Alicia Vikander won a Supporting Actress trophy for 2015’s The Danish Girl and she looks for her first lead nod as Catherine Parr, the sixth spouse of Jude Law’s Henry VIII in Firebrand. The period drama comes from Brazilian filmmaker Karim Aïnouz with a supporting cast including Sam Riley, Eddie Marsan, Simon Russell Beale, and Erin Doherty.
Buzz coming from its screening at Cannes is of the mixed variety and that’s evidenced by the 50% Rotten Tomatoes score. Even the recommendatory write-ups aren’t exactly glowing. Law is getting the best ink. However, his third nod (after 1999’s The Talented Mr. Ripley in supporting and 2003’s Cold Mountain in lead) is highly unlikely to come to fruition as well as any hope for Vikander. I suppose a Costume Design nod could occur, but Firebrand should be put out of contention by the time nominations are out. My Oscar Prediction posts will continue…
I was rewatching Avengers: Endgame over the weekend and it once again struck me how many famous actors are in that thing. I mean… seriously. It’s rather amazing. This got me thinking and yes, current world events may have given me an opportunity to do so:
Just how many performers that have been in Marvel Cinematic Universe entries have won Oscars or been nominated for Oscars? I knew the number would be high, but the answer still astonished me. In fact, you have to back to 1981 for a year where no actor that eventually appeared in the MCU didn’t receive a nomination.
If you count Marvel’s next two pictures (Black Widow, The Eternals) and then count the 23 movies prior that started in 2008 with Iron Man, it encapsulates 110 acting nominations and 20 wins! I am not yet putting Christian Bale in there though he’s rumored to be playing the villain in the fourth Thor flick. I’ll wait for confirmation on that. If you did count Bale, the numbers go to 114 nods and 21 Academy victories.
Due to this research, I’m writing 4 blog posts dedicated to each acting race and we begin with Best Actor:
The leading man category makes up 33 out of the 110 nominations with 6 wins. The victorious gentlemen are as follows:
Jeff Bridges, the main baddie in Iron Man, won in 2009 for Crazy Heart
William Hurt, who appeared in The Incredible Hulk and other MCU titles, took Best Actor in 1985 for Kiss of the Spider Woman
Anthony Hopkins, aka Thor’s Dad, was stage bound in 1991 for his iconic role as Dr. Hannibal Lecter in The Silence of the Lambs
Ben Kingsley, who sparred with Tony Stark in Iron Man 3, is a 1982 recipient in the title role of Gandhi
Michael Douglas, who appeared in both Ant-Man pics, was Best Actor in 1987 for Wall Street
Forest Whitaker, who costarred in Black Panther, took gold in 2006 for The Last King of Scotland
Aside from the winners, here are the other 27 Actor nods:
Iron Man himself, Robert Downey Jr., for 1992’s Chaplin
Terrence Howard, who was in the first Iron Man, for 2005’s Hustle & Flow
Jeff Bridges scored two additional nominations for 1984’s Starman and 2010’s True Grit
Edward Norton, who was Hulk before Mark Ruffalo, for 1998’s American History X
William Hurt, like fellow winner Bridges, also landed two other nods for 1986’s Children of a Lesser God and 1987’s Broadcast News
Don Cheadle, who replaced Terrence Howard in Iron Man 2 and more, for 2004’s Hotel Rwanda
Mickey Rourke, the villain in Iron Man 2, for 2008’s The Wrestler
Anthony Hopkins, following his Lambs victory, was nominated twice more for 1993’s The Remains of the Day and 1995’s Nixon
Tommy Lee Jones, from Captain America: First Avenger, for 2007’s In the Valley of Elah
Jeremy Renner, aka Hawkeye, for his breakthrough role in 2009’s The Hurt Locker
Robert Redford, who was in Captain America: The Winter Soldier, surprisingly only has one acting nod for 1973’s The Sting. He is, however, a twice nominated director and won in 1980 for Ordinary People
Bradley Cooper, Rocket in Guardians of the Galaxy, has been nominated thrice with no wins: 2012’s Silver Linings Playbook, 2014’s American Sniper, and 2018’s A Star Is Born
Benedict Cumberbatch, aka Doctor Strange, for 2014’s The Imitation Game
Chiwetel Ejiofor, also in Doctor Strange, for 2013’s 12 Years a Slave
Sylvester Stallone, who popped up in Guardians of the Galaxy Vol. 2, for his signature role in 1976’s Rocky
Michael Keaton, the villain in Spider-Man: Homecoming, for 2014’s Birdman
Matt Damon, who had a memorable cameo in Thor: Ragnarok, is twice nominated for 1997’s Good Will Hunting and 2015’s The Martian
Daniel Kaluuya, Black Panther costar, for 2017’s Get Out
Laurence Fishburne, supporting player in Ant-Man and the Wasp, as Ike Turner in 1993’s What’s Love Got to Do With It
Jude Law, from Captain Marvel, for 2003’s Cold Mountain
Whew. And there you have it. I’ll be back at it shortly with the Best Actress nominees who got their Marvel on!
My Case of posts for thespians competing for Oscars comes to our final Best Actress nominee – Renee Zellweger in Judy:
The Case for Renee Zellweger
She’s one of the comeback stories of the year and in the strong front runner position for this award. This is Zellweger’s fourth nomination, but it’s been awhile. The actress failed to achieve gold for her first two mentions with Bridget Jones’s Diary and Chicago, but the third time was the charm in Supporting Actress with 2003’s Cold Mountain. Her role as Judy Garland has already earned her the Golden Globe, SAG, and Critics Choice honors.
The Case Against Renee Zellweger
The film itself drew a mixed reaction from critics. Challengers to Zellweger could point to last year when Glenn Close (The Wife) picked up the same precursors, but was upset on Oscar night by Olivia Colman for The Favourite.
The Verdict
There are some who feel Zellweger could be vulnerable to an upset by either Scarlett Johansson (Marriage Story) or Charlize Theron (Bombshell). However, there’s no doubt that the smart money is on her to win 16 years after her initial podium trip.
My Case of posts will continue with the direction of Martin Scorsese in The Irishman!
Charlize Theron in Jay Roach’s Fox News expose Bombshell is the fourth Best Actress hopeful to be profiled in my Oscar Case of posts:
The Case for Charlize Theron
Sixteen years after winning gold for her first Oscar nomination for Monster, Theron is back in the mix as journalist Megyn Kelly in Bombshell. It marks her third nod after also being named for 2005’s North Country. She drew raves for her transformation (with the help of the film’s makeup crew) to the former Fox News anchor. There are sturdy front runners in all four acting races, but some feel Best Actress is most ripe for an upset. So while Renee Zellweger in Judy is the heavy favorite based on precursors, Theron and Scarlett Johansson (Marriage Story) are looked at as most likely to surprise.
The Case Against Charlize Theron
While she picked up Golden Globe and SAG attention, she lost both to Zellweger (who won Supporting Actress for Cold Mountain the same year Theron took Actress). Bombshell failed to pick up significant nods beyond acting (Margot Robbie is in Supporting Actress) and Makeup and Hairstyling.
The Verdict
The chance of Theron pulling an upset victory is slim, but at least somewhat feasible. I wouldn’t count on it, however, given Zellweger’s ongoing sweep.
My Case of posts will continue with the direction of Sam Mendes for 1917!
Well, folks, the Oscar nominations were out bright and early this morning. Per usual, there were some genuine surprises and omissions that will have Twitter buzzing right up until the ceremony February 9th.
Readers of the blog know that I spend months trying to put the puzzle together on who and what will be nominated. My results today? Out of the 109 predictions made, 88 of them came to fruition. In the eight biggest categories, there were four that I got all nominees correct… including Best Picture. Truth be told, I’m pretty pleased with my results!
Before we break it down race by race, some general comments. As for movies that had a disappointing wakeup call, there were numerous entries that had possibilities in the major categories and beyond. Those left on the cutting room floor include Booksmart, Dolemite Is My Name, The Farewell, Uncut Gems, and Us. Another movie barely left standing was Rocketman. I had it pegged for five nominations, but it managed just a single mention in Original Song.
For the films that did make it in, Joker scored the most nominations (somewhat of a surprise) with 11 followed by The Irishman, 1917, and Once Upon a Time in Hollywood with 10 apiece.
With some of my analysis here, you’ll see strong indications on what my winner forecast might be. Expect that post to be up a couple of days before the ceremony.
And with that, let’s break it down!
Best Picture
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 9/9 (!)
Analysis: For Oscar prognosticators, just getting the correct number of films that are nominated is an accomplishment. It can fluctuate anywhere between 5 and 10. Nine felt correct for some time and I’ve had these ones predicted for several weeks. As for a winner, I feel six of them have at least decent to strong shots. I’m nowhere near ready to crown a victor.
Best Director
The Nominees: Bong Joon-Ho (Parasite), Sam Mendes (1917), Todd Phillips (Joker), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)
How I Did: 4/5
Analysis: It was Phillips riding the Joker wave over Greta Gerwig for Little Women. Like Picture, this race feels wide open and it could come down to Joon-Ho vs. Mendes.
Best Actor
The Nominees: Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Joaquin Phoenix (Joker), Jonathan Pryce (The Two Popes)
How I Did: 4/5
Analysis: With so many contenders in the running, going 4 for 5 here feels like more of an accomplishment that naming the Best Pic nominees. It was Pryce getting a slot over Taron Egerton in Rocketman. Banderas and Pryce are first time nominees. It looks like Phoenix could sweep awards season and that gives him his first win.
Best Actress
The Nominees: Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)
How I Did: 5/5 (!)
Analysis: 100% here and like Best Actor, there’s a strong front runner with Zellweger. If so, she’d pick up her second statue after being named Supporting Actress for 2003’s Cold Mountain.
Best Supporting Actor
The Nominees: Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)
How I Did: 5/5 (!)
Analysis: What a list of legends we have here! There’s some interesting tidbits to share. Every nominee here has won an Oscar. Yet it’s been some time since most were nominated – Pesci since 1990 for GoodFellas, Pacino since 1992 for his double nod with Scent of a Woman and Glengarry Glen Ross, Hopkins since 1997 (Amistad), and rather shockingly, Hanks… who has his first nomination since 2000 with Cast Away. Pitt, on the other hand, is the most recent nominee for his acting (2011’s Moneyball). However, he’s the only one of the five to never win the Oscar for his performances (he does have an Oscar for producing 2013’s 12 Years a Slave). Got all that? And here’s the last word on that… Pitt seems destined to join their company in February as a winner.
Best Supporting Actress
The Nominees: Kathy Bates (Richard Jewell), Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Florence Pugh (Little Women), Margot Robbie (Bombshell)
How I Did: 4/5
Analysis: Now we get to the first genuine shocker and that’s Jennifer Lopez not being nominated for Hustlers. Bates takes her spot. Lopez was generally seen as close to a sure thing for recognition and I’ve had her listed at #2 behind Dern for weeks. This only helps Dern for her first podium walk.
Best Adapted Screenplay
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes
How I Did: 5/5 (!)
Analysis: This has looked like the final five for a while now and this could represent the best chance for a major win for The Irishman. That said, I wouldn’t count Jojo or Joker completely out.
Best Original Screenplay
The Nominees: Knives Out, Marriage Story, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 4/5
Analysis: No love for The Farewell here with 1917 getting in. Tarantino is a soft favorite over Marriage Story and Parasite.
Best Internation Feature Film
The Nominees: Corpus Christi, Honeyland, Les Miserables, Pain and Glory, Parasite
How I Did: 3/5
Les Mis, Pain, and Parasite were automatics. The last two spots were tricky to forecast and I had Atlantics and Those Who Remained instead. Honeyland pulled off a notable achievement by being named here and in Documentary. Bottom line: this is the easiest race of them all to project. It’s going to be Parasite.
Best Animated Feature
The Nominees: How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, Missing Link, Toy Story 4
How I Did: 4/5
Analysis: Next big surprise as Disney’s Frozen II was frozen out with Klaus taking the spot. Toy Story 4 is the favorite, but I don’t discount the possibility of an upset here (with Dragon and Body as potential spoilers).
Best Documentary Feature
The Nominees: American Factory, The Cave, The Edge of Democracy, For Sama, Honeyland
How I Did: 3/5
Analysis: The documentary branch is always unpredictable and that proved accurate this morning. Apollo 11 and One Child Nation were the two I had in over The Cave and The Edge of Democracy. Netflix’s American Factory (the first doc from Barack and Michelle Obama’s production company) appears to be the leader of the pack.
Best Cinematography
The Nominees: The Irishman, Joker, The Lighthouse, 1917, Once Upon a Time in Hollywood
How I Did: 4/5
Analysis: I had Ford v Ferrari over Lighthouse. This looks to be a win for 1917.
Best Costume Design
The Nominees: The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood
How I Did: 3/5
Analysis: Surprises here with Dolemite Is My Name and Rocketman being ignored in favor of The Irishman and Joker. I even thought the two I predicted had real shots at winning. This one could be between Women and Hollywood.
Best Film Editing
The Nominees: Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Parasite
How I Did: 4/5
Analysis: Now this one is interesting! I had Hollywood in and not Jojo. Why is Editing important? Of any category at the Oscars, a nomination here means a lot to the eventual Best Picture winner. The last movie to win the big prize and not be nominated for Editing is 2014’s Birdman. And that’s really an asterisk since it was filmed in one long continuous shot (though the same basically holds true for 1917). Before that, the last Best Picture winner recipient to not score a nod here? You have to go all the way back to 1980’s Ordinary People. In other words, the snub for Hollywood here could mean something. Perhaps it will be an outlier. Yet I feel it’s key for ballot guessers to know that only two BP winners haven’t been recognized here in the past 40 years…
Best Makeup and Hairstyling
The Nominees: Bombshell, Joker, Judy, Maleficent: Mistress of Evil, 1917
How I Did: 3/5
Analysis: Hollywood and Rocketman out and Maleficent and 1917 in. Expect this to be the sole win for Bombshell.
Best Original Score
The Nominees: Joker, Little Women, Marriage Story, 1917, Star Wars: The Rise of Skywalker
How I Did: 5/5 (!)
Analysis: Back to perfection! Joker has gotten the precursor love, but 1917 is a threat.
Best Original Song
The Nominees: “I Can’t Let You Throw Yourself Away” from Toy Story 4, “(I’m Gonna) Love Me Again” from Rocketman, “I’m Standing with You” from Breakthrough, “Into the Unknown” from Frozen II, “Stand Up” from Harriet
How I Did: 3/5
Analysis: This category is a head scratcher. I had “Spirit” from The Lion King and “Glasgow” from Wild Rose in over the Toy Story and Breakthrough tracks. This should be a contest between Elton John’s Rocketman tune and the Frozen song. However, both films were significantly snubbed in other categories as mentioned above. The one thing I do know… this branch clearly loves tracks that begin with the letter I.
Best Production Design
The Nominees: The Irishman, Jojo Rabbit, 1917, Once Upon a Time in Hollywood, Parasite
How I Did: 4/5
Analysis: Had Little Women over Parasite. This could definitely be a W for Hollywood.
Best Sound Editing
The Nominees: Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood, Star Wars: The Rise of Skywalker
How I Did: 4/5
Analysis: Had Avengers: Endgame over Joker. In both sound races, this should be between Ford and 1917.
Best Sound Mixing
The Nominees: Ad Astra, Ford v Ferrari, Joker, 1917, Once Upon a Time in Hollywood
How I Did: 3/5
Had Rocketman and Skywalker over Astra and Hollywood. See Sound Editing above.
Best Visual Effects
The Nominees: Avengers: Endgame, The Irishman, The Lion King, 1917, Star Wars: The Rise of Skywalker
How I Did: 5/5 (!)
Analysis: I’m glad this category is last alphabetically so I can end on a high note! I lean Lion King, but that could change.
And that does it for my nominations recap! As stated, expect winner predictions shortly before February 9th!
It’s been quite some time since Renee Zellweger has been in the minds of Oscar voters for consideration, but that looks to change in 2019 with Judy. The film finds the actress portraying screen legend Judy Garland in the final tumultuous year of her life. Rupert Goold directs with a supporting cast including Jessie Buckley, Finn Wittrock, Rufus Sewell, and Michael Gambon.
While reviews for the picture itself are of a mixed nature, critics are praising Zellweger’s work as the troubled star. At the beginning of this century, the performer was recognized three years in a row. In 2001 and 2002, she scored back to back nods in lead actress for BridgetJones’sDiary and Chicago. 2003 brought Zellweger a Supporting Actress win for ColdMountain.
Academy folks love a good comeback story and Zellweger looks primed for a fourth nomination here as Judy. I’d suspect that would be the extent of any recognition for Judy as a whole. My Oscar Watch posts will continue…
Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.
We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.
The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.
For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:
1990 – Whoopi Goldberg, Ghost
1991 – Mercedes Ruehl, TheFisherKing
1992 – Marisa Tomei, MyCousinVinny
1993 – Anna Paquin, ThePiano
1994 – Dianne Wiest, BulletsOverBroadway
1995 – Mira Sorvino, MightyAphrodite
1996 – Juliette Binoche, TheEnglishPatient
1997 – Kim Basinger, L.A. Confidential
1998 – Judi Dench, ShakespeareinLove
1999 – Angelina Jolie, Girl, Interrupted
2000 – Marcia Gay Harden, Pollock
2001 – Jennifer Connelly, ABeautifulMind
2002 – Catherine Zeta-Jones, Chicago
2003 – Renee Zellweger, ColdMountain
2004 – Cate Blanchett, TheAviator
2005 – Rachel Weisz, TheConstantGardner
2006 – Jennifer Hudson, Dreamgirls
2007 – Tilda Swinton, MichaelClayton
2008 – Penelope Cruz, VickyChristinaBarcelona
2009 – Mo’Nique, Precious
2010 – Melissa Leo, TheFighter
2011 – Octavia Spencer, TheHelp
2012 – Anne Hathaway, LesMiserables
2013 – Lupita Nyong’o, 12YearsaSlave
2014 – Patricia Arquette, Boyhood
2015 – Alicia Vikander, TheDanishGirl
2016 – Viola Davis, Fences
2017 – Allison Janney, I, Tonya
I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:
3. Dianne Wiest, BulletsOverBroadway
Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, HannahandHerSisters.
2. Jennifer Hudson, Dreamgirls
Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.
1. Anne Hathaway, LesMiserables
Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.
Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in ThePiano, who became the second youngest winner when she beat out favorite Winona Ryder for TheAgeofInnocence. Here’s 3 I rank as even more surprising:
3. Marcia Gay Harden, Pollock
Harden had won no significant precursors and Kate Hudson was expected to have her name called for AlmostFamous. She wasn’t even nominated for a Golden Globe or SAG.
2. Juliette Binoche, TheEnglishPatient
While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s TheMirrorHasTwoFaces. Yet it was Binoche’s performance that was unexpectedly honored.
1. Marisa Tomei, MyCousinVinny
For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (HusbandsandWives), Joan Plowright (EnchantedApril), Vanessa Redgrave (HowardsEnd), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.
As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in CapeFear. However, the group was not particularly strong:
Mercedes Ruehl, TheFisherKing (Winner)
Diane Ladd, RamblingRose
Juliette Lewis, CapeFear
Kate Nelligan, ThePrinceofTides
Jessica Tandy, FriedGreenTomatoes
For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s TheAviator. The other nominees:
Laura Linney, Kinsey
Virginia Madsen, Sideways
Sophie Okonedo, HotelRwanda
Natalie Portman, Closer
And there you have it! I’ll have Supporting Actor up soon…
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