There’s an air of authenticity to InstantFamily as its director Sean Anders and his wife are foster parents in the real world. Is it also a big Hollywood comedy with famous movie stars that works overtime to tug those heartstrings? It is, but the mission is mostly accomplished by credits roll.
Pete (Mark Wahlberg) and Ellie Wagner (Rose Byrne) spend their days flipping houses and enjoying their child free upper middle class existence. A trip down the Internet wormhole gets Ellie intrigued in adopting a toddler. Pete gets on board in short order and we witness the steps needed to do so. This include a weeks long course led by two social workers played by Octavia Spencer and Tig Notaro. Both are rock solid casting choices. An interesting picture could certainly be made about the saints of that profession.
Pete and Ellie get more than they bargained for when teenage girl Lizzy (Isabela Moner) catches their attention. She has two younger siblings in tow and soon it’s a quintet filling a freshly refurbished abode. And there’s plenty of drama (with much humor mixed in) that cause the Wagners to question their new life direction. This isn’t simply a new project.
This is far from a hard-hitting expose on the foster care system. Yet the screenplay from Anders and John Morris doesn’t shy away from the issues that fill it, including addiction, abandonment, and self-worth. It walks a fine line between being effective or risking becoming too mushy for its own good. By the third act, the sentimentality is still strong with this one. However, I’d be deceptive if I said it hadn’t won me over. Much of that has to do with Moner’s touching performance as the untrusting youth and fierce protector of her siblings.
Anders knows this subject and even while there’s a polished Tinseltown shine covering it, his heart comes through. I left Family appreciative of the time spent with them.
Mark Wahlberg and Rose Byrne are a couple who bring in a trio of foster kids in next weekend’s comedy InstantFamily. The pic reunites Wahlberg with director Sean Anders, who made both of the successful Daddy’sHome features. Costars include Isabela Moner, Octavia Spencer, and Tig Notaro.
Family was originally scheduled to hit screens in February 2019 before Paramount pushed up the date. It will try to bring in family audiences on a weekend where FantasticBeasts: TheCrimesofGrindelwald opens directly against it and TheGrinch will be in its sophomore frame. That could certainly limit the potential for a robust debut, but the studio will hope that word of mouth carries it to a leggy run over the holidays.
I’ll predict a high teens teens premiere is what we’ll see as the currently unknown buzz will determine the rest of its fate.
InstantFamily opening weekend prediction: $19.4 million
For my FantasticBeasts: TheCrimesofGrindelwald prediction, click here:
Jurassic World: Fallen Kingdom isn’t the only high-profile sequel to a 2015 release coming to a theater near you this month. Sicario: Day of the Soldado follows up on the critically acclaimed Denis Villeneuve crime drama that garnered three Oscar nominations in that year. Soldado debuts a week from tomorrow and reviews are already out.
The verdict? Somewhat mixed as it stands at 65% on Rotten Tomatoes at press time. That’s a pretty far cry from the 93% that its predecessor earned. Interestingly, I’ve seen at least two critical reactions that compare it to Rambo: First Blood Part II. Go figure. Even with its great buzz from reviewers, 2015’s Sicario missed out on the big nominations, including Picture, Director, Original Screenplay, and Benicio del Toro for Supporting Actor. The pic did receive nods for the Cinematography of Roger Deakins, the late Johann Johannsson’s Score, and Sound Editing. Deakins does not return here and he finally won a long deserved statue for last year’s Blade Runner 2049. Villeneuve was busy with 2049 as well and Stefano Sollima takes over directorial duties here.
Bottom line: the Soldado reaction leaves it as an extreme long-shot for any recognition, while part 1 found itself more in the mix.
Not your traditional summer sequel involving superheroes, dinosaurs or animated characters, Sicario: Day of the Soldado arrives in theaters next weekend and hopes to serve as counter programming to said seasonal blockbusters. The pic is a follow-up to 2015’s Sicario, Denis Villeneuve’s critically acclaimed crime thriller that garnered three Oscar nominations. Benicio del Toro and Josh Brolin (this summer’s reigning sequel king) reprise their roles from the original, though Emily Blunt does not appear (she’s been busy with A Quiet Place and Mary Poppins Returns). New costars include Isabela Moner, Jeffrey Donovan, Catherine Keener, and Matthew Modine. As for Villeneuve, he’s moved onto Arrival and Blade Runner 2049 and Italian director Stefano Sollima is now on board. The original’s screenwriter, Taylor Sheridan (who also is responsible for Hell or High Water and Wind River), is back penning this sequel.
Sicario opened in the fall of 2015 and its first wide release weekend brought in $12.1 million with an eventual gross of over $46 million domestically (it earned $85 million total worldwide against a reported budget of $30 million). Soldado may manage to slightly outpace that debut number of part 1 and a sequel is apparently already in the works. That premiere could put it in a battle for third place with the weekend’s other newcomers (Uncle Drew) and behind Jurassic World: Fallen Kingdom and Incredibles 2.
Sicario: Day of the Soldado opening weekend prediction: $13.8 million