Top 25 SNL Alumni Movie Performances: Numbers 25-21

It’s time for another list on this here blog of mine and Saturday Night Live has been on the mind lately. With The King of Staten Island garnering solid reviews and serving as a launching pad for the film career of current cast member Pete Davidson, I’ve decided to compile my own personal list of top 25 performances from the 45 years of SNL alumni.

And this is sure to be a list where many moviegoers would have their own choices that do not reflect my own. Obviously SNL has a rich history of performers that have made the transition to the big screen and there are lots of notable comedic (and some dramatic) highlights.

A couple of notes before we start with numbers 25-21:

  • There are couple well-known actors that I chose to leave on the cutting room floor due to their very brief tenures on the show. Ben Stiller was a cast member for only 4 episodes and Laurie Metcalf was a not ready for prime time player for exactly 1 show. That didn’t seem like enough to include them. In short, if you lasted a season or more on SNL, you are eligible.
  • This list is undeniably dominated by men. That’s just a fact. On the other hand, if I did a list that included TV (which I may after this), you would certainly see a more substantial presence of former female performers. Think Tina Fey, Amy Poehler, Julia Louis-Dreyfus, and their acclaimed small screen work.
  • We have a couple of cinematic legends like Eddie Murphy and Bill Murray and I could have chosen plenty of their roles for inclusion. I tried to limit that, but you will see them make quite an impact in the top 25.

And with that, let’s get to the list!

25. Jan Hooks, Pee Wee’s Big Adventure (1985)

OK, maybe this is cheating a little bit since Ms. Hooks (who was brilliant on SNL) gets about three minutes of screen time in Tim Burton’s team-up with Paul Reubens for his iconic character. Yet her work as the cheery tour guide with the southern drawl is so memorable that I couldn’t leave it off. Six words: “There’s no basement at the Alamo!”

24. Bill Hader, It Chapter Two (2019)

Hader has been one of the most versatile cast members in recent times and has had memorable film roles in Superbad and Trainwreck, among others. I include this horror sequel because he was the undeniable bright spot in an otherwise inferior sequel.

23. Will Forte, MacGruber (2010)

Count me in as one of the ardent defenders of this SNL spin-off featuring Forte doing a feature length version of his idiotic MacGyver like role. MacGruber was a box office flop upon release but has since turned into a deserved cult classic (with a rumored sequel happening).

22. Tina Fey, Mean Girls (2004)

Before her fantastic work on 30 Rock, Fey wrote this hit comedy that has spawned a massive following and a Broadway musical. Her work as a teacher here served as a springboard to an impressive TV and movie career.

21. Billy Crystal, When Harry Met Sally… (1989)

Crystal has certainly had his share of hits, but I’ll give the nod to his romantic leading man role opposite Meg Ryan in Rob Reiner’s blockbuster.

That does it for now, folks! I’ll continue the list with numbers 20-16 in short order…

Good Boys Movie Review

Yes, there’s an apt comparison to be made between Good Boys and 2007’s Superbad. This is kind of the middle school version of that movie from over a decade ago. Seth Rogen and Evan Goldberg wrote the latter and they serve as producers here. Both involve young boys with their dirty minds trying to make it to a party that they view as potentially life changing (all events are greatly elevated in status at these ages).

What both get right is portraying the naïveté of their central characters. They may talk a good game in their minds, but there’s a whole lot about sex and drugs that they simply don’t understand yet. There’s inherent humor in that. Plenty of raunchy youth comedies are simply in it for the gross out humor. Another layer exists here and it’s one of sweetness to occasionally balance out the R rated aspects.

Max (Jacob Tremblay), Lucas (Keith L. Williams), and Thor (Brady Noon) have just entered the wild world of middle school. Their curiosity level when it comes to girls, beer, and after school get togethers is in peak form. They christen themselves The Beanbag Boys since a good chunk of their lives are spent playing games and conversing while sitting on them. Max has a crush on a fellow student and might have an opportunity to make his move at a party that the cool kids invite him to. Thor is more interested in excelling at the school musical (an ill conceived pint size rendering of Rock of Ages), but struggles with that since the cool kids don’t think that’s cool. Lucas has a happy life that’s disrupted by parental divorce. He’s unlikely to ever be the cool kid and doesn’t quite know that yet.

The boys friendship is tested over a long day where they skip school, steal Max’s dad’s fancy drone, and turn into amateur ecstasy dealers so they don’t get in deeper trouble (it all makes sense in context). The laugh ratio here is pretty high as the trio must learn about kissing (the porn sites they go don’t help much) and dealing with college kids to score drugs.

Tremblay is the famous kid of the bunch as he’s known for his impressive serious work in Room and Wonder. He gets to drop some F bombs for the first time and he looks precocious doing it. I would say it’s Williams, however, that shines the brightest. The couple scenes with his splitting parents are comedic highlights. They display what makes Good Boys work best. It’s funny, but with an undertone of these kids learning the real world for the first time. Like Superbad, the central figures come to discover life will exist beyond their childhood friendships. It takes plenty of crass jokes to get them there, but those gags work more often than they don’t.

*** (out of four)

Booksmart Movie Review

Booksmart is about intelligent people with a lot left to learn. It’s a teen comedy that exists within the confines we expect. Yet it does so with characters who are flawed and likable and not stereotypical. As a directorial debut for Olivia Wilde, it’s a stylish accomplishment with a keen eye for casting. Like Superbad from over a decade ago, it convinces us that the two leads are best friends with a long history.

Kaitlyn Dever is Amy. She’s been out of the closet for two years and is planning a summer sabbatical in Africa post graduation. Amy hasn’t been out socially in her formative years and neither has her BFF Molly (Beanie Feldstein). She’s the class president with a ticket to Yale and a crush on the hunky VP who’s Mr. Popularity. On the final day of school, the duo decide to finally attend the biggest grad party of them all. It takes various excursions to get there and it doesn’t help that they don’t know the address.

As we suspect, Amy and Molly’s bond is tested as crushes are explored and unexpected romantic interests materialize. Both performers do a remarkable job with their chemistry and individual moments. A heated argument between them is shot to perfection. With a screenplay from four female writers, their interplay seems heartfelt and real.

That’s not to say some cliches aren’t overdone. Of course they’re going to be accidentally drugged, but the animated sequence accompanying that occurrence is a joy. Wilde’s hubby Jason Sudeikis shows up as the school principal/Lyft driver. Lisa Kudrow and Will Forte are Amy’s parents. These are well known comic actors, but the young adults playing high schoolers in the supporting cast truly stand out. This includes Billie Lourd as a rich girl who seems to be everywhere at all times and Skyler Gisondo as her best bud who tries too hard but has his heart in the right place.

That description applies to Booksmart as a whole. Like many of the best pics in this genre, it’s happily R rated. The writers don’t pigeonhole the kids as know it alls or morons, but as genuine seniors who make mistakes and do the right thing often when tested. Booksmart doesn’t always break the mold in this well worn genre, but it provides plenty of laughs and sincerity as Amy and Molly turn a page.

*** (out of four)

Good Boys Box Office Prediction

Good Boys is looking to become this summer’s Superbad when the raunchy comedy debuts next weekend. Marking the directorial debut of Gene Stupnitsky, the film centers on three preteens doing R rated shenanigans. The kids are played by Jacob Tremblay of Room and Wonder fame, as well as unknowns Keith L. Williams and Brady Noon. Costars include Will Forte, Molly Gordon, and Lil Rel Howery.

Keeping with the Superbad theme, Boys comes from Seth Rogen and Evan Goldberg’s production company, who wrote that 2007 hit. The pic was first unveiled in March at the South by Southwest Festival to positive reaction. The Rotten Tomatoes score is at 78%.

That said, the buzz for this doesn’t seem as high. The chance for this to over perform is there. Yet I’m skeptical this earns half of the $33 million achieved by Superbad, which premiered over the same late summer weekend a dozen years ago. In fact, its debut might be in the preteens just like its stars.

Good Boys opening weekend prediction: $14.3 million

For my The Angry Birds Movie 2 prediction, click here:

https://toddmthatcher.com/2019/08/06/the-angry-birds-movie-2-box-office-prediction/

For my 47 Meters Down: Uncaged prediction, click here:

https://toddmthatcher.com/2019/08/08/47-meters-down-uncaged-box-office-prediction/

For my Blinded by the Light prediction, click here:

https://toddmthatcher.com/2019/08/11/blinded-by-the-light-box-office-prediction/

For my Where’d You Go, Bernadette prediction, click here:

https://toddmthatcher.com/2019/08/11/whered-you-go-bernadette-box-office-prediction/

Summer 2007: The Top 10 Hits and More

Well it’s Throwback Thursday and I’m giving you the culmination of my three-part series recounting the movie summers of 30, 20, and 10 years ago. We’ve already gone back to memory lane in 1987 and 1997. If you missed either of those posts, you can find them here:

https://toddmthatcher.com/2017/08/01/summer-1987-the-top-10-hits-and-more/

https://toddmthatcher.com/2017/08/04/summer-1997-the-top-10-hits-and-more/

That means I’m traveling back a decade ago to 2007 and it’s a summer where threequels were majorly in vogue, accounting for four of the top six grossing pictures. Sequels were pervasive in general in this particular season and it was a breakout summer for one Seth Rogen.

As I have with these previous entries, I’ll count down the top ten hits as well as other notable pics and some flops.

Let’s get to it!

10. Rush Hour 3

Domestic Gross: $140 million

The third and final pairing of Jackie Chan and Chris Tucker in this action comedy franchise is our first threequel on the list. It fell a steep $86 million short of what Rush Hour 2 accomplished six seasons earlier.

9. Knocked Up

Domestic Gross: $148 million

The comedic summer breakout continued Judd Apatow’s hit streak after The 40 Yr. Old Virgin from two previous summers and gave Seth Rogen his first big leading role. Katherine Heigl may have inexplicably trash talked it later, but audiences disagreed.

8. The Simpsons Movie

Domestic Gross: $183 million

Arriving nearly two decades after the still going FOX animated series debut, The Simpsons Movie surpassed all expectations with its gargantuan gross. Just last month, producers announced there’s been traction on a planned sequel.

7. Ratatouille

Domestic Gross: $206 million

Our second animated entry comes from the Pixar conglomerate. The critically hailed rat tale actually experienced one of the lowest openings for Pixar, but it still managed to top $200 million and its reputation has only grown.

6. The Bourne Ultimatum

Domestic Gross: $227 million

Matt Damon’s third go-round as the title character is still the highest grossing entry of the franchise and the only to pass $200 million. The star returned to the series just last summer.

5. Harry Potter and the Order of the Phoenix

Domestic Gross: $292 million

The fifth installment of the $2 billion plus franchise marks the first one directed by David Yates, who would make the following three pics as well. It stands #5 of the 8 Potter pics in domestic gross.

4. Pirates of the Caribbean: At World’s End

Domestic Gross: $309 million

The third Pirates flick is when critics really started to turn on the series. Getting past $300 million is nothing to sneeze at, but it is nearly $115 million lower than its predecessor Dead Man’s Chest just one summer before.

3. Transformers

Domestic Gross: $319 million

Michael Bay’s bot series started a decade ago and it’s still going. The original ranks third of the five in grosses as its two sequels topped it, but the last two have fallen under it.

2. Shrek the Third

Domestic Gross: $322 million

Much like Pirates, this is when reviewers started to sour on this series. It was still chugging along, but it did fall $120 million below Shrek 2.

1. Spider-Man 3

Domestic Gross: $336 million

Anyone noticing a pattern here? Once again – a third franchise entry where critics started sharpening their knives. This end to the Sam Raimi Spidey trilogy was considered a big letdown in quality, yet it still topped the summer while earning less than its two predecessors.

And now for some other notable pictures of summer 2007:

Live Free or Die Hard

Domestic Gross: $134 million

From a pure numbers standpoint, it’s the highest grossing pic to feature Bruce Willis in his signature role of John McClane (though that changes when adjusting for inflation). From a pure entertainment standpoint, the decision to make this the only PG-13 Die Hard film was a bit puzzling.

Superbad

Domestic Gross: $121 million

Mr. Rogen’s big summer kept rolling along with this acclaimed comedy in which he costarred and co-wrote. Jonah Hill, Michael Cera, and McLovin became household names due to this.

I Now Pronounce You Chuck and Larry

Domestic Gross: $120 million

Before his movies moved to Netflix, Adam Sandler could still crank out $100M+ earners just a decade ago, even if it was this stale comedy co-starring Kevin James.

Hairspray

Domestic Gross: $118 million

Based on both the John Waters 1988 pic and the Broadway musical that followed it, Hairspray featuring John Travolta, Michelle Pfeiffer, and Christopher Walken performed above expectations.

Ocean’s Thirteen

Domestic Gross: $117 million

Worth mentioning because it’s yet another threequel that couldn’t quite match the grosses of the first two. An all female version of the Ocean’s franchise is soon coming to a theater near you.

Once

Domestic Gross: $9 million

That may be appear to a small gross, but this little Irish romantic musical came out of nowhere stateside and has achieved a devoted following. It’s even been adapted into a Broadway play.

And now for some of the flops of summer 2007:

Evan Almighty

Domestic Gross: $100 million

Yes, it may have crossed the century mark, but this spin-off of 2003’s Bruce Almighty was considered the flop of the season. Starring Steve Carell fresh off the acclaimed 40 Yr. Old Virgin, this family feature came with a reported $175 million budget. Audiences and critics weren’t impressed.

Stardust

Domestic Gross: $38 million

This fantasy flick with Claire Danes, Robert De Niro, and Michelle Pfeiffer only earned a bit more than half its $70 million budget domestically. However, director Matthew Vaughn has bounced back in a significant way with Kick-Ass, X-Men: First Class, and Kingsman: The Secret Service. 

The Invasion

Domestic Gross: $15 million

Another remake of Invasion of the Body Snatchers, bad reviews sunk this pic that featured Nicole Kidman and Daniel Craig, fresh off his heralded debut as James Bond.

I Know Who Killed Me

Domestic Gross: $7 million

Lindsay Lohan was a long way from Freaky Friday and Mean Girls with this panned psychological thriller that featured the starlet as a stripper. Audiences turned away.

And that does it, folks! You can rest assure you’ll see summer posts recounting 1988, 1998, and 2008 in a year’s time…

Top Ten Summer Music Hits of 2007: A Look Back

Today on the blog, I continue on with my listing of the Top Ten Summer Hits from years past. I’ve already gone over both 1987 and 1997. If you missed those entries, you can find them here:

https://toddmthatcher.com/2017/07/07/top-ten-summer-music-hits-of-1987-a-look-back/

https://toddmthatcher.com/2017/07/11/top-ten-summer-music-hits-of-1997-a-look-back/

On this Throwback Thursday, we travel back a decade to 2007 to find what was burning up the charts in a summer where comedies like Knocked Up and Superbad were making us laugh, the Transformers franchise was just beginning, and Spider-Man 3 was overwhelming us with too many villains and Tobey Maguire dancing.

As I have with these posts before, I’ll rank them on my own (not exactly refined) musical scale of 1 (summer bummer) to 10 (summer fire) and let you know whether or not said song resides on my Apple Music playlist.

Let’s get to it!

10. “Make Me Better” – Fabolous feat. Ne-Yo

Brooklyn MC Fabolous starting making hits in 2001 and this Timbaland produced and string heavy track featuring Ne-Yo is one of his biggest. Timbaland always delivers good beats. It’s decent, though nothing too memorable.

My Rating: 6 and a half

Is It On My Apple Music?: No

9. “Bartender” – T-Pain feat. Akon

Like many of Mr. Pain’s tracks, this is made for careless nights at the club and in that sense, it’s perfect acceptable. Like some of those nights, however, you may have forgotten it by morning.

My Rating: 6

Is It On My Apple Music?: No

8. “Makes Me Wonder” by Maroon 5

The first single from Maroon 5’s long-awaited second album, this was actually their first #1 hit (a bit surprising considering the smashes from their debut release). It’s a catchy as heck pop concoction with Adam Levine’s fine vocals.

My Rating: 8 and a half

Is It On My Apple Music?: Yes

7. “Beautiful Girls” by Sean Kingston

Jamaican artist Kingston scored a huge one hit wonder here with this reggae tinged ode to a girl he loves. The lyrics are really quite disturbing if you think about them at all, but summer songs are all about enjoying them with the top down and this pretty much delivers.

My Rating: 6 and a half

Is It On My Apple Music?: No

6. “The Way I Are” by Timbaland feat. Keri Hilson

Grammatical issues aside, the second single from mega-producer Timbaland’s Shock Value album is a synth heavy standout jam. My goodness – this man was on fire in the mid 2000s.

My Rating: 8 and a half

Is It On My Apple Music?: Yes

5. “Buy U A Drank (Shawty Snappin’)” – T-Pain feat. Yung Joc

And now for the lead single from Mr. Pain’s second smash album. It’s another club anthem meant for quick consumption on a night out and it’s a notch above #9 “Bartender”.

My Rating: 6 and a half

Is It On My Apple Music?: No

4. “Hey There Delilah” by Plain White T’s

The signature tune from these Illinois rockers, this track was inescapable a decade ago. The ballad’s rating here perhaps suffers from its overexposure, but it does get in your head.

My Rating: 7

Is It On My Apple Music?: No

3. “Party Like a Rockstar” by Shop Boyz

The first and only hit from these Atlanta rappers, “Rockstar” merged the sounds of hip hop and rock that first gained exposure two decades earlier with Aerosmith and Run DMC. It’s the most downloaded ringtone of 2007. It’s not “Walk This Way”, but it’s fun.

My Rating: 6 and a half

Is It On My Apple Music?: No

2. “Big Girls Don’t Cry” by Fergie

The fourth single off her debut album and the third #1 from it, Black Eyed Peas songstress Fergie slowed it down here with this ditty. Truthfully, it was never among my favorite tracks that were singles but maybe I just gravitated toward other hits like “London Bridge”, “Glamorous”, and “Clumsy”. Still it’s solid. By the way, if that guy Fergie is romancing in the video looks familiar – that would Milo Ventimiglia or Jack from TV’s “This Is Us”.

My Rating: 7 and a half

Is It On My Apple Music?: No

1. “Umbrella” by Rihanna feat. Jay-Z

Now we’re talking! One of Rihanna’s best cuts, this was actually rejected by Britney Spears. Oops. With a fine assist from Mr. Shawn Carter (who co-wrote), “Umbrella” features a towering beat and is one of the endlessly played tracks that somehow doesn’t get old. It deserves its accolades.

My Rating: 10

Is It On My Apple Music?: Yes

Well, that does it folks! The last ten, twenty, and thirty years of summertime hits. Next summer – get ready for 1988, 1998, and 2008. And hitting the blog within days will be reviewing the movie summers of 1987, 1997, and 2007. Stay tuned!

Keeping Up with the Joneses Movie Review

Zach Galifianakis and Isla Fisher are two performers that made themselves known to the moviegoing masses with some outlandish roles where they got to let their freak flags fly in The Hangover and Wedding Crashers, respectively. So it’s a bit disconcerting to see them playing the typical dull suburban married couple in Keeping Up with the Joneses. Typical is a word that can be applied to a lot of what we see here. The film isn’t bad. It’s just ordinary. The leads aren’t bad either. They’re just more boring than we’re used to and a by the numbers screenplay doesn’t help them any.

The aforementioned actors play Jeff and Karen. He is a Human Resources manager whose daily routine consists of handing out stress balls and initiating trust exercises. She is mostly obsessed with the home decor of their lovely abode in a cul-de-sac, including the chic installation of a urinal. Some needed excitement comes to them when new neighbors move across the way and they’re the interesting and impossibly good looking Tim and Natalie Jones (Jon Hamm and Gil Gadot). Tim is the handsome travel writer. Natalie is the gorgeous cooking blogger/social media consultant who also rescues orphans (her LinkedIn page wins).

It’s not long before Karen’s nosiness has her thinking maybe they didn’t quite hit the neighbor jackpot. Turns out she’s right as the Joneses are actually secret government agents investigating nefarious happenings at Jeff’s workplace.

The Joneses real careers means we’re treated to a threadbare subplot involving tracking an arms dealer and some rather tepid action sequences. Yet this is mostly about the chemistry between the four leads as their marriages and friendships develop. It’s just too bad this is contained in a completely unimaginative formulaic manner.

The PG-13 rating does leave the raunch factor to a surprising minimum. This is a script where the sight of two women kissing (oh my!) is treated as a big punchline. Gadot does manage to hold her own playing against these three others known a bit more for the genre (as anyone who’s watched Hamm on SNL can attest to). We see some potential in moments as the bromance between Galifianakis and Hamm grows, but not enough. Greg Mottola, who’s made some fine comedic efforts with Superbad and the underrated Adventureland, is not at the top of his game here. This is the type of picture that the content yet slightly bored suburbanites depicted here might view with some contentment but mostly be bored. And not talk about it much afterwards.

** (out of four)

Blond Ambition: Who Should Play Madonna?

There’s a well known thing in Hollywood referred to as The Black List, a compilation of screenplays that have yet to be produced. Executives in the film industry vote on which ones that they think are the best. Since the inception of the list in 2005, some that have made it on there eventually became awards worthy material. This includes eventual Best Picture winners Slumdog Millionaire, The King’s Speech, Argo, and Spotlight. There’s Best Picture nominees like Babel, Juno, American Hustle, The Wolf of Wall Street, Whiplash, American Sniper and The Revenant. We have hit movies of all genres including Superbad, The Fighter, The Hangover, Arrival, and John Wick.

The 2016 Black List was released today and the pic that received the most votes caught my eye. It’s Blond Ambition, a biopic about Madonna that’s set in the 1980s as she was a struggling artist in NYC before becoming the world’s most famous Material Girl. Elyse Hollander is the screenwriter and it’s probably safe to assume this will be on the silver screen in relatively short order.

A well made Madonna biopic (paging Damien Chazelle to direct) could be quite a sight to behold. And, of course, it got me thinking. Who should play her? There’s always the option of casting an unknown. After all, taking on the role of music’s most successful female artist might work better with a performer unfamiliar to our eyes.

Yet one name in particular entered my mind when I read the news today: Chloe Grace Moretz. I think she could pull it off. Even if the film took a couple of years to get off the ground, she’s only 19 right now and would certainly fit the age appropriate timing of that are in its subject’s life. I also thought of Greta Gerwig and she could be interesting, but she’s in her early 30s and Madonna would be in her early to mid 20s here. It could still work though.

What say you? What other actresses could potentially do justice to Madge?

Sausage Party Movie Review

The comedic team of Seth Rogen and Evan Goldberg (they were childhood friends) was first witnessed by mass audiences in 2007’s inspired Superbad. That pic was conceived by the duo when they were young and that teen spirit infused it with a refreshing authenticity. Their cinematic marriage has since shown their fondness for raunchiness and weed. Nothing has quite hit the effectiveness of their first collaboration. Some have come pretty darn close (Pineapple Express, This is the End) while others have come up a bit shorter (The Watch, The Interview, The Night Before). Most of their works have performed well or at least decently at the box office (The Watch is a notable exception) and Sausage Party is the kind of movie you get to make when studios let you do whatever you want. It ends up on the higher scale of their work.

Party gives us the rare instance of a truly R rated animated flick. Rogen and Goldberg’s affection for vulgarity is on full display and one suspects it was green stuff other than money that may have assisted in coming up with the concept. Here it is: the food and products in your local grocery store are alive and blissfully unaware of what happens to them after they walk out of the sliding doors. Rogen’s Frank is a sausage and Kristin Wiig’s Brenda is a bun and they’ve been waiting to connect once they break out of their respective packages. In their understanding, this will occur once they’re purchased by the Gods (who are actually just your everyday consumers) and enter the Great Beyond outside of Shopwell’s.

A returned jar of honey mustard (voiced by Danny McBride) tries to warn his market friends of what lies ahead when their dream of freedom is met. Many are skeptical and what’s often most surprising about Sausage Party is its allegorical themes pertaining to religion and sex with some expected drug humor thrown in. It’s also chock full of bad puns (some quite hilarious) and plenty of the living products representing their stereotypes. The most obvious and amusing example? The villain of the establishment (voiced by Nick Kroll) is literally a Douche. We also have Sammy the Bagel, giving Edward Norton a chance to be funny and essentially do a Woody Allen impersonation and his ex-girlfriend Salma Hayek coming out of her shell as Theresa del Taco.

As mentioned, Goldberg and Rogen are free to do what they want here and Sausage Party does have plenty of uproariously inappropriate moments. There are also times when their out there idea is funnier in concept than actual execution. Additionally, the final gag practically begs for a post-credits sequence that never materializes. Still, at a brisk 88 minutes, this Party is fresh enough for consumption of its creators fans.

*** (out of four)

Keeping Up with the Joneses Box Office Prediction

Some familiar faces populate the action comedy Keeping Up with the Joneses, out next Friday. In fact, one of those faces is Zach Galifianakis, who just appeared in Masterminds, which performed poorly. Joneses and Masterminds have this in common: both were delayed by their studios, which usually isn’t a good sign.

This one costars Isla Fisher, Jon Hamm, and Gadot in a tale of a bored suburban couple whose lives are spiced up when a couple of secret agents move next door. Greg Mottola, director of Superbad and Adventureland, is behind the camera.

Keeping Up was originally scheduled to come out in April before its push back. Even with the talent involved, I’m not so sure the marketing campaign has been strong enough (or the trailers quite funny enough) to cause it to break out. There’s not much direct competition in the comedy genre, but there are a host of other pics clamoring for the attention of adult audiences.

This should hover right around low double digits. It should do better than the $6.5 million premiere of Galifianakis’s aforementioned early October effort Masterminds. Unfortunately, that’s not saying a whole lot for this late October release.

Keeping Up with the Joneses opening weekend prediction: $10.1 million

For my Jack Reacher: Never Go Back prediction, click here:

https://toddmthatcher.com/2016/10/11/jack-reacher-never-go-back-box-office-prediction/

For my Ouija: Origin of Evil prediction, click here:

https://toddmthatcher.com/2016/10/12/ouija-origin-of-evil-box-office-prediction/

For my Boo! A Madea Halloween prediction, click here:

https://toddmthatcher.com/2016/10/12/boo-a-madea-halloween-box-office-prediction/