One box office story that hasn’t been covered much for this weekend is the expansion of Tom McCarthy’s Spotlight, which is steeped in major Oscar buzz. The true story of Boston Globe reporters breaking the Catholic Church priest abuse stories, the pic has received raves from critics (93% on Rotten Tomatoes) and seems a shoo in for a Best Picture nomination (it may win).
With a strong ensemble cast that includes Michael Keaton, Mark Ruffalo, Rachel McAdams, Liev Schrieber, John Slattery, Stanley Tucci, and Billy Crudup, Spotlight expands to 598 screens this weekend. That’s not near the number of theaters of its competitors, but this should have the highest per screen average of any film not featuring Jennifer Lawrence and a bow and arrow.
While it probably won’t reach the top five, this should top $4 million in its expansion and settle in for a healthy run during Academy season.
Spotlight opening weekend prediction: $4.7 million
Tonight we begin my second round of Oscar predictions in the six top categories and it begins with Best Supporting Actress. Since my initial round of estimates, the list of possible nominees in this race has been diminished greatly – from 24 names to just 10 that I see as real possibilities.
Three of my original five nominees remain: Jennifer Jason Leigh in Quentin Tarantino’s The Hateful Eight, Rooney Mara in Todd Haynes’s Carol, and Kate Winslet in Danny Boyle’s Steve Jobs. We also have the inclusion of Alicia Vikander in Tom Hooper’s The Danish Girl. Originally I predicted her in the Actress race but it’s since become clear that her studio will make their campaign in this category. As for another earlier predicted nominee, Elizabeth Olsen in I Saw the Light – that pic has since been met with mostly poor reviews and just got pushed to 2016.
So who’s our fifth? Names being bandied about include Rachel McAdams in Spotlight, Jane Fonda in Youth, Julie Walters in Brooklyn (who I predicted last time), Elizabeth Banks in Love and Mercy, and Diane Ladd in Joy (there’s not much buzz yet for her, but director David O. Russell’s last three films have resulted in four nominations in this category). Yet for now I’ll go with Joan Allen in Room, the upcoming indie pic that is getting raves from critics and film festival crowds. We’ll see how much changes when my third round comes in November and I’ll have Supporting Actor up tomorrow.
TODD’S BEST SUPPORTING ACTRESS PREDICTIONS (ROUND TWO)
We arrive at yet another entry into the Academy Awards derby from the Venice and Telluride Film Festivals (a theme on the blog this weekend) and it’s Tom McCarthy’s Spotlight. The pic is a journalistic expose on the Catholic Church sex scandals from a few years ago and centers on the Boston Globe reporters who broke the story. After its festival rollout, some critics have compared it to All the President’s Men. High praise indeed.
Spotlight boasts a truly impressive ensemble that includes Michael Keaton, Mark Ruffalo, Rachel McAdams, Stanley Tucci and Liev Schreiber. Early reviews suggest it could be a contender in Best Picture, though I didn’t include it in my initial round of predictions from yesterday. It’s certainly one to keep an eye on though when it debuts November 6. It also doesn’t hurt that director McCarthy is well liked in the critical community with indie darlings like The Station Agent and The Visitor to his credit.
As for acting races, most write ups have focused on Michael Keaton and it’s certainly possible he could find himself as a player in Supporting Actor. This may hold especially true considering he had a remarkable comeback role in last year’s Picture winner Birdman. He was nominated for Best Actor, but lost out to Eddie Redmayne for The Theory of Everything. The other performers are unlikely to receive much attention.
Once again, as with Steve Jobs and The Danish Girl and Beasts of No Nation, the festival circuit has shined Oscar attention on another picture. As of this weekend, it’s Spotlight.
A ripped Jake Gyllenhaal headlines the boxing drama Southpaw, out Friday and it will attempt to bring in adult moviegoers looking for something out than effects driven sci-fi spectacles and sequels. Antoine Fuqua, director of Training Day and The Equalizer, is behind the camera with Forest Whitaker, Rachel McAdams, and 50 Cent among the supporting cast. 50’s protege Eminem is featured prominently on the soundtrack and in the trailers and TV spots.
Gyllenhaal has been on a roll lately, particularly in the critical community. Last fall’s Nightcrawler gave the actor some of the best reviews of his career and many (including this blogger) feel he was snubbed for a nomination at Oscar time. Southpaw gives him another juicy role, but early word is somewhat mixed (it stands at 60% on Rotten Tomatoes at press time). Gyllenhaal’s recent track record suggests an opening in the low double to digits to mid teens could be a real possibility here. 2011’s Source Code debuted to $14.8 million while the following year’s End of Watch made $13.1 million out of the gate. The aforementioned Nightcrawler premiered with $10.4 million. I have a difficult time envisioning this matching his best opening of recent years – 2013’s Prisoners which made $20.8 million.
I’ll predict Southpaw is left with a start right in range with End of Watch, which would be fairly decent considering its rumored $30 million budget.
Southpaw opening weekend prediction: $12.9 million
Cameron Crowe’s Aloha further marks a trip down mediocrity lane for a filmmaker that has graced us with Say Anything, Jerry Maguire and Almost Famous. For me, his last worthy effort was 2001’s Vanilla Sky, which occasionally lacked focus but its merits outweighed its demerits. The same cannot be said for everything in Crowe’s oeuvre that’s followed – Elizabethtown, We Bought a Zoo and now this. Aloha is a strange mix of romance, comedy, drama, Hawaiian mysticism and corporate and military industrialism that never feels cohesive. The various aspects of the screenplay never quite gel. The casting decisions, packed with top notch talent, are a mixed bag. There are moments that remind us of Crowe’s greatness, but not many.
Bradley Cooper stars as Brian, a defense contractor who travels to Hawaii to assist a billionaire business mogul (a subdued Bill Murray) on a shady deal. Emma Stone is Allison Ng, the Air Force pilot whose task it is to assist him and, of course, fall for him. Rachel McAdams is Brian’s “one that got away”, an old flame now married to John Krasinki’s strong and very silent service officer. We jump back and forth wondering which woman Brian will try to end up with. Crowe’s screenplay keeps us busy with not only the romance angle but our central character’s occupational hazards with Murray and Alec Baldwin and Danny McBride’s military personnel roles. There’s a lot of plot happening here coupled with many stories of Hawaiin lore. Simply put, it never really comes together in satisfactory fashion.
I appreciated Krasinski’s work and his non talking nature allows for some humorous moments. Yet there isn’t a performance here for any of the famous faces matching their best work. It’s when Crowe allows his performers to be quiet for a moment that shine, like Murray and Stone dancing to Hall and Oates in a nicely constructed sequence. As good as Stone can be and usually is, she’s miscast here and her part is not written well (her explained Chinese and Hawaiian heritage feels a bit stretched).
We get the family drama involved with Brian and the McAdams clan that we see from a mile away mixed with his involvement with Ng and then back to Murray’s increasingly nefarious corporate magnet. It switches so much that it never allows us to care much about any of it. Cameron Crowe’s lesser work still provides glimpses of his unique voice in cinema. Over the last decade, those moments are becoming more and more sparse and there’s not enough gorgeous scenery of our 49th state to make up for it.
In a career spanning over a quarter century, Cameron Crowe has given us critical darlings like Say Anything, Jerry Maguire and Almost Famous. Yet it’s been some disappointments in recent years from the director including Elizabethtown and We Bought a Zoo. Where will this Friday’s Aloha place?
That remains to be seen. With less than a week before its premiere, I’m a little surprised no reviews have yet to surface and it does create a bit of skepticism. The romantic comedy/drama will attempt to bring in a female audience and the all star cast won’t hurt. Bradley Cooper is hot off the biggest grosser of 2014, American Sniper. Emma Stone is fresh off Oscar attention for Birdman. And the supporting players consist of Rachel McAdams, Bill Murray, Alec Baldwin, John Krasinski and Danny McBride.
Aloha is a somewhat odd release for late May as it would appear to be more suited for a fall release. Still, the cast alone should get it close to $20 million for a decent debut.
We move forward into the Top Ten with numbers 10-6 before my final installment tomorrow revealing the top five.
Let’s get to it!
10. Ted 2
Release Date: June 26
Seth MacFarlane’s Ted was the comedic hit of summer 2012 with its foul talking teddy bear. Mark Wahlberg is back, though Mila Kunis is out with Amanda Seyfried in. Comedy sequels are a risky proposition, but let’s hope MacFarlane can recapture the magic he made three years ago (and couldn’t duplicate with last summer’s mediocre A Million Ways to Die in the West).
9. Straight Outta Compton
Release Date: August 14
F. Gary Gray, the man responsible for several music videos featuring the film’s subjects as well as Friday and The Italian Job, directs the musical bio of NWA – the highly influential gangsta rap group that included Dr. Dre, Ice Cube, and Eazy-E. Dre and Cube serve as producers.
8. Trainwreck
Release Date: July 17
Judd Apatow had a one two punch of comedy classics with 2005’s The 40 Year Old Virgin and 2007’s Knocked Up. His follow-ups, Funny People and This is 40, were just OK. Trainwreck is said to be a return to form based on word of mouth, with comedian Amy Schumer primed for a breakout starring role. Bill Hader and Lebron James (!) co-star.
7. Ant-Man
Release Date: July 17
The last time Marvel Studios had a feature thought to be outside the box and risky, it was last summer’s Guardians of the Galaxy and it turned out to be the season’s biggest hit. This studio knows what they’re doing and here we have Paul Rudd playing the title character with Michael Douglas and Evangeline Lilly in supporting roles.
6. Aloha
Release Date: May 29
For the past decade, Cameron Crowe’s filmography has been unimpressive with Elizabethtown and We Bought a Zoo. Let us not forget, though, that this is the man that brought us Say Anything, Jerry Maguire, and Almost Famous. Crowe’s latest is a romantic comedy with a truly impressive cast – Bradley Cooper (hot off American Sniper), Emma Stone, Bill Murray, Rachel McAdams, Alec Baldwin, and Danny McBride.
And that’ll do it for now, folks! Top five coming at you tomorrow…
In less than one month, the Summer 2015 Movie Season will be upon us! That means studios will be bringing out their big wannabe blockbusters with sequels, reboots, animated tales, comic book heroes, and a surprisingly robust group of potentially intriguing comedies.
Therefore, I am bringing you my personal 15 most anticipated summer movies for the year. Let me talk briefly about some pictures that didn’t quite make the cut. I left off animated fare such as Pixar’s Inside Out and Despicable Me spin-off Minions. Same goes for Pitch Perfect 2, Magic Mike XXL and the film version of HBO’s Entourage. And then there’s a film I figured would make the cut: Terminator: Genisys that marks Arnold Schwarzenegger’s return to his iconic role after 12 years. Why? Quite frankly, I wasn’t crazy about the trailer. Don’t get me wrong – I’m still highly curious to watch it.
I will be breaking up my list in three installments and we begin this evening with numbers 15-11. Subsequent posts covering the top ten will arrive Friday and Saturday.
Let’s get to it, shall we?
15. Spy
Release Date: June 5
Originally, I probably wouldn’t have figured Melissa McCarthy’s new comedy would make the cut. That’s until reviews from screenings at South by Southwest came out and they indicate this is the star’s best feature so far. It doesn’t hurt that Paul Feig, director of McCarthy’s Bridesmaids and The Heat is behind the camera. Jude Law, Rose Byrne, and Jason Statham co-star.
14. Masterminds
Release Date: August 14
From the director of Napoleon Dynamite comes this heist comedy with a killer cast: Zach Galifianakis, Kristin Wiig, Owen Wilson, and Jason Sudeikis. The trailer inspires hope.
13. Vacation
Release Date: July 31
Yes, they’re rebooting the Vacation franchise with Ed Helms and Leslie Mann as grown-up Rusty and Audrey and Chevy Chase and Beverly D’Angelo back as Clark and Ellen. Christina Applegate, Chris Hemsworth, and Charlie Day round out the cast. Here’s to hoping this is more like the original and Christmas Vacation than Vegas Vacation. No trailer has been released at press time.
12. Southpaw
Release Date: July 24
Jake Gyllenhall has been on a roll lately choosing his projects, including last year’s terrific Nightcrawler. This sports drama sees him playing a boxer with serious family issues. It also sees him heavily bulked up in a pic that could get awards attention, like 2010’s The Fighter. Antoine Fuqua directs (he made Training Day and The Equalizer) and Rachel McAdams and Forest Whitaker co-star.
11. Fantastic Four
Released Date: August 7
The first two installments of the famed Marvel comic books (the ones with Jessica Alba and Michael Chiklis) were decent size hits, however critics didn’t approve. This reboot comes from Chronicle director Josh Trank with a cast that includes Miles Teller, Kate Mara, and Michael B. Jordan and it will attempt to begin the franchise anew.
And that’s all for now! Numbers 10-6 coming at you tomorrow…
As we’re moving deep into the 2014 Summer Movie Season – on this here blog I’ve been reflecting on what has come in the summers before us. Days ago, I wrote a post reflecting on the hits, notable pictures, and flops from 20 years ago in 1994. Today – we focus on the season from a decade ago with 2004’s summer entries.
We’ll start with the Top Ten, but what is notable is some of the comedies that weren’t on that list that spawned endless catchphrases and became massive cult classics:
Onto the Top Ten:
10. Dodgeball: A True Underdog Story
Domestic Gross: $114 million
Vince Vaughn and Ben Stiller teamed up for this well-received sports comedy which received 70% positive support on Rotten Tomatoes. While this was a solid hit, Vaughn’s biggest comedy would come one summer later with a certain pic costarring Owen Wilson.
9. Fahrenheit 9/11
Domestic Gross: $119 million
It’s not often you see a documentary in the top ten summer hits, but in the summer of 2004 the country was focused on an upcoming Presidential election between Bush and Kerry. Michael Moore’s examination of the Iraq War struck a chord with viewers and became the highest grossing documentary of all time.
8. Van Helsing
Domestic Gross: $120 million
Don’t let its #8 ranking fool you because Van Helsing starring Hugh Jackman was considered a major flop upon release. With a reported $160 million budget, it couldn’t recoup that stateside and a potential franchise for Jackman stalled immediately. Good thing he’s got another character he can go back to time and time again.
7. Troy
Domestic Gross: $133 million
Wolfgang Peterson’s Trojan War saga starring Brad Pitt, Orlando Bloom, and Eric Bana under performed a bit domestically (with its reported $175 million budget) but made it up overseas.
6. I, Robot
Domestic Gross: $144 million
While not reaching the heights of his previous summer hits Independence Day or Men in Black – Will Smith’s I, Robot did respectable business. Based on a short story by Isaac Asimov, it received mixed reviews from critics and a planned sequel never materialized.
5. The Bourne Supremacy
Domestic Gross: $176 million
Goodwill left over from the 2002 original The Bourne Identity propelled this Matt Damon sequel to gross over $50 million more than its predecessor. A third Bourne feature would follow three years later before Damon left the franchise and Jeremy Renner took over in 2012.
4. The Day After Tomorrow
Domestic Gross: $186 million
Roland Emmerich returned to doing what he does best (showing the world getting destroyed) and audiences rewarded him for it. Starring Dennis Quaid and Jake Gyllenhall, Tomorrow is the highest non-sequel on the list and it took in over half a billion worldwide.
3. Harry Potter and the Prisoner of Azkaban
Domestic Gross: $249 million
Alfonso Cuaron took over directing duties from Chris Columbus in this third franchise entry. While many (including myself) consider this the best of the series, it surprisingly has the lowest domestic gross of all eight Potter flicks.
2. Spider-Man 2
Domestic Gross: $373 million
Generally considered one of the best superhero movies of all time and the best of this particular franchise, Spider-Man 2 was a massive hit even though it couldn’t quite match the $403 million performance of the 2002 original.
1. Shrek 2
Domestic Gross: $441 million
DreamWorks Animation easily ruled the summer as the sequel featuring the vocal work of Mike Myers, Eddie Murphy, and Cameron Diaz took the top spot. Of the four Shrek entries, it is the biggest grosser and outshined its predecessor by nearly $180 million dollars.
Beyond the top ten, there are four particularly notable pictures which achieved major cult status:
14. Anchorman: The Legend of Ron Burgundy
It made a decent $85 million upon release, but as we all know, the Will Ferrell comedy has gone onto to becoming one of the most quoted flicks in memory. A 2013 sequel followed.
15. The Notebook
Based on the Nicholas Sparks novel, The Notebook caused audiences to fall in love with Ryan Gosling and Rachel McAdams and brought in $81 million.
27. Napoleon Dynamite
With a tiny $400,000 budget – the quirky comedy Napoleon Dynamite with Jon Heder came out of nowhere and posted a $44 million domestic gross. Like Anchorman, it became an endlessly quoted picture.
38. Harold and Kumar Go to White Castle
It made a meager $18 million upon release, but this stoner comedy became an instant cult classic and spawned two sequels.
And now we move to the flops of the summer:
21. The Stepford Wives
Frank Oz’s remake of the 1975 film cost $90 million to make and earned just $59 million. Critics weren’t impressed and audiences ignored the sci-fi comedy starring Nicole Kidman, Matthew Broderick, and Christopher Walken.
25. King Arthur
Training Day director Antoine Fuqua teamed up with Clive Owen and Keira Knightley for this retelling of the medieval legend. With a $120 million budget, Arthur tanked stateside with only $51 million.
29. Catwoman
Warner Bros. surely regrets spending $100 million on this critically lambasted Catwoman feature which starred Halle Berry and Sharon Stone. It earned only $40 million. The silver lining for the studio: one summer later, a certain Chris Nolan would reinvigorate their superhero fortunes with Batman Begins.
And that’s what was going on ten years at the multiplexes, my friends!
Disney/Marvel’s Thor: The Dark World opened as expected, posting the fourth highest debut of 2013 with $86.1 million. This is right in line with my $85.6M prediction so I’ll give myself a nice pat on the back for this one! Thor benefited from the continued Avengers momentum and the rock solid opening bodes well for next spring’s Captain America sequel.
While I am pleased with my Thor prediction, the same cannot be said for my estimate for About Time, the rom com with Rachel McAdams. I predicted it would earn $12.8 million, but also noted in my post that it could tank. And tank it did with a dismal $5.1 million debut for only 9th place.
As for the rest of the top five, it was Jackass Presents: Bad Grandpa second again with $11.3 million (I was right there with $11.2M predicted). The animated Free Birds was in the #3 slot with $11.2 million, just above my $10.4M projection. The all-star comedy Last Vegas was fourth with $11.1 million (I said $11M… pat back again). I was, however, off with the performance of Ender’s Game in its sophomore frame. I predicted the sci-fi pic would hold up reasonably well and make $13.6 million. It dropped to #5 with $10.3M. It’s safe to say this one is now a box office disappointment.
And there’s your results! Be sure to check the blog later today for my prediction post on next weekend’s only newcomer, The Best Man Holiday.
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