Just over 20 years ago at the 76th Academy Awards, Australian filmmaker Adam Elliot took home the Animated Short Feature prize for Harvey Krumpet. Now he’ll attempt to break into the Animated Feature race with Memoir of a Snail. Voiceover work comes from Sarah Snook of Succession fame, Kodi Smith-McPhee, Eric Bana, Magda Szubanski, Dominique Pinion, and Jacki Weaver.
The grownup drama is slated for a premiere down under this fall. Stateside distribution is still to be worked out release date wise, but let’s assume it’ll contend for this spring’s 97th Oscars. While some critics say this is an acquired taste, the RT score is 100%.
This may come down to IFC Films (the domestic distributor) and whether their campaign is active. If so, I wouldn’t rule Snail‘s ability to make a run for the quintet of features nominated. My Oscar Prediction posts will continue…
Warner Bros is hoping Horizon: An American Saga – Chapter 1 is more Dances with Wolves, less The Postman when it comes to Kevin Costner’s behind the camera filmography. The three-hour Western epic is the first of four planned sagas with Chapter 2 slated for mid-August and part 3 shooting. Costner, who has experienced a recent career resurgence thanks to Yellowstone on the small screen, also stars and co-scripts. The large supporting cast includes Sienna Miller, Sam Worthington, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, Jamie Campbell Bower, and Thomas Haden Church.
A May premiere at Cannes yielded shaky buzz. The Rotten Tomatoes score is only 43%. There is no doubt that Horizon is a risky summer proposition. Costner apparently financed the bulk of the project himself.
I do think the Yellowstone exposure could cause this to surprise with a better than expected turnout of older viewers. A best case scenario might be a kickoff in the low to mid 20s. I’ll hedge my bets and go with higher teens.
Horizon: An American Saga – Chapter 1 opening weekend prediction: $18.2 million
For my A Quiet Place: Day One prediction, click here:
Michael Sarnoski, director of Pig, takes over a highly profitable horror franchise from John Krasinski with A Quiet Place: Day One. Paramount is hoping the prequel continues to bring home the bacon. With Krasinski (who just released the family friendly IF) and spouse Emily Blunt (recently in The Fall Guy) out of the mix, Lupita Nyong’o, Joseph Quinn, Alex Wolff, and Djimon Hounsou (a returnee from the second entry) headline.
In the spring of 2018, A Quiet Place made loud noises at multiplexes with a $50 million beginning and $188 million overall domestic haul. The 2021 sequel (delayed a year due to the pandemic) earned $48 million out of the gate with $160 million total stateside.
Scary movies have seen underwhelming premieres for the most part in 2024. Day One should be an exception. That said, I don’t see a compelling reason why this would significantly top its predecessors. A $50 million plus debut is possible. I suspect it will fall in line with its predecessor from three years ago in the mid to high 40s range.
A Quiet Place: Day One opening weekend prediction: $46.3 million
For my Horizon: An American Saga – Chapter 1 prediction, click here:
2024 has been quite a year for imaginary friends onscreen with horror pic Imaginary and John Krasinski’s family feature IF already out. We can soon add The Imaginary to the stateside mix when it releases on Netflix starting July 5th. Japan’s animated fantasy comes from Yoshiaki Nishimura. He is no stranger to Academy attention. 2014’s The Tale of the Princess Kaguya was nominated for Best Animated Feature. Same goes for When Marnie Was There which was up the following year. They lost to Big Hero 6 and Inside Out, respectively.
It was out in its home country last December, but the summer streaming bow would put this in contention for the upcoming Oscars. Reviews are fresh enough at 95% on Rotten Tomatoes. With a push from Netflix, it could make a play for the quintet of hopefuls. A win seems out of reach (there’s that Inside Out sequel for one). Yet a nomination seems realistic. My Oscar Prediction posts will continue…
**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Bikeriders and The Exorcism enter a marketplace in which Inside Out 2 greatly exceeded expectations last weekend. The summer box office is finally looking up, but the two new entries could struggle for exposure. My detailed prediction posts on them can be accessed here:
There’s no doubt that Inside Out 2 will be perched in 1st for a second weekend. A high 30s to low 40s decline would put it in the low to mid 90s. A sequel in its third frame – Bad Boys: Ride or Die – should remain in the runner-up slot with a mid 30s to 40% ease.
Now we get to the newbies. With decent reviews and the star power of Austin Butler, Tom Hardy, and Jodie Comer, The Bikeriders could still sputter with a third place showing. I think the big question is whether it reaches double digits and I have it barely accomplishing that minor goal.
As for The Exorcism, Russell Crowe’s second horror pic in as many years dealing with the subject matter probably won’t reach the $10 million that The Pope’s Exorcist did in April of 2023.
The five spot may go to holdover Kingdom of the Planet of the Apes in its seventh week of release and here’s how I have the high five playing out:
1. Inside Out 2
Predicted Gross: $93.6 million
2. Bad Boys: Ride or Die
Predicted Gross: $21.3 million
3. The Bikeriders
Predicted Gross: $10.5 million
4. Kingdom of the Planet of the Apes
Predicted Gross: $4.1 million
5. The Exorcism
Predicted Gross: $3.2 million
Box Office Results (June 14-16)
Disney/Pixar were feeling all the happy emotions as Inside Out 2 blasted past forecasts for the 2nd best animated opening of all time. That would also be the 2nd largest Pixar haul behind record holder Incredibles 2. The sequel to the 2015 Oscar winning blockbuster posted $154.2 million, way beyond my $92.4 million call. It’s also the biggest 2024 premiere thus far.
Bad Boys: Ride or Die only fell 40% after its huge start with $33.7 million, riding past my $29.8 million take. The fourth entry in the three-decade old franchise has amassed $113 million.
Kingdom of the Planet of the Apes actually rose 2% to $5.5 million in third, dwarfing my $3.1 million projection as this sequel’s six-week tally is $158 million.
The over performance of Inside Out 2 caused other family friendly titles to plummet. The Garfield Movie was fourth with $4.7 million (I said $6.1 million) for $78 million in four weeks. IF was fifth with $3.6 million (I said $4.9 million) for $101 million in five weeks.
Finally, The Watchers was sixth in its sophomore frame with $3.5 million compared to my $2.9 million prediction. The two-week total is $13 million.
No, this is not a family friendly version of Oliver Stone’s 2012 drugs drama with John Travolta and Salma Hayek. Instead Swiss animator looks to make it two Best Animated Feature Oscar noms in a row with Savages (or Sauvages in French). The environmentally conscious stop-motion tale premiered at Cannes with stateside distribution still being worked out. The voice cast includes Babette De Coster, Martin Verset, Laetitia Dosch, and Benoit Poelvoorde.
The filmmaker’s previous full-length work was 2016’s My Life as a Zucchini, which made the contending quintet at the 89th Academy Awards (ultimately falling short to Zootopia). Reviews for Savages stand at 100% on RT based on a handful of write-ups. I would expect to see it in the mix for the 97th ceremony a few months down the road so be conscious of it. My Oscar Prediction posts will continue…
In 1974, filmmaker Bernardo Bertolucci and Marlon Brando were respectively nominated for Director and Actor for their work in Last Tango in Paris. Jessica Palud’s Being Maria recounts the making of that controversial picture with a focus on its leading lady. Anamaria Vartolomei portrays Maria Schneider with Guiseppe Maggio as Bertolucci and Matt Dillon as Brando.
After premiering at Cannes last month, the French release is slated for next week with a domestic rollout still TBD. With a 75% Rotten Tomatoes score, even the positive notices are measured in their praise. The source material managed to be a contender half a century ago. This won’t. My Oscar Prediction posts will continue…
**Blogger’s Update (06/20): We have yet to even see a theater count for The Exorcism so I’m downgrading my estimate from $6.2 million to $3.2 million
The Exorcism looks to quench the moviegoing public’s thirst for mixing Russell Crowe with demonic possessions on June 21st. The horror flick arrives only a year behind the lead playing The Pope’s Exorcist. Those two pics aren’t related as Joshua John Miller directs with a supporting cast including Ryan Simpkins, Sam Worthington, Chloe Bailey, Adam Goldberg, Adrian Padsar, and David Hyde Pierce.
In April of 2023, The Pope’s Exorcist managed to open at the higher end of its expected range with a little over $9 million and an eventual $20 million gross. It is fair to wonder if genre enthusiasts are pining for another helping of its star and subject matter.
Scary movies have struggled in 2024 and this might need divine intervention to exceed $10 million for its start. I doubt it will.
The Exorcism opening weekend prediction: $3.2 million
Ghostlight, co-directed by Kelly O’Sullivan and Alex Thompson, was a highlight of this year’s Sundance Film Festival according to numerous critics. The indie drama casts an actual family of aspiring actors as the central characters. Focused on a grieving father pulled into the world of community theater, the cast includes Keith Kupferer, Katherine May Kupferer, and Tara Mallen. They are, respectively, father, daughter, and mother in real life. Dolly De Leon (who likely came close to a Supporting Actress nom for Triangle of Sadness in 2022) is among the costars.
With a 100% Rotten Tomatoes score, IFC Films (who picked up distribution rights after the Utah fest in January) could make a play for awards attention. I don’t know if the film can break through in the way that Coda did back in 2021. Probably not, but you never know if critics groups put it in the conversation a few months down the line. My Oscar Prediction posts will continue…
Focus Features is hoping audiences wanna take a ride with The Bikeriders on June 21st. The 1960s set crime drama comes is written and directed by Jeff Nichols with a cast including Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Faist, and Norman Reedus.
The pic was first seen at Telluride nearly ten months ago and delayed from its original December release date due to the actors strike. It stands to reason that the studio wanted their leads out promoting the project which scored mostly positive reviews (84% on RT).
That star power of Elvis and Venom may not be enough to give this a wide audience. I’m not convinced this will make its reported $40 million budget back with the eventual domestic gross. That might mean a low double digits start and I’m a bit skeptical it even reaches the teens.
The Bikeriders opening weekend prediction: $10.5 million
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