Tag: Neon

98th Academy Awards Predictions: June 8th Edition

There are changes to discuss with my first Oscar predictions in two weeks. The headline is that we have 2 new selections in my Best Picture ten. As I mentioned in the recent aftermath of the Cannes Film Festival, distributor Neon already has a full slate of contenders to campaign for including Sentimental Value, It Was Just an Accident, The Secret Agent, and The Life of Chuck. With Chuck out in limited release, I am beginning to suspect it could get the short shrift. I am also starting to sour on The Rivals of Amziah King, which drew raves at Sundance in January. We will have to see if it plays fall festivals and can regain any momentum.

With King and Chuck falling out of my projected BP lineup, it leaves room for Netflix to join the party via Guillermo del Toro’s Frankenstein and I’m also elevating del Toro in Director with Amziah‘s Andrew Patterson out. The other pic to rise is Scott Cooper’s Bruce Springsteen biopic Deliver Me from Nowhere. In Best Actor, Matthew McConaughey from Amziah is replaced with Michael B. Jordan in Sinners. I still have Angelina LookingGlass from Amziah clinging to a Supporting Actress mention though I came close to replacing her with either Elle Fanning (Sentimental Value), Laura Dern (Jay Kelly), or Jennifer Lopez (Kiss of the Spider Woman).

Also noteworthy is the ascension of Sentimental Value in Picture, Director, Actress, and Supporting Actor with Renate Reinsve now at #1 in Actress. As a reminder, this isn’t saying the #1 pick is who/what I believe will win. It is a sign of surety of the nomination.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Sinners (Previous Ranking: 1) (Even)

2. Sentimental Value (PR: 4) (+2)

3. After the Hunt (PR: 2) (-1)

4. Marty Supreme (PR: 3) (-1)

5. Wicked: For Good (PR: 5) (E)

6. Jay Kelly (PR: 6) (E)

7. Hamnet (PR: 7) (E)

8. Frankenstein (PR: 16) (+8)

9. Avatar: Fire and Ash (PR: 9) (E)

10. Deliver Me from Nowhere (PR: 12) (+2)

Other Possibilities:

11. One Battle After Another (PR: 11) (E)

12. Bugonia (PR: 13) (+1)

13. It Was Just an Accident (PR: 14) (+1)

14. The Life of Chuck (PR: 10) (-4)

15. The Rivals of Amziah King (PR: 8) (-7)

16. The Secret Agent (PR: 15) (-1)

17. The Ballad of a Small Player (PR: 18) (+1)

18. Die, My Love (PR: 20) (+2)

19. F1 (PR: 23) (+4)

20. No Other Choice (PR: 19) (-1)

21. Ann Lee (PR: 21) (E)

22. Rental Family (PR: 22) (E)

23. Sound of Falling (PR: 17) (-6)

24. Nouvelle Vague (PR: Not Ranked)

25. The Smashing Machine (PR: 24) (-1)

Dropped Out:

Kiss of the Spider Woman

Best Director

Predicted Nominees:

1. Ryan Coogler, Sinners (PR: 1) (E)

2. Joachim Trier, Sentimental Value (PR: 3) (+1)

3. Josh Safdie, Marty Supreme (PR: 4) (+1)

4. Guillermo del Toro, Frankenstein (PR: 12) (+8)

5. Luca Guadagnino, After the Hunt (PR: 2) (-3)

Other Possibilities:

6. Chloé Zhao, Hamnet (PR: 6) (E)

7. Paul Thomas Anderson, One Battle After Another (PR: 9) (+2)

8. Jafar Panahi, It Was Just an Accident (PR: 11) (+3)

9. Yorgos Lanthimos, Bugonia (PR: 10) (+1)

10. Jon M. Chu, Wicked: For Good (PR: 7) (-3)

11. Noah Baumbach, Jay Kelly (PR: 8) (-3)

12. Scott Cooper, Deliver Me from Nowhere (PR: 14) (+2)

13. Kieber Mendonça Filho, The Secret Agent (PR: 13) (E)

14. Andrew Patterson, The Rivals of Amziah King (PR: 5) (-9)

15. James Cameron, Avatar: Fire and Ash (PR: 15) (E)

Best Actress

Predicted Nominees:

1. Renate Reinsve, Sentimental Value (PR: 2) (+1)

2. Julia Roberts, After the Hunt (PR: 1) (-1)

3. Cynthia Erivo, Wicked: For Good (PR: 3) (E)

4. Jessie Buckley, Hamnet (PR: 5) (+1)

5. Jennifer Lawrence, Die, My Love (PR: 4) (-1)

Other Possibilities:

6. Amanda Seyfried, Ann Lee (PR: 6) (E)

7. Emma Stone, Bugonia (PR: 8) (+1)

8. Rose Byrne, If I Had Legs I’d Kick You (PR: 7) (-1)

9. Tessa Thompson, Hedda (PR: 9) (E)

10. Emma Mackey, Ella McCay (PR: 10) (E)

11. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (+1)

12. June Squibb, Eleanor the Great (PR: 11) (-1)

13. Lucy Liu, Rosemead (PR: 14) (+1)

14. Amy Adams, At the Sea (PR: 13) (-1)

15. Eva Victor, Sorry, Baby (PR: 15) (E)

Best Actor

Predicted Nominees:

1. Timothée Chalamet, Marty Supreme (PR: 1) (E)

2. Jeremy Allen White, Deliver Me from Nowhere (PR: 2) (E)

3. George Clooney, Jay Kelly (PR: 3) (E)

4. Michael B. Jordan, Sinners (PR: 7) (+3)

5. Wagner Moura, The Secret Agent (PR: 5) (E)

Other Possibilities:

6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)

7. Jesse Plemons, Bugonia (PR: 8) (+1)

8. Matthew McConaughey, The Rivals of Amziah King (PR: 4) (-4)

9. Daniel Day-Lewis, Anemone (PR: 9) (E)

10. Oscar Isaac, Frankenstein (PR: Not Ranked)

11. Colin Farrell, The Ballad of a Small Player (PR: 11) (E)

12. Dwayne Johnson, The Smashing Machine (PR: 12 (E)

13. Denzel Washington, Highest 2 Lowest (PR: 10) (-3)

14. Willem Dafoe, Late Fame (PR: 13) (-1)

15. Brendan Fraser, Rental Family (PR: 14) (-1)

Dropped Out:

Matthew McConaughey, The Lost Bus

Best Supporting Actress

Predicted Nominees:

1. Ariana Grande, Wicked: For Good (PR: 1) (E)

2. Ayo Edebiri, After the Hunt (PR: 2) (E)

3. Gwyneth Paltrow, Marty Supreme (PR: 4) (+1)

4. Teyana Taylor, One Battle After Another (PR: 5) (+1)

5. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (-2)

Other Possibilities:

6. Elle Fanning, Sentimental Value (PR: 6) (E)

7. Laura Dern, Jay Kelly (PR: 7) (E)

8. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (E)

9. Inga Ibsdotter Lilleass, Sentimental Value (PR: 10) (+1)

10. Regina Hall, One Battle After Another (PR: 11) (+1)

11. Emily Blunt, The Smashing Machine (PR: 12) (+1)

12. Hailee Steinfeld, Sinners (PR: 9) (-3)

13. Emily Watson, Hamnet (PR: 13) (E)

14. Mari Yamamoto, Rental Family (PR: Not Ranked)

15. Wunmi Mosaku, Sinners (PR: 15) (E)

Dropped Out:

Tilda Swinton, The Ballad of a Small Player

Best Supporting Actor

Predicted Nominees:

1. Adam Sandler, Jay Kelly (PR: 1) (E)

2. Stellan Skarsgård, Sentimental Value (PR: 3) (+1)

3. Andrew Garfield, After the Hunt (PR: 2) (-1)

4. Jeremy Strong, Deliver Me from Nowhere (PR: 4) (E)

5. Delroy Lindo, Sinners (PR: 5) (E)

Other Possibilities:

6. Sean Penn, One Battle After Another (PR: 8) (+2)

7. Paul Mescal, Hamnet (PR: 6) (-1)

8. Miles Caton, Sinners (PR: 12) (+4)

9. Mark Hamill, The Life of Chuck (PR: 7) (-2)

10. Jonathan Bailey, Wicked: For Good (PR: 9) (-1)

11. Robert Pattinson, Die, My Love (PR: 10) (-1)

12. Stephen Graham, Deliver Me from Nowhere (PR: 11) (-1)

13. Jacob Elordi, Frankenstein (PR: Not Ranked)

14. Jeffrey Wright, Highest 2 Lowest (PR: 13) (-1)

15. Benicio del Toro, One Battle After Another (PR: 15) (E)

Dropped Out:

Jack O’Connell, Sinners

Oscar Predictions: The Life of Chuck (Take 2)

In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.

Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.

However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.

Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.

Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.

I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…

Oscar Predictions: It Was Just an Accident

Jafar Panahi’s political thriller It Was Just an Accident was a bit of a surprise Palme d’Or victor at Cannes over Joachim Trier’s Sentimental Value. However, its writer/director is no stranger to festival love. His 2000 work The Circle took top prize at Venice while 2015’s Taxi won highest honors in Berlin.

With a cast led by Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, and Hadis Pakbaten, Accident is a co-production between Panahi’s native Iran, France, and Luxembourg. Panahi has drawn headlines in recent years due to conflicts with the Iranian government including arrests. While his works are banned in his homeland, his filmography has drawn acclaim everywhere else and this is no exception. The Rotten Tomatoes score is 100% with Metacritic at 88.

Either France or Luxembourg could submit Accident as their pick for International Feature Film at the Oscars. If the former doesn’t, the latter almost certainly would. The French have seen lots of their selections win or be nominated. Luxembourg would be vying for its first ever nominee. I also wouldn’t discount Panahi contending in Director and Original Screenplay. If a combination of those nods occurred, Best Picture is not off the table. After all, four of the last five Palme recipients have made final cut in the biggest category of them all. My Oscar Prediction posts will continue…

Neon Lights Up Cannes

No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.

Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.

As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.

The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).

Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.

Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.

Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.

Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…

Oscar Predictions: Alpha

Julia Ducournau’s body horror tale Titane took Cannes by storm in 2021, emerging with the Palme d’Or. The French selected it as their horse for International Feature Film at the Oscars, but it surprised prognosticators by not even making the shortlist of contenders.

The auteur is back at the festival with Alpha, returning her to Titane‘s genre with a cast including Tahar Rahim, Golshifeth Farahani, Mélissa Boros, Emma Mackey, Finnegan Oldfield, and Louai El Amrousy.

Reaction from the Riviera is far more varied than Ducournau’s previous Palme taker. Rotten Tomatoes stands at 56% with Metacritic at 47. That’s compared to the respective 90/75 scores of Titane. It is probably a safe assumption that France will not submit this as their entry for IFF and awards chatter for Alpha will be muted. Distributor Neon, it should be said, has more viable hopefuls including the heralded Sentimental Value. My Oscar Prediction posts will continue…

Oscar Predictions: The Actor

A decade after co-directing the acclaimed stop-motion drama Anomalisa with Charlie Kaufman, Duke Johnson’s follow-up is The Actor (out tomorrow). Based on a 2010 novel from Donald E. Westlake, André Holland is the titular NYC performer stuck in Ohio with amnesia. The 1950s set Neon release costars Gemma Chan, May Calamawy, Asim Chaudhry, Joe Cole, Fabien Frankel, Toby Jones, and Tracey Ullman.

Once seen as a potential awards contender for 2024, The Actor is being unceremoniously put out in mid-March with little fanfare. The Rotten Tomatoes meter is at 87%, but Metacritic’s 63 illustrates the more divided nature of reviews. A once over of critical reaction indicates this is unlikely to be remembered by the Academy next year. My Oscar Prediction posts will continue…

July 19-21 Box Office Predictions

Twisters storms into theaters nearly 30 years after the blockbuster original and it should easily rule the charts. You can peruse my detailed prediction post on the weekend’s newcomer here:

Twisters Box Office Prediction

My hunch is to take the over on its anticipated range and my forecast puts Twisters in the low 70s.

The rest of the top 5 should consist of holdovers. I see Despicable Me 4, after two weeks in the top spot, dropping to second in the low to mid 40s percent arena. Another animated sequel, Inside Out 2, may hold in third.

That’s because I have it dipping in the mid t0 high 30s and current #2 Longlegs experiencing a fall in the 50% range (more on that pic’s impressive start below). A Quiet Place: Day One will probably round out the top five.

Here’s how I see it playing out:

1. Twisters

Predicted Gross: $72.3 million

2. Despicable Me 4

Predicted Gross: $24.8 million

3. Inside Out 2

Predicted Gross: $13.2 million

4. Longlegs

Predicted Gross: $11 million

5. A Quiet Place: Day One

Predicted Gross: $6.6 million

Box Office Results (July 12-14)

Illumination Entertainment lit up the charts once again as Despicable Me 4 repeated in first. The sequel took in $43.5 million in its sophomore outing and that exceeds my $36.4 million prediction. Since its holiday weekend debut, it has amassed $210 million.

Neon had the largest premiere in its history (and then some) with the serial killer thriller Longlegs. Featuring a heavily made up Nicolas Cage as the title character, it held the runner-up spot with $22.4 million. That nearly doubles my $11.6 million projection and quadruples the studio’s previous record holder Immaculate from earlier in the year. It is certainly one of 2024’s biggest over performers.

Inside Out 2 was third with $19.9 million, a tad more than my $17.7 million take. The Pixar follow-up stands at $571 million after five weeks.

A Quiet Place: Day One was fourth with $11.3 million (I said $10.1 million) for a three-week tally of $115 million.

Finally, the star power of Scarlett Johansson and Channing Tatum wasn’t enough to lift Fly Me to the Moon to stellar results. The space race rom com was fifth with $9.4 million compared to my $12.2 million call.

And that does it for now, folks! Until next time…

Oscar Predictions: Longlegs

Prior to its release on July 12th, Longlegs from Osgood Perkins is generating some loud buzz. The horror thriller stars It Follows actress Maika Monroe alongside Nicolas Cage as a doll making serial killer who’s barely glimpsed in the effective trailers. Blair Underwood, Alicia Witt, and Kiernan Shipka costar.

The Neon release is drawing some comparisons to The Silence of the Lambs and not just because it’s set in the 1990s. Lambs was an anomaly as the only horror flick to take BP and win Director, Actor, Actress, and Adapted Screenplay for good measure. This is not a genre that often resonates with the Academy and I suspect Longlegs won’t either despite the current 100% RT score. I would note that most reviews are not putting it in the Lambs league.

Critics are praising Cage for his creepy work. Don’t be surprised if Neon mounts a Supporting Actor campaign, but I highly doubt it will pan out in the long run. My Oscar Prediction posts will continue…

Oscar Predictions: The Seed of the Sacred Fig

Mohammad Rasoulof, an acclaimed Iranian filmmaker living in exile, is garnering acclaim for The Seed of the Sacred Fig at it Cannes unveiling. Neon has already picked up the distribution rights to the nearly three hour political thriller. It won a Special Jury prize at the festival. Soheila Golestani, Missagh Zareh, Mahsa Rostami, and Satereh Maleki star.

With a 100% Rotten Tomatoes score and a lengthy standing O in the French Riviera, Fig might be the type of International Feature Film that the Academy would honor with a nom. There’s a caveat. Iran will clearly not submit it as a contender. Just this month the nation sentenced Rasoulof to eight years in prison. However, he was able to flee to Germany and made the trek to France for his premiere. Either one of those European countries could theoretically put this up for consideration.

If so, Seed stands a chance at IFF but that’s unclear at press time. My Oscar Prediction posts will continue…

Oscar Predictions: Stress Positions

Stress Positions marks the feature-length debut for filmmaker and musician Thea Hammel. Set in the early days of COVID, the dramedy stars John Early, Qaher Harhash, Faheem Ali, and Amy Zimmer, and Hammel herself. After a Sundance premiere, it was released in limited fashion last weekend.

The Neon distributed effort has generated some glowing notices, but they’re mixed with some so-so takes. It stands at 68% on Rotten Tomatoes. That puts Stress in a non-position for awards chatter. My Oscar Prediction posts will continue…