As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!
Previous Directing Nominations:
None
The Case for Jonathan Glazer:
The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).
The Case Against Jonathan Glazer:
Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.
The Verdict:
Barring a massive upset, Nolan towers over all competitors.
My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…
Jonathan Glazer takes his time between projects. Holocaust drama The Zone of Interest is his fourth feature in two decades plus. Starting out as a commercial and music video maker, his 2000 debut was the acclaimed Sexy Beast which earned Ben Kingsley a Supporting Actor nod. Follow-up Birth in 2004 nabbed Nicole Kidman an Actress nom at the Golden Globes in Actress (Drama). Glazer’s third effort Under the Skin from 2013 with Scarlett Johansson wasn’t an Oscar or Globes player, but the sci-fi pic garnered plenty of rapturous reviews.
A decade later, Interest may well put him in an awards zone beyond the actors he’s directing. Based on a 2014 novel by Martin Amis, the cast is led by Sandra Hüller, Christian Friedel, Medusa Knopf, and Daniel Holzberg.
Chilling is a word I’ve seen used to describe Zone in more than one write-up coming out of the Cannes debut. The Rotten Tomatoes score is 100% thus far. Hüller, recipient of various nominations in Europe for 2016’s Toni Erdmann, is drawing raves for her performance as the wife of Friedel’s concentration camp commandant.
With the right marketing push from A24 (and I think we can assume they’ll make a dedicated one), this should be a potential contender for Picture, Director, Actress, Adapted Screenplay, and Cinematography. International Feature Film might be a given. If it truly resonates with voters, other down-the-line races like Film Editing and Score and Sound could be in the mix. My Oscar Prediction posts will continue…
It was forty years ago that Ben Kingsley won the Academy Award for Best Actor as Gandhi. He’s been nominated three times since then – twice in supporting for 1991’s Bugsy and 2001’s Sexy Beast and in lead with 2003’s House of Sand and Fog.
Daliland closed the Toronto Film Festival and its release date is undetermined. Sir Ben plays famed artist Salvador Dali in his twilight years. This is the latest pic from Mary Harron, who made I Shot Andy Warhol, American Psycho, and The Notorious Bettie Page. Costars include Barbara Sukowa, Christopher Briney, and Rupert Graves.
With only a 40% Rotten Tomatoes rating, Daliland failed to make much of an impression at the Canadian fest. Whether it comes out in 2022 or 2023, I highly doubt awards branches will take notice either. My Oscar Prediction posts will continue…
My annual recounting of the cinematic seasons that preceded 30, 20, and 10 years prior continues on the blog today with the summer of 2001! It was a frame dominated by an animated jolly green giant that kicked off a massive franchise for its studio.
As is tradition, I’ll run through the top 10 domestic grossers as well as other notables pics and some flops. If you missed my post covering 1991’s May-August output, you can find it here:
Eddie Murphy returned as the doc who talks to animals in this sequel that managed to cross the century mark, but failed to approach the $144 million earned by its 1998 predecessor. This would mark the end of Eddie’s involvement in the franchise, but a direct to DVD third helping came in 2006.
9. Lara Croft: Tomb Raider
Domestic Gross: $131 million
Angelina Jolie (fresh off an Oscar for Girl, Interrupted) headlined the video game adaptation that, despite weak reviews, spawned a sequel and an eventual reboot with Alicia Vikander that will soon get its own follow-up.
8. The Fast and the Furious
Domestic Gross: $144 million
We first saw Vin Diesel and Paul Walker and those souped up whips 20 years ago. Unless you’ve been living under a rock (or haven’t heard of The Rock), this begat a franchise which is still running strong today. F9 is currently the #1 movie in America in this series that has topped a billion bucks.
7. American Pie 2
Domestic Gross: $145 million
Universal quickly green lighted this sequel to 1999’s smash hit comedy. The gross out gags in part 2 (which resulted in another theatrical effort in 2003 and numerous direct to DVD entries) stands as the largest worldwide earner of the bunch.
6. Planet of the Apes
Domestic Gross: $180 million
Tim Burton’s reimagining of the 1968 classic didn’t result in the new franchise that 20th Century Fox hoped for. Critics had their knives out for Mark Wahlberg’s lead performance and the surprise ending that didn’t pack the wallop of Charlton Heston’s encounter with the Statue of Liberty. The studio would get their successful trilogy a decade later beginning with Rise of the Planet of the Apes (which will be covered in 2011’s blog post).
5. Jurassic Park III
Domestic Gross: $181 million
Joe Johnston took over directorial duties from Steven Spielberg is this threequel. Sam Neill was back in this dino-tale that (while profitable) failed to reach the heights of the first two commercially. A reboot 14 years later would get the series back in billion dollar good standing.
4. Pearl Harbor
Domestic Gross: $198 million
Michael Bay’s romantic war epic failed with reviewers but still approached $200 million domestically and $450 million worldwide. Its six Golden Raspberry nominations topped its four Oscar nods.
3. The Mummy Returns
Domestic Gross: $202 million
Brendan Fraser and Rachel Weisz returned for this adventure sequel to the 1999 hit that topped part 1 domestically by nearly $50 million. Dwayne “The Rock” Johnson would join the fun here and was rewarded with his spin-off (The Scorpion King) the next year. A third Mummy landed with disappointing results in 2008.
2. Rush Hour 2
Domestic Gross: $226 million
It was the best of times for director Brett Ratner and stars Chris Tucker and Jackie Chan as this action comedy built upon the grosses of the 1998 original. A third would follow six years later.
1. Shrek
Mike Myers as the title character ogre, Eddie Murphy stealing scenes with his voice work as Donkey, and Cameron Diaz as Princess Fiona proved that Disney wasn’t the only animation game in town. Shrek even competed for the Palme d’Or at the Cannes Film Festival in this DreamWorks game changer that resulted in three sequels and a stage musical.
And now for some other notables flicks from the summer that was:
The Princess Diaries
Domestic Gross: $108 million
Disney’s live-action fairy tale served as a breakout role for Anne Hathaway and a return to the studio for Julie Andrews for the first time since Mary Poppins. A 2004 sequel followed.
The Others
Domestic Gross: $96 million
With its own Sixth Sense style twist ending, this gothic horror pic with Nicole Kidman earned solid reviews and got genre fans to turn out.
Legally Blonde
Domestic Gross: $96 million
Shrek isn’t the only feature to spawn a Broadway treatment. So did this Reese Witherspoon hit which also resulted in a sequel and a third Blonde that is slated for May 2022.
Cats & Dogs
Domestic Gross: $93 million
Dr. Dolittle wasn’t the only animal game in town. This kiddie pic featuring featuring talking creatures also began a franchise.
A.I.: Artificial Intelligence
Domestic Gross: $78 million
Long planned as a project for Stanley Kubrick (who passed away in 1999), Steven Spielberg directed this sci-fi visual feast with Haley Joel Osment. The film elicited strong reactions from critics and crowds (both positively and negatively). It may not have reached $100 million domestic, but it’s still a picture people like to debate about today and that’s more that can be said for most titles on this list.
Swordfish
Domestic Gross: $69 million
Hugh Jackman and John Travolta headlined this action pic which somewhat underperformed expectations. This is mostly known as the film that paid Halle Berry an extra $500,000 to go topless during a few seconds of screen time.
Moulin Rouge!
Domestic Gross: $57 million
Baz Luhrmann’s postmodern musical with Nicole Kidman and Ewan McGregor scored 8 Oscar nominations and has its legions of fans that have endured over the past two decades.
Sexy Beast
Domestic Gross: $6 million
This crime drama is mostly known for its menacing supporting turn from Sir Ben Kingsley, who was rewarded with an Oscar nod.
Ghost World
Domestic Gross: $6 million
Terry Zwigoff’s dark comedy (based on a late 90s comic book) earned raves for its screenplay and for costars Thora Birch, Scarlett Johansson, and Steve Buscemi.
And now for some pictures that did not meet expectations:
America’s Sweethearts
Domestic Gross: $93 million
Yes, it may have approached $100 million, but this rom com starring Julia Roberts and featuring John Cusack, Billy Crystal (who cowrote), and Catherine Zeta-Jones didn’t come near what her previous blockbusters like My Best Friend’s Wedding, Notting Hill, and Runaway Bride managed.
Atlantis: The Lost Empire
Domestic Gross: $84 million
Disney’s animated sci-fi adventure was a letdown that didn’t recoup its reported $100 million budget domestically. A hoped for franchise with TV spin-offs and Disneyland ride attraction never rose to the surface.
Scary Movie 2
Domestic Gross: $71 million
This rushed horror spoof follow-up to the 2000 surprise smash couldn’t get close to the $157 million of the original. However, this didn’t stop several sequels from following that achieved greater success.
Evolution
Domestic Gross: $38 million
Director Ivan Reitman and supernatural comedy sure worked well in 1984 with Ghostbusters. Not so much here in this DreamWorks flop with David Duchovny which earned less than half its budget in North America.
Final Fantasy: The Spirits Within
Domestic Gross: $32 million
Tomb Raider was an example of a video game adaptation that made money. Not so here with this rendering of the popular role playing fantasy series that didn’t score with audiences.
Ghosts of Mars
Domestic Gross: $8 million
It wasn’t a good day at the box office for this science fiction flop from director John Carpenter and Ice Cube.
Pootie Tang
Domestic Gross: $3 million
Moviegoers didn’t turn out for this comedy written and directed by Louis C.K. that originated from a sketch on The Chris Rock Show (who costars). Despite the failed run at the box office, it has since become a cult hit.
And that does it for 2001, folks! Look for my post about summer 2011 in the coming days…
Continuing with my series showcasing the voluminous amount of Oscar nominees and winners that have appeared in the 25 Marvel Cinematic Universe pictures (including the upcoming Black Widow and The Eternals), we arrive at Best Supporting Actor.
If you missed my previous posts covering the lead performers in Actor and Actress, you can find them here:
Supporting Actor, of the four acting categories, contains the most nominees at 36. However, there are only 4 wins represented. As a reminder, the MCU has given us 110 total nominees and 20 golden recipients.
Let’s start with the four gentlemen who made a trip to the podium:
Sam Rockwell, who costarred in Iron Man 2, took gold in 2017 for Three Billboards Outside Ebbing Missouri
Tommy Lee Jones, who appeared in Captain America: First Avenger, emerged victorious in 1993 for The Fugitive
Benicio del Toro, who memorably appeared in Guardians of the Galaxy, won in 2000 for Traffic
J.K. Simmons, who popped up in Spider-Man: Far From Home reprising his role as J. Jonah Jameson from the original Spidey trilogy, won in 2014 for Whiplash
And now the 29 additional performers who received nods:
Tony Stark himself, Robert Downey Jr., received a nomination in 2008 for Tropic Thunder
Jeff Bridges, the Iron Man villain, is a four-time nominee for 1971’s The Last Picture Show, 1974’s Thunderbolt and Lightfoot, 2000’s The Contender, and Hell or High Water in 2016
Samuel L. Jackson, who has played Nick Fury in numerous MCU entries, got a nod in 1994 for Pulp Fiction
Edward Norton, who was the Hulk before Mark Ruffalo, is a two-time nominee for 1996’s Primal Fear and 2014’s Birdman
Tim Roth, bad guy in Norton’s The Incredible Hulk, for 1995’s Rob Roy
William Hurt, whose MCU appearances also began in The Incredible Hulk, for 2005’s A History of Violence
Sam Rockwell was nominated a year after his Billboards win in 2018 for Vice
Anthony Hopkins, Thor’s dad, for 1997’s Amistad and last year’s The Two Popes
Stanley Tucci, also of Captain America: First Avenger, in 2010 for The Lovely Bones
Mark Ruffalo is a three-time nominee: 2010’s The Kids Are All Right, 2014’s Foxcatcher, and in 2015 for Spotlight
Jeremy Renner, aka Hawkeye, in 2010’s The Town
Ben Kingsley, from Iron Man 3, is a two-time mention for 1991’s Bugsy and 2001’s Sexy Beast
Benicio del Toro also received a nomination for 2003’s 21 Grams
Bradley Cooper, Rocket from Guardians of the Galaxy, for 2013’s American Hustle
Djimon Hounsou, who first appeared in Guardians, for both 2003’s In America and 2006’s Blood Diamond
John C. Reilly, another Guardians performer, for 2002’s Chicago
Josh Brolin, aka Thanos, for 2008’s Milk
Sylvester Stallone, who appeared in the Guardians sequel, for 2015’s Creed
Matt Damon, who had a cameo in Thor: Ragnarok, for Invictus in 2009
Jude Law, from Captain Marvel, received a nomination 20 years earlier for The Talented Mr. Ripley
Jake Gyllenhaal, villain for Spider-Man: Far From Home, for 2005’s Brokeback Mountain
And that does it for now, folks! I’ll have Supporting Actress up in short order…
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