Tag: Ari Aster

July 25-27 Box Office Predictions

Superheroes will continue to rule the summer box office charts with Marvel’s The Fantastic Four: First Steps taking the top spot from DC’s Superman. The MCU reboot is the sole wide release newcomer this weekend and you can peruse my detailed prediction post on it here:

The Fantastic Four: First Steps Box Office Prediction

Estimates are a bit all over the map for Steps. The general consensus is that it will top $100 million. Some projections have it eclipsing the $125 million that Superman accomplished just two frames ago. I have it coming in a tad lower, but think it has a better shot at over-indexing than under.

The comic book competition could mean another low 50s decline for the Man of Steel in its third outing with Jurassic World Rebirth sliding from second to third.

Slots 4-6 could be interesting as I Know What You Did Last Summer should suffer a heftier plummet than Smurfs or F1.

Here’s how I see 1-6 shaking out:

1. The Fantastic Four: First Steps

Predicted Gross: $122.4 million

2. Superman

Predicted Gross: $28 million

3. Jurassic World Rebirth

Predicted Gross: $13.6 million

4. F1

Predicted Gross: $6.7 million

5. Smurfs

Predicted Gross: $5.5 million

6. I Know What You Did Last Summer

Predicted Gross: $5.3 million

Box Office Results (July 18-20)

Superman from DC Studios continued to fly high at #1 for the second week in a row with $58.4 million, slightly exceeding my $56.2 million call. James Gunn’s franchise restart has amassed $236 million after ten days.

Jurassic World Rebirth was second with $23.7 million, ahead of my $19.1 million call. The dino pic is up to $276 million following three weeks of play.

While I Know What You Did Last Summer was the biggest grossing newbie, the long gestating horror sequel came in the lower end of its range with $12.7 million in third. That’s under my $17.7 million forecast as viewers weren’t hooked by the return of the late 90s series.

Same goes for Smurfs which flopped in fourth with $11 million compared to my $12.4 million guesstimate. The animated tale with voice work from Rihanna couldn’t find its intended family audience.

F1 rounded out the top five by easing only 24% with $9.8 million, zooming past my $7.5 million take. The four-week total is $153 million.

Finally, Ari Aster’s COVID Western Eddington with Joaquin Phoenix and the ubiquitous Pedro Pascal was seventh with a weak $4.2 million (though it did manage to outdo my $3.4 million prediction).

And that does it for now, folks! Until next time…

July 18-20 Box Office Predictions

Two new franchise reboots will attempt to exceed expectations and post strong second and third place showings while two existing franchise reboots seek to stay 1-2. I Know What You Did Last Summer and Smurfs are the rookie contenders. We also have Ari Aster’s Eddington with Joaquin Phoenix and Pedro Pascal out and you can peruse my detailed prediction posts on the trio of newbies here:

I Know What You Did Last Summer Box Office Prediction
Smurfs Box Office Prediction
Eddington Box Office Prediction

I Know What You Did Last Summer continues the horror saga we witnessed in the late 90s. I think this has the potential to hit low 20s, but I’ll go along with projections in the mid to higher teens. My take puts it not far behind Jurassic World Rebirth for third place.

As for Smurfs, this reinvigoration of this franchise after eight years is not expected to yield impressive results. Like Summer, it could top general forecasts. However, I’m agreeing that low double digits to possibly low teens will be the result and that means fourth place.

I’m not expecting audiences to visit Eddington. The satire, despite some star power, is flying under the radar. As mentioned in my post, I don’t anticipate a desire from moviegoers to revisit the heyday of the COVID pandemic when this is set. My $3.4 million projection would leave it outside the top five and probably in seventh place.

There’s no real mystery what will place first and that would be James Gunn’s Superman in its sophomore outing. The only question is how much it drops in weekend #2. A number close to Thunderbolts* (56%) from earlier this summer would make sense. I doubt it plummets to the degree that 2013’s Man of Steel did at 65%. I’ll say mid to high 50s is the most likely result.

Here’s how I envision the high five shaking out:

1. Superman

Predicted Gross: $56.2 million

2. Jurassic World Rebirth

Predicted Gross: $19.1 million

3. I Know What You Did Last Summer

Predicted Gross: $17.7 million

4. Smurfs

Predicted Gross: $12.4 million

5. F1

Predicted Gross: $7.5 million

Box Office Results (July 11-13)

Superman, as predicted, blasted off with the third best opening of 2025 at $125 million. That’s a tad shy of my $128.6 million call. Generally in line with its anticipated range, it gets this iteration of the DC Universe off to a respectable start and the A- Cinemascore grade is decent as well.

Jurassic World Rebirth held better than I figured with $40.3 million in second compared to my $34.2 million estimate. The dino tale stands at $232 million after ten days and it should be safe to assume the franchise isn’t extinct.

F1 was third with $13 million (I said $13.3 million) as the racing drama has made $136 million after three weeks.

How to Train Your Dragon was fourth with $7.9 million, rising above my $6.8 million forecast for a five-week haul of $239 million.

Finally, Disney’s disappointing Elio took the 5 spot with $4 million (I went with $3.4 million). The four-week gross is $63 million.

And that does it for now, folks! Until next time…

Eddington Box Office Prediction

Ari Aster’s fourth feature Eddington hits screens July 18th after a May premiere at Cannes. The small town set satire takes place during the height of COVID with Joaquin Phoenix (who starred in Aster’s predecessor Beau is Afraid) and the suddenly everywhere Pedro Pascal headlining. Other cast members include Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.

Reviews from the French fest were mixed with 67% on Rotten Tomatoes and a 64 Metacritic. That buzz zapped any awards chatter for the A24 feature. This has the appearance of an autumn release trapped in midsummer and I am doubtful that adult crowds will turn up. For one thing, audiences might be hesitant to relive the lockdown days of a half decade ago. If this gets over $5 million, I’d be surprised.

Eddington opening weekend prediction: $3.4 million

For my I Know What You Did Last Summer prediction, click here:

I Know What You Did Last Summer Box Office Prediction

For my Smurfs prediction, click here:

Smurfs Box Office Prediction

Oscar Predictions: Eddington

A contemporary Western set during the early days of COVID, Eddington is Ari Aster’s fourth feature which has premiered at Cannes prior to its July 18th stateside release. A24’s topical tale reunites Aster with his Beau Is Afraid lead Joaquin Phoenix along with Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.

The auteur’s career kicked off with Hereditary and Midsommar, two horror experiences that are among the genre’s best reviewed in recent years. Beau had a considerably more polarizing reaction and Eddington appears to be doing the same. Early reviews have this at 59% on Rotten Tomatoes with a 67 Metacritic.

While the strongest reviews are quite strong, the varied buzz from France likely means this won’t be a serious awards contender. My Oscar Prediction posts will continue…

Oscar Predictions: Sasquatch Sunset

Sasquatch Sunset comes from brothers Nathan and David Zellner and the quirky comedy focuses on a family of three Bigfoots. Premiering at Sundance prior to an April 12th release, it stars Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek, and Nathan Zellner himself. Ari Aster executives produces and this sounds right up his absurdist alley.

Critics are mostly digging this and it sports a 79% RT score. Even those reviews, however, indicate mainstream audiences could be baffled. I doubt this will have a big footprint (or any) during awards season (though maybe the makeup work get some attention). It should also be noted that distributor Bleecker Street has a weak track record at campaigning. My Oscar Prediction posts will continue…

Beau Is Afraid Box Office Prediction

After a sizzling limited release last weekend, Ari Aster’s Beau Is Afraid expands to just under 1000 screens this Friday. A mix of many genres from the director known for horror pics Hereditary and Midsommar, Joaquin Phoenix stars as a paranoid man on odyssey while dealing with severe mommy issues. Costars include Patti LuPone, Nathan Lane, Amy Rogers, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

Some critics have been quite kind and it sits at 74% on Rotten Tomatoes. Others have called the three-hour opus a slog and predicted that general audiences are likely to have strong negative feelings. Beau scored $320,000 on just four screens days ago for a per theater average of $80k. It’s not surprising that it performed splendidly in NY/LA.

Beau faces more challenging prospects as it plays between the coasts. While it will probably have the third best screen average behind The Super Mario Bros. Movie and Evil Dead Rise (though the average could top that one), a gross between $4-5 million is likely.

Beau Is Afraid expanded opening weekend prediction: $4.4 million

For my Evil Dead Rise prediction, click here:

Evil Dead Rise Box Office Prediction

For my Guy Ritchie’s The Covenant prediction, click here:

Guy Ritchie’s The Covenant Box Office Prediction

April 21-23 Box Office Predictions

The Super Mario Bros. Movie should rule the charts for a third weekend as Evil Dead Rise and Guy Ritchie’s The Covenant open in wide release. You can peruse my detailed prediction posts on the newcomers here:

Evil Dead Rise Box Office Prediction
Guy Ritchie’s The Covenant Box Office Prediction

Evil Dead Rise appears headed for a second place showing. However, the fifth pic in the horror franchise that started over 40 years ago is unlikely to match the mid-twenties haul that its 2013 predecessor managed. That’s despite strong reviews. Some recent horror saturation might mean a low to mid teens premiere.

As for Afghanistan War drama The Covenant with Jake Gyllenhaal, this is a genre that often struggles for eyeballs. It could certainly outpace my mid single digits projection (which should still be good for third), but my gut says this won’t impress.

Spots 4-8 should be holdovers whose difference could be less than a million bucks. I have John Wick: Chapter 4 leading that group with Renfield having the biggest percentage drop and coming in 8th.

Some other notes before I get to the power player. The historical drama Chevalier is slated to come out on around 1200 screens. I think the ceiling could be $2.5 million and I didn’t do an individual post for it.

Then there’s Beau is Afraid. Ari Aster’s three-hour opus with Joaquin Phoenix is garnering some raves and some derision from critics. It had a sizzling limited debut on only 4 screens. Beau is opening wider this weekend, but I’ve yet to see a theater count. Depending on how many venues it’s playing in, it could pop up in the top 5. However, I can’t make an educated guesstimate (yet) until I see a number. **Update (04/19): I’ve now done a prediction for this since a theater count is released:

Beau Is Afraid Box Office Prediction

As for the third frame of Mario, I’ve got it falling in the high 30s to low 40s for a mid to high 5os gross. My prediction gives it the ninth best third weekend of all time after it just had the seventh largest second one. I’ll give this caveat: I’ve been low for two weeks in a row on this pic.

So with all that said, here’s my look at the top 8:

1. The Super Mario Bros. Movie

Predicted Gross: $54.8 million

2. Evil Dead Rise

Predicted Gross: $16.7 million

3. Guy Ritchie’s The Covenant

Predicted Gross: $5.6 million

4. John Wick: Chapter 4

Predicted Gross: $4.7 million

5. The Pope’s Exoricst

Predicted Gross: $4.6 million

6. Air

Predicted Gross: $4.6 million

**7. Beau is Afraid

Predicted Gross: $4.4 million (ADDED PREDICTION**)

8. Dungeons & Dragons: Honor Among Thieves

Predicted Gross: $4.3 million

9. Renfield

Predicted Gross: $3.9 million

Box Office Results (April 14-16)

It’s a Nintendo Cinematic Universe and we’re just living in it as The Super Mario Bros. Movie once again exceeded expectations in its sophomore frame. Illumination’s animated phenomenon piped in another $92.3 million, far exceeding my $74.9 million take. The two-week tally is an astonishing $353 million. There is a real possibility that this could end up as the highest domestic grosser of 2023.

Russell Crowe’s horror tale The Pope’s Exorcist surprisingly was second with $9 million, edging past my $7.4 million forecast. With a reported $18 million budget, that’s not too shabby though hardly glorious.

John Wick: Chapter 4 was third with $8 million (in range with my $8.4 million call). It’s up to $160 million after 4 weeks.

Spooky comedy Renfield with Nicolas Cage as Dracula was anticipated to see second place, but it wasn’t to be. The fourth place showing at $8 million fell below my $12.2 million estimate. With a fairly sucky B- Cinemascore, look for it to fade quickly.

Air was fifth with $7.8 million in its second weekend. I thought it would hold better and went with $9.5 million. Nevertheless its $33 million total thus far is solid for an adult drama.

Dungeons & Dragons: Honor Among Thieves was sixth with $7.5 million (I said $6.9 million) for a so-so $74 million after three weeks.

Toho’s Japanese animated fantasy Suzume couldn’t live up to previous titles from the distributor. It was seventh with $5 million and I was more generous at $8.7 million.

I never did an official prediction for Mafia Mamma with Toni Collette, but I said the poorly reviewed comedy would be lucky to make $2 million. Well, I guess it was lucky because that’s exactly what it did for 8th.

And that does it for now, folks! Until next time…

***In the meantime, catch my weekly podcast talking box office at Movies at the Speed of Speculation (wherever you stream!).

Oscar Predictions: Beau Is Afraid

A24 just hit the Oscar jackpot with Everything Everywhere All at Once and they have another multi-genre family opus opening in limited release this Friday. Beau Is Afraid is the third feature from writer/director Ari Aster behind acclaimed scary flicks Hereditary and Midsommar. With a $35 million budget, this is the biggest budget yet for the distributor. The three hour episodic mix of mommy issues, satire, and horror is headlined by Joaquin Phoenix with a supporting cast including stage legend Patti LuPone, Nathan Lane, Amy Ryan, Kylie Rogers, Parker Posey, Stephen McKinley Henderson, Hayley Squires, Michael Gandolfini, Zoe Lister-Jones, and Richard Kind.

The review embargo has just lifted and the reactions are all over the place. A 75% Rotten Tomatoes score is the number at this early stage. There are some recurring thoughts among the write-ups. One is that Aster takes gigantic swings. Some pay off. Some don’t. Another is that he’s perhaps given too much freedom this time and that the runtime is exceedingly long. There are comparisons to Charlie Kaufman and numerous mentions of Freud. You also get the impression that plenty of moviegoers will strongly dislike it. The word unhinged pops up in more than one synopsis.

It could be telling that Beau skipped the film festival circuit and opted for this spring release. A24 might suspect they don’t have an awards player (though you could correctly point out that Everything Everywhere came out around the same time). That said, they might opt to throw their serious campaigning behind the upcoming Past Lives (which drew raves at Sundance). While Phoenix is drawing praise for his performance, it could be a tall order for him to nab a Best Actor nod. Perhaps this fall’s Napoleon gives him a better shot. Some critics have singled out LuPone, but apparently her actual screen time is limited.

Beau will undoubtedly have its ardent supporters and fierce detractors. That could be a mix that doesn’t result in significant Oscar buzz. My Oscar Prediction posts will continue…

Oscar Watch: The Invisible Man

Leigh Whannell’s The Invisible Man, updating the H.G. Wells novel and classic 1933 film, debuts Friday. With 90% currently on Rotten Tomatoes, the word-of-mouth should propel the pic to quite visible box office numbers. In doing so, Invisible should break a streak of underperforming horror titles in recent months.

Much of the praise from reviewers is centered on its lead Elisabeth Moss. The Emmy winner for The Handmaid’s Tale garnered a small amount of Oscar buzz in 2019 for Her Smell that never came to fruition. I look for this to be the third year in a row where an actress garners buzz for a scary movie. In 2018, it was Toni Collette in Ari Aster’s Hereditary. In 2019 – Lupita Nyong’o for Jordan Peele’s Us. Both performers received a few wins from the critics groups. They both failed to get nods come Academy time.

This will likely be the case for Moss as well, but expect lots of speculation that she could make the cut before she doesn’t. My Oscar Watch posts will continue…

Oscars 2019: The Case of Florence Pugh

Florence Pugh’s Supporting Actress nod in Greta Gerwig’s Little Women is next up in my Case of posts!

The Case for Florence Pugh

The actress broke out in a major way in 2019 with well-reviewed roles in the wrestling dramedy Fighting with My Family, Ari Aster’s horror pic Midsommar, and in this latest iteration of Louisa May Alcott’s classic novel. Even though Saoirse Ronan is nominated for Best Actress, it was Pugh who got a lions share of critical attention. Pugh’s ascendance into the mainstream will blossom even more in 2020 with a prominent role alongside fellow Supporting Actress nominee Scarlett Johansson in the MCU’s Black Widow. If the Academy wants to pick a young upstart, this is the way to go.

The Case Against Florence Pugh

She missed out on both Golden Globe and SAG nods and that’s never a solid sign. Laura Dern, her Little Women costar, is the massive front runner for Marriage Story. 

The Verdict

A solid 2019 for Pugh culminated in this nomination. It won’t end in a win.

My Case of posts will continue with the direction of Todd Phillips for Joker!