Some Oscar categories may have become more solidified (Supporting Actor) while others remain unsettled (Actor and Supporting Actor and perhaps Best Picture) courtesy of tonight’s 32nd Actor Awards. Formerly known as SAG, Kristen Bell returned to host the Netflix aired ceremony where Sinners remained a viable alternative to One Battle After Another for Best Picture in two weeks.
It was the only film to take 2 prizes as I correctly called it for Best Ensemble. Ryan Coogler’s vampire tale did take an acting honor, but not the one I forecasted. In Best Actor, Michael B. Jordan is the winner over Timothée Chalamet (Marty Supreme) and this opens up the real possibility of him grabbing the Oscar. After Robert Aramayo (I Swear) took BAFTA, Chalamet is looking truly vulnerable.
On a night where I went 4 for 6, the other miss was projecting BAFTA victor Wunmi Mosaku’s work in Sinners for Supporting Actress. Instead the Screen Actors Guild went with Critics Choice winner Amy Madigan in Weapons. That race is legit looking like an open contest between Madigan (who now has 2 key precursors) and Mosaku and Teyana Taylor (One Battle After Another).
Battle‘s Sean Penn is your Supporting Actor honoree and he’s grabbed 2 trophies in a row (BAFTA). I wouldn’t want to bet against him on Oscar night for what would be a third gold statue.
Jessie Buckley’s sweep continued in Best Actress for Hamnet. With all preceding ceremonies going her way, she is unquestionably the easiest acting derby to predict for the Academy.
In the Stunt Ensemble race, the voters predictably went with Mission: Impossible – The Final Reckoning.
From a pure precursor standpoint, Battle has won top honors at the Globes, Critics Choice, BAFTA, and PGA. That mix is hard to deny. Yet late breaking momentum certainly makes Sinners the easy runner-up and a threat to be the Academy’s BP.
Stay tuned to the blog for final Oscar predictions in a few days!
The ceremony formerly known as the SAG Awards is now the Actor Awards and the 32nd edition of the ceremony airs Sunday, March 1st. Kristen Bell returns to host a show that is tough to predict, especially in the supporting fields where no frontrunner has emerged via the precursors. Will the Screen Actors Guild help make it clearer or muddy it up even more?
Let’s walk through the six movie races with my thoughts and a winner and runner-up projection. I’ll have a recap up Sunday evening with initial thoughts and how I did.
Outstanding Performance by a Cast in a Motion Picture
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
Over the past 10 years, this ensemble award has matched the Academy’s Best Picture half the time (Spotlight, Parasite, CODA, Everything Everywhere All at Once, Oppenheimer). I would definitely say the two pics with a shot to win are Battle and Sinners, the two BP favorites. While the former may have an edge with the Academy, my hunch is that SAG goes with Ryan Coogler’s sprawling cast.
WINNER: Sinners
Runner-Up: One Battle After Another
Outstanding Performance by a Female Actor in a Leading Role
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Emma Stone (Bugonia)
This category has matched Oscar 6 out the last 10 years. Actress is the only competition where the possibility of a sweep is still open. Jessie Buckley has triumphed everywhere else and I see no compelling reason why this guild would change that.
WINNER: Jessie Buckley, Hamnet
Runner-Up: Rose Byrne, If I Had Legs I’d Kick You
Outstanding Performance by a Male Actor in a Leading Role
Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
The idea of a Chalamet sweep was halted when BAFTA unexpectedly rolled with Robert Aramayo in I Swear (who isn’t nominated here or at the Oscars). My hesitation to pick Chalamet has less to do with that and more to do with the fact he won SAG Actor last year for A Complete Unknown. I could see Hawke taking this prize for his showy role or the voters selecting Jordan. Ultimately I’m not pulling the trigger on the upset, but don’t discount the possibility. There is a 7 for 10 Actor/Oscar match over the past decade.
WINNER: Timothée Chalamet, Marty Supreme
Runner-Up: Ethan Hawke, Blue Moon
Outstanding Performance by a Female Actor in a Supporting Role
Odessa A’Zion (Marty Supreme), Ariana Grande (Wicked: For Good), Amy Madigan (Weapons), Wumni Mosaku (Sinners), Teyana Taylor (One Battle After Another)
Ugh… this is a tough one. There is no consistency among the precursors – Critics Choice went with Madigan, the Globes honored Taylor, and BAFTA picked Mosaku. One could certainly argue that Mosaku has the momentum and that if Sinners takes Best Ensemble, it increases the chances of a solo acting victory. Taylor could solidify her status as Oscar favorite with this award. This is essentially a three-way coin flip. Madigan could certainly emerge as this branch has shown the ability to honor the horror genre in a way the Academy doesn’t (see Demi Moore last year for The Substance). My gut says Sinners gets that one solo prize though I cannot stress enough that I almost went with Taylor. There is a 9 for 10 match with this branch and Oscar since 2015.
WINNER: Wunmi Mosaku, Sinners
Runner-Up: Teyana Taylor, One Battle After Another
Outstanding Performance by a Male Actor in a Supporting Role
Miles Caton (Sinners), Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Sean Penn (One Battle After Another)
There’s a 9 for 10 match here as well and this is just as wide open as Supporting Actress. Critics Choice called Elordi as their winner, Globes picked Stellan Skarsgård in Sentimental Value (not nominated here), and BAFTA went with Sean Penn. In this case, I am going with the BAFTA momentum though his costar del Toro might pose the realest threat.
WINNER: Sean Penn, One Battle After Another
Runner-Up: Benicio del Toro, One Battle After Another
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
F1, Frankenstein, Mission: Impossible – The Final Reckoning, One Battle After Another, Sinners
Tom Cruise’s franchise is known for stunts so I wouldn’t bet against it.
The 31st SAG Awards hosted by Kristen Bell air on Netflix this Sunday and are the last major precursor before the Oscars on March 2nd. The winners here will not influence the Academy since voting closed this week.
That said, the correlation between SAG victors and Oscar winners can be high. In Actress over the past decade, it’s 7 out of 10. For Actor – 8 out of 10. In the supporting fields, we’re looking at a whopping 9/10 for both.
At SAG, the top prize is Best Ensemble and not Best Picture. Therefore we have less frequency between those competitions matching. Yet it’s a decent 6 out of 10 including the last 3 with CODA, Everything Everywhere All at Once, and Oppenheimer.
Let’s walk through each race and I’ll give you my winner pick and a runner-up. I’ll have a recap posted Sunday evening!
Outstanding Performance by a Cast in a Motion Picture
Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
All 5 nominees here are BP hopefuls at Oscar and that’s the first occurrence of that since 2014. Unknown and the scandal plagued Pérez are long shots. The other three are all stronger possibilities. Conclave is fresh off the BAFTA coronation while Anora recently completed the hat trick of DGA/PGA/Critics Choice. That said, Wicked really over performed with nods in Actress, both supporting fields, and Stunt Ensemble. And (spoiler alert) I’m not predicting it to win any of those. It isn’t rare for the Ensemble recipient to blank everywhere else – Black Panther, Parasite, and The Trial of the Chicago 7 all did so from 2018-2020. I’ll give a slight edge to the musical adaptation.
PREDICTED WINNER: WICKED
Runner-Up: Anora
Outstanding Performance by Female Actor in a Leading Role
Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
This really has the feel of a coin flip after Madison is the recently minted BAFTA winner while Moore has the Golden Globe and Critics Choice. I just think this group of actors might be swayed by the comeback narrative. Nevertheless this seems so close.
PREDICTED WINNER: DEMI MOORE, THE SUBSTANCE
Runner-Up: Mikey Madison, Anora
Outstanding Performance by a Male Actor in a Leading Role
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave)
Many believe this is Chalamet’s best opportunity to interrupt Brody’s potential sweep. I wouldn’t be surprised if that happens since Felicity Jones and Guy Pearce from The Brutalist both missed here and are Oscar nominees. The smart money is on Brody but I’m going with the mild upset in this one.
PREDICTED WINNER: TIMOTHÉE CHALAMET, A COMPLETE UNKNOWN
Runner-Up: Adrien Brody, The Brutalist
Outstanding Performance by a Female Actor in a Supporting Role
Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
Don’t discount Grande with Wicked‘s nomination haul. However, Saldaña has swept thus far and seems immune to any controversy with the picture.
PREDICTED WINNER: ZOE SALDAÑA, EMILIA PÉREZ
Runner-Up: Ariana Grande, Wicked
Outstanding Performance by a Male Actor in a Supporting Role
Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
Norton is maybe the only real threat to Culkin’s seasonal sweep. I don’t believe it’ll be interrupted.
PREDICTED WINNER: KIERAN CULKIN, A REAL PAIN
Runner-Up: Edward Norton, A Complete Unknown
Outstanding Performance by a Stunt Ensemble in a Motion Picture
Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
This could go to Dune: Part Two (though the first one lost to No Time to Die) or even Wicked, but this might be a layup for SAG to honor the movie about stunt ensembles.
Prior to its February 23rd airdate on Netflix with host Kristen Bell, nominations for the 31st SAG Awards were unveiled this morning. The planned in-person event revealing the nominees was scuttled due to the wildfires in southern California and were delivered via press release instead.
Bottom line – I went 22 for 30 in my predictions and there were some genuine shockers (particularly in the supporting contests). Let’s walk through each race with how I did and some commentary.
Outstanding Performance by a Cast in a Motion Picture
Nominees: Anora, A Complete Unknown, Conclave, Emilia Pérez, Wicked
How I Did: 5/5 (!)
Pretty happy about this result! Unlike most SAG years, all five contenders here should make the list of the 10 BP hopefuls at the Oscars. Considering that Wicked led all pictures in terms of nominations, it could be out front though I wouldn’t discount Pérez.
Outstanding Performance by a Female Actor in a Leading Role
Nominees: Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance)
How I Did: 4/5
Angelina Jolie (Maria) is having a tough season lately and her Oscar chances are in serious jeopardy. She didn’t make the BAFTA long list and fell short to Fernanda Torres (I’m Still Here) at the Golden Globes in the dramatic lead actress competition. Now she misses the cut with SAG and it’s Pamela Anderson (The Last Showgirl) getting in. Could Moore’s momentum after her Globes victory continue here or will it be Madison emerging victorious?
Outstanding Performance by a Male Actor in a Leading Role
Nominees: Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Clarence Domingo (Sing Sing), Ralph Fiennes (Conclave)
How I Did: 4/5
The core four (Brody, Chalamet, Domingo, Fiennes) are present but it is Daniel Craig getting the nod over my pick of Sebastian Stan in The Apprentice. That fifth slot is up for grabs at Oscar while Brody and Chalamet could compete for the ultimate prize.
Outstanding Performance by a Female Actor in a Supporting Role
Nominees: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Ariana Grande (Wicked), Zoe Saldaña (Emilia Pérez)
How I Did: 3/5
The supporting races are where SAG really provide some surprises this time around with Barbaro and Curtis. They’re in over my forecasted nominees Selena Gomez (Emilia Pérez) and Isabella Rossellini (Conclave). I would’ve figured Margaret Qualley (The Substance) and Felicity Jones (The Brutalist) had better shots than Barbaro/Curtis so this is a bit out of left field. Expect this to be between Saldaña and Grande.
Outstanding Performance by a Male Actor in a Supporting Role
Nominees: Jonathan Bailey (Wicked), Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Jeremy Strong (The Apprentice)
How I Did: 2/5 (oof)
And we’re even more in unanticipated territory with Supporting Actor as Bailey, Borisov, and Strong (who was my alternate) are in with Clarence Maclin (Sing Sing), Guy Pearce (The Brutalist), and Denzel Washington (Gladiator II) out. I genuinely am surprised that SAG left out Pearce and Washington. The former is considered Culkin’s main competitor this season. That may no longer be the case as Culkin could sweep the upcoming ceremonies. Side note – not a great morning for The Brutalist with Brody being the pic’s sole nominee.
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
Nominees: Deadpool & Wolverine, Dune: Part Two, The Fall Guy, Gladiator II, Wicked
How I Did: 4/5
I went with Furiosa: A Mad Max Saga over Wicked. I would think The Fall Guy, which is about stunt performers, could be the selection.
And there you have it, folks! Keep an eye on the blog for all Oscar precursor chatter…
PAW Patrol: The Mighty Movie arrives in theaters tomorrow and it’s the second animated feature based on the popular Nickelodeon series. Cal Brunker returns to direct with voice cast actors including Mckenna Grace, Taraji P. Henson, Kim Kardashian, James Marsden, and Kristen Bell.
Initial reviews are encouraging with an 88% Rotten Tomatoes rating. That score may go down, but it’s currently higher than the 80% earned by its 2021 predecessor. However, I don’t really see this contending for Best Animated Feature. The first PAW didn’t and there’s other sequels or reboots that could stand a better shot. Teenage Mutant Ninja Turtles: Mutant Mayhem, for example, boasts a 96% RT meter. Chicken Run: Dawn of the Nugget has yet to drop and it could emerge as a hopeful. With Spider-Man: Across the Spider-Verse, The Boy and the Heron, and Elemental probably already in and Wish on deck, don’t count on these dogs to make it. My Oscar Prediction posts will continue…
Paramount is hoping the kiddos are eager for a second cinematic helping of canine comedy as PAW Patrol: The Mighty Movie hits theaters on September 29th. The animated sequel, based on a Canadian TV series that made its way stateside via Nickelodeon, has Cal Brunker returning to direct. The voice cast includes Mckenna Grace, Taraji P. Henson, Marsai Martin, Christian Convery, Kim Kardashian and her children North West and Saint West, James Marsden, Kristin Bell, and Finn Lee-Epp.
PAW Patrol: The Movie arrived in theaters in August of 2021 during COVID challenges. It opened to a so-so $13 million and ended up taking in $40 million domestically. Without the barriers that its predecessor faced, this may end up earning about the same amount out of the gate and maybe a little more. Not mighty, but not a box office dog either.
PAW Patrol: The Mighty Movie opening weekend prediction: $16.3 million
One week ahead of its massive launch, the review embargo has lifted for Disney’s Frozen II, the sequel to the 2013 animated smash that grossed over a billion dollars worldwide. Financial expectations are understandably enormous and a big question was whether it matches the quality of the original.
Early critical reaction suggests… not quite. Frozen achieved a 90% Rotten Tomatoes rating while the follow-up is currently at 81%. Part 1 was nominated for two Oscars and won both – Animated Feature and Best Original Song for the omnipresent “Let It Go” as sung by Idina Menzel (or whatever John Travolta called her at the Academy ceremony).
Frozen II is very likely to be nominated in both races like its predecessor. The tune is likely to be the ballad “Into the Unknown”. However, unlike the original, it may not be the favorite to win in either category. The biggest competition in Animated Feature comes from another Mouse Factory sequel with this summer’s Toy Story 4 (which I still believe to be the frontrunner). Another non-Disney sequel, How to Train Your Dragon: The Hidden World, could also be a factor – albeit less so than Woody and Buzz. In Original Song, there’s serious competitors in the form of Elton John and Taylor Swift tracks from Rocketman and Cats, respectively.
Bottom line: Frozen II should nab the same nods that Frozen did. Victories are another story. My Oscar Watch posts will continue…
Blogger’s Note (11/16): I’ve upgraded my estimate from $113.7M to $126.7M
Today, frozen is the word described by many as what they’re experiencing when they attempt to view Disney Plus on its first day of launch. Next weekend, Frozen II looks to heat up a sleepy box office and continue the Mouse Factory’s stellar year. This is the sequel to the 2013 smash hit that earned over a billion dollars worldwide. The computer animated musical fantasy has Idina Menzel, Kristen Bell, Jonathan Groff, and Josh Gad returning to voice their known characters along with newbies Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Marsha Plimpton, and Jason Ritter. Chris Buck and Jennifer Lee make a return engagement behind the camera.
Six years ago in November, part 1 turned into a phenomenon. Over the long Thanksgiving weekend, the critically hailed Oscar winner took in $93 million and legged out impressively to a domestic haul of $400 million. This time around, expectations are understandably sky high. A gross north of $100 million out of the gate is anticipated.
With its rather short span between entries, Frozen II should achieve that status. I suspect earnings in the neighborhood of what Toy Story 4 ($120.9 million) took in this summer is the range. I’ll put it a few million over that mark.
Frozen II opening weekend prediction: $126.7 million
For my A Beautiful Day in the Neighborhood prediction, click here:
TheDisasterArtist begins with filmmakers J.J. Abrams and Kevin Smith and actors Adam Scott, Danny McBride, and Kristen Bell extolling the strange virtues of TheRoom. That terrible movie became one of the most unlikely cult hits of the 21st century. The rest of the picture details its strange maker Tommy Wiseau (James Franco) and the process to bring it to a midnight theater showing near you.
Just as TheRoom was Wiseau’s warped vision all his own, this is clearly a passion project for Franco. I suspect many of the other well-known actors who turn up in parts large and small are devotees of the unintentionally hilarious 2003 film that Franco is recounting. Like Tim Burton’s EdWood, this is a good movie about a bad director. Not as good, but it’s an entertaining watch that doesn’t probe too far into its subject’s real story. Truth be told, maybe we don’t really wanna know.
Tommy Wiseau wouldn’t want it any other way. We first meet him in San Francisco circa 1998 as he pours his heart into Marlon Brando’s monologue from AStreetcarNamedDesire at an acting class. His rendering is quite awful, but it’s his devil-may-care attitude and blind commitment that gets the attention of Greg (Dave Franco). He’s a fellow student who’s more reserved. Tommy is too, but in a much different way. His age is a mystery and he’s not about to tell it. A European accent (where in that continent… who knows?) counters his contention that he hails from New Orleans. Most interestingly, Tommy seems to have a limitless supply of money and no one knows why.
His new pal Greg manages to ignore those puzzling personal aspects and they road trip it to L.A. to move in together and pursue their dreams. Although he seems to have some prospects, Greg can’t catch a break. Tommy’s overall bizarre vibe is an immediate red X to casting agents. The only solution is to finance his own feature.
And TheRoom is birthed throughout a long shooting process with a director who has no clue what he’s really doing. We see Wiseau torment his cast and crew because he read somewhere that’s how Alfred Hitchcock did it. Those who know TheRoom will revel in revisiting Wiseau (who casts himself as the romantic lead) and his humorously questionable line readings. There’s his screenplay that inexplicably brings up cancer subplots that go nowhere and sex scenes that would be deemed too horrible for 2am Cinemax play.
Franco, who also serves behind the camera, is obviously enamored with getting his portrayal of Tommy’s mannerisms and his journey to make this project as accurate as possible. Even if you’re not familiar with Wiseau’s cinematic opus, one YouTube viewing of an interview with him and you’ll know Franco nails it. The star/director, in addition to casting his brother, finds roles for Dave’s real life wife Alison Brie and his frequent costar Seth Rogen as a perpetually bemused script supervisor. Yet just as the real Tommy made his personal relationships and the shooting experience all about him, so is the case with TheDisasterArtist.
That devotion from Franco is enough to make this a worthwhile experience. If you’re looking for any insight into what really made Tommy who he is, you won’t find it here. The ultimate irony is that Wiseau did end up succeeding in a town where that’s nearly an impossible feat. He didn’t know that the earnest drama he thought he was making would result in RockyHorrorPictureShow style late night screening madness. What kind of man could achieve this? We may never know, but it’s a fun question for Franco and others to ponder.
This Friday, Warner Bros animation is out with TeenTitans! GoTotheMovies based on the Cartoon Network series. It’s a superhero spoof blending the characters of the show with notable icons from their catalog, including Nicolas Cage voicing Superman and Jimmy Kimmel as the Caped Crusader.
Early reviews are quite encouraging and it currently stands at 100% on Rotten Tomatoes. It has the potential to be a summer sleeper that could appeal to kids and their parents. Will Oscar take note?
That could be a reach. Warner Bros has had a critically acclaimed output recently with their Lego series. However, TheLegoMovie, TheLegoBatmanMovie, and TheLegoNinjagoMovie all failed to garner recognition in the Best Animated Feature category.
We can pretty safely say that two 2018 releases are already in for nods: Wes Anderson’s IsleofDogs and Pixar’s superhero toon Incredibles2. And there’s plenty more animated material to come. Despite positive buzz, that could mean Academy voters could fail to remember the Titans in a few months.
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