Summer 2009: The Top 10 Hits and More

Today we continue with my recaps of the movie summers from 30, 20, and 10 years ago. I’ve already covered 1989 and 1999 and if you missed them, you can find them right here:

https://toddmthatcher.com/2019/07/10/summer-1989-the-top-10-hits-and-more/

https://toddmthatcher.com/2019/07/23/summer-1999-the-top-10-hits-and-more/

Looking over the 2009 list, it’s a reminder of how one thing in particular has changed in just a decade. In the summer of 2008, Iron Man came out and kickstarted the Marvel Cinematic Universe. Two seasons later, Iron Man 2 followed. In every summer since, there’s been a massive MCU title often ruling the charts. 2009 is the last year not to feature one.

Instead, one of the most indelible images from 10 years past is Mike Tyson belting out a Phil Collins classic.

As I’ve done with previous entries, I’ll recount the top ten hits along with some other notable pics and flops. Let’s get to it!

10. G.I. Joe: The Rise of Cobra

Domestic Gross: $150 million

Hasbro was kind of the MCU of this summer by bookending the top 10. Based on their popular set of action figures, Cobra spawned a sequel and introduced many moviegoers to Channing Tatum.

9. The Proposal

Domestic Gross: $163 million

What a year for Sandra Bullock. First she has this huge rom com with Ryan Reynolds and months later gets her Oscar winning turn in The Blind Side. Not to mention Betty White is in this!

8. Night at the Museum: Battle of the Smithsonian

Domestic Gross: $177 million

While it couldn’t match the $250 million earned by its 2006 predecessor, the Ben Stiller led  family adventure sequel still did enough for a part 3 to eventually follow.

7. XMen Origins: Wolverine

Domestic Gross: $179 million

The first of three spinoffs for Hugh Jackman’s iconic clawed character, this is generally considered the worst of them. It still made a pretty penny and gave us a first glimpse at Ryan Reynolds as Wade Wilson, aka Deadpool.

6. Ice Age: Dawn of the Dinosaurs

Domestic Gross: $196 million

The third of these five animated tales, Dinosaurs stands at the largest grosser by a mere $1 million over 2006 predecessor Ice Age: The Meltdown.

5. Star Trek

Domestic Gross: $257 million

J.J. Abrams was able to bring this long running film and TV milestone to the next generation in a critically acclaimed way. His reboot remains the highest grossing entry in the canon of Trek. Two sequels so far have followed.

4. The Hangover

Domestic Gross: $277 million

The breakout comedy of the summer made stars out of Bradley Cooper and Zach Galifianakis in particular and had the aforementioned Mike Tyson musical moment of glory. Two lesser regarded sequels followed.

3. Up

Domestic Gross: $293 million

Pixar had another smash hit with this tale of aging and wonder that contains my personal favorite sequence of any of their titles. The opening montage of a couple’s journey through life is simultaneously beautiful and devastating.

2. Harry Potter and the HalfBlood Prince

Domestic Gross: $301 million

This sixth Potter pic set up the two part franchise finale and it stands at the third biggest grosser behind the eighth and final entry and the first film in 2001.

1. Transformers: Revenge of the Fallen

Domestic Gross: $402 million

The follow-up to the 2007 original, Michael Bay’s metallic action extravaganza is the high point in terms of box office dollars overall and largest opening, even though critics mercilessly crucified it.

And now for some other notable flicks from the summer that was 10 years ago:

Angels & Demons

Domestic Gross: $133 million

The sequel to The Da Vinci Code, the return of Tom Hanks as Robert Langdon performed decently, but nowhere near the $217 million achieved by its predecessor. The next sequel Inferno bombed.

Inglourious Basterds

Domestic Gross: $120 million

Quentin Tarantino’s revisionist World War II saga become his best earning pic at the time and earned a slew of Oscar nods, including a win for scene stealer Christoph Waltz.

District 9

Domestic Gross: $115 million

Made for a mere $30 million, Neill Blomkamp announced himself a serious force of sci-fi nature with heralded work that nabbed a Best Picture nod.

Public Enemies

Domestic Gross: $97 million

This gangster tale from Michael Mann was headlined by Johnny Depp and Christian Bale as they took a break between their respective pirate and bat franchises. It was a slight box office disappointment as it couldn’t quite match its $100 million budget back domestically.

Julie & Julia

Domestic Gross: $94 million

Meryl Streep got her umpteenth Oscar nod playing famed chef Julia Child in this Nora Ephron dramedy that proved to be a nice August hit.

Bruno

Domestic Gross: $60 million

There was enough goodwill left over from Sacha Baron Cohen’s smash Borat to propel this satire about a fashion journalist to a $30 million opening weekend. It fell off quickly after that impressive start.

Drag Me to Hell

Domestic Gross: $42 million

Following on the heels of his SpiderMan trilogy, this horror comedy brought Sam Raimi back to his Evil Dead roots. Box office dollars were just ok, but critics appreciated it.

(500) Days of Summer

Domestic Gross: $32 million

Made for a tiny $7.5 million, Joseph Gordon-Levitt and Zooey Deschanel charmed audiences with this rom com from Marc Webb. He would take over the Spidey franchise from Raimi shortly thereafter.

The Hurt Locker

Domestic Gross: $17 million

Kathryn Bigelow’s intense tale of bomb technicians in Iraq made a name for Jeremy Renner. While its box office earnings weren’t that potent, the real reward came later when it won the Oscar for Best Picture and Bigelow became the first female to be awarded Best Director.

We move to pictures that failed to meet expectations or were outright flops.

Terminator Salvation

Domestic Gross: $125 million

The Governor of California sat this one out and this McG directed franchise entry couldn’t match the opening of part 3 from six years prior. Today it’s perhaps best known for a secretly recorded onset argument between McG and star Christian Bale.

The Taking of Pelham 1 2 3

Domestic Gross: $65 million

A remake of a 1974 Walter Matthau action flick about hijacked subway cars, Tony Scott’s collaboration starring Denzel Washington and John Travolta fell short of anticipated blockbuster status.

Funny People

Domestic Gross: $51 million

Judd Apatow had made two huge comedies with The 40 Year Old Virgin and Knocked Up. This one centered on the world of stand-up with Adam Sandler and Seth Rogen. It was more personal and divided critics and crowds alike.

Land of the Lost

Domestic Gross: $49 million

Based on a loopy 1970s TV series, Will Ferrell had a rare bomb with this critically derided prehistoric pic. It didn’t earn half of its $100 million price tag back stateside.

Year One

Domestic Gross: $43 million

Yet another prehistoric comedic failure, the talents of director Harold Ramis and Jack Black and Michael Cena couldn’t get reviewers or audiences on its side.

Imagine That

Domestic Gross: $16 million

Families ignored this particular Eddie Murphy headliner that stands as one of his lowest grossing efforts.

And that does it for my seasonal summer recaps! A year from now… look for 1990, 2000, and 2010 coming your way.

Oscar Watch: Gloria Bell

After premiering last autumn at the Toronto Film Festival, Gloria Bell hits theaters in limited fashion on Friday. The film is a remake of Sebastian Lelio’s 2013 Chilean comedic drama that was met with acclaim. Those strong reviews have greeted the American version (100% on Rotten Tomatoes), which again features Lelio behind the camera. It’s the filmmaker’s follow-up to 2017’s A Fantastic Woman, which won the Oscar for Best Foreign Language Feature.

Julianne Moore plays the title role and critics have lavished praise for her work. Costars include John Turturro, Michael Cera, Brad Garrett, Holland Taylor, Sean Astin, Jeanne Tripplehorn, and Rita Wilson.

A24 acquired Gloria after its screening up north. Even with the March release, it’s likely that the studio will make a significant push for Moore to receive her sixth Oscar nod. Her fifth nomination was the lucky one in 2014 when took the statue in Best Actress for Still Alice. I also wouldn’t be surprised if the sole focus is on Moore being recognized, similar to Glenn Close in 2018 for The Wife.

Bottom line: it’s early, but Moore could be in the mix yet again. My Oscar Watch posts will continue…

Molly’s Game Movie Review

At its best, Aaron Sorkin’s dialogue is cinematic music. Like many distinctive screenwriters icluding Mamet and Tarantino, he has an unmistakable style. There’s a zippy and often whip smart quality present. We heard that melody in The Social Network and on “The West Wing” and large parts of A Few Good Men, The American President, Charlie Wilson’s War, Moneyball, and Steve Jobs. On occasion, there are heavy-handed and slightly preachy notes in his wordy tunes.

We know what we’re getting in a Sorkin screenplay. An unknown until now is how he performs behind the lens and Molly’s Game answers it. The frequent highs and more infrequent lows of his writing are present here. And he pleasingly proves he’s got some style in the director’s chair, too.

The film is based on the real life story of Molly Bloom (Jessica Chastain), who went from a wannabe Olympic skier sidelined by freak injury to underground poker syndicate magnate. It’s an improbable yarn where truth is indeed stranger than fiction. Following her slopes related incident, Molly travels to L.A. and soon finds herself as assistant to a rich on paper and sleazy real estate developer (Jeremy Strong). He seems far more concerned with his high stakes poker game that involves celebrities and the West Coast wealthy – all male. Molly starts out basically holding their money. That doesn’t last long as her intellect soon has her running the show.

This puts her in constant contact with an unnamed movie star played by Michael Cera. A quick look at the facts of Bloom’s true events would put Tobey Maguire as the actual actor. Sorkin’s screenplay doesn’t dwell on the famous names that real Molly came in contact with, as apparently the subject’s book this is based on didn’t either. I will say this. If half the stuff about Maguire (err Cera’s character) is accurate, he’s not exactly your friendly neighborhood Spider-Man.

It also puts her in proximity with far worse types than bratty leading men. There’s the Mob, in Italian and Russian form. And that’s where it all gets truly dangerous. These individuals provide a risk to her personal safety, as do the drug fueled measures she takes on her own to keep the business rolling in celebrity, Mafia, and trust fund kid cash.

Molly’s Game is told in flashback as our central figure’s legal troubles mount. Idris Elba is her skilled and sympathetic lawyer. Kevin Costner is her hard charging dad – a therapist who is always seeking perfection from his daughter. It’s their dynamic that turns out to be the key one here and provides a window into Molly’s behavior. In some ways, it’s a relationship we’ve seen countless times onscreen before and this doesn’t add much freshness.

That said, when Sorkin’s writing is at its best, it’s an entertaining sound. Molly’s Game gives us plenty of long exchanges between particularly Chastain and Elba that qualify. We’ve seen the world of closed-door poker (in the solid Rounders for example) before, but not often. The writer/director frequently excels at displaying this fast-paced universe that just a minor segment of the ultra rich are privy to.

Chastain is present in nearly every frame and she provides another electric performance as a strong female getting it done in a male dominated universe. Elba offers sturdy support. Even though Costner’s subplot is the most routine, he adds some depth in the third act as the complicated dad.

Those familiar with Sorkin’s word games will find plenty to enjoy here. It doesn’t rise to the level of The Social Network, mind you. It does comfortably give me confidence that his dialogue works just fine with him also wearing the director’s hat.

*** (out of four)

 

Summer 2007: The Top 10 Hits and More

Well it’s Throwback Thursday and I’m giving you the culmination of my three-part series recounting the movie summers of 30, 20, and 10 years ago. We’ve already gone back to memory lane in 1987 and 1997. If you missed either of those posts, you can find them here:

https://toddmthatcher.com/2017/08/01/summer-1987-the-top-10-hits-and-more/

https://toddmthatcher.com/2017/08/04/summer-1997-the-top-10-hits-and-more/

That means I’m traveling back a decade ago to 2007 and it’s a summer where threequels were majorly in vogue, accounting for four of the top six grossing pictures. Sequels were pervasive in general in this particular season and it was a breakout summer for one Seth Rogen.

As I have with these previous entries, I’ll count down the top ten hits as well as other notable pics and some flops.

Let’s get to it!

10. Rush Hour 3

Domestic Gross: $140 million

The third and final pairing of Jackie Chan and Chris Tucker in this action comedy franchise is our first threequel on the list. It fell a steep $86 million short of what Rush Hour 2 accomplished six seasons earlier.

9. Knocked Up

Domestic Gross: $148 million

The comedic summer breakout continued Judd Apatow’s hit streak after The 40 Yr. Old Virgin from two previous summers and gave Seth Rogen his first big leading role. Katherine Heigl may have inexplicably trash talked it later, but audiences disagreed.

8. The Simpsons Movie

Domestic Gross: $183 million

Arriving nearly two decades after the still going FOX animated series debut, The Simpsons Movie surpassed all expectations with its gargantuan gross. Just last month, producers announced there’s been traction on a planned sequel.

7. Ratatouille

Domestic Gross: $206 million

Our second animated entry comes from the Pixar conglomerate. The critically hailed rat tale actually experienced one of the lowest openings for Pixar, but it still managed to top $200 million and its reputation has only grown.

6. The Bourne Ultimatum

Domestic Gross: $227 million

Matt Damon’s third go-round as the title character is still the highest grossing entry of the franchise and the only to pass $200 million. The star returned to the series just last summer.

5. Harry Potter and the Order of the Phoenix

Domestic Gross: $292 million

The fifth installment of the $2 billion plus franchise marks the first one directed by David Yates, who would make the following three pics as well. It stands #5 of the 8 Potter pics in domestic gross.

4. Pirates of the Caribbean: At World’s End

Domestic Gross: $309 million

The third Pirates flick is when critics really started to turn on the series. Getting past $300 million is nothing to sneeze at, but it is nearly $115 million lower than its predecessor Dead Man’s Chest just one summer before.

3. Transformers

Domestic Gross: $319 million

Michael Bay’s bot series started a decade ago and it’s still going. The original ranks third of the five in grosses as its two sequels topped it, but the last two have fallen under it.

2. Shrek the Third

Domestic Gross: $322 million

Much like Pirates, this is when reviewers started to sour on this series. It was still chugging along, but it did fall $120 million below Shrek 2.

1. Spider-Man 3

Domestic Gross: $336 million

Anyone noticing a pattern here? Once again – a third franchise entry where critics started sharpening their knives. This end to the Sam Raimi Spidey trilogy was considered a big letdown in quality, yet it still topped the summer while earning less than its two predecessors.

And now for some other notable pictures of summer 2007:

Live Free or Die Hard

Domestic Gross: $134 million

From a pure numbers standpoint, it’s the highest grossing pic to feature Bruce Willis in his signature role of John McClane (though that changes when adjusting for inflation). From a pure entertainment standpoint, the decision to make this the only PG-13 Die Hard film was a bit puzzling.

Superbad

Domestic Gross: $121 million

Mr. Rogen’s big summer kept rolling along with this acclaimed comedy in which he costarred and co-wrote. Jonah Hill, Michael Cera, and McLovin became household names due to this.

I Now Pronounce You Chuck and Larry

Domestic Gross: $120 million

Before his movies moved to Netflix, Adam Sandler could still crank out $100M+ earners just a decade ago, even if it was this stale comedy co-starring Kevin James.

Hairspray

Domestic Gross: $118 million

Based on both the John Waters 1988 pic and the Broadway musical that followed it, Hairspray featuring John Travolta, Michelle Pfeiffer, and Christopher Walken performed above expectations.

Ocean’s Thirteen

Domestic Gross: $117 million

Worth mentioning because it’s yet another threequel that couldn’t quite match the grosses of the first two. An all female version of the Ocean’s franchise is soon coming to a theater near you.

Once

Domestic Gross: $9 million

That may be appear to a small gross, but this little Irish romantic musical came out of nowhere stateside and has achieved a devoted following. It’s even been adapted into a Broadway play.

And now for some of the flops of summer 2007:

Evan Almighty

Domestic Gross: $100 million

Yes, it may have crossed the century mark, but this spin-off of 2003’s Bruce Almighty was considered the flop of the season. Starring Steve Carell fresh off the acclaimed 40 Yr. Old Virgin, this family feature came with a reported $175 million budget. Audiences and critics weren’t impressed.

Stardust

Domestic Gross: $38 million

This fantasy flick with Claire Danes, Robert De Niro, and Michelle Pfeiffer only earned a bit more than half its $70 million budget domestically. However, director Matthew Vaughn has bounced back in a significant way with Kick-Ass, X-Men: First Class, and Kingsman: The Secret Service. 

The Invasion

Domestic Gross: $15 million

Another remake of Invasion of the Body Snatchers, bad reviews sunk this pic that featured Nicole Kidman and Daniel Craig, fresh off his heralded debut as James Bond.

I Know Who Killed Me

Domestic Gross: $7 million

Lindsay Lohan was a long way from Freaky Friday and Mean Girls with this panned psychological thriller that featured the starlet as a stripper. Audiences turned away.

And that does it, folks! You can rest assure you’ll see summer posts recounting 1988, 1998, and 2008 in a year’s time…

How to Be a Latin Lover Box Office Prediction

How to Be a Latin Lover hits stateside screens next weekend and it’s not out of the realm of possibility that it could be a decent sleeper hit. The rom com stars Eugenio Derbez, who’s a massive movie star in Latin America. Lover boasts a supporting cast of recognizable faces including Salma Hayek, Rob Lowe, Kristen Bell, Michael Cera, Raquel Welch, and Rob Riggle.

In 2013, Derbez directed and starred in Instructions Not Included, which shocked domestic box office prognosticators when it made nearly $8 million on only 347 screens. It eventually made $44M in the U.S. Lover is bound to be a huge hit in Mexico when it premieres on May 5.

I don’t quite expect Instructions numbers here. Then again, no one saw Instructions coming either. I’ll say it manages between $5-possibly $7 million for a respectable showing.

How to Be a Latin Lover opening weekend prediction: $6.3 million

For my The Circle prediction, click here:

https://toddmthatcher.com/2017/04/19/the-circle-box-office-prediction/

The Lego Batman Movie Box Office Prediction

Three February’s ago, Warner Bros hit the animation jackpot with The Lego Movie. A proper sequel is on its way come 2019, but in the meantime we have a spin-off based on one of the most popular characters as The Lego Batman Movie hits theaters next weekend.

The 3D computer generated pic returns Will Arnett as the Caped Crusader in this action comedy from director Chris McKay, who was animation co-director on Lego. Zach Galifianakis voices The Joker, Michael Cera is Robin, Rosario Dawson is Batgirl, and Ralph Fiennes lends support as butler Alfred.

As the original is only three years old and the Lego line has a dedicated base, Lego fans should come out in droves for this. That said, I don’t quite expect this to match the $69 million achieved in the first weekend by its predecessor (it eventually made $257 million domestically). A high 50s to potentially high 60s gross seems more feasible, meaning it should debut at #1 ahead of Christian and Anastasia in Fifty Shades Darker.

The Lego Batman Movie opening weekend prediction: $65.8 million

For my Fifty Shades Darker prediction, click here:

https://toddmthatcher.com/2017/02/01/fifty-shades-darker-box-office-prediction/

For my John Wick: Chapter 2 prediction, click here:

https://toddmthatcher.com/2017/02/02/john-wick-chapter-2-box-office-prediction/

Sausage Party Movie Review

The comedic team of Seth Rogen and Evan Goldberg (they were childhood friends) was first witnessed by mass audiences in 2007’s inspired Superbad. That pic was conceived by the duo when they were young and that teen spirit infused it with a refreshing authenticity. Their cinematic marriage has since shown their fondness for raunchiness and weed. Nothing has quite hit the effectiveness of their first collaboration. Some have come pretty darn close (Pineapple Express, This is the End) while others have come up a bit shorter (The Watch, The Interview, The Night Before). Most of their works have performed well or at least decently at the box office (The Watch is a notable exception) and Sausage Party is the kind of movie you get to make when studios let you do whatever you want. It ends up on the higher scale of their work.

Party gives us the rare instance of a truly R rated animated flick. Rogen and Goldberg’s affection for vulgarity is on full display and one suspects it was green stuff other than money that may have assisted in coming up with the concept. Here it is: the food and products in your local grocery store are alive and blissfully unaware of what happens to them after they walk out of the sliding doors. Rogen’s Frank is a sausage and Kristin Wiig’s Brenda is a bun and they’ve been waiting to connect once they break out of their respective packages. In their understanding, this will occur once they’re purchased by the Gods (who are actually just your everyday consumers) and enter the Great Beyond outside of Shopwell’s.

A returned jar of honey mustard (voiced by Danny McBride) tries to warn his market friends of what lies ahead when their dream of freedom is met. Many are skeptical and what’s often most surprising about Sausage Party is its allegorical themes pertaining to religion and sex with some expected drug humor thrown in. It’s also chock full of bad puns (some quite hilarious) and plenty of the living products representing their stereotypes. The most obvious and amusing example? The villain of the establishment (voiced by Nick Kroll) is literally a Douche. We also have Sammy the Bagel, giving Edward Norton a chance to be funny and essentially do a Woody Allen impersonation and his ex-girlfriend Salma Hayek coming out of her shell as Theresa del Taco.

As mentioned, Goldberg and Rogen are free to do what they want here and Sausage Party does have plenty of uproariously inappropriate moments. There are also times when their out there idea is funnier in concept than actual execution. Additionally, the final gag practically begs for a post-credits sequence that never materializes. Still, at a brisk 88 minutes, this Party is fresh enough for consumption of its creators fans.

*** (out of four)