The supernatural horror pic Bring Her Back is out this weekend with critics praising the Philippou brothers’ follow-up to 2023’s Talk to Me. Billy Barratt, Sora Wong, and Sally Hawkins star. Distributed by A24 stateside, early box office numbers are so-so but it has a B+ Cinemascore (quite solid for the genre), 89% on Rotten Tomatoes, and a 75 Metacritic.
This is ground covered before on the blog, but it is a high bar for Academy voters to take notice of movies with horror elements. Recent examples include Get Out and The Substance. They each nabbed BP mentions with nods for their leading performers. While Hawkins in particular is being lauded for her work, I don’t envision Back getting into the mix during awards season. My Oscar Prediction posts will continue…
Karate Kid: Legends hopes to kick into high gear at multiplexes this weekend. We also have horror pic Bring Her Back seeking to scare up decent dollars. My detailed prediction posts on the newcomers can be accessed here:
The recent success of Cobra Kai on Netflix could assist with Legends performing well. Ralph Macchio and Jackie Chan headline the sixth feature in the franchise that began over 40 years ago. My low 20s estimate puts it in third.
Bring Her Back is the sophomore feature from the Philippou brothers after their 2023 summer sleeper Talk to Me. My high single digits figure puts it in the fourth just ahead of Final Destination Bloodlines in its third outing.
I have the top two slots still belonging to Lilo & Stitch and Mission: Impossible – The Final Reckoning after they propelled the Memorial Day weekend to its highest earnings ever. My guesstimates have both easing in the low to mid 50s percent range.
Here’s how I have the top 5 playing out:
1. Lilo & Stitch
Predicted Gross: $66.4 million
2. Mission: Impossible – The Final Reckoning
Predicted Gross: $28.7 million
3. Karate Kid: Legends
Predicted Gross: $21.3 million
4. Bring Her Back
Predicted Gross: $8.5 million
5. Final Destination Bloodlines
Predicted Gross: $8 million
Box Office Results (May 23-26)
The Mouse House was in celebration mode as Lilo & Stitch achieved the largest Memorial Day weekend in history and surpassed the previous $160 million four-day record held by Tom Cruise’s Top Gun: Maverick. The live-action remake of the 2002 animated feature made $146 million over the Friday to Sunday portion of the holiday frame while amassing $182.6 million counting Monday. While that’s under my respective predictions of $159.7 million and $196.6 million, it is still a scorching start for the Disney property as it will vie for highest domestic earner of summer 2025.
While Tom Cruise’s record was broken by Lilo, he set one of his own as Mission: Impossible – The Final Reckoning was second with $64 million for the three-day and $79 million for the four-day. That’s right on target with my $64.4 million and $80.8 million projections as the eighth and allegedly final Ethan Hunt adventure set a personal best for the franchise. It needed to do so considering the reported $400 million price tag.
Final Destination Bloodlines was third with $24.1 million from Friday to Monday and that’s on pace with my $24.9 million call. The sequel has taken in an impressive $94 million in two weeks.
Thunderbolts*/The New Avengers was fourth with $12.2 million, a shade below my $14 million forecast. The MCU property sits at $174 million in four weeks.
Sinners rounded out the top five with $11.9 million (I went higher at $14.5 million) for $258 million in six weeks.
The Last Rodeo, the latest faith-based drama from Angel Studios, lassoed $5.4 million (Friday-Sunday) and $6.9 million (FRI-MON) in sixth. That’s a bit below my estimates of $6.4 million and $7.8 million.
Posting a commendable per screen average, critically lauded comedy Friendship with Tim Robinson and Paul Rudd was seventh in its nationwide expansion to just over 1000 venues. It made $4.5 million over the three-day and $5.7 million adding Monday. That’s slightly more than my $4.2 million and $5.1 million predictions. It now has $8 million total in its coffers.
Finally, A Minecraft Movie lost steam due to Lilo with $2.9 million in eighth. I was more generous at $4.9 million. The blockbuster has brought in a massive $421 million after eight weeks.
Australian twins Danny and Michael Philippou follow up their acclaimed 2023 horror pic Talk to Me with another via Bring Her Back on May 30th. Sally Hawkins and Billy Barratt headline the A24 property marking the brothers’ second directorial feature.
Talk to Me exceeded expectations two summers ago with a debut north of $10 million and $48 million overall domestic haul (it made nearly $100 million worldwide). Critical reaction for Back is sturdy with 90% on Rotten Tomatoes and a 73 Metacritic.
I don’t envision this exceeding what Talk managed though it should open in the same range.
Bring Her Back opening weekend prediction: $8.5 million
For my Karate Kid: Legends prediction, click here:
Danielle Deadwyler stars in The Woman in the Yard, the latest horror flick from Universal/Blumhouse. Reuniting the lead with her Carry-On director Jaume Collet-Serra, costars include Okwui Okpokwasili, Russell Hornsby, Peyton Jackson, and Estella Kahiha.
Coming in at a brisk 87 minutes, I still question whether genre fans will make the time for it. Some may opt for Death of a Unicorn, which opens against it. A best case scenario might be a gross just north of $10 million, similar to Talk to Me from 2022. Yet that pic had more buzz than this one. I’ll say mid to high single digits is where this lands.
The Woman in the Yard opening weekend prediction: $6.7 million
The SAG Awards aren’t the only nominations out this Wednesday. We have the Director of Guild of America (DGA) nods coming our way. They are usually an 80% indicator of who the Academy will name for its behind the camera prize.
In the past decade, the DGA quintet has matched the Academy’s on a 4 for 5 level in nine out of the last ten ceremonies. The only outlier is 2018 when it was 3 for 5. Note there is no 5 for 5 correlation.
So where does that leave this year’s DGA mix? For the last several weeks, I have had the following five filmmakers pegged for Oscar inclusion: Greta Gerwig (Barbie), Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), and Martin Scorsese (Killers of the Flower Moon). It’s fair to say this is the consensus group among awards prognosticators.
Let’s assume there’s a 4 for 5 match. I believe Nolan, Scorsese, and Gerwig are safe bets. If anyone from that trio missed DGA, it would be considered a surprising omission.
Then I’d say Lanthimos is a near lock. My slight hesitation comes from him being left out in 2018 for The Favourite. Yet I’ll say he’s in.
That means I’m leaving Glazer on the cutting room floor and that makes some sense. The DGA has a history of omitting makers of foreign titles that the Academy recognizes. Recent examples include Pawel Pawlikowski (Cold War), Thomas Vinterberg (Another Round), and Ryusuke Hamaguchi (Drive My Car).
Don’t get me wrong. Glazer could get in as Zone is being hailed specifically for its directorial choices. I cannot, however, bring myself to match the DGA picks with my current Academy selections.
For the fifth slot, I’m going with Bradley Cooper for Maestro. That’s another title I believe will be appreciated for its directorial work perhaps more than other contenders like Alexander Payne (The Holdovers).
Celine Song (Past Lives) is certainly a threat. However, she’s the frontrunner for the DGA’s Outstanding Achievement in First-Time Feature Film race. She could be a double nominee, but I doubt it.
Here are my picks for all three feature DGA contests with an alternate selection as well.
Feature Film
Predicted Nominees:
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Alternate: Alexander Payne, The Holdovers
First-Time Feature Film
Predicted Nominees:
Cord Jefferson, American Fiction
Raine Allen Miller, Rye Lane
A.V. Rockwell, A Thousand and One
Celine Song, Past Lives
Juel Taylor, They Cloned Tyrone
Alternate: Danny and Michael Philippou, Talk to Me
The Critics’ Choice Awards are one of the more reliable precursors when it comes to movies and actors who might receive Oscar nominations. Hopefuls will hear their names called tomorrow for the 29th annual ceremony.
This show can sometimes be unpredictable with how many nominees there will be in each race. Last year there were 11 in Picture, 10 in Director, and 6 for others. I’ll project 10 in Pic and Director and go with six in the remainder of the derbies (and an alternate), but don’t be surprised if they alter the formula.
Let’s get to it!
Picture
American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
May December
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Color Purple
Director
Bradley Cooper, Maestro
Greta Gerwig, Barbie
Jonathan Glazer, The Zone of Interest
Todd Haynes, May December
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Alexander Payne, The Holdovers
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives
Justine Triet, Anatomy of a Fall
Alternate: Cord Jefferson, American Fiction
Actress
Lily Gladstone, Killers of the Flower Moon
Sandra Hüller, Anatomy of a Fall
Greta Lee, Past Lives
Carey Mulligan, Maestro
Margot Robbie, Barbie
Emma Stone, Poor Things
Alternate: Natalie Portman, May December
Actor
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Andrew Scott, All of Us Strangers
Jeffrey Wright, American Fiction
Alternate: Colman Domingo, Rustin
Supporting Actress
Emily Blunt, Oppenheimer
Danielle Brooks, The Color Purple
Penelope Cruz, Ferrari
Rachel McAdams, Are You There God? It’s Me, Margaret
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Alternate: Jodie Foster, Nyad
Best Supporting Actor
Willem Dafoe, Poor Things
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Ryan Gosling, Barbie
Charles Melton, May December
Mark Ruffalo, Poor Things
Alternate: John Magaro, Past Lives
Original Screenplay
Anatomy of a Fall
Barbie
The Holdovers
May December
Past Lives
Saltburn
Alternate: Maestro
Adapted Screenplay
All of Us Strangers
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Zone of Interest
Foreign Language Film
Anatomy of a Fall
Monster
Perfect Days
Society of the Snow
The Taste of Things
The Zone of Interest
Alternate: Fallen Leaves
Animated Feature
The Boy and the Heron
Elemental
Nimona
Robot Dreams
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem
Alternate: Wish
Cinematography
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer
Poor Things
Saltburn
Alternate: The Zone of Interest
Costume Design
Barbie
Chevalier
The Color Purple
Killers of the Flower Moon
Poor Things
Priscilla
Alternate: Oppenheimer
Editing
Anatomy of a Fall
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
Alternate: The Holdovers
Makeup
Barbie
Guardians of the Galaxy Vol. 3
Maestro
Nyad
Poor Things
Society of the Snow
Alternate: Oppenheimer
Production Design
Asteroid City
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things
Alternate: Maestro
Score
Elemental
Killers of the Flower Moon
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
Alternate: The Boy and the Heron
Song
“Dance the Night” from Barbie
“I’m Just Ken” from Barbie
“Quiet Eyes” from Past Lives
“Road to Freedom” from Rustin
“This Wish” from Wish
“What Was I Made For?” from Barbie
Alternate: “Peaches” from The Super Mario Bros. Movie
Visual Effects
The Creator
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
Oppenheimer
Poor Things
Alternate: Napoleon
Ensemble
Air
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things
Saltburn
Alternate: The Color Purple
Comedy
American Fiction
Asteroid City
Barbie
Joy Ride
The Holdovers
No Hard Feelings
Alternate: Bottoms
Young Actor/Actress
Joe Bird, Talk to Me
Andrew Barth Feldman, No Hard Feelings
Abby Ryder Fortson, Are You There God? It’s Me, Margaret
Ariana Greenblatt, Barbie
Milo Machado-Graner, Anatomy of a Fall
Violet McGraw, M3GAN
Alternate: Iman Vellani, The Marvels
And that equates to these movies generating these numbers of nominations:
14 Nominations
Barbie, Poor Things
12 Nominations
Killers of the Flower Moon, Oppenheimer
7 Nominations
Maestro, Past Lives
6 Nominations
Anatomy of a Fall, The Holdovers
5 Nominations
May December
4 Nominations
American Fiction, Spider-Man: Across the Spider-Verse
3 Nominations
The Color Purple, Saltburn
2 Nominations
All of Us Strangers, Are You There God? It’s Me, Margaret, Asteroid City, Elemental, Guardians of the Galaxy Vol. 3, No Hard Feelings, Society of the Snow, The Zone of Interest
1 Nomination
Air, The Boy and the Heron, Chevalier, The Creator, Dungeons & Dragons: Honor Among Thieves, Ferrari, Godzilla Minus One, Joy Ride, The Killer, M3GAN, Monster, Nimona, Nyad, Perfect Days, Priscilla, Robot Dreams, Rustin, Talk to Me, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem, Wish
Pizza loving reptilian crimefighters are back and a giant shark wreaks havoc on humans and animals (again) as Teenage Mutant Ninja Turtles: Mutant Mayhem and Meg 2: The Trench open wide this week. You can peruse my detailed predictions posts on the newcomers here:
Turtles is getting the best reviews of any picture in the 30 year plus franchise as the animated reboot opens on Wednesday. With positive buzz and a healthy nostalgia factor, mid to high 30s over the traditional weekend and a five-day haul topping $50 million appears to be an achievable level of green.
The competition from Donatello, Michelangelo, Raphael, and Leonardo could hurt Meg 2 a tad. While the 2018 original premiered with $45 million, a mid 20s gross might be all that the sequel bites off.
This means the newbies may lag behind Barbie (for Turtles) and Oppenheimer (for Trench). Greta Gerwig’s take on the iconic doll should easily spend a third weekend atop the charts after a magnificent sophomore hold (more on that below). Oppenheimer could approach nearly $30 million in its third go-round.
Following a lackluster start, Disney’s Haunted Mansion should see a dip of at least 50% for fifth place.
Here’s how I see the pieces falling into place:
1. Barbie
Predicted Gross: $60.4 million
2. Teenage Mutant Ninja Turtles: Mutant Mayhem
Predicted Gross: $36.1 million (Friday to Sunday); $51.2 million (Wednesday to Sunday)
3. Oppenheimer
Predicted Gross: $29.3 million
4. Meg 2: The Trench
Predicted Gross: $24.5 million
5. Haunted Mansion
Predicted Gross: $11.4 million
Box Office Results (July 28-30)
As mentioned, Barbie was nothing to toy with in its second outing as the phenomenon made off with $93 million (ahead of my $82.6 million prediction). That’s the seventh largest sophomore weekend in box office history between The Avengers and The Super Mario Bros. Movie. My estimate above, incidentally, gives it the seventh best third frame.
Barbie only fell 43% and the same was true for Oppenheimer in second. Christopher Nolan’s Oscar contender took in $46.7 million, reaching a bit higher than my $43.8 million take. The three hour biopic has amassed $174 million thus far.
The Mouse House had another disappointment with Haunted Mansion. With mediocre reviews and scant chatter, the family fright flick was third with $24 million compared to my slightly better $25.4 million projection. Look for it to fade quickly.
Sound of Freedom was fourth with $12.8 million (I said $14.7 million) as the season’s sleeper hit is up to $149 million.
Mission: Impossible – Dead Reckoning Part One rounded out the top five with $10.6 million. My call? $10.6 million! In three weeks, the Tom Cruise sequel has underwhelmed with $139 million.
Finally, A24’s acclaimed low-budget horror pic Talk to Me was a robust sixth with $10.4 million. That’s well beyond my meager guesstimate of $3.6 million. Lesson learned – bet the over on this genre.
Blogger’s Update (07/26): A rather low reported 1900 screen count for Talk to Me has lowered my estimate from $4.8 million to $3.6 million. That likely leaves it outside of the top six.
After a historic box office weekend, July closes out with a pair of new releases in Disney’s Haunted Mansion and A24’s critically acclaimed Talk to Me. Neither are likely to dislodge the potent 1-2 punch of Barbenheimer. My detailed prediction posts on the newbies are here:
I don’t really see audiences clamoring for a fresh spin on Haunted Mansion (nearly 20 years after the one with Eddie Murphy) and buzz seems light. Family crowds should get it to a ho-hum mid 20s gross and that would place it in third.
Even if it made $30-35 million, that wouldn’t mean top two. Those spots are reserved for Barbie and Oppenheimer after their amazing starts (more on that below). The question is how far each dips in weekend #2.
For Barbie, the event status that it took on makes it somewhat naturally front loaded. A worst case decline might be around 55-60%. Considering the A Cinemascore grade and chance for repeat business, I’ll say 45-50% is more feasible and that means low to possibly mid 80s.
Oppenheimer also nabbed an A Cinemascore grade and perhaps some adult viewers are content for the IMAX screenings to be a bit less packed. I’ll say it doesn’t quite fall 50% with a take of over $40 million.
Sound of Freedom should continue its meager percentage decreases while Mission: Impossible – Dead Reckoning Part One hopes to right the ship after a turbulent two weeks. They should place fourth and fifth, respectively.
While Talk to Me is generating impressive reviews, this could be the type of A24 elevated horror experience that doesn’t bring genre fans out in droves. A lot of them just got their fright fix with Insidious: The Red Door as well.
And with that, here’s how I see the top 6 playing out:
1. Barbie
Predicted Gross: $82.6 million
2. Oppenheimer
Predicted Gross: $43.8 million
3. Haunted Mansion
Predicted Gross: $25.4 million
4. Sound of Freedom
Predicted Gross: $14.7 million
5. Mission: Impossible – Dead Reckoning Part One
Predicted Gross: $10.6 million
Box Office Results (July 21-23)
Racking up the fourth highest financial frame in history, Greta Gerwig’s Barbie and Christopher Nolan’s Oppenheimer gave us the best weekend in over four years.
Barbie captured the zeitgeist and an especially sizable female audience to the tune of $162 million, right on pace with my $160.8 million prediction. That’s the best three-day opening of 2023 and my hunch is that it will remain so. It’s also the #1 premiere for a female directed feature and 20th overall.
Oppenheimer gave Mr. Nolan his personal best third start (after The Dark Knight Rises and The Dark Knight). Blasting beyond my $65.3 million estimate, the three-hour Oscar contender amassed $82.4 million for an astonishing runner-up showing. Those packed IMAX screenings didn’t hurt.
Sound of Freedom was third as it continued its low declines with $19.8 million, just below my $21 million projection. The brilliantly marketed action thriller sits at $124 million.
And this is where the good news stops. Mission: Impossible: Dead Reckoning, after a less than expected opening, had a free fall from 1st to 4th. The Barbenheimer phenomenon helped it plummet 65% to $19.3 million compared to my $25.5 million call. The ten-day tally is $118 million.
Indiana Jones and the Dial Destiny and Insidious: The Red Door were fifth and sixth, respectively. Each made $6.6 million. Indy‘s four-week earnings are at $158 million while Insidious‘s three-week bounty is $71 million.
I incorrectly had Elemental in fifth, but it was seventh with $5.7 million (I said $6.7 million) for $137 million overall.
Blogger’s Update (07/26): A reported screen count of 1900 has warranted lowering my prediction from $4.8 million to $3.6 million
After debuting at Sundance back in January, Australian horror flick Talk to Me reaches stateside theaters on July 28th. Marking the directorial of debut for brothers Danny and Michael Philippou, Sophie Wilde stars with a supporting cast including Alexandra Jensen, Joe Bird, Otis Dhanji, Miranda Otto, and Zoe Terakes.
Encouraging chatter for Talk emerged from Utah early this year. The Rotten Tomatoes score is 96%. Following its premiere, a bidding war occurred with A24 securing distribution rights for the low-budget (a reported $4.5 million price tag) fright fest.
That said, this runs the risk of being the kind of elevated horror experience that critics dig more than audiences. I have yet to see a theater count so my projection could change once I do. For now, I think it may open around the amount of its cost.
Talk to Me opening weekend prediction: $3.6 million
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