Tag: Tyler Gillett

Abigail Review

From Matt Bettinelli-Olpin and Tyler Gillett (the filmmakers known as Radio Silence), Abigail sautés between a crime thriller and vampire tale. It doesn’t completely land that From Dusk til Dawn style jump off and it overstays its welcome. There are lively breaks in the gory repetition and that’s thanks to some quality casting.

The title character is a young girl (played by Alisha Weir) who we first see practicing her ballet moves in an empty theater. She’s being tailed by six criminals engaged in a snatching plot. They succeed in the abduction, at least theoretically. The mastermind behind the taking (Giancarlo Esposito) provides a creepy old house for them to hold Abigail for 24 hours until the ransom is met. The operation has a strict no real names policy (think Reservoir Dogs), so the group is named after Rat Packers. Melissa Barrera is Joey and she’s tasked with being Abigail’s sole point of contact. We quickly figure out she kidnaps with kindness and is our heroine. She also has a drug problem and might’ve abandoned her son, but she’s rather virtuous compared to the lot.

That includes former detective Frank (Dan Stevens, clearly having a ball and looking a bit like Bradley Cooper), spoiled brat and computer hacker Sammy (Kathryn Newton), and demented getaway driver Dean (Angus Cloud). Low IQ muscleman Peter (Kevin Durand) and Marine Rickles (Will Catlett) complete the sextet.

The young captor doesn’t waste much time engaging in mind games with the unwelcome house guests. In what might have been a juicy twist if the trailer and ads hadn’t clearly spelled it out, she’s a bloodsucker who has been around much longer than her appearance suggests. As if that weren’t enough, she has a father whose name sends chills down the spine of those who hear it.

Abigail should be more of a guilty pleasure than it is. There are times when it flourishes. Stevens steals the show while Barrera is saddled with a semi-serious and boring backstory. Some of the exaggerated violence is reminiscent of Radio Silence’s Ready or Not from 2019. That can be a good thing though it’s a reminder that the pic five years ago was superior. Alisha Weir’s performance is certainly a plus as she switches up the cadence of a preteen and a centuries old devourer of souls.

Despite some clever moves, this ultimately stalls in the third act and takes a while to ramp up in the first place. Its bucket of blood falls on the half empty side a little too often.

**1/2 (out of four)

Abigail Box Office Prediction

Matt Bettinelli-Olpin and Tyler Gillett, makers of Ready or Not and the last two Scream installments, are in vampiric mode with Abigail on April 19th. Reimagining 1936’s Dracula’s Daughter, the horror flick stars Melissa Barrera (also of the latest Scream entries), Dan Stevens, Alisha Weir, Kathryn Newton, William Catlett, Kevin Durand, the late Angus Cloud, Matthew Goode, and Giancarlo Esposito.

Genre fans have had plenty to feast on in 2024. Just last weekend, we saw The First Omen struggle to bring audiences in with an opening under $10 million despite solid reviews. Abigail is generating appreciative notices as well with a current 82% RT rating.

I suspect Abigail will cross $10 million, but $20 million (or even $15 million) seems like a bridge too far.

Abigail opening weekend prediction: $13.1 million

For my The Ministry of Ungentlemanly Warfare prediction, click here:

The Ministry of Ungentlemanly Warfare Box Office Prediction

For my Spy x Family Code: White prediction, click here:

Spy x Family Code: White Box Office Prediction

Scream VI Review

There’s more than one way to clean a knife after piercing a victim’s skin in the Scream flicks. The filmmakers appear determined to give this series nine lives or more as the sixth installment finds new terrorizers to fill the Ghostface mask. Let’s quickly go through the strange name game as 2022’s Scream was really Scream V. Termed as a requel, Urban Dictionary considers that a “sequel to a movie that functions somewhere between a sequel, a reboot, and a remake”. Unfortunately Scream (’22 version) didn’t function that well at all. With directors Matt Bettinelli and Tyler Gillett taking over directorial duties from the late Wes Craven, they showed lots of appreciation for the original from 1996. Like the other follow-ups, it couldn’t compare to the fresh satiric edge that part 1 had. In fact, despite a well-executed slashing or two, I’d rank it fifth of the lot.

Now I’d rank it sixth because Scream VI is a minor improvement. It picks up a year after the events of the fifth. We’re not in Woodsboro anymore as Sam Carpenter (Melissa Barrera), daughter of the OG Ghostface Billy Loomis, has relocated to the Big Apple. She’s there mostly to keep watch over little sister Tara (Jenna Ortega), now a college freshman along with sister and brother Mindy (Jasmin Savoy Brown) and Chad (Mason Gooding). They call themselves the Core 4 since they managed to survive the havoc wreaked by Sam’s ex-bf Richie in the last go-round.

The dwindling legacy characters returning are Gail Weathers (Courtney Cox), the reporter who’s always looking for a way to make a buck from the mayhem. There’s also Kirby Reed (Hayden Panettiere), who played an integral role in Scream 4. She was the best friend to the eventual Ghostface in that one. And while part four was one of the better sequels, I would understand if you forgot her character. Now Kirby is an FBI agent who shows up to help (which obviously makes her a quick suspect). I wonder if her appearance might be due to Sidney (Neve Campbell) not being present. Word is they didn’t want to show her the money to appear.

While the predecessor often paid homage to Scream ’96 (released the same month when Mason Gooding’s dad Cuba was screaming “Show me the money!” to Tom Cruise in Jerry Maguire), this has its winks to Scream 2 from 1997 by being set in the higher ed world. Some of the brutal sequences are well-constructed. The opening with Samara Weaving as a college professor on a blind date is a clever way to start.

Part of the fun in the Scream pics is figuring out the slayers and it’s usually more than one. There’s a few to consider with Sam’s neighbor and secret lover (Josh Segarra), the detective father (Dermot Mulroney) of her roommate Quinn (Liana Liberato), and Chad’s roommate Ethan (Jack Champion). And who knows? Maybe Papa Billy’s demonic genes are infecting Sam.

As we’ve seen before in this franchise, there’s a scene where a character explains that the “rules have changed!”. And nothing is as it seems. The NYC locale change is welcome (Ghostface brandishing a shotgun in a bodega is fresh new territory). Scream VI gets by for a while in the new setting and with its furious piercings. Sadly it is not faster. The 122 minute runtime is a series record and when we reach the third act, the rules haven’t changed much with the unmasking reveals. That portion is the biggest letdown. There’s only so many ways to inject life into these deaths, but they’ll find ways as long as we continue to show them the money.

**1/2 (out of four)

Scream VI Box Office Prediction

In January 2022, Scream successfully resurrected the franchise that Wes Craven began in 1996. A sequel was approved immediately and Scream VI slashes into multiplexes March 10th. Matt Bettinelli-Olpin and Tyler Gillett are back directing with Melissa Barrera, Jasmin Savoy Brown, Mason Gooding, Jenna Ortega (whose star has risen thanks to Wednesday), Hayden Panettiere, and Courtney Cox reprising their roles from prior installments. Other costars include Jack Champion, Henry Czerny, Liana Liberato, Dermot Mulroney, Tony Revolori, and Samara Weaving. For the first time, Neve Campbell is not among the cast.

In 2011, Scream 4 marked the financial nadir of the bunch when it made only $38 million domestically. A silent decade between entries got the nostalgia juices flowing as last year’s Scream took in $30 million in its first three days and $81 million total stateside. With a B+ Cinemascore (quite solid for a horror pic), anticipation for this sequel should be high.

Scream VI appears poised to challenge the record opening weekend for the series. That belongs to Scream 3 with $34 million and tracking suggests Ghostface could wield the power to top that number. I’ll forecast it manages to get there and perhaps top $40 million.

Scream VI opening weekend prediction: $42.6 million

For my 65 prediction, click here:

65 Box Office Prediction

For my Champions prediction, click here:

Champions Box Office Prediction

Scream (2022) Review

Landline phones are looked upon by the new kids of Scream like they’re phonographs, but some things never change with this fourth sequel to the 1996 original. Unlike other horror franchises, I would say there hasn’t been a bad Scream follow-up nor has one come close to approaching the quality of the first. My reception for parts II-IV are fairly similar – passably entertaining and ultimately forgettable. Part V – call it Scream if you want but it’s Scream 5 – is no different and a tad more underwhelming since its new characters add little.

When the ’96 version of Scream came out, Wes Craven and screenwriter Kevin Williamson deftly satirized the slasher genre while also making a scary movie. It’s why Scary Movie four years later didn’t work for me – it was trying to parody something that had already cleverly done it. The rest of the Scream efforts have struggled with the mix as it continually invents new family connections to reveal new Ghostface killers.

In this Scream, Sam (Melissa Barrera) fled the town of Woodsboro five years ago. She makes a hasty return when her high school age sister Tara (Jenna Ortega) is attacked by the now iconic villain. With Sam’s boyfriend Richie (Jack Quaid) and Tara’s student clique as potential suspects, we soon see familiar faces besides Ghostface. Dewey (David Arquette) is divorced from Gale Weathers (Courtney Cox) and no longer the sheriff in town. He reluctantly accepts Sam’s offer to get involved. Sidney (Neve Campbell) has no desire for a hometown return but we know that won’t last.

Sam’s genealogy allows for some slightly more surprising cameos as we try to deduce who the killer(s) are this time around. Some of Tara’s schoolmates fill the Scream bingo card. There’s the Jock, the Movie Buff, and the Virgin. Some of the roles are given a modern update (one of the guys is given the potentially fatal shower scene).

Of course, these characters talk endlessly about sequels and reboots and “requels”. This was a pretty fresh concept a quarter century ago (even if Craven had mined similar territory in New Nightmare). Now there’s precious little more meta to mine. Like the sequels, there’s also the fact that this Scream just isn’t a very scary movie.

Matt Bettinelli-Olpin and Tyler Gillett take over the reigns as Craven passed in 2015. They clearly have reverence for the series and especially part one. That’s understandable. So did the other ones. Some of them landed their plot points with more precision (Scream 4 managed to have a decent killer reveal and fun third act). All of them were duller cuts and this one strains to properly explain its reason for being despite endless attempts.

** (out of four)

Scream Box Office Prediction

**Blogger’s Note (01/13): On the eve of its premiere, I am upping the 4-day tally for Scream from $29.4 million to $36.4M

The fifth installment of the Scream franchise slashes its way into theaters on January 14th, hoping to bring in a sizable horror fan base. Matt Bettinelli-Olpin and Tyler Gillett, makers of V/H/S and Ready or Not, direct as they take reigns of the series from scare master Wes Craven (who helmed the first four and passed away in 2015). Neve Campbell, Courtney Cox, David Arquette, Marley Shelton, and Roger L. Jackson (as the iconic voice of Ghostface) reprise roles from previous entries. Newcomers include Melissa Barrera, Mason Gooding, Jenna Ortega, and Jack Quaid.

Nearly a quarter century ago, the low-budget original became a cultural phenomenon and revitalized the genre. Two sequels followed in quick succession in 1997 and 2000 while part 4 hit in 2011. It was a commercial disappointment – taking in only $38 million at the domestic box office (with a $19 million start).

Paramount and Dimension Films are hoping that nostalgia will bring audiences back to the fold. Fright fests, more than any other type of pic in 2021, proved immune to challenges faced in the COVID era in terms of solid openings. The third Conjuring and Candyman each premiered in the low to mid 20s range. Scream will have an extra day of earnings when factoring in the long MLK frame.

January is very desolate in terms of high profile debuts and Scream is by far the biggest one. It marks a major test for theaters as the Omicron variant sweeps across the country. If this fails to perform, don’t be surprised to see delays for upcoming releases. Even with that potential barrier and the underperformance of its predecessor, I envision this managing a mid to possibly late 20s haul when including Monday.

Scream opening weekend prediction: $36.4 million (Friday to Monday estimate)

Ready or Not Box Office Prediction

A darkly comedic game of hide and seek is unveiled Wednesday in theaters next week in Ready or Not. The pic stars Margot Robbie… actually it’s Samara Weaving (niece of Hugo). She’s a doppelgänger for Robbie and she plays a bride to be in a filthy rich family who subject her to the aforementioned game where they hunt her down. Matt Bettinelli-Olpin and Tyler Gillett direct. Costars include Mark O’Brien, Adam Brody, Henry Czerny, and Andie MacDowell.

Not was readied for a premiere in July at the Fantasia International Film Festival and critical reaction was strong. It currently holds a 100% rating on Rotten Tomatoes. That said, I’m not at all confident this will manage to break out with a wide audience. A late August release date doesn’t exactly inspire confidence. This could struggle to reach double digits over its five-day rollout and that means mid single digits for the traditional Friday to Sunday frame is what I’m thinking.

Ready or Not opening weekend prediction: $5.8 million (Friday to Sunday); $7.7 million (Wednesday to Sunday)

For my Angel Has Fallen prediction, click here:

https://toddmthatcher.com/2019/08/13/angel-has-fallen-box-office-prediction/

For my Overcomer prediction, click here:

https://toddmthatcher.com/2019/08/14/overcomer-box-office-prediction/