Tag: The Exorcist: Believer

The Exorcist: Believer Review

It’s not just priests exorcising the demonic spirits in The Exorcist: Believer, a direct sequel to the iconic horror phenomenon from a half century ago. There’s more inclusivity when it comes to the number of faith leaders involved. We have two subjects undergoing the eventual rituals via two teenage girls. David Gordon Green recently redid the Halloween franchise with three pictures that underwhelmed this viewer. He hopes to start a fresh trilogy with Believer. Despite more characters doing the casting out and doubling those being possessed, this relaunch is far from bewitching. Instead it’s a sullen and poorly edited genre exercise that could’ve passed (or failed) as any knockoff of the original. If it weren’t for Ellen Burstyn briefly returning to her Oscar nominated role, slapping The Exorcist moniker on it seems egregious. I suppose it still does. The sixth one is not the devilish charm. Neither were the second, third, fourth, or fifth though pretending they don’t exist doesn’t help.

A prologue shows us the tragic birth of Angela (Lidya Jewett). Her father Victor (Leslie Odom Jr.) is doing photography work in Haiti with his very expectant wife. An earthquake severely injures her to the point where Victor must choose whether she or his unborn daughter live. Thirteen years later, Victor and Angela are living a seemingly normal existence in Georgia. Yet when Angela and her friend Katherine (Olivia O’Neill) try to summon the spirit of her departed mother, they end up disappearing for three days and then returning. If you don’t get the symbolism behind that, the sometimes unintentionally funny screenplay will explain it slowly and obviously.

Slowly is an appropriate word for the first half as Angela and Katherine aren’t exactly themselves upon reemergence. Believer seems to forget that so many Exorcist regurgitations have been foisted upon us. Some have worked. Just none in the official canon (though The Exorcist III has its loopy delights). We know where this is headed and Green’s restart plods along in the known directions. Except for one violent outburst, Burstyn’s return is largely forgettable and a little pointless.

The interfaith participation in saving the girls is a slightly new wrinkle. By the third act, the Catholics are sitting it out and a hodgepodge of would be saviors step in to fill the void. This includes Ann Dowd as Victor’s neighbor (who takes over for the priest because she wanted to be a nun), a Hoodoo practicer, a Baptist, and a Pentecostal preacher. If these characters had walked into a bar, maybe a more lively movie would’ve resulted. Instead they walk into a procedure we’ve seen time and again. A double exorcism does not double the thrills. This was shocking and shockingly well-made (not to mention scary as hell) in 1973. Now it’s unsurprisingly bland.

*1/2 (out of four)

November 10-12 Box Office Predictions

Blogger’s Update II (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.

**Blogger’s Update (11/07): It turns out Taylor Swift: The Eras Tour is indeed staying in theaters and I’m putting it in second with an anticipated drop in the mid 30s

The Marvel Cinematic Universe should have no trouble hitting #1 again with The Marvels, but the premiere is expected to be well on the low end of the now 33 pics in the franchise. We also have the faith-based musical Journey to Bethlehem and the wide expansion of Oscar hopeful The Holdovers out. You can peruse my detailed prediction posts on the trio here:

The Marvels Box Office Prediction
Journey to Bethlehem Box Office Prediction
The Holdovers Box Office Prediction

As of now, I have The Marvels having the third lowest MCU opening in its decade and a half run. It could possibly have the smallest of them all if it debuts below the $55 million that The Incredible Hulk (the second feature of the bunch) started with in 2008. **Keep an eye on this post through Thursday to see if my projection dwindles.

Five Nights at Freddy’s, after two weeks atop the charts, should slide to second. Its sophomore frame saw a gigantic plummet (more on that below). The third weekend shouldn’t be as dramatic a fall, but the 60-65% range is certainly possible.

Taylor Swift: The Eras Tour, per a previous announcement, is allegedly finished with its box office run after amassing $166 million domestically and easily setting concert pic records. That’s why you won’t find it in my projected five. If that dynamic changes, I’d place it in third or probably even second.

The 3-5 spots, therefore, should be a mix of Killers of the Flower Moon, Journey to Bethlehem, and The Holdovers and you could make decent arguments for the order. I’ve got it close.

Here’s how I see it shaking out:

1. The Marvels

Predicted Gross: $46.3 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $8.8 million

3. Five Nights at Freddy’s

Predicted Gross: $7.4 million

4. Journey to Bethlehem

Predicted Gross: $4.8 million

5. Killers of the Flower Moon

Predicted Gross: $4.5 million

6. The Holdovers

Predicted Gross: $3 million

Box Office Results (November 3-5)

November began with a whimper with the worst frame of 2023 thus far. As you may recall, this was the weekend Dune: Part Two was supposed to come out before its pushback to spring 2024.

That left Five Nights at Freddy’s in first place despite a gargantuan 76% drop to $19 million. I was more generous at $27.6 million. Even with its clearly front loaded business, the PG-13 horror flick (which is also available on Peacock) has delivered $113 million in its first ten days of release.

With scant competition in the marketplace, Taylor Swift: The Eras Tour eased just 12% for second place with $13.5 million. That remarkable hold placed it well above my $8.3 million take. As mentioned, it has finished (?) its run at $166 million as streamers mount a bidding war for the rights.

Killers of the Flower Moon also held better than I figured for third in its third weekend with $6.8 million. I went with $5.8 million. The Oscar contender has taken in $52 million.

Priscilla performed respectably in fourth with $5 million, besting my $3.9 million call. The biopic had a similar per theater average to Ms. Swift’s fourth frame gross. The performance represents earnings at the top end of its anticipated range.

I incorrectly didn’t make a call for Radical, the well-reviewed dramedy with Eugenio Derbez. It rounded out the top five with $2.6 million on just over 400 screens. That gave it the highest average of any movie in the top ten.

My #5 pick was After Death at $3.2 million. Yet it was all the way down in 8th (behind The Exorcist: Believer and PAW Patrol: The Mighty Movie) with $2 million after its 60% slide.

Finally, I had the Meg Ryan rom com What Happens Later (a phrase not used in many years) making $1.7 million. It came in slightly below that at $1.5 million for ninth position.

And that does it for now, folks! Until next time…

November 3-5 Box Office Predictions

After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:

Priscilla Box Office Prediction

While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).

Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.

Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $27.6 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $8.3 million

3. Killers of the Flower Moon

Predicted Gross: $5.8 million

4. Priscilla

Predicted Gross: $3.9 million

5. After Death

Predicted Gross: $3.2 million

Box Office Results (October 27-29)

Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.

Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.

Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.

I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.

The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.

PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.

And that does it for now, folks! Until next time…

October 27-29 Box Office Predictions

Based on the hugely popular series of video games, the PG-13 horror flick Five Nights at Freddy’s looks to dominate the Halloween frame. It is the only wide release as October draws to a close and you can peruse my detailed prediction post on it here:

Five Nights at Freddy’s Box Office Prediction

There is a wide range of possibility for Freddy’s and I think it is ready for a debut just north of $60 million. That would easily top the rest of the top five combined.

The battle for the runner-up spot will be decided by the respective third and second weekend drops for Taylor Swift: The Eras Tour and Killers of the Flower Moon. The former had an understandable mid 6os plummet as Swifties wanted to rush out and see it immediately. Moon hopes for smallish declines in the frames ahead. I have Ms. Swift edging Killers as her concert film enters its third and final outing in multiplexes.

The Exorcist: Believer should be fourth with PAW Patrol: The Mighty Movie rounding out the top five. Here’s how I see it shaking out:

1. Five Nights at Freddy’s

Predicted Gross: $68.3 million

2. Taylor Swift: The Eras Tour

Predicted Gross: $14.2 million

3. Killers of the Flower Moon

Predicted Gross: $13.4 million

4. The Exorcist: Believer

Predicted Gross: $3.5 million

5. PAW Patrol: The Mighty Movie

Predicted Gross: $2.9 million

Box Office Results (October 20-22)

Taylor Swift: The Eras Tour belonged at #1 again as the record-setting concert experience drew another $33.2 million, a tad under my $35.6 million projection. That gives it a two weekend take of $131 million.

Martin Scorsese’s Killers of the Flower Moon came in at the bottom end of its expected range with $23.2 million. I was more generous at $32.7 million. While not a flop (especially considering it was first slated for an Apple TV streaming start), it is underwhelming considering the awards buzz, Leo star power, and $200 million reported budget. The Oscar hopeful will hope to leg out during November.

The Exorcist: Believer was third with $5.6 million compared to my $6.9 million forecast. The three-week total is a fair $54 million.

PAW Patrol: The Mighty Movie sat in the four spot with $4.4 million (I said $4.7 million) for $56 million after four frames.

Rounding out the top five was a holiday themed re-release of 1993’s The Nightmare Before Christmas on its 30th anniversary. The Tim Burton produced classic added another $4.2 million to its coffers. I failed to put it in the mix.

That took Saw X out of the high five in sixth with $3.6 million (I went with $4.1 million). The four-week gross is $47 million.

And that does it for now, folks! Until next time…

October 20-22 Box Office Predictions

Blogger’s Update (10/18): And it’s a big one… by lowering my projection of Killers from $38.7 million to $32.7 million, that puts Eras at #1 for the second weekend in a row.

Martin Scorsese and Leonardo DiCaprio’s sixth collaboration faces off against Taylor Swift’s second cinematic touring weekend as Oscar hopeful Killers of the Flower Moon blossoms on Friday. It could shape up to be a close battle for the top spot. You can peruse my detailed prediction post on Killers here:

Killers of the Flower Moon Box Office Prediction

With rave reviews and awards buzz, Moon could fill multiplexes up with adult moviegoers who turned Oppenheimer into a smash hit over the summer. While it won’t reach as high, I believe a low 30s premiere is certainly doable.

Whether that puts it in first is a huge question mark. That’s because the sophomore frame of Taylor Swift: The Eras Tour is tricky to figure out. The concert doc didn’t reach the lofty expectations that kept rising prior to its start (more on that below). Yet it still scored a massive debut that set every record possible for its genre. The deal that Ms. Swift cut with theaters is a unique one, to say the least. Eras is not playing on Mondays, Tuesdays, or Wednesdays. That could certainly increase the demand during the second weekend. However, it probably goes without saying that its gross is likely to be front loaded due to her fans rushing out to see it (a whole bunch of its business came from presales). I’ll be honest. I’m at a loss for how far it dips coming up. I will speculate high 60s to possibly low 70s and that would put it just behind my Killers estimate.

Holdover sequels of the horror and family variety should fill the 3-5 slots as The Exorcist: Believer, PAW Patrol: The Mighty Movie, and Saw X look to post decent holds in the 30s-low 40s range.

Here’s how I see it shaking out:

1. Taylor Swift: The Eras Tour

Predicted Gross: $35.6 million

2. Killers of the Flower Moon

Predicted Gross: $32.7 million

3. The Exorcist: Believer

Predicted Gross: $6.9 million

4. PAW Patrol: The Mighty Movie

Predicted Gross: $4.7 million

5. Saw X

Predicted Gross: $4.1 million

Box Office Results (October 13-15)

It isn’t often that Taylor Swift doesn’t reach the levels of financial success that are anticipated, but it might have been a case of expectations being too sky high. The Eras Tour was projected to top the all-time October weekend record held by Joker at $96 million. I had it doing so with room to spare at $139.6 million. It wasn’t to be as it achieved the second largest debut at $92.8 million. By the way, that triples the previous best concert doc start held by Hannah Montana and Miley Cyrus: Best of Both Worlds Concert Tour. In other words, it’s still a rather remarkable performance.

The Exorcist: Believer dropped to second with an understandable $10.9 million, a bit above my $9.7 million take. The direct sequel to the 1973 classic sits at $44 million after ten days as it hopes for meager declines as we approach Halloween.

PAW Patrol: The Mighty Movie was third with $6.8 million (on pace with my $6.6 million forecast) for $49 million after three weeks.

Saw X reaped the benefit of horror fans looking for a scare. Dropping just 28%, Jigsaw and company took in $5.6 million compared to my $4.1 million prediction. Total is $41 million thus far.

The Creator rounded out the top five at $4.3 million (I said $3.5 million) for a three-week tally of just $32 million.

And that does it for now, folks! Until next time…

October 13-15 Box Office Predictions

This coming weekend should be very lucky for a songstress you may have heard of named Taylor Swift. Her cinematic airing of The Eras Tour is out on approximately 4000 screens as it looks to dominate the box office. You can peruse my detailed prediction post on it here:

Taylor Swift: The Eras Tour Box Office Prediction

The power of Swift has propelled the concert doc to hefty pre sales totaling over $100 million worldwide. I’m projecting the domestic take will fall just shy of $140 million. That would give it the third best premiere of 2023 behind only Barbie and The Super Mario Bros. Movie.

No other studio dared to open anything against Taylor and her army of Swifties. In fact, The Exorcist Believer moved up its release date to this past weekend. It had a so-so start (more on that below). With a meh C Cinemascore grade, I look for it to fall in the low to mid 60s in its sophomore frame.

The rest of the top five will be filled with holdovers likely dropping in the low to high 40s. Everything should slide a spot with PAW Patrol: The Mighty Movie, Sax X, and The Creator populating 3-5 in their third weekends.

Here’s how I think it’ll play out:

1. Taylor Swift: The Eras Tour

Predicted Gross: $139.6 million

2. The Exorcist: Believer

Predicted Gross: $9.7 million

3. PAW Patrol: The Mighty Movie

Predicted Gross: $6.6 million

4. Saw X

Predicted Gross: $4.1 million

5. The Creator

Predicted Gross: $3.5 million

Box Office Results (October 6-8)

David Gordon Green’s take on another iconic horror franchise couldn’t come close to his Halloween numbers as The Exorcist: Believer fell slightly short of expectations. The poorly reviewed direct sequel to the 1973 classic scared up $26.4 million compared to my $31.9 million prediction. That’s not terrible, but Universal reportedly ponied up $400 million for the rights to the series with two sequels planned. A mid 20s beginning (coupled with that unimpressive Cinemascore grade) could spell trouble ahead.

PAW Patrol: The Mighty Movie was second with $11.3 million, a bit under my $12.8 million forecast. The animated sequel has grossed a sturdy $38 million in ten days of release.

Saw X had an understandable 57% decline for third with $7.8 million (I was close with $8.3 million). Jigsaw and company’s tenth go-round has $32 million in the bank thus far.

The Creator was fourth with $6.2 million (I said $5.9 million) for a disappointing $25 million in its first two weeks.

I incorrectly didn’t project numbers for The Blind and A Haunting in Venice. They were 5th and 6th respectively with $3.2 million and $2.6 million. The Blind has made $10 million in two weeks while Venice is at $35 million after four frames.

The error was placing The Nun II in fifth. It was seventh with $2.6 million. My prediction? $2.6 million! This horror sequel has achieved $81 million.

And that does it for now, folks! Until next time…

Taylor Swift: The Eras Tour Box Office Prediction

Taylor Swift has proven over and again that she’s money in the bank when it comes to album and tour sales, merchandise, and even viewership for NFL games. The singer is about to enter her box office queen era when Taylor Swift: The Eras Tour hits theaters on October 13th. The concert film struck a distribution deal with AMC and Cinemark and the Friday the 13th (Taylor’s lucky number) drop date caused studios to shift their release patterns. For example, The Exorcist: Believer moved up a week to avoid direct confrontation.

Presales are already robust. It earned $37 million on the first day of tickets being available online. That means that in one day, it surpassed the best opening weekend for a concert pic ever. The record was held by Hannah Montana and Miley Cyrus: The Beth of Both Worlds Concert at $31 million, followed by Justin Bieber: Never Say Never with $29 million, and then This Is It with Michael Jackson at $23 million.

It goes without saying that the Swifties will cause this to shatter every previous best of mark for the concert genre. Just how high is the only real question. Swift’s previous filmography is littered with financial disappointments like Cats and Amsterdam. However, she wasn’t the focal point of either and her star has continued to rise.

The price of admission will be elevated at nearly $20 a pop for adults and that will push the earnings up. Some initial projections have this in the $100-120 million range out of the gate. I’ll admit that it’s a little murky as to how much this could bring in. This may not come as a shocker, but my gut says overestimating is smarter than underestimating when it comes to this show’s central figure. I’ll go above the forecast and give it the third best domestic frame of 2023 behind Barbie and The Super Mario Bros. Movie.

Taylor Swift: The Eras Tour opening weekend prediction: $139.6 million

October 6-8 Box Office Predictions

Universal Pictures hopes to scare up big business in the first full weekend of October with The Exorcist: Believer. It’s the only new release coming out after a handful of pics were out this past frame. You can peruse my detailed prediction post on it here:

The Exorcist: Believer Box Office Prediction

David Gordon Green’s direct sequel to the 1973 horror classic (with Ellen Burstyn returning to her Oscar nominated role) looks to be a financial success like the filmmaker’s recent Halloween trilogy. I’m thinking it might accomplish that goal and my forecast is at the higher end of its anticipated range at over $30 million.

All holdovers seem destined to slide a spot. PAW Patrol: The Mighty Movie had a better than anticipated start (more on that below) and the sophomore dip should be the smallest of last weekend’s newcomers. Falls for Saw X and The Creator should be heftier with The Nun II rounding out the top five in its fifth outing.

Here’s how I see it playing out:

1. The Exorcist: Believer

Predicted Gross: $31.9 million

2. PAW Patrol: The Mighty Movie

Predicted Gross: $12.8 million

3. Saw X

Predicted Gross: $8.3 million

4. The Creator

Predicted Gross: $5.9 million

5. The Nun II

Predicted Gross: $2.6 million

Box Office Results (September 29-October 1)

PAW Patrol: The Mighty Movie eclipsed the earnings of its 2021 predecessor (which opened during the COVID challenges) and was easily the top dog of the weekend with $22.7 million. That’s ahead of my $16.3 million call as the animated sequel based on the Nickelodeon series brought in family audiences.

Saw X, which surprisingly received the best reviews of the nearly 20-year-old franchise, was second and slightly beat projections with $18.3 million. I went lower with $15.7 million. That’s an improvement over previous entries Jigsaw (2017) and Spiral (2021) while a far cry from the $30M+ that earlier editions managed.

I was off base in saying sci-fi thriller The Creator from Gareth Edwards would capture the #1 position. With a third place premiere at $14 million, it fell short of my $17.9 million take. Look for it to fade quickly as its overseas grosses were also underwhelming.

The Nun II, after three weeks in 1st, was fourth with $4.7 million. My prediction? $4.7 million! The four-week tally is a sturdy $76 million.

I failed to see that The Blind might be in the top 5. Recounting the early days of Duck Dynasty star Phil Robertson, the Fathom Events feature did manage the 5 spot with $4.3 million and $5.1 million since its Thursday bow.

The final wide release was Dumb Money as it expanded nationwide and disappeared in seventh with $3.3 million (I said $5.5 million). The overall three-week gross is a weak $7 million.

And that’s all for now, folks! Until next time…

The Exorcist: Believer Box Office Prediction

The Exorcist: Believer looks to scare up big box office numbers when it debuts October 6th. It serves as a direct sequel to William Friedkin’s classic from 50 years ago (ignoring the four sequels/reboots) with Ellen Burstyn reprising her role from the original. Costars include Leslie Odom, Jr., Ann Dowd, Jennifer Nettles, Norbert Leo Butz, Lidya Jewett, and Olivia Marcum. David Gordon Green, who relaunched the Halloween franchise to impressive grosses, takes on this series and there’s a sequel already planned.

Believer was originally slated for an October Friday the 13th start before Taylor Swift took over that weekend with her Eras Tour experience. With a one-week head start, this should manage to capitalize on franchise familiarity. I believe enough horror fans will turn out to give this a debut on the higher end of its expected range. That might mean a gross in the low 30s vicinity.

The Exorcist: Believer opening weekend prediction: $31.9 million