Tag: Miles Teller

December 5-7 Box Office Predictions

Five Nights at Freddy’s 2 looks to challenge Zootopia 2 for box office supremacy as anime offering Jujutsu Kaisen: Execution is also unveiled. You can peruse my detailed prediction posts on the newcomers for the post Thanksgiving frame here:

Five Nights at Freddy’s 2 Box Office Prediction
Jujutsu Kaisen: Execution Box Office Prediction

I am not sold on Freddy’s 2 despite its predecessor’s sizzling $80 million start two years ago. As I explained in my write-up, I suspect a decent portion of its fanbase won’t turn up and my mid to high 30s take gives it runner-up status.

As for Jujutsu Kaisen: Execution, the genre has been on fire lately but this pre-screening of the TV show’s forthcoming third season may settle for fourth place and mid single digits.

Considering my reservations about Freddy’s, that would leave Zootopia 2 in first after an impressive premiere (more on that below). A mid 50s drop should be on the way.

Wicked: For Good‘s third frame decline could be even more pronounced for third position while Now You See Me: Now You Don’t should complete the top five in a sequel heavy lineup.

Here’s how I see it playing out:

1. Zootopia 2

Predicted Gross: $43.1 million

2. Five Nights at Freddy’s 2

Predicted Gross: $36.5 million

3. Wicked: For Good

Predicted Gross: $23.2 million

4. Jujutsu Kaisen: Execution

Predicted Gross: $6.4 million

5. Now You See Me: Now You Don’t

Predicted Gross: $3.6 million

Box Office Results (November 28-30)

Zootopia 2, as projected, easily managed the second best Turkey weekend opening behind Disney’s Moana 2 from last year. It also scored huge in China which helped contribute to it having the best animated worldwide debut of all time and the fourth best overall. With $100.2 million from Friday to Sunday and $158.8 million domestically since Wednesday, it did fall below my respective takes of $112.4 million and $184.3 million. Admittedly I took the over.

I should’ve taken the under on Wicked: For Good. A year ago, part 1 eased a mere 28% in its Thanksgiving sophomore outing. The follow-up fell 58% to $61.7 million while I called for $82 million. Nevertheless its two-week tally stands at a soaring $269 million.

Now You See Me: Now You Don’t was third in weekend #3 with $6.9 million, a tad ahead of my $6.2 million prediction for $49 million thus far.

Predator: Badlands was fourth in its fourth go-round with $4.8 million (I said $4.6 million). The franchise entry has $85 million in its coffers as it should come close to nine digits stateside.

The Running Man rounded out the top five with $3.7 million, in line with my $3.4 million forecast for an underwhelming $34 million in three weeks.

Finally, rom com Eternity with Miles Teller and Elizabeth Olsen was sixth out of the gate with $3.1 million over the traditional weekend and $5.2 million since Wednesday. That’s in range with my respective takes of $3 million and $4.4 million.

And that does it for now, folks! Until next time…

November 28-30 Box Office Predictions

Zootopia 2 seeks to rule the Thanksgiving box office while rom com Eternity opens and will just try and make the top 5. You can peruse my detailed prediction posts on the newcomers here:

Zootopia 2 Box Office Prediction
Eternity Box Office Prediction

Disney’s sequel to their 2016 Oscar-winning animated feature should easily the eclipse the $75 million debut of what came nine years ago. Zootopia 2 appears on track for the second highest Turkey frame behind the Mouse House’s own Moana 2 from last year.

As for Eternity, the heaven set pic with Miles Teller and Elizabeth Olsen may struggle out of the (pearly) gates on approximately 1500 screens. My projection leaves it outside the top five.

Speaking of the high five, I’m doing not doing an official estimate for Wake Up Dead Man: A Knives Out Mystery. The third entry in Rian Johnson’s murder mystery series with Daniel Craig, it is slated for selected theaters prior to its December 12th Netflix bow. Three years ago, predecessor Glass Onion kicked off over the same holiday frame in nearly 700 venues. Though Netflix doesn’t officially report its numbers, figures of just over $9 million (three-day) and $13 million (five-day) were unofficially given for that rollout prior to its streaming start. Because hard figures aren’t revealed (and due to uncertainty about Wake‘s actual screen count), I’m not projecting it. That said, don’t be surprised if the unofficial tally reveals a third place showing with similar grosses to Onion. Got all that?

Moving to the holdovers, Wicked: For Good flew high with 2025’s second largest opening (more on that below). The first Wicked premiered in the same weekend in 2024 and dropped a mere 28% over Thanksgiving. The likelihood is that For Good is more front loaded and it may ease in the low to mid 40s for what would essentially be the same numbers for its sophomore play.

Now You See Me: Now You Don’t, Predator: Badlands, and The Running Man should all move down a slot and here’s how I see it playing out:

1. Zootopia 2

Predicted Gross: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)

2. Wicked: For Good

Predicted Gross: $82 million

3. Now You See Me: Now You Don’t

Predicted Gross: $6.2 million

4. Predator: Badlands

Predicted Gross: $4.6 million

5. The Running Man

Predicted Gross: $3.4 million

6. Eternity

Predicted Gross: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)

Box Office Results (November 21-23)

Wicked: For Good may not have completely defied prognostications, but its $147 million debut is second only to A Minecraft Movie for the year. Part 2 of the witchy and wizardly saga didn’t match my $158.1 million call though it managed to outshine the $112.5 million achieved by part 1.

Now You See Me: Now You Don’t dropped to second with $8.9 million, in line with my $9.4 million prediction. The magic themed threequel has made off with $36 million.

Predator: Badlands was third in week 3 with $6.5 million compared to my $5.9 million take. It is up to $76 million overall.

In fourth position, The Running Man stumbled a steep 65% in weekend 2 with $5.7 million (I said $6.7 million) for just $26 million thus far.

Rental Family with Brendan Fraser, despite appreciative reviews and word-of-mouth, was fifth with a ho-hum $3.3 million. That is slightly above my $2.9 million estimate.

Finally, Finnish action sequel Sisu: Road to Revenge was sixth with an unimpressive $2.4 million. I gave it more credit at $4 million.

And that does it for now, folks! Until next time…

Eternity Box Office Prediction

Blogger’s Update (11/25): It appears Eternity is opening on approximately 1500 screens which is lower than I assumed. Therefore my three-day estimate is declining from $4.3 million to $3 million and five-day from $6.1 million to $4.4 million.

The afterlife set rom com Eternity premieres over Thanksgiving after screening at the Toronto Film Festival in September. David Freyne directs with Miles Teller, Elizabeth Olsen, and Callum Turner making up a love triangle. Costars include John Early, Olga Merediz, and Da’Vine Joy Randolph.

A rare comic relief genre title from A24, word-of-mouth from the north of the border festival was decent if not overwhelmingly positive. The Rotten Tomatoes meter is at 83% with Metacritic at 65. Despite the presence of Teller and Olsen (who’ve had their share of high profile titles), this should struggle for eyeballs over the five-day holiday frame. Some of its intended audience could be catching up on Wicked: For Good, taking the kids to Zootopia 2, or simply waiting this out for streaming.

I’ll say mid single digits from Friday to Sunday with a couple million added when factoring Wednesday and Thursday.

Eternity opening weekend prediction: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)

For my Zootopia 2 prediction, click here:

Zootopia 2 Box Office Prediction

Oscar Predictions: Eternity

Miles Teller, Elizabeth Olsen and Callum Turner are in a love triangle in the afterlife set rom com Eternity from director David Freyne. The A24 title releases November 14th and played the Toronto Film Festival. Recent Supporting Actress winner Da’Vine Joy Randolph (said to steal some scenes) and John Early costar.

The studio is hoping its visible leads bring moviegoers out to a genre often relegated to streaming in recent years. Reviews are measured but saying it’s a decent crowdpleaser with 85% on Rotten Tomatoes and a 64 Metacritic. This is unlikely to factor into awards conversations unless it manages to sneak into Best Motion Picture – Musical/Comedy at the Golden Globes or with Olsen in lead Actress. I doubt it. My Oscar Prediction posts will continue…

The Fantastic Four: First Steps Box Office Prediction

The Fantastic Four: First Steps looks to set the box office ablaze when it opens July 25th. It is the 37th feature in the Marvel Cinematic Universe and fourth overall picture headlined by the superhero family that made their first comic book appearance nearly 65 years ago. Matt Shakman directs with Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach as the title characters. Costars include Julia Garner, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson.

The first FF flick since Disney’s acquisition of Fox, it arrives a decade after the failure of the previous reboot starring Miles Teller and Michael B. Jordan. This is not expected to flop with the MCU brand behind it and solid buzz building. All it needs to be the best Fantastic opening is topping 2007’s Fantastic Four: Rise of the Silver Surfer‘s $58 million. It should double that figure with room to spare.

The benchmark could be Superman‘s $125 million opening from last weekend. When this rolls around, Supes will be in its third weekend and fans could be ready for the next tentpole. Early tracking has this foursome right around the Man of Steel’s first frame. I’ll buy the hype, but say it falls a tad short.

The Fantastic Four: First Steps opening weekend prediction: $122.4 million

Oscars – The Case of Top Gun: Maverick

Will Academy voters feel the need? The need for recognizing the year’s biggest domestic grosser in the Best Picture race at the 95th Academy Awards? It’s the eighth film up for consideration in my Case Of posts.

The Case for Top Gun: Maverick:

This would represent the People’s Choice. Tom Cruise’s summer sequel rode a wave of sizzling buzz to towering business ($718 million stateside) while critics raved (96% on Rotten Tomatoes). It nabbed six nominations including some key ones for a BP victory like Adapted Screenplay and Film Editing.

The Case Against Top Gun: Maverick:

It also missed in some important precursors. Despite a DGA spot, director Joseph Kosinski was omitted from the Oscar five. Maverick was considered a threat to take Cinematography gold (as it did at the Globes), but was snubbed. Mega-blockbusters don’t usually take the grand prize (it’s been almost 20 years since Lord of the Rings: Return of the King rose above its competitors).

Other Nominations:

Adapted Screenplay, Film Editing, Original Song, Sound, Visual Effects

The Verdict:

The sound of a Maverick win may be likeliest in Sound. The preferential ballot could lend itself to an upset in BP. It has a better shot than the other sequel in contention Avatar: The Way of Water. However, the odds are slightly against it.

My Case Of posts will continue with Triangle of Sadness!

If you didn’t catch my previous write-ups on BP contenders, click here:

Oscars: The Case of All Quiet on the Western Front
Oscars – The Case of Avatar: The Way of Water
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars: The Case of Triangle of Sadness
Oscars: The Case of Women Talking

Top Gun: Maverick Review

Sun drenched SoCal nostalgia permeates every land, air, and beach surface of Top Gun: Maverick and it’s a pleasure to bask in the glow. Many a franchise lately has attempted to tap into our sentimentality and many have failed. 36 years after the original, Maverick elevates what preceded it while making us misty about those very events from the mid 80s. Perhaps most thrilling is watching a movie star firmly in control of what’s made him a headliner for five decades.

Captain Pete Mitchell aka Maverick (Tom Cruise) has refused upward promotion in the Navy while spending the bulk of his working hours skyward as a test pilot. The romance that took his breath away with Kelly McGillis is seemingly long dormant. His friendship with Iceman (Val Kilmer), now a decorated Admiral, saves his tail after a work mishap. Instead of washing out, he’s sent back to San Diego as a TOPGUN teacher. Against the wishes of a Vice Admiral who goes by Cyclone (Jon Hamm), Maverick is tasked with instructing a new generation of pilots.

Their mission (and they’re forced to accept it) is to destroy an unnamed enemy nation’s uranium enrichment plant. It is (ahem) a potentially impossible mission and Maverick’s tutelage is complicated by one of the students. Rooster (Miles Teller) is the son of the late Goose (Anthony Edwards) from the original. You may recall that he perished in the arms of the leading man and therefore eliminated his ability to talk to anyone except for metaphorically.

While the dynamic between the teacher and his pupil is the pic’s emotional through line, there’s subplots aplenty. This includes Maverick’s courtship of Penny (Jennifer Connelly), who checks the boxes of being an ex-flame, single mother, and bar owner where standards from the 1960s can be drunkenly belted out. We also get a truly emotional sequence with Cruise and Kilmer made more touching by the latter’s real world health challenges. And, of course, there’s a whole new crop of pilots. Most memorable, by far, is the cocky Hangman (Glen Powell). You’ll leave the theater convinced Powell is going to become a major headliner himself.

Then there’s the fact that technology has soared by leaps and bounds since the first one. To put it simply – the aerial battles in the third act are awesome and I would suggest an IMAX venue to take it in. As mentioned, many fan service attempts in recent times have been serviceable at best or less. Top Gun: Maverick, with its megawatt star, is more than that. It earns its stripes.

***1/2 (out of four)

Top Gun: Maverick Box Office Prediction

***And a final update for Top Gun: Maverick as my prediction rises again to $113.4 million for the three-day and $138 million for the four-day. That it gives it the #2 all-time Memorial Day for both frames.

***Blogger’s Update (05/25): Significantly up-ticking my estimate once again. Now projecting a three-day of $103.7M (good for second biggest Memorial Day Friday to Sunday) and $124.4M for the four-day (third largest all-time). Sky is increasing the limit…

**Blogger’s Update (05/24): Estimate updated from a three and four-day projection, respectively, of $75.6M and $98.8M to $86.6M and $104.9M. That now gives Maverick the #7 largest Memorial Day weekend three-day and #6 four-day

It could be a record breaking memorable weekend for Tom Cruise as Top Gun: Maverick finally lands in theaters. The long gestating sequel arrives 36 years after the original made Cruise a superstar. The wait was only supposed to be 33-34 years, but production delays and COVID postponements altered the plan.

Joseph Kosinki, who previously directed the lead in 2013’s Oblivion, directs. Costars include Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Ed Harris, Monica Barbaro, and Val Kilmer reprising his role as Iceman. Critics have certainly indicated this is worth the wait. Budgeted at a reported $150 million, reviews are impressive with a 97% Rotten Tomatoes score. There’s even Oscar buzz as it will surely be a contender in Sound and Song (with Lady Gaga crooning “Hold My Hand”).

Paramount is hopeful that Maverick will take the breath and money away from moviegoers over the Memorial Day frame. The loud buzz generated by critics should make this soar even higher than previously anticipated.

In doing so, we could see Tom cruise to a personal best opening. Somewhat surprisingly, his all-time largest opening is War of the Worlds at $64 million for the traditional Friday to Sunday period. Mission: Impossible – Fallout (the last flick to feature Cruise four years ago) is close behind at $61 million.

Maverick will, of course, have a four-day tally. That’s familiar territory for Cruise as the first three Mission: Impossible tales premiered over Memorial Day with the second one doing $70 million from Friday to Monday. However, it opened on the Wednesday before to bring its gross to $91 million.

First things first. I do believe Tom’s latest sequel will achieve his highest three day take ever. I also suspect there will be some projections for Maverick that will be too high. A four-day take of over $100 million is absolutely doable (and my prediction could rise in the coming days), but I’m skeptical. That’s uncharted territory for Mr. Cruise. A Friday to Sunday haul in the mid 70s seems likelier. If that happens, it should achieve mid 90s for the whole frame. That would give it the ninth best Memorial 3 day start – in between Solo: A Star Wars Story ($84 million) and The Lost World: Jurassic Park ($72 million). It would rise a spot to 8th for the four-day between the same two features at $103 million and $90 million, respectively. And that would be a memorable start indeed.

Top Gun: Maverick opening weekend prediction: $113.4 million (Friday to Sunday); $138 million (Friday to Monday)

For my The Bob’s Burgers Movie, click here:

The Bob’s Burgers Movie Box Office Prediction

Oscar Predictions – Top Gun: Maverick

Top Gun: Maverick was supposed to arrive a mere 34 years after its iconic predecessor. Due to numerous COVID delays, it now hits theaters on May 27th and some 36 years behind the original. By nearly all accounts, Tom Cruise and the filmmakers have landed the plane.

Ahead of its Cannes premiere, the review embargo has lapsed for Maverick and the Rotten Tomatoes score is a sizzling 96%. Nearly all critics are calling it an improvement over the ’86 blockbuster and it could be in line to give Cruise his largest opening and overall hit of his career (my box office prediction will arrive next week).

Three and a half decades back, part one caught the attention of Academy voters in four categories. The Berlin theme “Take My Breath Away” won Best Song and Gun nabbed nods for Film Editing, Sound, and Sound Effects Editing. All those races are in play again in one form or another.

Best Sound has been condensed to one category and it’s a near lock that the sequel will play there. Film Editing, Cinematography, and Visual Effects are also possibilities. Then there’s the sound of Lady Gaga’s voice. The superstar contributed the track “Hold My Hand” and it could be hard to beat. Ms. Gaga is poised for her third Song nomination behind 2015’s “Til It Happens to You” from The Hunting Ground and “Shallow” from A Star Is Born (which won). She also shares Score credit with Hans Zimmer (who just won a trophy for Dune) and Harold Faltermeyer (best known for his Beverly Hills Cop tune “Axel F”).

Let’s assume Sound and Song are gimmes. With the aforementioned others, we could be looking at a handful of mentions. Will the Academy go beyond the tech derbies? It looks like Maverick will be a gigantic earner and crowdpleaser. I have no doubt there will be a push from Paramount for Best Picture recognition and Cruise in Best Actor. If so, it would be his fourth acting nod. There were two in lead for 1989’s Born on the Fourth of July and 1996’s Jerry Maguire and a supporting mention for 1999’s Magnolia. He’s never made a victorious trip to the podium.

I’m skeptical about it playing in the major leagues, but wins in Sound and Song are doable. My Oscar Prediction posts will continue…

Oscar History: 2014

Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash. 

In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher. 

Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash. 

One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).

There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).

In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.

Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.

Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).

https://www.youtube.com/watch?v=xDAsABdkWSc

I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.

Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.

As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).

My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!