Top 25 SNL Alumni Performances: Numbers 10-6

We have reached the top ten in my personal favorite performances from the dozens of Saturday Night Live alumni. Today’s list covers numbers 10-6 and if you missed my previous editions, you may find them here:

https://toddmthatcher.com/2020/06/21/top-25-snl-alumni-movie-performances-numbers-25-21/

https://toddmthatcher.com/2020/06/22/top-25-snl-alumni-movie-performances-numbers-20-16/

https://toddmthatcher.com/2020/06/24/top-25-snl-alumni-performances-numbers-15-11/

Let’s get to it!

10. Randy Quaid, National Lampoon’s Christmas Vacation (1989)

Ahhh, Cousin Eddie. One of the funniest supporting characters in film history with Quaid’s performance as the black sheep of the Griswald family. He was great in Vacation as well, but his work in the Yuletide classic gets the nod. Quaid only appeared in one ill-fated season of the show from 1985-86.

9. Kristin Wiig, Bridesmaids (2011)

Wiig is one of the greatest SNL performers period and her first starring role was a blockbuster showcase for her immense talents. Her costar Maya Rudolph deserves a shout out for her performance as well.

8. Eddie Murphy, The Nutty Professor (1996)

Beyond his terrific work as Sherman Klump and Buddy Love, this update of the Jerry Lewis tale also finds the versatile star hilariously playing nearly every member of the Klump clan under Rick Baker’s amazing makeup work. This was deservedly a major comeback vehicle for Murphy.

7. Robert Downey Jr., Iron Man (2008)

People tend to forget that Downey was a cast member in the forgettable 1985-86 season that Quaid was a part of. There’s other performances that I could have included here (including other Avengers work), but I’ll give his first appearance in his signature role the attention it warrants.

6. John Belushi, National Lampoon’s Animal House (1978)

This is the first breakout role for a SNL cast member and it’s absolutely one of the best with Belushi’s iconic performance as John Blutarsky (or Bluto). You can still find his photo chugging Jack Daniels in many a college dorm across the country.

We will reach the top 5 in short order! Stat tuned…

A Futile and Stupid Gesture Movie Review

David Wain’s A Futile and Stupid Gesture centers on a Golden Age of comedy while attempting to tell a conventional biopic story line somewhat unconventionally. At times, it succeeds. In others, it strains itself. The overall effect is a retelling of moments that led millions of us to some of our biggest laughs in print and onscreen, even if the humor here is hit or miss.

The film’s central figure is Doug Kenney (Will Forte) of Chagrin Falls, Ohio (as he constantly reminds us). He grew up in that affluent Ohio suburban setting in the 1950s with uppity parents and a family tragedy that seems to inform his feeling of self-worth. However, he’s got one whip smart sense of humor and it translates to his time at Harvard. He partners with fellow humorist – the ironically pipe smoking Henry Beard (Domhnall Gleeson) and they excel at producing the “Lampoon”, the university’s premier comedy publication. While this Ivy League duo could pretty much get any job, Doug convinces Henry to expand the magazine nationally. Hence the “National Lampoon” and the treasure trove of history that follows.

Kenney and Beard’s venture turns out to be a runaway success that provides a platform for brilliant writers such as Michael O’Donoghue and P.J. O’Rourke and performers Chevy Chase, Gilda Radner, John Belushi, and Bill Murray to shine. It’s obvious to say that “Saturday Night Live” never would have existed without Kenney and Beard and that’s acknowledged here. Some of these later famous faces are given seconds of screen time and others considerably more. In a movie about the advent of ironic comedy in many respects, there’s some casting irony here. Joel McHale is Chevy Chase, an actor who dealt with the well-documented difficult nature of Chevy himself on the set of “Community”. Martin Mull is the narrator of Gesture as the older man who Kenney himself never became. The screenplay gleefully acknowledges the many clichés that come with making a biopic. The drug use, strained romantic relationships, and family drama are presented here, but with a winking eye.

The picture often plays like a greatest hits of Kenney’s accomplishments. His contributions to the big screen were short but monumental with National Lampoon’s Animal House and Caddyshack. The screenplay doesn’t linger long on either and perhaps it could have benefited with more minutes spent on the party atmosphere of the former and the coke fueled chaos of the latter.

A Futile and Stupid Gesture is clearly made by a team who reveres its central subject. It doesn’t delve too far into Kenney’s considerable issues in an attempt to keep the tone fairly light. Yet it also doesn’t fully enjoy the opportunities to spend time with these young upstarts who would become comedy legends. That creates a sometimes unwieldy mix. Forte certainly impresses in the lead and there’s a few memorable supporting turns, including Matt Walsh as the magazine’s beleaguered financier and Ed Helms in a brief, but devastatingly biting scene as interviewer Tom Snyder.

There are segments of Gesture that remind us to thank our lucky stars for the existence of the people chronicled here. It doesn’t fully succeed as a stand-alone movie that ironically apes the biopic genre that it finds itself in, though it tries hard. In fact, it sometimes tries a little too hard to be ironic. The makers of the “Lampoon” shown here probably would have known how to make it a little funnier and let the serious moments be a tad more subtly rewarding.

**1/2 (out of four)