I didn’t do an Oscar Predictions post on Flamin’ Hot when it premiered at South by Southwest back in March or when it began streaming over the summer on Hulu and Disney+. Eva Longoria’s directorial debut tells the true life tale of a man who claimed he invented the title seasoned Cheetos. Jesse Garcia, Annie Gonzalez, Dennis Haysbert, and Tony Shalhoub star.
Reviews were fairly decent at 69% on Rotten Tomatoes, but this didn’t strike me as an awards contender at the time or now. That’s with one exception and this brings us to Diane Warren. The songwriter has contributed many tracks to feature films and she has 14 Academy nominations to speak for it. This dates back nearly 40 years starting with “Nothing’s Gonna Stop Us Now” from Mannequin, continuing with gigantic hits like “Because You Loved Me” from Up Close and Personal and “I Don’t Want to Miss a Thing” from Armageddon, and including last year’s ceremony with “Applause” from Tell It Like a Woman. Despite the impressive number of noms, Warren has yet to win Original Song (though she did pick up an Honorary Oscar for her work earlier this year).
Flamin’ Hot includes the track “The Fire Inside” performed by Becky G and written by the frequent hopeful. It hasn’t been on my radar screen in my previous predictions. Yet now that a planned documentary about Warren seems to be delayed to 2024 (in which I’m sure she’ll have a contending track), one has to consider this song for inclusion. Don’t be surprised if it materializes in my top ten possibilities in my next update. It’s risky to bet against the penner of the tune. My Oscar Prediction posts will continue…
Liam Neeson’s The Ice Road finds its inspiration from two classic pictures in 1953’s The Wages of Fear and 1977’s Sorcerer. The plots are similar by placing truck drivers in dangerous situations with nearly impossible odds to succeed. In Wages and its remake, it regarded the transportation of finnicky nitroglycerin over rough terrain. Though explosives are involved here, Road mostly pertains to what lies beneath. This is where ears of fans for the History Channel’s Ice Road Truckers may perk up.
A mining disaster in Manitoba traps 26 workers. The only way in reaching the remote locale to rescue them is hauling hefty rigs over the frozen tundra. Signing up for the job is Neeson’s toothpick chomping Mike McCann and brother Gurty (Marcus Thomas), an ex-Vet suffering from PTSD and aphasia, a condition which limits his ability to communicate. Others along for the ride due to their particular sets of skills are Laurence Fishburne as a seasoned driver and Tantoo (Amber Midthunder), a rebel with a cause whose brother is among those closed in and about to run out of oxygen. There’s also Tom (Benjamin Walker), a company man supposedly there to assess insurance risk.
The Ice Road volleys back and forth between the motorists on their slick mission, the captive workers making life or death decisions as their breathing slows, and the corporate overlords more concerned with not ruining their profits. Neeson has, of course, made his own profitable second career with these mostly generic action thrillers. With Jonathan Hensleigh (writer of Die Hard with a Vengeance and Armageddon) behind the directorial wheel, we have another middling entry for the Taken lead.
As the credits rolled, it struck me how little real action or visual thrills there are here. Some of this could be budget related. When the ground cracks and mayhem occurs, we never see below the surface and that might have been cool (pun intended). Neeson doesn’t sleepwalk through the role nor does Midthunder. As for brother Gurty, he does have a pet mouse that comes in handy at one point. Ultimately this tale of ice and anonymous ski goggled henchmen is primarily stuck in mediocrity.
Disney’s streaming service combines humans and familiar faces voicing creatures this weekend with the release of The One and Only Ivan, based on the 2012 children’s book by K.A. Applegate. Directed by Thea Sharrock, the family friendly fantasy features Bryan Cranston, Ramon Rodriguez, and Ariana Greenblatt in front of the camera. Stars including Sam Rockwell, Angelina Jolie, Danny DeVito, Helen Mirren, Brooklyn Prince, and Chaka Khan (!) lend their voices as gorillas, elephants, and dogs.
In what is now a familiar story on this blog, Ivan was intended for theatrical release last Friday before the COVID-19 pandemic altered the plans. It is now hitting the Disney+ service this weekend. Why an Oscar Watch post for this unlikely contender? Fair question as even a Visual Effects nod is probably a long shot. Reviews out today are decent, but not overwhelmingly positive with a current 64% Rotten Tomatoes score.
There is, however, a solid shot for Ivan to come under Academy consideration and that’s with Original Song. It was announced this week that Diane Warren has written the track “Free” that will play over the end credits. Performed by Charlie Puth, the song is another possibility in a lengthy list of Warren’s works that could vie for a nomination.
Diane Warren has been nominated in the Original Song race 11 times over four decades. This began with “Nothing’s Gonna Stop Us Now” from 1987’s Mannequin and runs through last year with “I’m Standing with You” from Breakthrough. In between, we have massive hits like Celine Dion’s “Because You Loved Me” from Up Close and Personal and the Aerosmith ballad “I Don’t Wanna Miss a Thing” from Armageddon in the 90s. Despite the multitude of nods, Warren has never made the trip to the podium.
I doubt that “Free” would earn her the win, but a 12th nomination is certainly feasible. It remains to be seen how this particular category will play out in the coming months. Billie Eilish’s title track for the upcoming 007 adventure No Time to Die will likely make it in the final five.
Bottom line: Original Song could mark the one and only nod for Ivan next year. My Oscar Watch posts will continue…
Continuing with my recaps of the movie summers from 30, 20, and 10 years ago – we arrive at 1998. If you missed my post recounting the 1988 season, you can find it right here:
1998 was a rather astonishingly sequel lite summer with only one making up the top ten moneymakers. And while 2018 will be known for its Avengers phenomenon, it was a much different story with Avengers two decades ago.
Behold my synopsis of the top 10 hits, along with other notables and flops:
10. The Mask of Zorro
Domestic Gross: $94 million
He may be playing Pablo Picasso on TV now, but Antonio Banderas had a significant hit (alongside Catherine Zeta-Jones and Anthony Hopkins) in this tale of the famed swashbuckler. A less successful sequel would follow in 2005.
9. Mulan
Domestic Gross: $120 million
Disney’s 36th animated feature (with a voice assist from Eddie Murphy) didn’t reach the heights of titles like Aladdin or The Lion King, but the Mouse Factory has already commissioned a live-action version slated for 2020.
8. The Truman Show
Domestic Gross: $125 million
Jim Carrey’s first major big screen foray outside of zany comedy, Peter Weir’s reality show pic garnered critical acclaim for the film itself and the star’s performance.
7. Lethal Weapon 4
Domestic Gross: $130 million
The final teaming of Mel Gibson and Danny Glover (with Chris Rock and Jet Li joining the mix) made slightly less than part 3 and was generally considered rather mediocre, especially considering the heights that the franchise started from.
6. Godzilla
Domestic Gross: $136 million
Coming off the massive success of Independence Day, Roland Emmerich’s tale of the giant green monster was expected to possibly be summer’s biggest hit. It came in well below expectations with critics and audiences. A better regarded version arrived in 2014.
5. Deep Impact
Domestic Gross: $140 million
Our first asteroid disaster flick on the list came from Mimi Leder with a cast including Tea Leoni, Elijah Wood, and Robert Duvall. Moviegoers loved their asteroids 20 years ago.
4. Dr. Dolittle
Domestic Gross: $144 million
Eddie Murphy was still in popular family guy mode with this remake of the Rex Harrison animal tale. A sequel would follow in 2001.
3. There’s Something About Mary
Domestic Gross: $176 million
The Farrelly Brothers had the comedic smash of the summer in this effort that made Ben Stiller a huge star and had a showcase role for Cameron Diaz’s talents.
2. Armageddon
Domestic Gross: $201 million
Our second asteroid pic (this one from Michael Bay) comes with Bruce Willis, Ben Affleck, and Liv Tyler… and an Aerosmith ballad that played all season long.
1. Saving Private Ryan
Domestic Gross: $216 million
Steven Spielberg’s acclaimed World War II drama with Tom Hanks has one of the most intense first scenes in cinematic history. It was considered the Oscar front-runner until it lost in an upset to Shakespeare in Love.
And now for some other notable films:
The X-Files
Domestic Gross: $83 million
Bringing David Duchovny and Gillian Anderson’s alien themed FOX TV show to the big screen turned out to be a profitable venture. An ignored sequel would follow 10 years later.
Blade
Domestic Gross: $70 million
The vampire-centric Wesley Snipes flick spawned two sequels and major cult status.
Out of Sight
Domestic Gross: $37 million
Its box office performance was middling, but Steven Soderbergh’s romantic crime pic showed George Clooney and Jennifer Lopez at their best. Critics dug it.
Fear and Loathing in Las Vegas
Domestic Gross: $10 million
Not a success at the time, but Terry Gilliam’s wild ride featuring Johnny Depp as Hunter S. Thompson created a serious following in subsequent years.
And now for some flops:
Six Days, Seven Nights
Domestic Gross: $74 million
Harrison Ford was flying high off the success of Air Force One one summer earlier, but audiences and reviewers weren’t as kind to this action comedy with Anne Heche.
Snake Eyes
Domestic Gross: $55 million
Likewise, Nicolas Cage experienced a trilogy of mega hits during the two previous summers with The Rock, Con Air, and Face/Off. This one from Brian De Palma didn’t impress nearly as much.
The Avengers
Domestic Gross: $23 million
Not THOSE Avengers, ladies and gents. This big screen adaptation of the 1960s TV series with Ralph Fiennes, Uma Thurman, and Sean Connery landed with a thud in August. No sequels here.
54
Domestic Gross: $16 million
Mike Myers was coming off a little something called Austin Powers: International Man of Mystery when this pic about the famed NYC nightclub opened. Critics weren’t kind and crowds didn’t turn up.
BASEketball
Domestic Gross: $7 million
Trey Parker and Matt Stone rarely create something that isn’t massively successful – like “South Park” and The Book of Mormon. This sports comedy is the rare exception, though it has developed a following since.
And there you have it – the summer of 1998! Look for 2008 shortly…
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