Tag: Cliff Curtis

Oscar Predictions – Avatar: Fire and Ash

Avatar: Fire and Ash, James Cameron’s third feature in his epic sci-fi franchise, is the last major piece of the 98th Academy Awards puzzle to come into focus. Opening Friday, the review embargo was lifted today as it hopes to rule the box office over the holidays. While it looks to join the multi-billion dollar club like its two predecessors, Fire additionally seeks to heat up Oscar ballots.

The 2009 original landed nine nominations – Picture, Director, Art Direction (which it won), Cinematography (another victory), Film Editing, Original Score, Sound Editing, Sound Mixing, and Visual Effects (a third trophy). Its Rotten Tomatoes score was 81% with 83 on Metacritic.

When Avatar: The Way of Water came out 13 years later, Sound Editing and Sound Mixing was combined into just Sound while Art Direction was now Production Design. Water was nominated for both along with Picture. The sole win came for its Visual Effects. Rotten Tomatoes was 76% with Metacritic at 67.

Fire critical reaction is so far the weakest of the trilogy with 70% on RT and a 61 Metacritic. With Oscar shortlists released this afternoon, we already know it won’t be nominated for Cinematography since it is not one of the contending 16 features. It did make four other shortlisted races – Original Score, Original Song (the Miley Cyrus track “Dream As One”), Sound, and Visual Effects.

Let’s get the obvious out of the way – Visual Effects is a given and Fire is the frontrunner. Sound is likely. I’m not convinced it makes the musical cut in either Score or Song.

What’s left is Picture and Production Design – the other two competitions where the other Avatar‘s got in. The latter is a stronger possibility. This third trip to Pandora could still get into BP. Yet if the Academy goes with a successful late 2025 sequel, I’d give Wicked: For Good an edge. It’s entirely feasible that neither get in. I suspect Fire may only rise in tech competitions when all is said and done. My Oscar Prediction posts will continue…

Avatar: Fire and Ash Box Office Prediction

Avatar: Fire and Ash hopes to heat up the holiday box office season on December 19th. Clocking in at nearly 3 hours and 20 minutes, James Cameron’s epic sci-fi threequel arrives 16 years after the record breaking original and 3 years behind Avatar: The Way of Water. The large list of returning cast members doing their motion capture work includes Sam Worthington, Zoe Saldaña, Stephen Lang, Sigourney Weaver, Kate Winslet, CCH Pounder, Giovanni Ribisi, Joel David Moore, Dileep Rao, Matt Gerald, Cliff Curtis, Edie Falco, Brendan Cowell, Jemaine Clement, Britain Dalton, Trinity Jo-Li Bliss, and Jack Champion. Oona Chaplin (daughter of Geraldine and granddaughter of Charlie) is a new addition and said to be a standout in a villainess turn.

Back in 2009, Avatar was seen a big risk for 20th Century Studios. After a $77 million opening, it legged out to (at the time) become the biggest blockbuster in history with $749 million domestically. That number has climbed to $785 million when factoring re-releases. The worldwide total is $2.9 billion. 2022’s The Way of Water actually underperformed in its first frame with $134 million but held fantastically throughout the holidays and beyond. It ended up with $688 million stateside after counting its recent re-release and $2.3 billion across the globe.

Forecasts have Fire coming in lower than Water and that makes sense. There was a 13 year build-up of anticipation for the first sequel. Only a three-year gap separates these. Competitors didn’t shy away from Fire either. While Water was the only wide release in its mid-December date, this will have animated biblical tale David, female catering The Housemaid, and a SpongeBob flick providing alternatives. To be fair, part of Water‘s lack of competition was due to COVID related lack of product.

Fire might fall just under $100 million for starters. Then it will look for a long and prosperous road ahead over the holidays and new year.

Avatar: Fire and Ash opening weekend prediction: $98 million

For my David prediction, click here:

David Box Office Prediction

For my The Housemaid prediction, click here:

The Housemaid Box Office Prediction

For my The SpongeBob Movie: Search for SquarePants prediction, click here:

The SpongeBob Movie: Search for SquarePants Box Office Prediction

Last Breath Box Office Prediction

Based on a true story and a 2019 documentary of the same name, Focus Features hopes audiences take in Last Breath this Friday. The survival thriller about a deep sea rescue comes from Alex Parkinson (who made the doc) with a cast including Woody Harrelson, Simu Liu, Finn Cole, and Cliff Curtis.

Audience anticipation seems to be considerably under the surface. I don’t think this even gets to $5 million. My meager estimate should still be enough for a number 3 debut since this should be a quiet weekend at the box office.

Last Breath opening weekend prediction: $4.8 million

Meg 2: The Trench Box Office Prediction

Keeping up with the summer 2023 traditions of dropping the The from its title (Haunted Mansion) and being a follow-up to a 2018 predecessor (Transformers: Rise of the Beasts, Insidious: The Red Door, Mission: Impossible – Dead Reckoning Part One), Meg 2: The Trench is in theaters on August 4th. Ben Wheatley takes over directorial duties from Jon Turteltaub with Jason Statham reprising his role as a battler of giant ocean creatures. Costars include Wu Jing, Sophia Cai, Page Kennedy, Sergio Peris-Mencheta, Skyler Samuels, and Cliff Curtis.

Five summers ago, The Meg premiered in August and easily exceeded expectations. Despite so-so reviews, audiences were ready for a shark fix. It opened with $45 million and an eventual $145 million domestic haul. When factoring in bountiful international earnings, The Meg made more than half a billion.

Warner Bros is probably banking on overseas cash for profitability. I’m not sure stateside crowds are exactly chomping at the bit for this sequel. While it should do respectable biz, it may lose some of its demographic to Teenage Mutant Ninja Turtles: Mutant Mayhem. I’m expecting that to have a stronger opening than this. The Trench might be lucky to take in $30 or even $25 million.

Meg 2: The Trench opening weekend prediction: $24.5 million

For my Teenage Mutant Ninja Turtles: Mutant Mayhem prediction, click here:

Teenage Mutant Ninja Turtles: Mutant Mayhem Box Office Prediction

Oscars – The Case of Avatar: The Way of Water

My Case Of posts where I serve as the defense for and prosecution against the Best Picture, Director, and four acting competition hopefuls arrives at our second contender in the biggest race of all. That’s Avatar: The Way of Water, James Cameron’s long-in-development sequel to 2009’s 3D game changer.

The Case for Avatar: The Way of Water:

If the Academy wants to honor the highest grossing worldwide pic of the bunch, this is your movie. Cameron’s follow-up just surpassed $2 billion at the global box office and has ruled the domestic box office for seven weeks running.

The Case Against Avatar: The Way of Water:

If the Academy wants to honor the highest grossing domestic pic of the bunch, Top Gun: Maverick is their movie. It’s the sequel that had the best nominations haul on Oscar noms morning. Water‘s four overall mentions are less than half of the nine achieved by the original 13 years ago. It won three – Art Direction (now Production Design), Cinematography, and Visual Effects. This one seems destined for a sole victory. Cameron couldn’t make the final five for his direction (he did get a Globes nod) and editing is another significant omission.

Other Nominations:

Production Design, Sound, Visual Effects

The Verdict:

That likely win is in Visual Effects. With the aforementioned whiffs in direction and editing and the less than impressive haul (compared to part 1), Water was pretty fortunate to make the cut at all.

My Case Of posts will continue with The Banshees of Inisherin!

If you missed my posts covering the other BP contenders, click here:

Oscars: The Case of All Quiet on the Western Front
Oscars: The Case of The Banshees of Inisherin
Oscars: The Case of Elvis
Oscars: The Case of Everything Everywhere All at Once
Oscars: The Case of The Fabelmans
Oscars: The Case of Tár
Oscars – The Case of Top Gun: Maverick
Oscars: The Case of Triangle of Sadness

Avatar: The Way of Water Review

Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.

Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.

Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.

Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.

Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.

*** (out of four)

Oscar Predictions – Avatar: The Way of Water

Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.

Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.

In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.

Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.

Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.

You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.

Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…

Avatar: The Way of Water Box Office Prediction

Hollywood looks to be awoken from its box office slumber when Avatar: The Way of Water surfaces on December 16th. After plenty of delays in the release date, James Cameron’s sequel to his 2009 record breaking phenomenon comes with a reported budget in the neighborhood of $400 million. Clocking in at 3 hours and 12 minutes, the 3D sci-fi epic is the only newcomer on the pre-Christmas weekend and it should dominate the marketplace. Sam Worthington, Zoe Saldana, Stephen Lang, Joel David Moore, CCH Pounder, Giovanni Ribisi, Dileep Rao, and Matt Gerald reprise their roles from part 1. Joining the Pandora universe for the first time are Kate Winslet, Cliff Curtis, Edie Falco, Jermaine Clement, and Brandon Cowell. Sigourney Weaver appears in a different part from 13 years ago.

It’s dangerous to underestimate Cameron. This is only his third feature in a quarter century. 1997’s Titanic withstood shaky buzz during its filming and became the highest grossing film of all time. That record stood for 12 years until it was broken by (you guessed it) Avatar, which also had troubling word-of-mouth until it didn’t. With $785 million domestically (which includes a September re-release which did impressive business), Avatar still ranks fourth all-time stateside behind Star Wars: The Force Awakens, Avengers: Endgame, and Spider-Man: No Way Home. The international tally is $2.1 billion and that ranks as #1.

There are legitimate questions as to the sequel’s potency. 13 years is a long time between entries. Are younger viewers excited for a trip back to the planet with all the blue people? Disney and 20th Century Studios need this to make a splash as a third Avatar arrives in two years with fourth and fifth (and possibly more) editions planned.

One number is easy to know. The Way of Water will have no problem dwarfing the $77 million that Avatar made for its debut before it became the must-see picture for months. It was #1 for 7 weeks. The sequel is expected to take in double that figure with $160 million generally being considered the floor. The ceiling could be $200 million (and perhaps higher) though its length could hinder that possibility. There’s also some older moviegoers who may not feel the need to rush out opening weekend to view it.

I believe $175-185 million is likely for the Sully family as they land in theaters once again. My projection gives it the 14th biggest domestic premiere of all time between Iron Man 3 and Harry Potter and the Deathly Hallows Part 2. That’s also the 3rd largest opening haul of 2022 behind Doctor Strange in the Multiverse of Madness and Black Panther: Wakanda Forever.

Avatar: The Way of Water opening weekend prediction: $173.1 million

Reminiscence Box Office Prediction

Hugh Jackman makes a return to sci-fi next weekend with Reminiscence. The film (reportedly budgeted at just under $70 million) is the rare summer feature in this genre not based on a known property. It marks the directorial debut of Lisa Joy, best known for co-creating HBO’s Westworld. Costars include Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, and Marina de Tavira.

The Home Box Office connections are strong. Since this a Warner Bros property, the pic will simultaneously have its 30 day HBO Max availability. Originally slated for April before it traded with Mortal Kombat, the film faces some challenges. This might seem minor, but the title doesn’t exactly roll off the tongue. More importantly, Reminiscence opens against the Michael Keaton/Maggie Q/Samuel L. Jackson thriller The Protege and they’ll be battling for the same audience. Both may suffer as a result.

Add in the Delta variant concerns and I really question whether this gets past $10 million. My gut says to put it under.

Reminiscence opening weekend prediction: $6.8 million

For my PAW Patrol: The Movie prediction, click here:

PAW Patrol: The Movie Box Office Prediction

For my The Protege prediction, click here:

The Protege Box Office Prediction

For my The Night House prediction, click here:

The Night House Box Office Prediction

Doctor Sleep Movie Review

Doctor Sleep often shines the most when it isn’t burdened with following up on its classic cinematic source material. Director/writer Mike Flanagan has one tough assignment here. Not only is he adapting Stephen King’s 2013 novel which served as the sequel to his beloved novel, but he must incorporate Stanley Kubrick’s 1980 vision of that original work. That adaptation, in case you didn’t know, did not count King among its ardent admirers due to many deviations from the book. Yet the iconic filmmaker’s take on The Shining is ardently admired by legions. This delicate balancing act isn’t always completely successful, but Flanagan sure makes it work most of the time. And that’s no small feat.

The opening takes place shortly after the events at the Overlook Hotel as Wendy Torrance (Alex Essoe) and young son Danny (Roger Dale Floyd) attempt to move on from their trauma and cold loss of their husband and father. Living in Florida, Danny is still blessed and cursed with the ability to “shine”, which encompasses numerous psychic powers. He’s able to put his visions and bad memories in a box (literally and figuratively) for years. We flash forward over 20 years and Danny now takes the form of Ewan McGregor and he’s not in a good place. He’s a raging alcoholic much like his dad was.

After hitting rock bottom, grown Danny enters a different kind of light in recovery. Through the kindness of his AA sponsor (Cliff Curtis), he’s given a small apartment and gets a job as an orderly in a hospice wing. He soon becomes known as Doctor Sleep with the ability to comfort patients in their last moments. Outside forces soon bring him back to past events. A group of vampires known as the True Knot are led by Rose the Hat (Rebecca Ferguson). In order to survive, they feed on small children with psychic abilities similar to Danny’s. One brutal scene depicts their practices with a famous young actor who cameos. It’s pretty terrifying. The new mission of the True Knot is tracking down teenage Abra (Kyliegh Curran), whose shining game is quite bright. When Danny and Abra team up, their fight eventually takes them to the well-known production design of that Colorado hotel.

Perhaps the most surprising aspect of Doctor Sleep is the introduction of its new characters courtesy of King’s novel. Ferguson’s performance as the cult leader is terrific. She appears like a roadie for an alt rock band, but she excels at making her character a demonic force to be reckoned with. Her supporting band of devotees are also memorable. I suspect a picture focused solely on the True Knot could have been fascinating. Curran gives a winning performance as Danny’s partner in shine.

Flanagan must pay homage to King and Kubrick. There’s a Spielberg connection here too. Henry Thomas (yep, little Elliot from E.T.: The Extra-Terrestrial) fills in as Jack Nicholson’s boozy and demented father figure from the 1980 original. That’s in addition to previously mentioned actors playing young Danny and Wendy. Carl Lumbly fills in for Scatman Crothers as the telepathic Dick Halloran. It’s unavoidably jarring to see these roles inhabited by others if, like me, you’ve seen The Shining multiple times. I did admire the way they decided to bring Nicholson’s iconic ax wielder back.

There’s probably no way to avoid the Overlook set third act and it is a pleasure to see those sets recreated. That also constitutes another Spielberg link as that director brought back the haunted hotel for scenes in 2018’s Ready Player One. It is also the weakest segment of the bunch, though not without its nostalgia inducing pleasures. Flanagan is able to engross the audience with the grown Danny and especially the new players around him prior to check in. In that sense, there’s certainly no legacies darkened in Doctor Sleep.

*** (out of four)