Masters of the Universe hopes to have the power of box office potency when it debuts this weekend. As I wrote in my financial prediction post, that could be a challenge. This is the second big screen treatment for the animated series and toy line behind 1987’s dud with Dolph Lundgren as He-Man. Nicholas Galitzine takes over the role almost four decades later with Jared Leto as Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Jóhannes Haukur Jóhannesson, Kristin Wiig (providing voiceover work), Morena Baccarin, and Idris Elba. Travis Knight, no stranger to adapting 80s material with Bumblebee, directs.
Several critics are being kind and calling it entertaining summer fluff. The Rotten Tomatoes score is 74%. The 53 Metacritic is more indicative of some negative critical reaction as well. The mid 80s Masters actually received a Razzie nomination in Supporting Actor for Billy Barty. The new Masters probably won’t show up there. With Visual Effects as the only remote possibility, I can’t imagine it showing up at the Academy Awards either. My Oscar Prediction posts will continue…
Bringing IP to the screen that’s been dormant for nearly 40 years, Masters of the Universe hopes to kickstart a new franchise when it debuts June 5th. Adapting the toy line and Saturday morning cartoon franchise that began in the early 80s, Travis Knight (Bumblebee) directs with Nicholas Galitzine as hero Adam/He-Man and Jared Leto as the villainous Skeletor. The supporting cast includes Camila Mendes, Alison Brie, James Purefoy, Morena Baccarin, Jóhannes Haukur Jóhannesson, and Idris Elba. Kristin Wiig provides voiceover work.
While the film has been in development for many years, you have to go back to 1987 to find the first (and last) time these characters appeared in theaters. That was with Dolph Lundgren as He-Man, Frank Langella as Skeletor, and Courteney Cox in the middle of the action. It was a critical and financial dud and the new Masters hopes to avoid the same fate.
There are challenges. First and foremost, younger viewers may not be as familiar with the source material. Older viewers who did watch the animated series decades ago might not be clamoring for the update. The studio is banking on parents and their kids turning out.
Knight exceeded expectations with Bumblebee and Amazon MGM looks for buzz to increase with his latest. I’m still skeptical this meets its somewhat meager expectations in the mid 30s. I’m taking the under for a rocky beginning.
Masters of the Universe opening weekend prediction: $29.8 million
Freakier Friday looks to rule the whole weekend while critically lauded horror pic Weapons and family fantasy Sketch from Angel Studios also debut. You can peruse my detailed prediction posts on the trio of newcomers here:
Jamie Lee Curtis and Lindsay Lohan reprise their roles from the 2003 body swap remake Freaky Friday in Freakier Friday. An absence of female driven material over the summer and goodwill towards the predecessor should mean an #1 premiere and I’m projecting low 30s (barring a feasible Weapons over performance).
Weapons should be in line for a runner-up start with encouraging word-of-mouth and effective trailers. High 20s or possible more seems achievable.
As for Sketch, it’s getting solid initial reviews. However, distributor Angel has stalled with their output lately. While I think it could have the capacity to surprise, my $3.9 million estimate from Friday to Sunday and $5.8 million prediction when counting its Wednesday and Thursday numbers would put it outside of the top five (likely in 8th).
Let’s talk holdovers. The Fantastic Four: First Steps fell considerably more than I assumed in its sophomore frame (more on that below). For the third go-round, a 50-52% drop is probably what we’ll see. The dips shouldn’t be as pronounced for The Bad Guys 2 or The Naked Gun in their second weekends. I’ll say mid to high 30s for the former and 40% for the latter.
Here’s how I envision the top 5 shaking out:
1. Freakier Friday
Predicted Gross: $32.5 million
2. Weapons
Predicted Gross: $28.8 million
3. The Fantastic Four: First Steps
Predicted Gross: $18.9 million
4. The Bad Guys 2
Predicted Gross: $13.6 million
5. The Naked Gun
Predicted Gross: $10 million
Box Office Results (August 1-3)
I wrongly thought The Fantastic Four: First Steps would experience a low 50s decline similar to Superman from a couple weeks back. Yet Marvel’s 37th feature tumbled 67% to $38.6 million compared to my far more generous $50.6 million take. The studio can’t love that though it should level off this coming weekend to around 50% (similar to what Thor: Love and Thunder dropped after its high 60s fall).
Two high-profile newbies couldn’t match my projections. DreamWorks Animation’s sequel The Bad Guys 2 was second with $21.9 million. That’s a bit under what its 2022 predecessor managed and I thought it would do a bit over at $28.1 million.
The Naked Gun reboot with Liam Neeson had critics on its side, but still opened on the lower end of its expected range at $16.8 million in third. I had it pegged at $22.3 million. Paramount is hoping for decent legs throughout August.
Superman was fourth with $13.7 million (I said $13.5 million) as the DC reboot has amassed $316 million after four weeks.
Jurassic World Rebirth rounded out the top five with $8.7 million, a tad ahead of my $7.6 million call. After five weeks, it is roaring with $317 million.
Finally, body horror tale Together with Dave Franco and Alison Brie was sixth with $6.7 million from Friday to Sunday and $10.8 million since its Wednesday bow. That’s on pace with my respective predictions of $7 million and $10.2 million.
While The Fantastic Four: First Steps looks to ride a wave of solid buzz to a second weekend atop the charts, three new releases will jockey for position. We have animated sequel The Bad Guys 2, comedy franchise reboot The Naked Gun, and the Dave Franco/Alison Brie body horror experience Together premiering. You can peruse my detailed prediction posts on the trio here:
Unless The Bad Guys 2 significantly underperforms or The Naked Gun really fires on all cylinders, it should manage a runner-up debut. I’m projecting high 20s which would improve on its 2022 predecessor’s mid-twenties rollout.
The Naked Gun is the biggest question mark of the weekend. While nostalgia could propel it to better than anticipated numbers, series unfamiliarity among younger patrons could hinder it. The range is wide as I see the floor in the teens with breakout potential putting it in second place. My lower 20s compromise means a commendable third place.
Together is at 99% on Rotten Tomatoes, but horror fans have had plenty to feast on recently. My higher single digits estimate (and low double digits when factoring in its Wednesday bow) might put it in a face-off for fifth with the fifth weekend of Jurassic World Rebirth.
As mentioned, The Fantastic Four: First Steps should have no trouble staying in 1st. A mid to high 50s decline would be a bit more than the 53% experienced by Superman. Speaking of Supes, a fourth weekend decline close to 50% should mean fourth place.
Here’s how I see the top 6 shaking out:
1. The Fantastic Four: First Steps
Predicted Gross: $50.6 million
2. The Bad Guys 2
Predicted Gross: $28.1 million
3. The Naked Gun
Predicted Gross: $22.3 million
4. Superman
Predicted Gross: $13.5 million
5. Jurassic World Rebirth
Predicted Gross: $7.6 million
5. Together
Predicted Gross: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)
Box Office Results (July 25-27)
MCU’s 37th feature yielded its 37th #1 in a row as The Fantastic Four: First Steps made $117.6 million. It came close to Superman‘s start, falling short by just over $7 million. The critically appreciated reboot also couldn’t match my $122.4 million prediction. This is still a nice start while not getting to the rosiest of projections.
Superman dropped to second with $24.8 million, flying under my $28 million call. DC’s reboot (that word is popular with this summer’s crop) is nearing $300 million with $289 million in its coffers after three weeks.
Jurassic World Rebirth did cross that threshold with $13.2 million more in weekend #4, in line with my $13.6 million projection. The tally is $301 million.
Other holdovers were in close range with my guesstimates. F1 was fourth with $6.3 million (I said $6.7 million) for five-week earnings of $165 million.
Smurfs rounded out the top five with $5.4 million (I went with $5.5 million). The animated, yes, reboot has brought in a sleepy $22 million in two weeks.
I Know What You Did Last Summer was sixth with $5.2 million (I said $5.3 million) for $23 million in its ten days of release.
Real-life spouses Dave Franco and Alison Brie are fictional spouses growing a little too close for comfort in the body horror tale Together, out July 30th. It marks the directorial debut of Michael Shanks (who also scripts) and the Neon distributed release generated significant buzz after its Sundance bow.
Together currently has bragging rights with a rare 100% Rotten Tomatoes score and that’s helpful for the TV spots. Metacritic is at 76. Neon hopes this brings in genre audiences like their unexpected hit Longlegs did last summer. That critically appreciated pic surprised prognosticators with a $22 million start.
I don’t anticipate Together will see that kind of premiere. I do anticipate it will outdo the $5.3 million opening of Neon offering Immaculate last spring. Since it kicks off on a Wednesday, I’ll say a higher single digits bow over the traditional weekend with around $10 million for the five-day is the call.
Together opening weekend prediction: $7 million (Friday to Sunday); $10.2 million (Wednesday to Sunday)
The body horror genre had its awards breakout last year via Coralie Fargeat’s The Substance. After its January unveiling at Sundance, could Together generate attention from voters? Starring real-life married couple Alison Brie and Dave Franco, it marks the directorial debut of Michael Shanks (who also scripts).
The exploration of codependence made a splash in Park City months ago. Hitting theaters on July 30th, the Rotten Tomatoes score is a perfect 100% (with almost 50 reviews in) with 76 on Metacritic. I probably would’ve discounted its prospects before The Substance nabbed five nods. Together is likely still a long shot for Academy attention. If it can contend anywhere, look to Original Screenplay. However, that race is already packed with potential players. Perhaps more importantly, distributor Neon will have its hands full with Sentimental Value and It Was Just an Accident. My Oscar Prediction posts will continue…
Hulu looks to have a holiday hit on their hands when Happiest Season holds its streaming debut on November 25th. The rom com stars Kristen Stewart as her character embarks on a holiday outing with the family of her girlfriend (Mackenzie Davis). Problem is, said girlfriend hasn’t yet come out to said family. Clea DuVall directs with a supporting cast including Alison Brie, Aubrey Plaza, Dan Levy, Victor Garber, and Mary Steenburgen.
The review embargo lifted today and the results indicate a winner. Its Rotten Tomatoes rating stands at 93%. Particular praise has gone to a trio of performances: Stewart, Plaza, and Levy (who’s having quite a year with his multiple Emmys for Schitt’s Creek). When it comes to Oscar, however, I am skeptical that Season has any impact (potentially similar to another acclaimed Hulu comedy Palm Springs).
The Golden Globes, on the other hand, could be a different story. The pic could contend in the Musical/Comedy race, but I especially think Stewart could be recognized in Best Actress. Ms. Stewart has had a number of critically appreciated roles in her post Twilight years. A nod in the Musical/Comedy category would mark her first Globes mention. Oscar may have to wait for another season. My Oscar Watch posts will continue…
Well-known actors crafting nifty little suspense thrillers tinged with horror has become a thing lately (think John Krasinski’s A Quiet Place and Joel Edgerton’s The Gift). Dave Franco gets in on it with The Rental, which is swift in its running time and plentiful with twists that you see coming and some that are nicely rewarding. It also features a quartet of solid performers whose weekend getaway gives them far more than they bargained for.
Charlie (Dan Stevens) finds a swanky vacation house to nab for the weekend with help from his trusted assistant Mina (Sheila Vand). They’re celebrating something going right with their business and it’s good reason to let their hair down with Charlie’s wife Michelle (Alison Brie, the director’s real life spouse). Mina happens to be dating Charlie’s brother Josh (Jeremy Allen White) so he tags along with his puppy. Pets aren’t allowed at the establishment, but that turns out to be the least of their issues. For instance, there might be a psycho around and it’s not safe to be in the shower.
Upon arrival, the foursome confront the property’s caretaker Taylor (Toby Huss). The first problem is a racially tinged one. Mina, who’s of Middle Eastern descent, tried to rent the place and was promptly denied. Charlie had no such trouble. They decide to overlook that and the first night becomes an alcohol and designer drug filled party. This is where the aforementioned “twists” that follow are somewhat predictable in nature. However, the actors have a real chemistry with one another and you’ll want to see where it all leads.
Without venturing into spoiler territory, The Rental isn’t its eventual genre for about two thirds of its brisk 88 minutes. Credit is due to Franco and Joe Swanberg’s script for keeping the audience engaged in the dynamics of the four principals. Of them, it’s Vand who has the best role and she’s quite impressive.
When we arrive at the final third, the build up has been sturdy enough that we care about the fates of the characters as they navigate their way through dense fog and deeply personal conflicts. Franco has crafted a lean and effective directorial debut and its title is worth the price of one.
Ahead of its April 17th stateside debut, the revenge thriller Promising Young Woman has screened at Sundance. The pic marks the directorial debut of Emerald Fennell and casts Carey Mulligan in the title role alongside a supporting cast including Bo Burnham, Alison Brie, Clancy Brown, Jennifer Coolidge, Adam Brody, Alfred Molina, Connie Britton, and Laverne Cox.
Early reviews are encouraging with a Rotten Tomatoes rating of 96%. Some critical reaction is effusive enough to make one wonder if Mulligan could nab her second Oscar nod after 2009’s An Education.
In order for that, Focus Features will need to launch an aggressive campaign to keep voters focused on her work in the months that follow. The Sundance buzz, at least, is somewhat promising. My Oscar Watch posts will continue…
This was a weekend where TheLegoMovie2: TheSecondPart was expected to easily nab the #1 spot at the box office. That mission was accomplished, but it did so with much less money than any prognosticator figured. The sequel to the 2014 original took in $34 million and that was about $20 million less than expected. I had a feeling it would under perform and forecasted a $48 million debut. However, I never figured a mid 30s premiere.
For some context, the first Lego experience five years ago made $69 million out of the gate and eventually earned $257 million domestically. In 2017, first franchise spin-off TheLegoBatmanMovie debuted to $53 million ($175 million total). The first sign of trouble came a few months later when TheLegoNinjagoMovie came in far under estimates with $20 million in its opening weekend and a lowly $59 million stateside. Yet some attributed the poor Ninjago performance to its limited niche audience.
TheSecondPart marked a hopeful return to form for Warner Bros considering it was a direct sequel to a picture that made over $250 million. There is no doubt that the number produced this weekend could block future plans for the series. Its best hope ahead could be the President’s Day weekend as the studio hopes it will have a small decline. Any way you cut it, though, part two will seriously come in under its predecessor. We now have two LegoMovie collapses in a row and it will be interesting to see how Warner handles it.
All My Life... I Wanted To Be A Blogster 