It’s not often that the seventh feature in a franchise is considered to be the strongest (sorry Diamonds Are Forever and Saw: The Final Chapter). However, plenty of critics are claiming that to be the case for Minions & Monsters. Out today and prepared to rule the Fourth of July holiday weekend, this is Illumination Entertainment’s latest entry in their blockbuster animated comedic adventures. Pierre Coffin directs and voices the adorable little yellow creatures once again. Familiar faces providing behind the mic contributions include Trey Parker, Allison Janney, Christoph Waltz, Jesse Eisenberg, Jeff Bridges, Zoey Deutch, and Bobby Moynihan.
This is the third feature with the Minions moniker after the 2015 original and 2022 sequel Minions: The Rise of Gru. The series got started sixteen summers ago with Despicable Me and its three follow-ups. An ode to Hollywood in the 1920s, Monsters stands at 90% on Rotten Tomatoes. That’s the freshest RT score of the septet, topping Despicable Me‘s 80% and well ahead of Minions (55%) and Rise of Gru (70%). The 67 Metacritic lags only behind the first Despicable at 72.
The franchise’s Oscar track record got off to a promising start and then leveled off. In 2010, Despicable Me landed a Best Animated Feature nod. In 2013, the sequel was up in that race and also for the inescapable ditty “Happy” from Pharrell Williams in Original Song. None of those nominations resulted in victories and the four pics since haven’t received any recognition.
Monsters has the potential to change that with its better than expected reviews. A Best Animated Feature slot in the quintet is not out of the question. That said, competition is a factor. I’d put it behind Disney’s Hoppers and Toy Story 5 and upcoming releases like Wildwood, Ray Gunn, and Tangles are anticipated to contend. Time will tell if there’s room for the Minions and it might be an uphill battle. My Oscar Prediction posts will continue…
Smile 2 looks to make horror fans happy this weekend while the Andrew Garfield and Florence Pugh romantic drama We Live in Time debuts. You can peruse my detailed prediction posts on them here:
Likely building upon the goodwill from its predecessor two years ago, Smile 2 should outpace the $22 million that Smile opened wide with. My mid to high 20s estimate puts it easily out front.
Time is hitting just 1000 venues and I’m projecting mid single digits before it expands even wider on October 25th.
Terrifier 3 got off to a terrific start (more on that below). Projecting its sophomore fall is tricky. I would think the unrated horror threequel might be front loaded, but I’m not sure it drops over 60%. It’s actually theaters so it may only decline around 50% and that’s good for a horror flick of this nature. That should put it in third as I foresee The Wild Robot only easing in the mid 20s and staying in second. A similar meager decrease for Beetlejuice Beetlejuice should keep it in the top 5 in its seventh frame. Joker: Folie à Deux may manage fifth place though it should see another calamitous percentage fall. Yet I wouldn’t be surprised if Transformers One manages to rise the five spot.
Here’s how I see the top 6 playing out:
1. Smile 2
Predicted Gross: $27 million
2. The Wild Robot
Predicted Gross: $10.7 million
3. Terrifier 3
Predicted Gross: $9.8 million
4. Beetlejuice Beetlejuice
Predicted Gross: $5.8 million
5. We Live in Time
Predicted Gross: $4.3 million
Box Office Results (October 11-13)
Please note that Joker: Folie à Deux is not listed in my top 5 for its third go-round due to a historically awful sophomore weekend plummet. We’ll get to that in a second, but let’s focus on the other big story for now. Terrifier 3 wowed prognosticators with $18.8 million, ahead of my $14.4 million call. With a reported budget of $5 million, the grisly Art the Clown Christmas bloodbath solidified its franchise bonafides. You can expect a fourth cut in the near future.
The Wild Robot held in second with $14 million and surpassed my $11.7 million prediction. In its three weeks in multiplexes, the DreamWorks Animation adventure has amassed $84 million as it flies to nine digit territory.
Beetlejuice Beetlejuice was third with $7.3 million (I said $6.7 million) for a six-week tally of $275 million as it looks to scare up $300M+ domestically.
Joker: Folie à Deux, after a disastrous enough premiere, was down an embarrassing 81% in fourth with $7 million. I was more generous in thinking it would only go down 75% with $9.5 million. The lambasted sequel has taken in $51 million in ten days and will struggle to reach $75 million stateside. As a reminder, its 2019 predecessor made $335 million in the U.S. and Canada and over one billion worldwide.
A slew of newcomers that didn’t star Art the Clown failed to fill seats. Lego themed Pharrell documentary Piece by Piece was fifth with $3.8 million compared to my $5.4 million projection.
Holdover Transformers One was sixth with $3.7 million for a muted $52 million in four weeks. I did not do an estimate for the animated Hasbro title.
Saturday Night, Jason Reitman’s recounting of the lead-up to SNL’s first episode in 1975, was seventh with a discouraging $3.4 million. I had it pegged in fourth with $7.8 million. SHAMELESS PLUG ALERT: check out the homepage on my blog to see my Top 50 SNL Cast Members of All Time posts. At press time, I’ve written entries for numbers 50-43 and they are being uploaded on a daily(ish) basis.
Manga sequel My Hero Academia: You’re Next was eighth with a meh $3 million, just over half of my $5.9 million prediction.
Finally, The Apprentice stumbled in 10th with $1.6 million (I went with $2.4 million). The story of Donald Trump rising to prominence in the 1980s did not attract curious onlookers.
Blogger’s Update (10/09): Based partly on its considerable 2500 screen count, I am upping my Terrifier 3 from $9.4 million to $14.4 million. That gives it the #1 slot.
A fascinating weekend lies ahead at the box office as a handful of newcomers try to break out, but they could all fall under $10 million. We have low-budget horror threequel Terrifier 3, behind the scenes showbiz dramedy Saturday Night (expanding in wide release), manga superhero entry My Hero Academia: You’re Next, the Pharrell Williams Lego themed doc Piece by Piece, and a Donald Trump biopic The Apprentice all vying for attention. You can peruse my prediction posts on them here:
This sophomore frame of October is one in which Joker: Folie à Deux was widely expected to dominate the charts for a second time. That is very much in danger after its disastrous premiere (more on that below). The musical mashup of Joaquin Phoenix and Lady Gaga could experience a decline in 75% range considering its toxic word-of-mouth.
If so, that could mean a return to 1st position for The Wild Robot in its third outing. It may only dip in the high 30s or low 40s.
Terrifier 3 may have the best breakout potential among the newbies. I have it placing second just ahead of Joker. That’s a development that would’ve been unimaginable days ago.
I don’t foresee any of the fresh product reaching eight digits with Saturday Night in fourth and holdover Beetlejuice Beetlejuice rounding out the high five. The other three debuting flicks I have slotted 6-7 (Academia, Piece) and 9 (Apprentice) with Academia potentially having the chance for a little more than I’m projecting.
Here’s how I have it playing out with a top 8 this time around:
1. Terrifier 3
Predicted Gross: $14.4 million
2. The Wild Robot
Predicted Gross: $11.7 million
3. Joker: Folie à Deux
Predicted Gross: $9.5 million
4. Saturday Night
Predicted Gross: $7.8 million
5. Beetlejuice Beetlejuice
Predicted Gross: $6.7 million
6. My Hero Academia: You’re Next
Predicted Gross: $5.9 million
7. Piece by Piece
Predicted Gross: $5.4 million
8. Transformers One
Predicted Gross: $3.2 million
9. The Apprentice
Predicted Gross: $2.4 million
Box Office Results (October 4-6)
Arriving 5 years to the day behind its billion plus grossing predecessor, Joker: Folie à Deux failed in spectacular fashion with critics and audiences. The sequel from Todd Phillips crashed with $37.6 million compared to my $54.3 million prediction. 2019’s original caught lightning in a bottle with a $96 million burst out of the gate (still the best October start in history) and 11 Oscar nominations. Deux could not measure up and that’s being kind considering it came in nearly $60 million lower. To add insult to injury, many reviews were brutal. Even worse, crowds gave it an awful D Cinemascore grade as they did not love this Joker.
The Wild Robot was second with $18.8 million, in line with my $19.8 million take. DreamWorks Animation’s potential frontrunner for Best Animated Feature has grossed $64 million in ten days as it eyes a potential return to #1 this weekend.
Beetlejuice Beetlejuice was third at $10.1 million, a bit under my $11.6 million estimate for a five-week haul of $265 million.
Transformers One held up decently in fourth with $5.3 million (I said $4.4 million). The $47 million three-week total is nothing to brag about.
Speak No Evil rounded out the top five with $2.7 million compared to my $3.2 million projection. In four weeks, it’s made $32 million.
Finally, Lionsgate had another turkey on their hands with Wonder prequel White Bird. It was seventh with $1.5 million. My guess? $1.5 million!
Focus Features hopes that audiences will be happy to attend Piece by Piece when it assembles in theaters October 11th. This is quite the interesting mashup of genres. From documentarian Morgan Neville, it is a biopic of music producer Pharrell Williams of the Neptunes told through Lego animation. Besides the central character, his musician friends Gwen Stefani, Kendrick Lamar, Timbaland, Justin Timberlake, Busta Rhymes, Jay-Z, Daft Punk, and Snoop Dogg lend their voices to the project.
After its premiere at Telluride, Piece generated mostly complimentary reaction. The RT score is 91% with Metacritic at 64. I’m not sure the reviews are strong enough that this will compete for Best Animated Feature at the Oscars.
With no significant buzz awards wise or elsewhere, I wonder who turns up for this. This isn’t really geared towards kids (and they could still be preoccupied with The Wild Robot). Adults aren’t likely clamoring for a Lego themed doc about the producer of “Hollaback Girl” and “Drop It Like It’s Hot”.
If this managed higher single digits for starters, Focus should consider it a victory. Slated for 1800 screens, I don’t think it gets there.
Piece by Piece opening weekend prediction: $5.4 million
Morgan Neville’s Piece by Piece looks to build awards momentum at the Telluride and Toronto festivals before its October 11th domestic bow. The unique documentary is a biopic of musician Pharrell Williams told via Lego animation. It includes interviews (Lego style) with artists its subject has collaborated with including Jay-Z, Justin Timberlake, Gwen Stefani, Snoop Dogg, Kendrick Lamar, and Busta Rhymes.
2013’s 20 Feet from Stardom from Neville (focused on background singers) took home the Oscar for Documentary Feature. Five years later, his Mister Rogers doc Won’t You Be My Neighbor? was widely expected to be nominated and ended up snubbed.
Piece by Piece is a head scratcher. Focus Features will surely campaign for it in Animated Feature and Documentary Feature. Early reviews are mostly complimentary though not gushing. I think it stands a stronger chance in Animated Feature. However, competition is real with titles such as Inside Out 2, The Wild Robot, Wallace & Gromit: Vengeance Most Fowl, Flow, Moana 2, and Memoir of a Snail. The mishmash’s best chance at recognition could be one of its original songs where Pharrell has competed before with “Happy” from Despicable Me 2.
This little blog of mine is over 10 years old now and a summer tradition has been to highlight the cinematic seasons of 30, 20, and 10 years ago. We saw recaps of 1992, 2002, and 2012 around this time in 2022. Now this site is aged enough that I shall only look back at a decade ago. Therefore let’s shine a light on 2013 and the offerings between May and August.
Here’s how it works. I’ll recount the top 10 grossers domestically as well as other notable features and noteworthy flops. It was the summer after The Avengers dominated and Tony Stark still managed to rule in his own franchise.
Let the countdown begin!
10. The Great Gatsby
Domestic Gross: $144 million
Baz Luhrmann’s second collaboration with Leonardo DiCaprio may have drawn mixed critical reaction, but audiences turned up and it won both Oscars it was nominated for (Production Design and Costume Design). It is still the stylish filmmaker’s largest worldwide earner even with last year’s success of Elvis.
9. We’re the Millers
Domestic Gross: $150 million
Jennifer Aniston and Jason Sudeikis headlined this raunchy comedy from Dodgeball maker Rawson Marshall Thurber. Like Gatsby, critics weren’t overly kind but crowds liked what they saw.
8. The Heat
Domestic Gross: $159 million
Sandra Bullock and Melissa McCarthy (hot off Bridesmaids) teamed up for this buddy cop laugher from Paul Feig and it became the summer’s hottest live-action movie in its genre. Bullock would have a massive earner and Oscar nod in the fall with Gravity.
7. World War Z
Domestic Gross: $202 million
Some had it pegged as a potential financial disappointment, but this would turn out to be the biggest grossing zombie flick ever. Despite Brad Pitt’s presence and plenty of development rumors, a planned sequel has yet to materialize.
6. Star Trek Into Darkness
Domestic Gross: $228 million
JJ Abrams helmed this sequel two and a half years before taking on Star Wars: The Force Awakens. It holds the title of best global earning movie of the franchise.
5. Fast & Furious 6
Domestic Gross: $238 million
Vin Diesel and Paul Walker revved the series to unforeseen moneymaking heights at the time though part 7 would outdo it two years later. Six months after 6‘s release, Walker perished tragically in auto accident.
4. Monsters University
Domestic Gross: $268 million
The long gestating sequel to 2001’s Monsters University was a profitable venture for Pixar. It failed to nab an Animated Feature nod from the Academy (rare for the studio), but Disney likely wept into their cash.
3. Man of Steel
Domestic Gross: $291 million
The first picture in the DCEU came with gargantuan expectations with Zack Snyder directing and Henry Cavill donning the S. Reaction from critics and audiences was all over the map. Compared to this summer with the epic failure of The Flash, these were kinda the good ole days for DC.
2. Despicable Me 2
Domestic Gross: $368 million
Illumination dwarfed Pixar in the animated race with this sequel that became parent studio Universal’s most profitable film of all time. It’s also responsible for the season’s ubiquitous ditty “Happy” from Pharrell Williams.
1. Iron Man 3
Domestic Gross: $409 million
Tony Stark’s third solo adventure was generally considered an improvement on #2 as Shane Black handled the behind the camera work. It ended up as the year’s second best grosser behind November’s The Hunger Games: Catching Fire.
Now for some others worthy of discussion:
The Conjuring
Domestic Gross: $137 million
It might be just outside the top ten in 11th, but James Wan’s horror classic spawned a decade’s worth of sequels (two thus far) and spin-offs (Annabelle, The Nun) with no end in sight.
Now You See Me
Domestic Gross: $117 million
The heist pic from Louis Leterrier (who just directed Fast X) was a sleeper smash with a $350 million worldwide haul. A less regarded sequel came in 2016.
The Butler
Lee Daniels helmed this decades spanning tale of Forest Whitaker’s White House employee with Oprah Winfrey as his troubled wife. The studio was likely hoping for more awards attention than it ended up with, but the earnings were impressive.
Pacific Rim
Domestic Gross: $101 million
Guillermo del Toro’s monster mashup didn’t wow with a significant domestic take, but the overseas dollars were enough to spawn a panned 2018 sequel. The international haul makes it the Oscar winner’s personal best.
This Is the End
Domestic Gross: $101 million
This end of the world saga from Seth Rogen and Evan Goldberg was a star studded (from Michael Cera to Rihanna) dark comedy with critics on its side.
The Purge
Domestic Gross: $64 million
This dystopian horror pic launched another money minting series and was an early sleeper success for Blumhouse.
Blue Jasmine
Predicted Gross: $33 million
That number marks an impressive one for Woody Allen in the 21st century and this nabbed Cate Blanchett a Best Actress Academy Award.
Fruitvale Station
Domestic Gross: $16 million
Marking the first collaboration between Ryan Coogler and Michael B. Jordan, this indie drama was a critical darling. The pair would achieve colossal success in the years to follow with Creed and Black Panther.
There were lots of hits a decade ago. Yet there’s always the projects that don’t match expectations.
The Hangover Part III
Domestic Gross: $112 million
Audiences were growing weary of The Wolf Pack in the lambasted third entry. It came in well below the previous two.
Elysium
Domestic Gross: $93 million
Neill Blomkamp’s District 9 in 2009 was nominated for Best Picture. This sci-fi follow up with Matt Damon was considered a letdown by not joining the century club.
The Lone Ranger
Domestic Gross: $89 million
I’m gonna go ahead and say you couldn’t green light this $250 million adventure starring Johnny Depp and Armie Hammer today. It turns out Disney shouldn’t have 10 years ago as this came in far under expectations. The box office magic that director Gore Verbinski and Depp created with Pirates of the Caribbean was gone.
White House Down
Predicted Gross: $73 million
Roland Emmerich’s latest with Channing Tatum as a secret service agent and Jamie Foxx as POTUS had its thunder stolen in the spring by the similarly themed and better regarded Olympus Has Fallen (which spawned two sequels).
After Earth
Predicted Gross: $60 million
Moviegoers slapped down M. Night Shyamalan’s sci-fi epic starring the father son duo of Will and Jaden Smith. Reviews were harsh with a 12% Rotten Tomatoes rating.
The Internship
Domestic Gross: $44 million
Vince Vaughn and Owen Wilson’s 2005 romp Wedding Crashers was a $209 million earning smash. Eight years later, very few signed up for this forgettable reunion.
R.I.P.D.
Predicted Gross: $33 million
It might have been going for the Men in Black crowd, but audiences shunned this sci-fi comedy with Jeff Bridges and Ryan Reynolds. Somehow a direct to DVVD prequel was commissioned and released last year.
And there you have it! A look back at 2013 in the multiplex. I’ll have a 2014 recap conjured up next summer…
Sing 2 hopes to make a joyful noise in theaters when it debuts December 22nd. Illumination Entertainment’s animated sequel arrives five years after the original scored $270 million domestically. Garth Jennings returns to direct as do the vocal stylings of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. New to the proceedings are Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, Chelsea Peretti, and Bono.
So will Universal find what they’re looking for in terms of box office? In 2016, part 1 made a splash with a $55 million haul over its five-day Christmas rollout. That was good for second place behind Rogue One: A Star Wars Story. The best hope here is also a runner-up showing as Spider-Man: No Way Home will most certainly be #1 in its sophomore weekend. However, Sing 2 might place third behind the premiere of The Matrix Resurrections.
I think it’s going to be a close competition between this and Matrix for the two spot. This animated follow-up is bound to leg out more strongly than Neo and company. I’ll say high 20s to low 30s for the traditional weekend and mid 40s the five-day.
Sing 2 opening weekend prediction: $31.3 million (Friday to Sunday); $46.8 million (Wednesday to Sunday)
For my The Matrix Resurrections prediction, click here:
Sing 2 is likely to make loud box office noises when it’s released December 22nd. The sequel to the animated musical comedy arrives five years after the original took in $270 million domestically. From Illumination Entertainment, Garth Jennings returns to direct as do the voices of Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Nick Kroll, Taron Egerton, Tori Kelly, and Nick Offerman. Newbies include Bobby Cannavale, Halsey, Pharrell Williams, Letitia Wright, Eric Andre, and Bono.
Despite part one being a smash hit, it did not manage to nab a Best Animated Feature nod. The first Sing achieved a decent 71% Rotten Tomatoes rating. There’s just a handful of reviews out for the follow-up and it’s currently lower at 60%.
With a trio of Disney efforts (Encanto, Luca, Raya and the Last Dragon), two Netflix properties (The Mitchells vs. the Machines, The Summit of the Gods), and acclaimed foreign features Flee and Belle all in the mix, Animated Feature is already crowded. I don’t foresee a sequel to something that couldn’t get in the first time around being viable.
In Best Original Song, a band that Bono started that you might be familiar with (U2) has “Your Song Saved My Life”. This is another category with plenty of high profile contenders (Beyonce and Billie Eilish among them). Bono and his mates probably won’t make the cut. My Oscar Prediction posts for the films of 2021 will continue…
Over the weekend, Illumination Entertainment’s TheGrinch dominated the box office with a mid 60s debut. The animated pic continues a string of pleasing grosses for the studio that houses the lucrative DespicableMe/Minions franchise.
Could that mean TheGrinch finds its way into the mix for Best Animated Feature at the Oscars? It’s doubtful. For starters, reviews have been mixed as it currently sits at 55% on Rotten Tomatoes. The race is also filling up with Incredibles2 and IsleofDogs with probable reserved spots and the upcoming RalphBreakstheInternet looking to nab one. I feel that other wide release pics like EarlyMan and Smallfoot could also be potential contenders.
Most importantly, while Illumination produces blockbusters, that success hasn’t translated into nominations. Only DespicableMe2 got one, with better reviewed titles like TheSecretLifeofPets and other Despicable efforts left out.
Bottom line: the studio’s Grinch reward will come from its earnings and not awards ceremonies. My Oscar Watch posts will continue…
Blogger’s Note: on the eve of its premiere, I’m giving this a bump from $56.4 million to $63.4 million
Illumination Entertainment’s The Grinch looks to be a profitable one when it hits theaters next weekend. The animated take on the Dr. Seuss classic features the voice of Benedict Cumberbatch as the grumpy Christmas hating character. Other voice over work is provided by Cameron Seely, Rashida Jones, Kenan Thompson, Angela Lansbury, and Pharrell Williams. Scott Mosier and Yarrow Cheney (who co-directed Illumination’s The Secret Life of Pets) are the filmmakers.
In 2000, the live-action version of this tale with Jim Carrey was a massive smash for Universal (Illumination’s parent company). There has been plenty of family pics over the last couple of months and The Grinch will get plenty more competition in following weekends. Both Fantastic Beasts: The Crimes of Grindelwald and Ralph Breaks the Internet are on deck.
That said, Illumination has had an impressive track record during this decade with the Despicable Me/Minions franchise and Pets. This is their first foray into the month of November, but plenty of other studios have planted their animated flag into the same time frame. In 2012, Wreck-It Ralph took in $49 million for its start. Two years later, Big Hero 6 made $56 million. In 2015, The Peanuts Movie started with $44 million and Trolls premiered to $46 million a year later. Yet the best comp could end up being 2000’s How the Grinch Stole Christmas, which bowed to $55 million. I’ll put it just over that as this Grinch looks to leg out well throughout the holiday season.
The Grinch opening weekend prediction: $63.4 million
For my The Girl in the Spider’s Web prediction, click here:
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