Elsinore (PR: 5) (+1)
5. Lola Dueñas, The Black Ball (PR: 4) (-1)
Other Possibilities:
6. Penélope Cruz, The Black Ball (PR: 6) (E)
7. Samantha Morton, The Odyssey (PR: 7) (E)
8. Tao Okamoto, All of a Sudden (PR: 10) (+2)
9. Parker Posey, Wild Horse Nine (PR: 11) (+2)
10. Sandra Hüller, Digger (PR: 8) (-2)
11. Claire Foy, Ink (PR: 12) (+1)
12. Sandra Hüller, Project Hail Mary (PR: 9) (-3)
13. Esmé Creed-Miles, Sense and Sensibility (PR: 13) (E)
14. Eva Victor, Behemoth! (PR: 14) (E)
15. Scarlett Johansson, Paper Tiger (PR: 15) (E)
Best Supporting Actor
Predicted Nominees:
1. Paul Giamatti, The Debut (PR: 1) (E)
2. Sam Rockwell, Wild Horse Nine (PR: 2) (E)
3. Edward Norton, The Invite (PR: 3) (E)
4. Guy Pearce, Ink (PR: 4) (E)
5. John Leguizamo, The Odyssey (PR: 5) (E)
Other Possibilities:
6. John Goodman, Digger (PR: 6) (E)
7. Steve Buscemi, Wild Horse Nine (PR: 7) (E)
8. Jeremy Strong, The Social Reckoning (PR: 8) (E)
9. Colman Domingo, Michael (PR: 9) (E)
10. Guitarradelafuente, The Black Ball (PR: 10) (E)
11. Riz Ahmed, Digger (PR: 13) (+2)
12. Channing Tatum, Josephine (PR: 14) (+2)
13. Mark Ruffalo, Being Heumann (PR: 11) (-2)
14. Robert Pattinson, The Odyssey (PR: 12) (-2)
15. Daniel Kaluuya, Misty Green (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Wild Horse Nine (PR: 1) (E)
2. The Debut (PR: 2) (E)
3. Obsession (PR: 4) (+1)
4. Fjord (PR: 3) (-1)
5. Elsinore (PR: 7) (+2)
Other Possibilities:
6. Behemoth! (PR: 5) (-1)
7. Digger (PR: 6) (-1)
8. Club Kid (PR: 8) (E)
9. Tender Loving Care (PR: Not Ranked)
10. The Drama (PR: Not Ranked)
Dropped Out:
Primetime (moved to Adapted Screenplay)
Artificial
Best Adapted Screenplay
Predicted Nominees:
1. The Invite (PR: 3) (+2)
2. The Black Ball (PR: 1) (-1)
3. The Odyssey (PR: 2) (-1)
4. Project Hail Mary (PR: 4) (E)
5. All of a Sudden (PR: 5) (E)
Other Possibilities:
6. Ink (PR: 6) (E)
7. Primetime (PR: Not Ranked – moved from Original Screenplay)
8. Dune: Part Three (PR: 8) (E)
9. The Social Reckoning (PR: 7) (-2)
10. The Further Mis-Adventures of Cliff Booth (PR: 9) (-1)
Dropped Out:
Sense and Sensibility
Best International Feature Film
Predicted Nominees:
1. The Black Ball (PR: 1) (E)
2. Fjord (PR: 2) (E)
3. All of a Sudden (PR: 3) (E)
4. Minotaur (PR: 4) (E)
5. Possible Love (PR: 6) (+1)
Other Possibilities:
6. Fatherland (PR: 5) (-1)
7. Rose (PR: 7) (E)
8. Coward (PR: 8) (E)
9. Mimesis (PR: 9) (E)
10. Silent Friend (PR: Not Ranked)
Dropped Out:
The Beloved
Best Animated Feature
Predicted Nominees:
1. Wildwood (PR: 1) (E)
2. Toy Story 5 (PR: 2) (E)
3. Ray Gunn (PR: 3) (E)
4. Tangles (PR: 5) (+1)
5. Iron Boy (PR: 6) (+1)
Other Possibilities:
6. Forgotten Island (PR: 4) (-2)
7. Hoppers (PR: 7) (E)
8. In Waves (PR: 8) (E)
9. Shaun the Sheep: The Beast of Mossy Bottom (PR: 9) (E)
10. Hexed (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Once Upon a Time in Harlem (PR: 1) (E)
2. American Doctor (PR: 2) (E)
3. NAZA (PR: Not Ranked)
4. 14th (PR: 3) (-1)
5. One in a Million (PR: 4) (-1)
Other Possibilities:
6. To Hold a Mountain (PR: 5) (-1)
7. Closure (PR: Not Ranked)
8. Nuisance Bear (PR: 7) (-1)
9. The History of Concrete (PR: 9) (E)
10. Rehearsals for Revolution (PR: 8) (-2)
Dropped Out:
When a Witness Recants
Musk
Best Casting
Predicted Nominees:
1. The Black Ball (PR: 2) (+1)
2. The Odyssey (PR: 1) (-1)
3. Wild Horse Nine (PR: 3) (E)
4. Fjord (PR: 7) (+3)
5. Michael (PR: 5) (E)
Other Possibilities:
6. The Debut (PR: 4) (-2)
7. Digger (PR: 6) (-1)
8. The Invite (PR: 8) (E)
9. Elsinore (PR: Not Ranked)
10. Dune: Part Three (PR: 9) (-1)
Dropped Out:
Being Heumann
Best Cinematography
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 2) (E)
3. The Black Ball (PR: 3) (E)
4. Project Hail Mary (PR: 6) (+2)
5. Fatherland (PR: 5) (E)
Other Possibilities:
6. Digger (PR: 4) (-2)
7. Werwulf (PR: 8) (+1)
8. Wild Horse Nine (PR: 7) (-1)
9. Disclosure Day (PR: 9) (E)
10. Behemoth! (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Werwulf (PR: 3) (E)
4. Sense and Sensibility (PR: 4) (E)
5. Michael (PR: 5) (E)
Other Possibilities:
6. Dune: Part Three (PR: 6) (E)
7. I Love Boosters (PR: 9) (+2)
8. The Devil Wears Prada 2 (PR: 7) (-1)
9. Wuthering Heights (PR: 8) (-1)
10. Mother Mary (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. The Black Ball (PR: 2) (E)
3. Wild Horse Nine (PR: 4) (+1)
4. Project Hail Mary (PR: 3) (-1)
5. Behemoth! (PR: 5) (E)
Other Possibilities:
6. The Invite (PR: 8) (+2)
7. Dune: Part Three (PR: 6) (-1)
8. Ink (PR: 9) (+1)
9. Digger (PR: 7) (-2)
10. Fjord (PR: Not Ranked)
Dropped Out:
The Debut
Best Makeup and Hairstyling
Predicted Nominees:
1. Werwulf (PR: 1) (E)
2. Digger (PR: 2) (E)
3. Wicker (PR: 7) (+4)
4. Clayface (PR: 4) (E)
5. Rose (PR: 8) (+3)
Other Possibilities:
6. The Odyssey (PR: 3) (-3)
7. Dune: Part Three (PR: 6) (-1)
8. Michael (PR: 5) (-3)
9. Obsession (PR: Not Ranked)
10. Is God Is (PR: 10) (E)
Dropped Out:
The Black Ball
Best Original Score
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Black Ball (PR: 6) (+3)
4. Disclosure Day (PR: 4) (E)
5. Behemoth! (PR: 3) (-2)
Other Possibilities:
6. Dune: Part Three (PR: 5) (-1)
7. Wild Horse Nine (PR: 7) (E)
8. Digger (PR: 8) (E)
9. The Social Reckoning (PR: Not Ranked)
10. Wildwood (PR: 10) (E)
Dropped Out:
Ink
Best Original Song
Predicted Nominees:
1. “I Knew It, I Knew You” from Toy Story 5 (PR: 1) (E)
2. “La Nieve” from The Black Ball (PR: 2) (E)
3. “By Any Means” from By Any Means (PR: Not Ranked)
4. TBD from The Debut (PR: 3) (-1)
5. “How to Write a Song (Without You)” from Power Ballad (PR: 5) (E)
Other Possibilities:
6. “When I’m Home” from The Odyssey (PR: 4) (-2)
7. “Runway” from The Devil Wears Prada 2 (PR: 6) (-1)
8. TBD from Wildwood (PR: Not Ranked)
9. “Chains of Love” from Wuthering Heights (PR: 8) (-1)
10. “Save the Day” from Hoppers (PR: 10) (E)
Dropped Out:
“La Playa” from The Black Ball
TBD from Hexed
Best Production Design
Predicted Nominees:
1. The Odyssey (PR: 1) (E)
2. Dune: Part Three (PR: 2) (E)
3. Project Hail Mary (PR: 3) (E)
4. Werwulf (PR: 4) (E)
5. The Black Ball (PR: 5) (E)
Other Possibilities:
6. Digger (PR: 6) (E)
7. Backrooms (PR: 7) (E)
8. Sense and Sensibility (PR: 8) (E)
9. Wuthering Heights (PR: 9) (E)
10. The Further Mis-Adventures of Cliff Booth (PR: 10) (E)
Best Sound
Predicted Nominees:
1. The Odyssey (PR: 2) (+1)
2. Dune: Part Three (PR: 1) (-1)
3. Project Hail Mary (PR: 3) (E)
4. Behemoth! (PR: 6) (+2)
5. Disclosure Day (PR: 4) (-1)
Other Possibilities:
6. The Black Ball (PR: 7) (+1)
7. Michael (PR: 5) (-2)
8. Digger (PR: 10) (+2)
9. Whalefall (PR: 8) (-1)
10. Werwulf (PR: 9) (-1)
Best Visual Effects
Predicted Nominees:
1. Dune: Part Three (PR: 1) (E)
2. Project Hail Mary (PR: 2) (E)
3. The Odyssey (PR: 3) (E)
4. Whalefall (PR: 4) (E)
5. Spider-Man: Brand New Day (PR: 5) (E)
Other Possibilities:
6. Godzilla Minus Zero (PR: 6) (E)
7. Avengers: Doomsday (PR: 7) (E)
8. The End of Oak Street (PR: 9) (+1)
9. The Sheep Detectives (PR: 8) (-1)
10. Disclosure Day (PR: 10) (E)
That equates to these movies generating these numbers of nominations:
14 Nominations
The Odyssey
12 Nominations
The Black Ball
9 Nominations
Project Hail Mary
8 Nominations
Wild Horse Nine
6 Nominations
Fjord, The Invite
5 Nominations
The Debut, Dune: Part Three
4 Nominations
Behemoth!
3 Nominations
Elsinore, Obsession, Werwulf
2 Nominations
All of a Sudden, Disclosure Day, Michael, Rose. Toy Story 5
1 Nomination
14th, American Doctor, By All Means, Clayface, Digger, Fatherland, Ink, Iron Boy, Minotaur, NAZA, Once Upon a Time in Harlem, One in a Million, Possible Love, Power Ballad, Primetime, Ray Gunn, Sense and Sensibility, Spider-Man: Brand New Day, Tangles, Whalefall, Wicker. Wildwood
Yahya Abdul-Mateen II is an FBI agent teaming up with Mark Wahlberg’s former mobster turned informant in the 1960s set crime thriller By Any Means, which opens over Labor Day weekend. Elegance Bratton directs with a supporting cast including Nicole Beharie, Giancarlo Esposito, Josh Lucas, and David Strathairn.
This end of summer holiday frame usually isn’t a fruitful one for newcomers and I’m doubtful this Paramount release will break out. Wahlberg has mostly been seen on the streaming premiere circuit as of late and viewers may simply wait until Paramount+ to check it out. The studio should consider it a plus if it tops $10 million over the four-day frame and I’ll say it doesn’t happen.
By Any Means opening weekend prediction: $7.8 million (Friday to Monday estimate)
It’s been a rough cinematic 2023 for DC Studios with flops Shazam! Fury of the Gods, The Flash, and Blue Beetle. Over this Christmas weekend, early numbers indicate that their latest Aquaman and the Lost Kingdom may be another entry that opens below expectations. Jason Wan returns to direct his sequel to the 2018 blockbuster with Jason Momoa back in the title role. Costars include Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, Randall Park, Dolph Lundgren, Temuera Morrison, Martin Short (!), and Nicole Kidman.
The review embargo lifted on Thursday – the day of its unveiling in multiplexes. That’s usually not a good sign and that proved true with an underwater Rotten Tomatoes rating of 36%. Its predecessor managed 65%.
The 2018 original came up empty-handed in the awards space and didn’t make the 10 picture shortlist for Visual Effects. This sequel popped up on the first 20 contenders for VE. However, when the whittled down list of 10 were revealed Thursday, Lost was nowhere to be found. The fourth DCU offering of the year will share the same number of Academy nods as the first three: none. My Oscar Prediction posts will continue…
Aquaman and the Lost Kingdom hopes to rescue a troubling 2023 for the DCU when it opens December 22nd. Following up on the 2018 original, James Wan returns to direct with Jason Momoa back in the title role. Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, and Nicole Kidman costar.
With a reported budget of $215 million, the sequel needs solid domestic and overseas grosses to stay above water. That could be a challenge. The DCU has seen its share of flops this year including Shazam! Fury of the Gods, The Flash, and Blue Beetle.
The superhero’s first adventure five years ago ended up making an impressive $335 million stateside and $1.1 billion worldwide. It exceeded expectations, but Kingdom could fall under or just match them.
With Christmas on a Monday, I’m projecting a Friday to Monday number. Aquaman also came out on the big holiday weekend and Christmas was on a Tuesday. It took in $105 million in its first five days. This one might be fortunate to gross about half of that during its first four. I’m saying it won’t.
Aquaman and the Lost Kingdom opening weekend prediction: $42.8 million (Friday to Monday estimate)
Michael Bay is hoping that action fans will transform Ambulance into a hit when it debuts April 8th. Jake Gyllenhaal, Yahya Abdul-Mateen II, and Eiza Gonzalez headline the modestly $40 million budgeted hostage thriller (it’s about one-sixth the cost of Bay’s last Transformers pic).
Originally slated for February before being pushed back to its current slot, reviews are decent with a 74% Rotten Tomatoes rating. Based on a 2005 Danish film, the best case scenario might be a $20 million start. It could also stall in the $10 million range.
Lower teens seems more likely and that could put it in position for a number two or three debut behind Sonic the Hedgehog 2 and Morbius (depending on how far it plummets in the sophomore frame).
Ambulance opening weekend prediction: $13.7 million
For my Sonic the Hedgehog 2 prediction, click here:
When the director seems to have ambivalent (at best) feelings about returning to their franchise, that emotion might rub off on the audience a bit. And so it is with The Matrix Resurrections, arriving 18 years after parts II and III with Lana Wachowski back (though not with her sister Lilly who co-directed previous installments). An overriding theme is that Wachowski is making part IV because the studio was going to do it regardless. Apparently she’d rather not leave it in the hands of others. The more things change, the more they stay the same in one respect. Our fourth trip into this world, like the second and third, can’t come close to matching the heights of the 1999 original (no matter how many throwback clips we see from it).
A glaring flaw is Resurrections mirrors that of the first sequels. So much after part one about The One centered its drama on Neo’s (Keanu Reeves) powerful connection with Trinity (Carrie-Anne Moss). For the most part, we were told as opposed to shown that development. The 2021 model is dependent on our wistful nostalgic pining of their romance. It’s one that I and I suspect many others just don’t possess.
In The Matrix, we were introduced to a fresh and exciting cinematic universe at the perfect time. As the 20th century drew to a close, questions abounded about machines and technology and their potential to overpower humans and their free will. It was potent in its message back then and (of course) the action was mind blowing and influenced many a 21st century spectacle.
2003’s follow-up The Matrix Reloaded was in many respects a mess, but an often highly entertaining one. Its freeway shootout was a marvel that holds up gloriously today. The first act set in a sweat drenched orgiastic Zion… not so much. The Matrix Revolutions arrived six months after Reloaded and despite some nifty moments, it was a serious letdown critically and financially.
Yet franchises never die in Hollywood so Wachowski seems to be battling her own free will and giving us her next iteration. For those who may have forgot (and it’s easy to forget Revolutions), Neo and Trinity both lost their lives while saving what was left of the human race from machine domination. In Resurrections, Neo’s real life persona Thomas Anderson is indeed alive and living 60 years in the future as a video game programmer. His lauded creation is essentially what we saw in the previous trilogy. His therapy sessions with Neil Patrick Harris’s analyst hints of his recollections and, for that, he’s prescribed blue pills. When Anderson is confronted with his past, it comes from a younger Morpheus (Yahya Abdul-Mateen II) and a new team of rebels led by a white rabbit tattooed Bugs (Jessica Henwick).
It also turns out Trinity is around in the form of Tiffany, now married with kids and without knowledge of her gravity defiant history. The deal cut by the lovebirds in Revolutions still stands albeit on shaky ground. Humans and machines have found a way to coexist but others want war times to resume. The plot, however, really isn’t focused on extinction. Tiffany is the McGuffin – and the drama centers on her chosen pill intake. It seems a tad low-pressure for a series typically concentrated on civilization’s existence.
In addition to a more youthful Morpheus, we also have Jonathan Groff as a boyish Agent Smith. Neither of their characterizations match those of Laurence Fishburne or Hugo Weaving, respectively. The screenplay, in particular, does a disservice to Mateen (a fine actor) and the treatment of Morpheus. So crucial in the trilogy, he’s relegated to an insignificant status in this one. On the flip side, Jada Pinkett Smith returns as General Niobe and she’s aged six decades. The makeup is decent. Her decision making hasn’t improved much when it comes to advising our protagonists.
Wachowski’s self-referential treatment of the material starts off fairly funny and the first hour has its charms. When a holdover from Reloaded and Revolutions appears to spew English and French rantings about our text obsessed and social media culture, it’s moved to eye rolling emoji territory. In Reloaded, that mid-picture car flipping street extravaganza alone arguably made the first sequel worth the price of admission. There’s no such centerpiece in Resurrections that approaches it. Instead we get a follow-up where the filmmaker is struggling to justify its existence and even pontificating through her subjects that it’s not warranted. Maybe she should have left this revolution for someone else to start.
In the last year of our previous century, The Matrix was a game changing action spectacle that influenced many pictures that followed in the 21st century. The Oscars took notice. It was nominated for four Academy Awards (Film Editing, Sound, Sound Effects Editing, Visual Effects) and won all of them. In fact, it came in second in terms of number of victories behind only Best Picture winner American Beauty.
Four years later, the series became a trilogy when The Matrix Reloaded and The Matrix Revolutions both premiered in 2003. The story was different that time around. Neither film received a single nomination. That was a year in which The Lord of the Rings: Return of the King was crowned in many a race (including three that The Matrix took).
Tomorrow marks the release of The Matrix Revolutions from Lana Wachowski with Keanu Reeves and Carrie-Anne Moss reprising their iconic roles. Today is when the Oscar shortlists were revealed in Sound (now just one competition) and Visual Effects. Revolutions showed up as a hopeful on each top ten list.
So will the fourth Matrix manage the nod or two that its two predecessors could not? Probably. Visual Effects seems likely even though it would be shocking if fellow Warner Bros property Dune doesn’t win. Sound is a bit more iffy though it’s got a 50/50 shot.
Bottom line: Resurrectionsappears poised to put this franchise back in contention in those two races and those two races only. My Oscar Prediction posts for the films of 2021 will continue…
Blogger’s Update (12/21): On the eve of its premiere, I’m revising down Resurrections prediction from $30.7 million for the three-day and $47.2 million for the five-day to $26.7 million and $40.3 million for the five-day
The Matrix Resurrections won’t be The One when it opens December 22nd, giving itself a five-day Christmas rollout. That’s thanks to what should be a robust sophomore frame for Spider-Man: No Way Home. It might not even be The Two if Sing 2 manages to squeak by it for the runner-up position.
Arriving 18 years after The Matrix Reloaded and Revolutions hit screens in 2003, this is the fourth franchise entry that began in 1999 and changed how we look at action blockbusters. The original Matrix is a landmark. The sequels that followed were met with considerably more mixed reaction (especially part 3).
Lana Wachowski directs without her sister Lilly (they made the trilogy together). Returning are Keanu Reeves, Carrie-Anne Moss, Lambert Wilson, and Jada Pinkett Smith. New to the game are Yahya Abdul-Mateen (taking over for Laurence Fishburne as a more youthful Morpheus), Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jones, and Christina Ricci. Once slated for May, it was postponed for pandemic purposes.
There’s no doubt that Resurrections is an event picture that has many devotees of the series ready to rush out. That said, it’s a major question mark as to how high this gets. While this is certainly an experience many will want to catch on the biggest screen possible, there is the option to view it simultaneously on HBO Max. Plenty of viewers not of the die-hard persuasion could choose to watch from the comfort of the couch. And while I’m sure many younger viewers are familiar with parts I-III – they may not have the reverence for it that fans, say, 35 and up do. Furthermore there is that pesky Spider-Man hanging around gobbling up the Yuletide dollars.
Don’t get me wrong. Resurrections could have a huge opening and amass $70 million from Wednesday to Sunday. Reloaded took in over $90 million for its start and held the title of highest grossing R-rated pic for over a decade until Deadpool replaced it. On the other hand, Revolutions couldn’t keep up and petered out with $139 million total.
One rather obvious comp is Dune, another sci-fi spectacle that followed 2021’s Warner Bros pattern of premiering their theatrical fare on HBO’s subscription service. It made $40 million over the traditional opening weekend. I’m estimating that Resurrections won’t hit that number from Friday to Sunday, but that the extra two days could bring in $45-$50 million.
The Matrix Resurrections opening weekend prediction: $26.7 million (Friday to Sunday); $40.3 million (Wednesday to Sunday)
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