Tag: Good Will Hunting

Air Review

The corporate intrigue in the muted boardrooms of Ben Affleck’s Air unfolds in Beaverton, Oregon. That’s the headquarters of Nike as a select few proceeded to break the dam of sports marketing and fit it to what it is today. It happened during the loud (fashion and otherwise) decade of the 1980s as a 3rd pick rookie out of North Carolina sought a shoe deal.

Michael Jordan was that draftee in 1984 and his sneaker endorsement selection is assumed to be Adidas (Converse is the other market leader at the time). Nike, while pacing first in the market for running shoes, is third in hoops apparel. Sonny Vaccaro (Matt Damon) is the marketing exec who sees the future in MJ and shoots for a deal that his colleagues have understandable skepticism about. They include CEO Phil Knight (Affleck), who ironically spends many a conversation sans footwear, VP Rob Strasser (Jason Bateman) and Howard White (Chris Tucker), who’s still with the company today. There’s also the matter of convincing the Jordan family and mom Deloris (Viola Davis) is a fierce yet fair negotiator. Sonny’s deliberations with Jordan’s agent David Falk (Chris Messina) are far more profane and a frequent highlight.

Of course we all know how this turns out whether you’ve laced up Air Jordans or not. Yet the story behind the shoe, complete with frequent needle drops from classic music of the era, is worth putting on. Affleck and screenwriter Alex Convery provide a sturdy structure for this goodwill tale of the hunt for Jordan’s contract signature.

The script’s most surprising decision is to sideline #23 himself. There is no actor cast as Jordan and he is seen only from behind or in archival footage. It turns out to be a wise play. For starters, he may simply be too iconic and someone playing him might’ve been a distraction. Most importantly, Air is about the eventual business of MJ and not the man himself. There’s a ten-part ESPN Films documentary, with its subject seemingly in control of that material, that still does an impressive job covering him. Keeping Jordan at arms length and as an enigma makes sense in the confines of the film’s aims.

The actors provide worthy assists. Standouts including Bateman (he’s got a great scene where he explains why he doesn’t want to lose his job if negotiations go south), Messina, and of course Davis. Close buddies Damon and Affleck, as we witnessed a quarter century ago, continue to have a snappy chemistry.

Air rises above being a trivial pursuit of a corporation fattening its bottom line. Yes, one could argue that’s the eventual outcome, but this deal also gave future athletes more skin in the game. It’s all packaged in a winning formula featuring the aura of the ultimate competitor.

***1/2 (out of four)

Air Box Office Prediction

Amazon Studios hope adults are going for a night on the town when Air debuts on Wednesday, April 5th. The fifth directorial feature from Ben Affleck recounts the risky decision by Nike to develop a shoe based around an NBA rookie named Michael Jordan. SPOILER: It turned out well. Ben’s Good Will Hunting cowriter Matt Damon, as salesman Sonny Vaccaro, joins his pal Affleck (who plays company cofounder Phil Knight). The ensemble cast includes Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, Matthew Maher, and real life married couple Viola Davis and Julius Tennon as MJ’s parents.

Solid buzz greeted the project when it debuted at South by Southwest. Air sports a 97% Rotten Tomatoes score and it could even be an awards player several months down the road. Adult dramas have faced a tough road recently though A Man Called Otto was a 2023 bright spot in the genre.

The connection to MJ and the star power could give this a lift over the five-day Easter frame. Amazon chose to go full theatrical and not simultaneously release on their streaming service. That is a vote of confidence and TV ads have played frequently during March Madness (in addition to a Super Bowl slot).

Some parents with 80s nostalgia might be distracted taking their kiddos to The Super Mario Bros. Movie. Yet I’ll say this manages to top $10 million over the traditional three-day with mid to high teens for the extended holiday.

Air opening weekend prediction: $12.7 million (Friday to Sunday); $18.9 million (Wednesday to Sunday)

For my The Super Mario Bros. Movie prediction, click here:

The Super Mario Bros. Movie Box Office Prediction

Oscar Predictions: Air

Air is the fifth feature directed by Ben Affleck and it closed out the South by Southwest festival this weekend prior to its April 5th theatrical release. The 1984 set sports drama focuses on Nike’s decision to make a shoe deal with an NBA rookie by the name of Michael Jordan. In addition to being behind the camera, Affleck costars as the company’s co-founder Phil Knight. The director’s buddy Matt Damon headlines as marketing exec Sonny Vaccaro with a supporting cast including Jason Bateman, Marlon Wayans, Chris Tucker, Chris Messina, Matthew Maher, and real life married couple Viola Davis and Julius Tennon as MJ’s parents and chief negotiators. #23 himself is not played by an actor and appears only in archival footage.

Early reactions from Austin indicate that Air might be the first legit awards hopeful to be released on the ’23 calendar. Several of the reviews are outright raves with comparisons to Jerry Maguire and Moneyball (both nominated for Best Picture). If this hits with audiences (and indications are it’s a crowdpleaser), that only increases its chances to make the big dance.

Affleck, of course, was famously snubbed by the Academy in 2012 even though his second directorial effort Argo won Best Picture. He’s yet to be nominated for his filmmaking. However, three of his previous four pics (Gone Baby Gone, The Town, Argo) achieved one or more mentions from Oscar voters. The one that didn’t was his last – 2016’s flop Live by Night.

It’s early, but the chances of Air garnering nominations is high. I don’t know if Affleck will get his first directing nod, but this already looks like it’s shooting for one of the ten slots in BP. The original screenplay by Alex Convery, cinematography from three-time winner Robert Richardson, and editing from William Goldenberg are all possibilities.

As for the cast, I’m curious to see category placement. Damon could be put in lead and vie for his fourth overall acting nom behind Good Will Hunting, Invictus, and The Martian. Amazon could also choose to campaign everyone in supporting. The other male performer drawing lots of attention is Chris Messina as MJ’s agent David Falk. Fresh off her EGOT, Viola Davis might have the best chance and it would be her fifth nom after Doubt, The Help, Fences (where she won), and Ma Rainey’s Black Bottom. It might help that many felt she was just snubbed for The Woman King.

Bottom line: Air is a real contender in the game of Oscar and my prediction posts will continue…

The Last Duel Review

Sword fights abound literally and figuratively in Ridley Scott’s The Last Duel, which finds the legendary director covering familiar red stained territory in a unique storytelling format. Based on a true incident that transpired in late 14th century France, Good Will Hunting scribes Matt Damon and Ben Affleck collaborate with Nicole Holofcener for this three tiered tale of a tragic crime mixed with a touch of black comedy. It explores the horrors of machismo at a time when women were seen as property by the standards of thought and law. The most fascinating aspect of the film (and most appalling) is that the three principals may truly believe they’re the victim, including two that should not.

Shot in gray with a focus on grey areas, Duel is fashioned into triangular chapters (from a novel by Eric Jager). Each outlines the plot from these perspectives: Jean de Carrouges (Damon), who fancies himself a brave and noble knight; the philandering squire Jacques Le Gris (Adam Driver) who has the ear of the authoritative and even more philandering Count Pierre d’Alencon (Affleck); and Jean’s educated and strong wife Marguerite (Jodie Comer). Jean and Marguerite’s marriage is one of convenience and real estate opportunities for the former. He also desires a male heir that Marguerite has yet to produce. Jacques, meanwhile, has access to influence that Jean doesn’t possess. When he becomes smitten with his friend’s bride, the power dynamic turns more dangerous.

An accusation of rape is made in an era when most women didn’t dare do so (made clear in a potent monologue by Jean’s emotionally barren mother played by Harriet Walter). 600 plus years ago, that meant Jean and Jacques would participate in the picture’s title if a trial permitted it (and allow for Scott to play in some Gladiator type set pieces). Where the screenplay derives some humor is that the two leading men seem convinced that they are the aggrieved party and are oblivious to the damage inflicted on Marguerite. As nearly every male character is given a chance to bask in his laurels, we detect plenty of side eyes from the women around them. I suspect those sharp edges come courtesy of Holofcener’s script portions.

The Last Duel is fueled by Comer’s central performance as a victim who spoke up centuries before hashtags existed. The struggles to hold her perpetrator responsible are both centuries old and of today. Didn’t she remark that he was attractive? Maybe her no was a yes and she enjoyed it. Damon and especially Driver add sturdy support and Affleck commands the screen in his relatively brief runtime (once you get past the odd looking wigs).

The chaptered structure is occasionally repetitive. However, by the time the literal swordplay commences, the time spent with the trio builds a sense of genuine tension. Marguerite will be punished by a grisly death unless Jacques succeeds. In other words, her words mean little and she must rely on her husband to determine whether her time is up. That’s the wound that cuts the deepest as we await their fates.

***1/2 (out of four)

Oscar Predictions: The Tender Bar

George Clooney’s The Tender Bar opens in limited release this December before its premiere on Amazon Prime in early January. The coming-of-age drama set in the 1970s and 80s screened at the London Film Festival over the weekend. Early reviews indicate a warm hearted tale that is unlikely to play in the highest profile races like Picture and Director.

Its famous director wooed Oscar voters 16 years ago with his second effort Good Night, and Good Luck. Scoring six nods (including Picture and Director) and winning none, it’s been slim pickings for Clooney’s behind the camera efforts ever since. 2011’s The Ides of March nabbed a sole Adapted Screenplay mention while last year’s The Midnight Sky made the cut in Visual Effects.

As I see it, The Tender Bar could play in two categories. The first is the screenplay adapted by William Monahan. He’s no stranger to Academy attention as he won in 2006 for his penmanship of Martin Scorsese’s The Departed. Inclusion there is less likely than for one of its performers.

That would be Ben Affleck. Another leading man turned writer/director, Affleck has a deep history with Oscar voters that has nothing to do with his acting. In 1997, his Good Will Hunting script with Matt Damon won. Fifteen years later, he directed and produced (hence a second trophy) Best Picture winner Argo. Surprisingly, he didn’t get a spot for his direction.

With a cast featuring Tye Sheridan, Lily Rabe, and Christopher Lloyd, the initial critical praise is being heaped upon Affleck. That’s in addition to some kudos for his supporting work in The Last Duel (out this weekend). Mr. Affleck has been on the radar screen before for his performances – think Hollywoodland, Argo, and last year’s The Way Back. Yet he’s never made the dance. As of now, the Supporting Actor derby for 2021 looks wide open. I’d go as far to say there’s no guaranteed nominees (though Jamie Dornan in Belfast and Richard Jenkins in The Humans look probable). I’ve had Bradley Cooper (Licorice Pizza) listed at #1 for two months, but we still don’t know if his role is meaty enough to truly contend.

This could all contribute to Affleck finally getting some Academy TLC. That said, he’s been in the mix before and come up shy. My Oscar Prediction posts for the films of 2021 will continue…

The Last Duel Box Office Prediction

Had The Last Duel come out, say 15 years ago, it probably would be looking at a debut north of $20 million. That’s when director Ridley Scott was not far removed from his Oscar winning Gladiator and at a time when Matt Damon and Ben Affleck had more drawing power. In 2021, I’m not so sure. The 14th century set historical drama features the two Good Will Hunting stars as well as Jodie Comer and Adam Driver.

Originally slated for Christmas 2020 before its COVID delay, this is now the first of two Ridley Scott efforts hitting multiplexes this fall (the next being November’s House of Gucci). Early reviews indicate this will not be much of an awards player. With a 67% Rotten Tomatoes score, the bulk of the praise has come to Killing Eve actress Comer (who was recently widely seen in Free Guy). She could score a Best Actress nod, but don’t look for Duel to compete anywhere else.

The pic is hoping for an adult audience and many of those titles have struggled during this era. Additionally, competition is steep. Halloween Kills opens on the same day with No Time to Die in its sophomore frame. If it was garnering legit Oscar buzz, I might be more optimistic. However, I suspect Duel might arrive at a standstill next weekend. That could mean a premiere that just gets past double digits.

The Last Duel opening weekend prediction: $10.4 million

For my Halloween Kills prediction, click here:

Halloween Kills Box Office Prediction

Oscar Watch: Stillwater

Matt Damon is a three-time nominee for his acting with leading nods for 1997’s Good Will Hunting and 2015’s The Martian and his supporting turn in 2009’s Invictus. He does have himself a gold statue for his cowriting of Hunting. The Cannes Film Festival has debuted his latest effort Stillwater where the Bourne star plays an Oklahoma dad transported to France when his daughter (Abigail Breslin, a nominee 15 years ago as Little Miss Sunshine) is accused of murder. So for those wondering – no, this is not about the fictional band from Almost Famous.

This marks the latest directorial effort from Tom McCarthy, whose 2015 journalistic expose Spotlight won Best Picture. Fun fact: McCarthy has to have one of the most unexpected follow-ups to a Best Pic recipient with the Disney Plus kiddie comedy Timmy Failure: Mistakes Were Made. 

Stillwater looks like more of an awards contender. However, Failure‘s 84% Rotten Tomatoes score currently outshines the 80% held by Damon’s French excursion. That said, early critical reaction is calling this one of the actor’s best performances.

Will that be enough to get Damon to the final five? I’m skeptical. Competition will likely be steep. This reminds me a bit of The Way Back from a year ago. It gave his Hunting writing partner Ben Affleck some of the strongest notices of his filmography and garnered him some buzz. Yet he ended up not making the cut.

Bottom line: Stillwater‘s only chance at Academy recognition seems to be with Damon, but he could face an uphill climb. My Oscar Watch posts will continue…

James Bond: An Oscar History

Of the six actors to have played the most famous spy in cinematic history, only one of them has ever been nominated for an Oscar. That would be, of course, Sean Connery and he was victorious in 1987 for his supporting work in The Untouchables. It is worth noting that the last two Bonds (Pierce Brosnan, Daniel Craig) have Golden Globes nods in the Musical/Comedy category for The Matador and Knives Out, respectively.

With the recent death of Sir Connery, this got me thinking… how many actors from the nearly 60 year old franchise have been recognized by the Academy? And how much Oscar attention has the series itself received? For the first question, it was rather limited until Craig took over the role. For the second question, 9 out of the 24 official 007 entries have managed to get on awards voters radar screens. So let’s break it down, shall we?

Goldfinger (1964) was the third feature in the franchise and it marked the first nomination and win for the Bond catalogue. The pic took the Best Sound Effects trophy. One year later, Thunderball won for its Visual Effects. Connery’s final official appearance in 1971’s Diamonds Are Forever resulted in a nod for its sound.

When Roger Moore took over the part, his debut saw the first theme song nominated courtesy of Paul McCartney’s title track to 1973’s Live and Let Die. There would also be song nods for both The Spy Who Loved Me (1977) and For Your Eyes Only in 1981. Spy would mark the first Bond flick to score multiple mentions with its score and art direction. And Moore’s 1979 space opus Moonraker was nominated for its visual effects.

George Lazenby’s one-off appearance in On Her Majesty’s Secret Service, Timothy Dalton’s two 1980s pictures, and the 1990s-early 2000s four film Pierce Brosnan run yielded zero Oscar mentions. Same goes for Craig’s first two outings Casino Royale and Quantum of Solace. 

So it had been over 30 years since a Bond adventure had been recognized on Oscar night when 2012’s Skyfall landed a franchise record 5 nominations. It won two with Adele’s theme song and its sound editing. The other nods were Score, Sound Mixing, and Cinematography. The song love would continue with 2015’s Spectre when Sam Smith won for his tune.

Add that up and we have 15 total nominations for the series and 5 wins.

We move to the thespians and their fortune at the big show. As mentioned, before the recent run of Craig titles, it was a bit limited. In fact, the number of actors who are Oscar nominees from the Craig run nearly equals everything that came before it. Giancarlo Giannini appeared in Casino and Quantum and he was a Best Actor nominee in 1975 for Seven Beauties. Ralph Fiennes (otherwise known as M) is a double nominee for Schindler’s List and The English Patient. Naomie Harris (or Moneypenny) achieved a Supporting Actress mention for 2016’s Moonlight. Albert Finney showed up in Skyfall and he was nominated five times in his long career. Craig’s original “M” was Judi Dench and she dates back to the Brosnan era. She’s a one-time winner with 6 other nominations.

That’s just the good guys. In the Craig era, the villains come with serious awards cred. Javier Bardem from Skyfall had taken Supporting Actor five years earlier in No Country for Old Men and is a two-time Best Actor nominee for Before Nights Falls and Biutiful. Christoph Waltz (Spectre) is a double Supporting Actor winner with Inglourious Basterds and Django Unchained. And the next pic – the oft delayed No Time to Die – has Rami Malek as its main baddie. In 2018, he gave his acceptance speech for Bohemian Rhapsody. 

Going back to the beginning, From Russia with Love featured Lotte Lenye (a 1961 nominee for The Roman Spring of Mrs. Stone) and Robert Shaw (nominated three years after Russia for A Man for All Seasons). And that’s actually the extent of performers from the Connery era nominated for Oscars… sort of. The legend did return to the role in 1983’s Never Say Never Again, though it is not considered part of the “official” catalogue. It does boast three Academy players with Klaus Maria Brandauer (Out of Africa), Max Von Sydow (Pelle the Conquerer and Extremely Loud and Incredibly Close), and Kim Basinger (Supporting Actress recipient for 1997’s L.A. Confidential).

Telly Savalas costarred with Lazenby in Secret Service and he was nominated seven years earlier for his work in Birdman of Alcatraz. In the Moore era, there’s just Topol. He’s best known his nominated work in Fiddler on the Roof and he costarred in For Your Eyes Only. In the Dalton double feature, we have Benicio del Toro as he was a henchman in Licence to Kill. Over a decade later, he would win Supporting Actor for Traffic and get another nod for 21 Grams. Things picked up a bit with Brosnan. In addition to Dench, a trio of actresses were on their way or had already achieved nominations. Halle Berry co-headlined Die Another Day one year after winning Actress for Monster’s Ball. Minnie Driver had a small role in Goldeneye and would have her breakout part (along with Supporting Actress inclusion) two years later with Good Will Hunting. And Rosamund Pike was also in Die Another Day a decade plus before her Actress nod for Gone Girl. 

A final word. Not one of the 24 released 007 features has achieved any acting, directing, writing, or picture nominations of its own. Skyfall probably came the closest as some prognosticators wondered whether it could be the first to nab a Picture nod. It didn’t materialize, but its five nominations indicate it might have come the closest. Indeed, Daniel Craig’s time as Bond has seen him costar with the most Academy friendly costars. Let’s see if the next performer to play the iconic spy gets to act alongside that same kind of pedigree.

A Marvel Cinematic Oscar History: Best Actor

I was rewatching Avengers: Endgame over the weekend and it once again struck me how many famous actors are in that thing. I mean… seriously. It’s rather amazing. This got me thinking and yes, current world events may have given me an opportunity to do so:

Just how many performers that have been in Marvel Cinematic Universe entries have won Oscars or been nominated for Oscars? I knew the number would be high, but the answer still astonished me. In fact, you have to back to 1981 for a year where no actor that eventually appeared in the MCU didn’t receive a nomination.

If you count Marvel’s next two pictures (Black Widow, The Eternals) and then count the 23 movies prior that started in 2008 with Iron Man, it encapsulates 110 acting nominations and 20 wins! I am not yet putting Christian Bale in there though he’s rumored to be playing the villain in the fourth Thor flick. I’ll wait for confirmation on that. If you did count Bale, the numbers go to 114 nods and 21 Academy victories.

Due to this research, I’m writing 4 blog posts dedicated to each acting race and we begin with Best Actor:

The leading man category makes up 33 out of the 110 nominations with 6 wins. The victorious gentlemen are as follows:

Jeff Bridges, the main baddie in Iron Man, won in 2009 for Crazy Heart

William Hurt, who appeared in The Incredible Hulk and other MCU titles, took Best Actor in 1985 for Kiss of the Spider Woman

Anthony Hopkins, aka Thor’s Dad, was stage bound in 1991 for his iconic role as Dr. Hannibal Lecter in The Silence of the Lambs

Ben Kingsley, who sparred with Tony Stark in Iron Man 3, is a 1982 recipient in the title role of Gandhi

Michael Douglas, who appeared in both Ant-Man pics, was Best Actor in 1987 for Wall Street

Forest Whitaker, who costarred in Black Panther, took gold in 2006 for The Last King of Scotland

Aside from the winners, here are the other 27 Actor nods:

Iron Man himself, Robert Downey Jr., for 1992’s Chaplin

Terrence Howard, who was in the first Iron Man, for 2005’s Hustle & Flow

Jeff Bridges scored two additional nominations for 1984’s Starman and 2010’s True Grit

Edward Norton, who was Hulk before Mark Ruffalo, for 1998’s American History X

William Hurt, like fellow winner Bridges, also landed two other nods for 1986’s Children of a Lesser God and 1987’s Broadcast News

Don Cheadle, who replaced Terrence Howard in Iron Man 2 and more, for 2004’s Hotel Rwanda

Mickey Rourke, the villain in Iron Man 2, for 2008’s The Wrestler

Anthony Hopkins, following his Lambs victory, was nominated twice more for 1993’s The Remains of the Day and 1995’s Nixon

Tommy Lee Jones, from Captain America: First Avenger, for 2007’s In the Valley of Elah

Jeremy Renner, aka Hawkeye, for his breakthrough role in 2009’s The Hurt Locker

Robert Redford, who was in Captain America: The Winter Soldier, surprisingly only has one acting nod for 1973’s The Sting. He is, however, a twice nominated director and won in 1980 for Ordinary People 

Bradley Cooper, Rocket in Guardians of the Galaxy, has been nominated thrice with no wins: 2012’s Silver Linings Playbook, 2014’s American Sniper, and 2018’s A Star Is Born

Benedict Cumberbatch, aka Doctor Strange, for 2014’s The Imitation Game

Chiwetel Ejiofor, also in Doctor Strange, for 2013’s 12 Years a Slave

Sylvester Stallone, who popped up in Guardians of the Galaxy Vol. 2, for his signature role in 1976’s Rocky

Michael Keaton, the villain in Spider-Man: Homecoming, for 2014’s Birdman

Matt Damon, who had a memorable cameo in Thor: Ragnarok, is twice nominated for 1997’s Good Will Hunting and 2015’s The Martian

Daniel Kaluuya, Black Panther costar, for 2017’s Get Out

Laurence Fishburne, supporting player in Ant-Man and the Wasp, as Ike Turner in 1993’s What’s Love Got to Do With It

Jude Law, from Captain Marvel, for 2003’s Cold Mountain 

Whew. And there you have it. I’ll be back at it shortly with the Best Actress nominees who got their Marvel on!

Oscar Watch: The Way Back

Ben Affleck has certainly had a fascinating history with Oscar voters. He’s a double winner who has never been nominated for the profession he’s known best for. In 1997, Affleck (along with Matt Damon) took home the Best Original Screenplay trophy for Good Will Hunting. Fifteen years later, his directorial effort Argo was named Best Picture and as a producer, he picked up his second Academy Award. However, he’s one of the few filmmakers whose project was victorious in the biggest race while he was snubbed in the directing category.

This Friday, Affleck stars in Gavin O’Connor’s basketball drama The Way Back. Playing a coach battling addiction problems, some early reviews are calling it his finest performance to date. The Rotten Tomatoes score is at 85%. O’Connor’s previous sports related picture, 2011’s Warrior, nabbed Nick Nolte a Best Supporting Actor nod.

In addition to being ignored for Director with Argo, Affleck also failed to garner a Best Actor nod. As mentioned, he’s yet to pick up recognition in that space. There was some buzz he could get a nomination alongside his Gone Girl costar Rosamund Pike in 2014, but it never materialized.

Could The Way Back change that? Doubtful. The release date is awfully early and box office prospects don’t look too encouraging. Affleck could get a second bite at the apple in December with Ridley Scott’s The Last Duel. That historical drama features the actor in a supporting role alongside Damon and Adam Driver. Affleck cowrote the screenplay and we could see another example of his writing skills being noticed as opposed to his own performance. My Oscar Watch posts will continue…