Best Picture 2006: The Expanded Ten


Earlier this year, I completed a blog series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2007 and 2008 and you can peruse my posts on them here:

We begin with the obvious. There’s a quintet of titles that would’ve made the dance because they already did. Martin Scorsese’s The Departed was the first title from the legendary filmmaker to win BP and he also won his only statue for direction. It additionally took home Adapted Screenplay and Film Editing and nabbed Mark Wahlberg a Supporting Actor nod.

The other four contenders were Babel from Alejandro Gonzalez Inarritu, picking up 7 nominations with its sole victory in Original Score. Clint Eastwood’s Letters from Iwo Jima got in for BP, Director, Original Screenplay, and won for Sound Editing. Little Miss Sunshine had two trophies for Supporting Actor (Alan Arkin) and Original Screenplay. Helen Mirren’s podium trip in Actress for Stephen Frears’s The Queen was the only win in its six mentions.

So what else? Bill Condon’s Dreamgirls managed to underperform on nominations morning and still lead with 8 overall nods. Jennifer Hudson took Supporting Actress and it was honored for its Sound Mixing. Despite it not garnering BP, Director, or a screenplay mention, I think it gets in with an expanded ten.

Same goes for Blood Diamond which went 0 for 5 but scored key noms in Actor (Leonardo DiCaprio), Supporting Actor (Djimon Hounsou), and Film Editing.

Todd Field’s Little Children got BP love at Critics Choice and the Globes with Oscar nods for Actress (Kate Winslet), Supporting Actor (Jackie Earle Haley), and Adapted Screenplay. The acclaim probably puts it in.

Paul Greengrass made the final five for his direction of United 93, which also had a Film Editing mention. It makes my cut as well.

As for the 10th slot, options abound. Al Gore’s environmental documentary An Inconvenient Truth was a box office success (especially for the genre) and went 2/2 in its nominations in Documentary Feature and Original Song. I almost picked it to make the ten. Notes on a Scandal received four mentions for its leads Cate Blanchett and Judi Dench and its adapted screenplay and score. You could easily put it in the mix and I wouldn’t argue. Children of Men from Alfonso Cuaron received three noms in Adapted Screenplay, Cinematography, and Film Editing. Clint Eastwood had another WWII epic with Flags of Our Fathers which was up in both sound races. And Borat was a buzzy phenomenon which received an Adapted Screenplay nomination.

Yet I’m going with Pan’s Labyrinth as my final selection. Even though it lost the Foreign Language Film race to Germany’s The Lives of Others, Guillermo del Toro’s creation was up in six races and won three – Art Direction, Cinematography, and Makeup.

That means my expanded ten consists of:

Babel

Blood Diamond

The Departed

Dreamgirls

Letters from Iwo Jima

Little Children

Little Miss Sunshine

Pan’s Labyrinth

The Queen

United 93

I’ll have 2005 up for your reading pleasure soon!

Oscars: The Case of Cate Blanchett in Tár

Cate Blanchett’s character in Todd Field’s Tár is an EGOT (Emmy, Grammy, Oscar, Tony) recipient. Can she nab a third O in her acclaimed filmography? She’s the first Best Actress hopeful up in my Case Of posts.

The Case for Cate Blanchett:

In 2004, Blanchett won Supporting Actress for The Aviator. Nine years later, it was a lead victory for Blue Jasmine. Nine years after that, Tár gave her plenty of career best notices. Rewards have been many from regional critics groups and the Critics Choice Awards and the Golden Globe in the Drama category.

The Case Against Cate Blanchett:

Michelle Yeoh in Everything Everywhere All at Once. She’s picked up a few regional mentions as well and was the Globes recipient among the Musical or Comedy quintet. If Everything is the big winner on Oscar night (and it certainly could be), Yeoh could be swept in.

Previous Nominations (*denotes WON):

Elizabeth (Actress, 1998); *The Aviator (Supporting Actress, 2004); Notes on a Scandal (Supporting Actress, 2006); Elizabeth: The Golden Age (Actress, 2007); I’m Not There (Supporting Actress, 2007); *Blue Jasmine (Actress, 2013); Carol (Actress, 2015)

The Verdict:

Yeoh is a serious competitor and this sure looks like a two-person race. I have Blanchett slightly out front, but not by much.

My Case Of posts will continue with the first Best Actor entry. That’s Austin Butler as Elvis!

Case of posts for the other Actress contenders can be accessed here:

Oscars 2021: The Case of Judi Dench

Judi Dench’s role as Granny in Kenneth Branagh’s Belfast is the third Case Of post for the Supporting Actress nominees. If you didn’t catch the first two, they can be accessed here:

Oscars 2021: The Case of Jessie Buckley

Oscars 2021: The Case of Ariana DeBose

The Case for Judi Dench:

The legendary veteran scored her 8th nomination and that’s 8 more than her four competitors have received… combined. She’s actually won just once for Shakespeare in Love and that was 23 years ago. The Academy could feel it’s time to honor her again and the fact that she surprisingly got in over costar Caitriona Balfe could be proof of that.

The Case of Judi Dench:

As mentioned, it was certainly a surprise nomination (perhaps more so than any other of the 16 acting hopefuls). Dench didn’t make the cut for the Golden Globes, SAG, Critics Choice, or even BAFTA.

Previous Nominations: 7

Mrs. Brown (1997 – Actress); Shakespeare in Love (1998 – Supporting Actress, WON); Chocolat (2000 – Supporting Actress); Iris (2001 – Actress); Mrs. Henderson Presents (2005 – Actress); Notes on a Scandal (2006 – Actress); Philomena (2013 – Actress)

The Verdict:

The tally should continue to be one victory for Dench as Ariana DeBose (West Side Story) is the overwhelming favorite.

My Case Of posts will continue in Supporting Actor with Jesse Plemons in The Power of the Dog

James Bond: An Oscar History

Of the six actors to have played the most famous spy in cinematic history, only one of them has ever been nominated for an Oscar. That would be, of course, Sean Connery and he was victorious in 1987 for his supporting work in The Untouchables. It is worth noting that the last two Bonds (Pierce Brosnan, Daniel Craig) have Golden Globes nods in the Musical/Comedy category for The Matador and Knives Out, respectively.

With the recent death of Sir Connery, this got me thinking… how many actors from the nearly 60 year old franchise have been recognized by the Academy? And how much Oscar attention has the series itself received? For the first question, it was rather limited until Craig took over the role. For the second question, 9 out of the 24 official 007 entries have managed to get on awards voters radar screens. So let’s break it down, shall we?

Goldfinger (1964) was the third feature in the franchise and it marked the first nomination and win for the Bond catalogue. The pic took the Best Sound Effects trophy. One year later, Thunderball won for its Visual Effects. Connery’s final official appearance in 1971’s Diamonds Are Forever resulted in a nod for its sound.

When Roger Moore took over the part, his debut saw the first theme song nominated courtesy of Paul McCartney’s title track to 1973’s Live and Let Die. There would also be song nods for both The Spy Who Loved Me (1977) and For Your Eyes Only in 1981. Spy would mark the first Bond flick to score multiple mentions with its score and art direction. And Moore’s 1979 space opus Moonraker was nominated for its visual effects.

George Lazenby’s one-off appearance in On Her Majesty’s Secret Service, Timothy Dalton’s two 1980s pictures, and the 1990s-early 2000s four film Pierce Brosnan run yielded zero Oscar mentions. Same goes for Craig’s first two outings Casino Royale and Quantum of Solace. 

So it had been over 30 years since a Bond adventure had been recognized on Oscar night when 2012’s Skyfall landed a franchise record 5 nominations. It won two with Adele’s theme song and its sound editing. The other nods were Score, Sound Mixing, and Cinematography. The song love would continue with 2015’s Spectre when Sam Smith won for his tune.

Add that up and we have 15 total nominations for the series and 5 wins.

We move to the thespians and their fortune at the big show. As mentioned, before the recent run of Craig titles, it was a bit limited. In fact, the number of actors who are Oscar nominees from the Craig run nearly equals everything that came before it. Giancarlo Giannini appeared in Casino and Quantum and he was a Best Actor nominee in 1975 for Seven Beauties. Ralph Fiennes (otherwise known as M) is a double nominee for Schindler’s List and The English Patient. Naomie Harris (or Moneypenny) achieved a Supporting Actress mention for 2016’s Moonlight. Albert Finney showed up in Skyfall and he was nominated five times in his long career. Craig’s original “M” was Judi Dench and she dates back to the Brosnan era. She’s a one-time winner with 6 other nominations.

That’s just the good guys. In the Craig era, the villains come with serious awards cred. Javier Bardem from Skyfall had taken Supporting Actor five years earlier in No Country for Old Men and is a two-time Best Actor nominee for Before Nights Falls and Biutiful. Christoph Waltz (Spectre) is a double Supporting Actor winner with Inglourious Basterds and Django Unchained. And the next pic – the oft delayed No Time to Die – has Rami Malek as its main baddie. In 2018, he gave his acceptance speech for Bohemian Rhapsody. 

Going back to the beginning, From Russia with Love featured Lotte Lenye (a 1961 nominee for The Roman Spring of Mrs. Stone) and Robert Shaw (nominated three years after Russia for A Man for All Seasons). And that’s actually the extent of performers from the Connery era nominated for Oscars… sort of. The legend did return to the role in 1983’s Never Say Never Again, though it is not considered part of the “official” catalogue. It does boast three Academy players with Klaus Maria Brandauer (Out of Africa), Max Von Sydow (Pelle the Conquerer and Extremely Loud and Incredibly Close), and Kim Basinger (Supporting Actress recipient for 1997’s L.A. Confidential).

Telly Savalas costarred with Lazenby in Secret Service and he was nominated seven years earlier for his work in Birdman of Alcatraz. In the Moore era, there’s just Topol. He’s best known his nominated work in Fiddler on the Roof and he costarred in For Your Eyes Only. In the Dalton double feature, we have Benicio del Toro as he was a henchman in Licence to Kill. Over a decade later, he would win Supporting Actor for Traffic and get another nod for 21 Grams. Things picked up a bit with Brosnan. In addition to Dench, a trio of actresses were on their way or had already achieved nominations. Halle Berry co-headlined Die Another Day one year after winning Actress for Monster’s Ball. Minnie Driver had a small role in Goldeneye and would have her breakout part (along with Supporting Actress inclusion) two years later with Good Will Hunting. And Rosamund Pike was also in Die Another Day a decade plus before her Actress nod for Gone Girl. 

A final word. Not one of the 24 released 007 features has achieved any acting, directing, writing, or picture nominations of its own. Skyfall probably came the closest as some prognosticators wondered whether it could be the first to nab a Picture nod. It didn’t materialize, but its five nominations indicate it might have come the closest. Indeed, Daniel Craig’s time as Bond has seen him costar with the most Academy friendly costars. Let’s see if the next performer to play the iconic spy gets to act alongside that same kind of pedigree.

A Marvel Cinematic Oscar History: Best Supporting Actress

Wrapping up my look back at the 110 Oscar nominees and 20 winners that have appeared in the Marvel Cinematic Universe since Iron Man in 2008 and continuing through its next two releases (Black Widow and The Eternals), we arrive at Best Supporting Actress. If you missed my posts for the lead races and Supporting Actor, you can find them here:

https://toddmthatcher.com/2020/04/12/a-marvel-cinematic-oscar-history-best-actor/

https://toddmthatcher.com/2020/04/14/a-marvel-cinematic-oscar-history-best-actress/

https://toddmthatcher.com/2020/04/16/a-marvel-cinematic-oscar-history-best-supporting-actor/

Supporting Actress has the least number of nominees (19), but equals the most victories with six (tying Best Actor). We start with those six gold recipients:

Tilda Swinton, who appeared in Doctor Strange, won in 2007 for Michael Clayton

Marisa Tomei, Aunt May in the Spider-Man pics, was a surprise victor in 1992 for My Cousin Vinny

Cate Blanchett, the villainess in Thor: Ragnarok, in 2004 for The Aviator

Lupita Nyong’o, of Black Panther, for 2013’s 12 Years a Slave

Rachel Weisz, who’s in the forthcoming Black Widow, for 2005’s The Constant Gardner

Angelina Jolie, who will appear in The Eternals, in 1999’s Girl, Interrupted

As for the 13 other nominees:

Scarlett Johansson, aka Black Widow, for last year’s Jojo Rabbit

Natalie Portman, Thor’s flame, for 2004’s Closer

Glenn Close, who appeared in Guardians of the Galaxy, is a three-time nominee in this category for 1982’s The World According to Garp, 1983’s The Big Chill, and 1984’s The Natural

Rachel McAdams, also of Doctor Strange, for 2015’s Spotlight

Marisa Tomei was nominated twice more after her Vinny win for 2001’s In the Bedroom and 2008’s The Wrestler

Cate Blanchett received two additional nods for 2006’s Notes on a Scandal and 2007’s I’m Not There

Annette Bening, from Captain Marvel, for 1990’s The Grifters

Florence Pugh, costar of the upcoming Black Widow, for last year’s Little Women

Rachel Weisz received another nod for 2018’s The Favourite 

And that concludes my look back on the MCU and its Oscar pedigree. Hope you enjoyed!