Tag: shane black

Summer 2013: The Top 10 Hits and More

This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.

Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.

Let the countdown begin!

10. The Great Gatsby

Domestic Gross: $144 million

Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.

9. We’re the Millers

Domestic Gross: $150 million

Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.

8. The Heat

Domestic Gross: $159 million

Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.

7. World War Z

Domestic Gross: $202 million

Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.

6. Star Trek Into Darkness

Domestic Gross: $228 million

JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.

5. Fast & Furious 6

Domestic Gross: $238 million

Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.

4. Monsters University

Domestic Gross: $268 million

The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.

3. Man of Steel

Domestic Gross: $291 million

The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.

2. Despicable Me 2

Domestic Gross: $368 million

Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.

1. Iron Man 3

Domestic Gross: $409 million

Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.

Now for some others worthy of discussion:

The Conjuring

Domestic Gross: $137 million

It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.

Now You See Me

Domestic Gross: $117 million

The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.

The Butler

Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.

Pacific Rim

Domestic Gross: $101 million

Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.

This Is the End

Domestic Gross: $101 million

This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.

The Purge

Domestic Gross: $64 million

This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.

Blue Jasmine

Predicted Gross: $33 million

That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.

Fruitvale Station

Domestic Gross: $16 million

Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.

There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.

The Hangover Part III

Domestic Gross: $112 million

Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.

Elysium

Domestic Gross: $93 million

Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.

The Lone Ranger

Domestic Gross: $89 million

I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.

White House Down

Predicted Gross: $73 million

Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).

After Earth

Predicted Gross: $60 million

Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.

The Internship

Domestic Gross: $44 million

Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.

R.I.P.D.

Predicted Gross: $33 million

It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.

And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…

Daily Streaming Guide: April 7th Edition

A late 1970s set comedic crime caper is featured in today’s streaming guide and is available through HBO’s services:

Shane Black’s The Nice Guys casts Russell Crowe and Ryan Gosling as private eyes who team to find a missing teen played by Margaret Qualley, who broke out last year with her role in Quentin Tarantino’s Once Upon a Time in Hollywood. The writer/director is known for his private eye tales. If you haven’t seen Black’s 2005 effort Kiss Kiss Bang Bang with Robert Downey Jr. and Val Kilmer, mark it down as a must watch too.

Guys incorporates Black’s humorous touches with some hard edged bits. The chemistry of Crowe and Gosling works well and this is another solid effort from a talented filmmaker.

That does it for now, folks! Until next time…

The Predator Movie Review

There are moments in The Predator where it feels like the franchise went the route of 80s slasher series when Freddy, Jason, and Michael ruled the day. With the alien creatures roaming the suburbs for a brief stretch and with some deliriously gory bits and extreme profanity, I could imagine this is as the fifth installment when the well is running dry. This could maybe be Predator V following Predator In Harlem or something. It’s a time in the series when ridiculous and probably offensive characters like an autistic kid who’s actually deemed an enhancement in human evolution is introduced. The main protagonist would be dull and boring, not close to matching Arnold Schwarzenegger in the 1987 original or even Danny Glover’s overburdened LAPD officer in the 1990 sequel. And the one-liners would harken back to the rock solid first one but generally be lamer.

Strangely enough, it’s some of that which makes the 2018 edition mindless fun in the first half. This isn’t anything of quality, but it serves as an occasional guilty pleasure VHS throwback that would have filled the shelves of those defunct rental institutions. I think director Shane Black and co-writer Fred Dekker know that. Black has turned into a fine filmmaker with action comedies like Kiss Kiss Bang Bang and The Nice Guys. He’s known mostly for his behind the scenes work, but he memorably played the role of Hawkins in Predator’s big screen debut 31 years ago.

The screenplay makes some downright bizarre choices. Jacob Tremblay’s aforementioned autistic kid is one of them. His Special Forces dad Quinn (Boyd Holbrook) is that forgettable head alien battler. Holbrook discovers a title character on a mission and ships some evidence of its existence to his boy. That leads the extraterrestrial to the ‘burbs to retrieve his property. Quinn finds himself detained by the government led by shady Sterling K. Brown and in the company of a motley crew of PTSD soldiers. They include Trevante Rhodes (whose primary character trait is that he smokes), Thomas Jane (he has Tourette’s), and Keegan-Michael Key (yo mama jokes). They’re the guys, along with Olivia Munn’s biologist, who fight not only two Predators, but the space dogs that accompany them. That’s another odd visual choice.

I couldn’t help but be fascinated by Black and Dekker’s outright nuttiness with their take on The Predator. However, it doesn’t last. By the third act, the pic moves to a jungle looking setting with some dodgy effects. We’re hammered with familiarity. That’s what made famous predators like Freddy and Jason and Michael grow stale, but their countless sequels were punctuated with an inspired sequence here and there. We see that early in this reboot and then not really again.

** (out of four)

The Predator Box Office Prediction

Over three decades ago, Shane Black costarred in the classic sci-fi adventure tale Predator. Like most cast members, he didn’t manage to survive the proceedings like Arnold Schwarzenegger did. He did go on to an impressive writing and directing career that includes the screenplays for Lethal Weapon, The Last Boy Scout, and The Long Kiss Goodnight and serving double duty for Kiss Kiss Bang Bang, Iron Man 3, and The Nice Guys. Things come full circle next weekend for Black as he directs and co-writes The Predator, the latest iteration of the long running franchise.

Not counting the two Alien vs. Predator extravaganzas, this is the fourth traditional entry in the series behind the 1987’s original, its 1990 sequel, and the 2010 reboot Predators. Boyd Holbrook, Trevante Rhodes, Wonder star Jacob Tremblay, Keegan-Michael Key, Olivia Munn, Sterling K. Brown, and Thomas Jane populate the human troupe battling the deadly creatures.

It’s actually the first teaming of this franchise with the Alien series that resulted in the largest debut featuring the title character in 2004 – to the tune of a $38.2 million. Predators set the high mark over parts 1 and 2 (due to inflation) with a $24.7 million start. Its overall gross was very front-loaded as it ended up with $52 million.

The eight year inflation should allow The Predator to exceed that, but I don’t see it coming close to the high 30s number that AVP achieved. I would say high 20s is the more reasonable expectation and that should allow it to place #1 at the box office (something Predators couldn’t manage in the heat of significant summer competition). As a comp for 2018, I’ve got this earning a similar debut to this spring’s Pacific Rim Uprising. 

The Predator opening weekend prediction: $27.4 million

For my A Simple Favor prediction, click here:

https://toddmthatcher.com/2018/09/05/a-simple-favor-box-office-prediction/

For my White Boy Rick prediction, click here:

https://toddmthatcher.com/2018/09/06/white-boy-rick-box-office-prediction/

For my Unbroken: Path to Redemption prediction, click here:

https://toddmthatcher.com/2018/09/06/unbroken-path-to-redemption-box-office-prediction/

The Nice Guys Movie Review

Shane Black knows his way around kick ass action flicks injected with humor – much of it loaded with profanity, kids in danger, and booze and cigarettes. This is the man who wrote Lethal Weapon and The Last Boy Scout and The Long Kiss Goodnight. Fans of Black can spot the rhythm of his screenplays a mile away. I suspect, by the way, that Quentin Tarantino was influenced by some of Black’s beats for his later compositions.

In 2005, he directed his first feature, Kiss Kiss Bang Bang. It was an often hilariously trippy private eye tale for the ages and truly ushered in the comeback of one Robert Downey Jr. (with a glorious Val Kilmer at his side). The Nice Guys puts the auteur right back in Bang Bang territory after a nice excursion into blockbuster land with 2010’s Iron Man 3.

For admirers who have gobbled up Black’s words over the past three decades, this is a return to form that doesn’t quite match his finest work. Yet it’s satisfying nonetheless and contains some real laugh out loud moments. This is a buddy flick that would’ve been right at home being made in the 1980s, but it’s set in 1977 Los Angeles. Russell Crowe and Ryan Gosling are both private eyes. Neither is exceptionally bright and in true Black fashion, Gosling’s teenage daughter is often the smartest person in the room. Crowe is more an enforcer who transacts business through broken bones. Gosling is more of a con artist.

The pair become embroiled in a dense plot that involves murdered porn stars, an endangered porn actress whose Mom (Kim Basinger) runs the Justice Department, and an assortment of goons and henchman who would be right at home tormenting Bruce Willis and Damon Wayans in Last Boy Scout. The plot is secondary in these proceedings to the dialogue.

Black revels in these shady characters who occasionally experience flashes of humanity. Not too much though and that’s what we kind of hope for and expect. One character gives up his years long sobriety by our conclusion and it’s practically treated as a moment of valor. I wouldn’t have it any other way from the guy behind the camera and typewriter (he probably doesn’t use a typewriter anymore, but I prefer to believe otherwise).

Crowe and Gosling seem to be having a ball, too. Matt Bomer stands out as the most memorable henchman in a pic filled with disposable ones. There were more lines and setups that killed in Kiss Kiss to put it on another level from this. There’s more than enough of that bloody Black humor to make this worthwhile, including the most unexpected use of Richard Nixon since at least Point Break.

*** (out of four)

The Nice Guys Box Office Prediction

Shane Black was known as a high-priced screenwriter in the 1980s and 90s with features like Lethal Weapon, The Last Boy Scout, Last Action Hero, and The Long Kiss Goodnight to his credit. In 2005, he made his directorial debut with the critical hit Kiss Kiss Bang Bang and then made a mega-hit in 2010 with Iron Man 3. His third feature is The Nice Guys, out next weekend.

Set in 1970s L.A., this buddy cop action/comedy stars Russell Crowe and Ryan Gosling and its release date could be a hindrance for box office success. Many comedy fans may turn their attention to its competition, Neighbors 2: Sorority Rising. Strong reviews could help and that could get this to low teens.

Even though trailers and TV spots have been pretty darn funny in my view, among newbies Neighbors and Angry Birds – it’s highly likely that Nice Guys will finish last. It stands a better shot at becoming a cult hit than an actual one.

The Nice Guys opening weekend prediction: $14.4 million

For my Neighbors 2: Sorority Rising prediction, click here:

https://toddmthatcher.com/2016/05/11/neighbors-2-sorority-rising-box-office-prediction/

For my The Angry Birds Movie prediction, click here:

https://toddmthatcher.com/2016/05/11/the-angry-birds-movie-box-office-prediction/

Iron Man 3 Movie Review

Iron Man 3 is essentially competing against two expectations from previous pictures. First, the general feeling (one I agree with) is that Iron Man 2 was a bit of a letdown. Second, the general feeling (which I also adhere to) is that last summer’s The Avengers was pretty frickin’ awesome.

So where does Tony Stark/Iron Man go from here? In Iron Man 3, the character goes into the hands of director/co-writer Shane Black. Jon Favreau directed the first two installments and he reprises his role as Tony’s former bodyguard Happy. But it’s Black who now inherits the franchise. For those who don’t know, Black is best known as the screenwriter of action extravaganzas such as Lethal Weapon and The Last Boy Scout. In 2005, he made his directorial debut with Kiss Kiss Bang Bang, a terrific action/comedy that starred… Robert Downey Jr.!

Shane Black’s contributions give Iron Man 3 a different feel than what we’ve seen previously. It’s darker in tone yet it also has a comedy spirit at times that works well. Black is a great writer and his work here shines. We also delve a bit deeper into Stark as a person. A lot of the action the character is involved in this time around is accomplished without Tony wearing the Iron Man suit. Furthermore, Gwyneth Paltow’s character Pepper is given more to do – she even gets to don the suit!

While Mickey Rourke ended up being a fairly blah villain in the second flick, this time around we have Sir Ben Kingsley as evil terrorist The Mandarin. It’s pretty much impossible to describe Kinglsey’s character without revealing major spoilers. I will say this: Kingsley is fantastic in the role and he will be the character you’ll probably talk about the most. Guy Pearce gives an effective performance as another villain… again, can’t talk too much about him due to spoilers.

I won’t get into the plot details of Iron Man 3 – I mean, you’re gonna see it anyway if you haven’t already. Bottom line: Iron Man 3 is not quite on the level of the first for me, but it’s a definite improvement over #2. Downey is brilliant as always in the title role and I particularly enjoyed his rapport with Harley (Ty Simpkins), a kid who Tony befriends.

The film doesn’t attempt to outdo the grandeur of The Avengers and that’s just fine. It feels like a smaller film – at least small compared to Avengers. It may not rank at the very top of the best superhero movies, but Iron Man 3 is well worth seeing and kicks off summer 2013 in good manner.

Iron Man 3 is solid enough that I certainly hope Downey doesn’t abandon the role. My guess is that he won’t. And I also hope Shane Black returns for a fourth installment. His presence is a welcome addition to the Marvel world.

*** (out of four)