Adam Driver often turns up in prestige pics with awards buzz, but 65 is a rare exception. The prehistoric action thriller comes from directors Scott Beck and Bryan Woods, who wrote A Quiet Place. That acclaimed feature nabbed a Sound Editing nom back in 2018. The 65 buzz is rather silent and it could be a big budget flop for Sony.
With a 25% Rotten Tomatoes rating, most critics are far from impressed. Yet with its lead battling dinosaurs, tech races like Sound and Visual Effects could be in the mix. Not so fast. Even the creatures are being called subpar versions of what the Jurassic Park/World franchise have given us. And if all the Jurassic follow-ups couldn’t achieve VE nominations, there’s no real chance for 65 to make noise anywhere. My Oscar Prediction posts will continue…
The writers of A Quiet Place are hoping to make some noise at the box office when 65 opens on March 10th. Scribes Scott Beck and Bryan Woods handle directorial and scripting duties for the sci-fi thriller. The number refers to “million years ago” as pilot Adam Driver becomes stranded on Earth where dinosaurs roam and attack. Costars include Ariana Greenblatt, Chloe Coleman, and Nika King.
Reportedly made for a substantial price tag of over $90 million, 65 risks hefty losses for Sony. Buzz seems to be muted and theaters could be a quiet place where it’s playing. Some potential viewers may be distracted by Scream VI debuting against it. It also may not help that this isn’t based on known IP and that Driver, while certainly an acclaimed actor, isn’t a box office draw.
I’ll say this manages to top double digits, but not by much.
The Boss Baby: Family Business looks to pacify little ones and their parents over the Independence Day weekend. The DreamWorks animated sequel follows up on the March 2017 pic which greatly over performed with its target audience. Alec Baldwin is back voicing the title character alongside James Marsden, Amy Sedaris, Ariana Greenblatt, Eva Longoria, Jimmy Kimmel, Lisa Kudrow, and Jeff Goldblum. Tom McGrath resumes directorial duties.
In the spring of 2017, The Boss Baby was projected to earn around $30 million for its start. However, it blew past those estimates with $50.2 million in its opening frame and eventually took in $175 million domestically. Several factors are likely to complicate that kind of debut for part II.
For one, some of the little viewers who flocked to see it are four years older now. COVID-19 is still somewhat limiting potential. This was originally slated for March before its pandemic related delay. Family Business is also hitting streamer Peacock on the same day and some may simply choose to hold their Baby viewing from the comfort of home. That said, Peacock is not anywhere in the spectator realm of the big boys like Netflix, Amazon, or HBO Max as of yet.
Estimates have this reaching approximately $20 million over the holiday. I’ll give it a slight Baby bump considering its predecessor easily managed to top forecasts.
The Boss Baby: Family Business opening weekend prediction: $21.7 million (Friday to Monday estimate)
Disney’s streaming service combines humans and familiar faces voicing creatures this weekend with the release of The One and Only Ivan, based on the 2012 children’s book by K.A. Applegate. Directed by Thea Sharrock, the family friendly fantasy features Bryan Cranston, Ramon Rodriguez, and Ariana Greenblatt in front of the camera. Stars including Sam Rockwell, Angelina Jolie, Danny DeVito, Helen Mirren, Brooklyn Prince, and Chaka Khan (!) lend their voices as gorillas, elephants, and dogs.
In what is now a familiar story on this blog, Ivan was intended for theatrical release last Friday before the COVID-19 pandemic altered the plans. It is now hitting the Disney+ service this weekend. Why an Oscar Watch post for this unlikely contender? Fair question as even a Visual Effects nod is probably a long shot. Reviews out today are decent, but not overwhelmingly positive with a current 64% Rotten Tomatoes score.
There is, however, a solid shot for Ivan to come under Academy consideration and that’s with Original Song. It was announced this week that Diane Warren has written the track “Free” that will play over the end credits. Performed by Charlie Puth, the song is another possibility in a lengthy list of Warren’s works that could vie for a nomination.
Diane Warren has been nominated in the Original Song race 11 times over four decades. This began with “Nothing’s Gonna Stop Us Now” from 1987’s Mannequin and runs through last year with “I’m Standing with You” from Breakthrough. In between, we have massive hits like Celine Dion’s “Because You Loved Me” from Up Close and Personal and the Aerosmith ballad “I Don’t Wanna Miss a Thing” from Armageddon in the 90s. Despite the multitude of nods, Warren has never made the trip to the podium.
I doubt that “Free” would earn her the win, but a 12th nomination is certainly feasible. It remains to be seen how this particular category will play out in the coming months. Billie Eilish’s title track for the upcoming 007 adventure No Time to Die will likely make it in the final five.
Bottom line: Original Song could mark the one and only nod for Ivan next year. My Oscar Watch posts will continue…
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