What does an astronomical $320 million budget get you in Hollywood these days? Apparently a mid-March Netflix release and a heap of critical derision. Meet The Electric State, a comedic sci-fi adventure hitting the streamer March 14th from Anthony and Joe Russo of Avengers: Infinity War and Endgame fame. The human cast for the ultra expensive flick includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Woody Norman, Giancarlo Esposito, and Jason Alexander. An equally impressive voice cast includes Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Alan Tudyk, Hank Azaria, Colman Domingo, and Rob Gronkowski.
It is worth noting that the Russo’s follow-ups to the Avengers juggernauts are the unimpressively reviewed Cherry and The Gray Man. Yet this appears to be receiving the worst of it with 23% on Rotten Tomatoes and 30 on Metacritic. The term “wasted potential” pops up more than once. Only the visual effects would be a possibility for awards attention and the Electric buzz might sink that. This has much more viability at the Razzies than with the Academy. My Oscar Prediction posts will continue…
Before you laugh at me for putting “Oscar Predictions” in front of Borderlands (out tomorrow), the sci-fi action spectacle based on a popular video game series has plenty of special effects. Therefore Eli Roth’s rendering of the source material could theoretically play in Visual Effects.
It won’t. The cast includes two-time Academy Award recipient Cate Blanchett, Kevin Hart, Jack Black, Édgar Ramirez, Ariana Greenblatt, Florian Munteanu, and recent Supporting Actress winner Jamie Lee Curtis. However, this is shaping up to be one of the biggest box office bombs of 2024. With a budget reportedly in the $120 million vicinity, I don’t even have it reaching $10 million during opening weekend.
Then there’s the reviews. Oof. The embargo was lifted hours before its release and now we know why. The Rotten Tomatoes score is 3% with a grand total of one positive(ish) write-up (here’s looking at you Grace Randolph)!
You can safely assume Borderlands won’t resonate with the Academy’s voters. On the other hand, it is the likely frontrunner for the Razzie Awards early next year. My Oscar Prediction posts will continue…
It has been a quarter century since The Sixth Sense was a box office phenomenon that turned writer/director M. Night Shyamalan into a household name. The Academy took notice and rewarded the suspense thriller with six nominations including Picture, Director, and Original Screenplay. It lost each of those races to American Beauty.
Since then, the sole Oscar nod for an M. Night joint is 2004’s The Village in Original Score (it fell short to Finding Neverland). In fact, his filmography has garnered more Razzie attention in the last two decades with Lady in the Water, The Happening, The Last Airbender, and After Earth.
Trap is the filmmaker’s latest with Josh Hartnett as a serial killer boxed in at a concert with his daughter (Ariel Donoghue). Costars include Saleka Shyamalan, Hayley Mills, and Alison Pill.
Like his most recent tales Old and Knock at the Cabin, critical reaction isn’t near strong enough for awards buzz. The RT rating for Trap is just 49%. On the flip side, the buzz probably isn’t poor enough for the Razzies to notice. Some reviews are going out of their way to applaud Josh Hartnett (similar to how they lauded James McAvoy’s work in Shyamalan’s Split). Don’t expect Academy voters to put him in the convo for Actor. My Oscar Prediction posts will continue…
Greg Kwedar’s Sing Sing is already out in limited release and the A24 title is doing pretty impressive business in its four venues before a planned August expansion. Is it doing well enough to warrant a #1 spot in the BP rankings where I’ve had it for weeks?
That is a legit question and one that I’m struggling with in this particular update. With heralded performances from Colman Domingo and Clarence Maclin, it certainly seems like the type of crowdpleaser that could take the top prize. This could be without Kwedar landing a directing nod as I’ve yet to have him in the top five. If that plays out, it would be a similar situation to 2021 and the CODA victory despite Sian Heder missing the directorial quintet.
The bottom line is this: the #1 position in BP for Sing Sing is tenuous. I’ve got it clinging to that number though I considered Steve McQueen’s Blitz, Denis Villeneuve’s Dune: Part Two, and Edward Berger’s Conclave (the first trailer for it dropped this week). Of course, we are only a month and change away from festival season kicking off with Venice, Telluride, and Toronto. Those events always assist in clearing up the picture.
There was speculation that Clint Eastwood’s Juror No. 2 may not make the 2024 calendar for Warner Bros. Even when I thought it was likely to release this fall, I didn’t have it pegged as a BP player. I did have Toni Collette listed as a potential Supporting Actress hopeful along with Nicholas Hoult in Actor and at the bottom of the listed 15 in Original Screenplay. I am dropping Juror for now and would certainly adjust if it does materialize on the schedule.
Speaking of Supporting Actress, we got our first glimpse of The Deliverance from Lee Daniels this week. The supernatural horror flick (out on Netflix in late August) is not your typical awards fare. However, I am listing Glenn Close as a possibility. It is Glenn Close after all and she managed an Oscar nod recently for the critically panned Hillbilly Elegy (where she also was up for a Razzie).
In other news, my constant speculation on category placement continues. Saoirse Ronan is now back to being a double nominee in my view for lead Actress with The Outrun and Supporting Actress for Blitz (I can’t wait until this is cleared up). Ronan’s inclusion back in the supporting derby displaces Conclave‘s Isabella Rossellini. Another unclear item is the screenplay placement for Emilia Pérez. It could be considered Adapted and that’s where I had it a few days ago, but now I’m putting it in Original Screenplay (and just barely missing a nom).
We have two significant alterations in Best Actor. While the top 3 remain the same, I am now elevating Sebastian Stan’s performance in A Different Man over Sebastian Stan’s work in The Apprentice. John David Washington (The Piano Lesson) also enters the high five for the first time. André Holland (The Actor) drops out of the quintet.
In Supporting Actor, Adam Pearson in A Different Man enters the five over Denzel Washington in Gladiator II.
You can read all the movement below for these feature length categories!
Best Picture
Predicted Nominees:
1. Sing Sing (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Conclave (PR: 4) (E)
5. Emilia Pérez (PR: 6) (+1)
6. Anora (PR: 5) (-1)
7. The Piano Lesson (PR: 8) (+1)
8. Queer (PR: 7) (-1)
9. Nickel Boys (PR: 9) (E)
10. The Seed of the Sacred Fig (PR: 10) (E)
Other Possibilities:
11. Gladiator II (PR: 12) (+1)
12. Nightbitch (PR: 11) (-1)
13. Joker: Folie à Deux (PR: 13) (E)
14. Nosferatu (PR: 20) (+6)
15. A Real Pain (PR: 19) (+4)
16. The Apprentice (PR: 14) (-2)
17. The Room Next Door (PR: 17) (E)
18. Maria (PR: 16) (-2)
19. The End (PR: 15) (-4)
20. The Fire Inside (PR: 22) (+2)
21. ADifferent Man (PR: Not Ranked)
22. Hard Truths (PR: 21) (-1)
23. Dídi (PR: 25) (+2)
24. Wicked (PR: Not Ranked)
25. His Three Daughters (PR: 23) (-2)
Dropped Out:
All We Imagine as Light
Here
Best Director
Predicted Nominees:
1. Denis Villeneuve, Dune: Part Two (PR: 2) (+1)
2. Steve McQueen, Blitz (PR: 1) (-2)
3. Edward Berger, Conclave (PR: 3) (E)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 7) (+2)
Other Possibilities:
6. Sean Baker, Anora (PR: 5) (-1)
7. Greg Kwedar, Sing Sing (PR: 6) (-1)
8. Luca Guadagnino, Queer (PR: 8) (E)
9. Ridley Scott, Gladiator II (PR: 10) (+1)
10. Marielle Heller, Nightbitch (PR: 9) (-1)
11. Robert Eggers, Nosferatu (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 11) (-1)
13. RaMell Ross, Nickel Boys (PR: 12) (-1)
14. Todd Phillips, Joker: Folie à Deux (PR: 14) (E)
15. Payal Kapadia, All We Imagine as Light (PR: 13) (-2)
Dropped Out:
Joshua Oppenheimer, The End
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Saoirse Ronan, The Outrun (PR: 6) (+2)
5. Karla Sofia Gascón, Emilia Pérez (PR: 4) (-1)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 7) (+1)
7. Marianne Jean-Baptiste, Hard Truths (PR: 8) (+1)
8. Tilda Swinton, The Room Next Door (PR: 9) (+1)
9. Carrie Coon, His Three Daughters (PR: 10) (+1)
10. June Squibb, Thelma (PR: 11) (+1)
11. Ryan Destiny, The Fire Inside (PR: 12) (+1)
12. Demi Moore, The Substance (PR: Not Ranked)
13. Pamela Anderson, The Last Showgirl (PR: Not Ranked)
14. Florence Pugh, We Live in Time (PR: 14) (E)
15. Cynthia Erivo, Wicked (PR: Not Ranked)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting Actress)
Zendaya, Challengers
Jessica Lange, Long Day’s Journey Into Night
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. John David Washington, The Piano Lesson (PR: 7) (+3)
5. Sebastian Stan, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. André Holland, The Actor (PR: 4) (-3)
8. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. Jesse Plemons, Kinds of Kindness (PR: 12) (+2)
11. Paul Bettany, The Collaboration (PR: 8) (-3)
12. Paul Mescal, Gladiator II (PR: 11) (-1)
13. Ethan Herisse, Nickel Boys (PR: 13) (E)
14. Jesse Eisenberg, A Real Pain (PR: Not Ranked)
15. Andrew Garfield, We Live in Time (PR: 14) (-1)
Dropped Out:
Nicholas Hoult, Juror No. 2
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Danielle Deadwyler, The Piano Lesson (PR: 3) (+1)
3. Zoe Saldaña, Emilia Pérez (PR: 2) (-1)
4. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from Actress
5. Natasha Lyonne, His Three Daughters (PR: 4) (-1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 5) (-1)
7. Julianne Moore, The Room Next Door (PR: 7) (E)
8. Selena Gomez, Emilia Pérez (PR: 10) (+2)
9. Joan Chen, Dídi (PR: 6) (-3)
10. Lesley Manville, Queer (PR: 12) (+2)
11. Elizabeth Olsen, His Three Daughters (PR: 9) (-2)
12. Kathy Burke, Blitz (PR: 8) (-4)
13. Glenn Close, The Deliverance (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Erin Kellyman, Blitz (PR: 11) (-4)
Dropped Out:
Toni Collette, Juror No. 2
Emily Watson, Small Things like These
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Stanley Tucci, Conclave (PR: 4) (+1)
4. Kieran Culkin, A Real Pain (PR: 3) (-1)
5. Adam Pearson, A Different Man (PR: 9) (+4)
Other Possibilities:
6. Denzel Washington, Gladiator II (PR: 5) (-1)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Harris Dickinson, Blitz (PR: 6) (-1)
9. Drew Starkey, Queer (PR: 8) (-1)
10. John Lithgow, Conclave (PR: 10) (E)
11. Brian Tyree Henry, The Fire Inside (PR: 11) (E)
12. Stephen Graham, Blitz (PR: 14) (+2)
13. Mark Eidelstein, Anora (PR: 13) (E)
14. Elliot Heffernan, Blitz (PR: 12) (-2)
15. Scoot McNairy, Nightbitch (PR: 15) (E)
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. A Real Pain (PR: 3) (E)
4. The Seed of the Sacred Fig (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Emilia Pérez (PR: Not Ranked) – moved from Adapted
7. The Room Next Door (PR: 6) (-1)
8. His Three Daughters (PR: 7) (-1)
9. Dídi (PR: 9) (E)
10. Kinds of Kindness (PR: 10) (E)
11. The End (PR: 8) (-3)
12. All We Imagine as Light (PR: 13) (+1)
13. The Apprentice (PR: 11) (-2)
14. A Different Man (PR: Not Ranked)
15. Challengers (PR: 12) (-3)
Dropped Out:
I Saw the TV Glow
Juror No. 2
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 1) (E)
2. Conclave (PR: 2) (E)
3. Queer (PR: 5) (+2)
4. Nickel Boys (PR: 3) (-1)
5. Nightbitch (PR: 8) (+3)
Other Possibilities:
6. The Piano Lesson (PR: 4) (-2)
7. Dune: Part Two (PR: 7) (E)
8. Hit Man (PR: 9) (+1)
9. Gladiator II (PR: 12) (+3)
10. Inside Out 2 (PR: 10) (E)
11. The Collaboration (PR: 14) (+3)
12. Joker: Folie à Deux (PR: 11) (-1)
13. The Fire Inside (PR: 13) (E)
14. Nosferatu (PR: Not Ranked)
15. Here (PR: 15) (E)
Dropped Out:
Emilia Pérez – moved to Original
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. The Count of Monte Cristo (PR: 3) (E)
4. All We Imagine as Light (PR: Not Ranked)
5. Grand Tour (PR: 5) (E)
Other Possibilities:
6. Uprising (PR: 4) (-2)
7. Evil Does Not Exist (PR: 7) (E)
8. Kneecap (PR: 9) (+1)
9. Emmanuelle (PR: 8) (-1)
10. Simon of the Mountain (PR: 6) (-4)
Dropped Out:
The Girl with the Needle
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 4) (+1)
4. Memoir of a Snail (PR: 5) (+1)
5. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-2)
Other Possibilities:
6. Moana 2 (PR: 6) (E)
7. Savages (PR: 7) (E)
8. Orion and the Dark (PR: 10) (+2)
9. The Most Precious of Cargoes (PR: 8) (-1)
10. The Lord of the Rings: The War of the Rohirrim (PR: 9) (-1)
Best Documentary Feature
Predicted Nominees:
1. Black Box Diaries (PR: 1) (E)
2. Daughters (PR: 2) (E)
3. Sugarcane (PR: 3) (E)
4. Soundtrack to a Coup D’Etat (PR: 7) (+3)
5. Will & Harper (PR: 5) (E)
Other Possibilities:
6. Super/Man: A Christopher Reeve Story (PR: 6) (E)
7. No Other Land (PR: 4) (-3)
8. Gaucho Gaucho (PR: 8) (E)
9. Union (PR: 9) (E)
10. Frida (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Nosferatu (PR: 3) (E)
4. Conclave (PR: 7) (+3)
5. Anora (PR: 4) (-1)
Other Possibilities:
6. Gladiator II (PR: 5) (-1)
7. Emilia Pérez (PR: 6) (-1)
8. Joker: Folie à Deux (PR: 8) (E)
9. Queer (PR: 9) (E)
10. Maria (PR: 10) (E)
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 2) (+1)
2. Wicked (PR: 1) (-1)
3. Gladiator II (PR: 3) (E)
4. Nosferatu (PR: 4) (E)
5. Maria (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: Not Ranked)
7. Blitz (PR: 5) (-2)
8. Furiosa: A Mad Max Story (PR: 6) (-2)
9. Beetlejuice Beetlejuice (PR: 10) (+1)
10. Megalopolis (PR: 8) (-2)
Dropped Out:
Conclave
Best Film Editing
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Sing Sing (PR: 3) (E)
4. Anora (PR: 4) (E)
5. Conclave (PR: 6) (+1)
Other Possibilities:
6. Emilia Pérez (PR: 5) (-1)
7. Gladiator II (PR: 8) (+1)
8. Challengers (PR: 9) (+1)
9. Furiosa: A Mad Max Story (PR: 7) (-2)
10. Joker: Folie à Deux (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. Furiosa: A Mad Max Saga (PR: 4) (+1)
4. A Different Man (PR: 3) (-1)
5. Wicked (PR: Not Ranked)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Beetlejuice Beetlejuice (PR: 6) (-1)
8. Maria (PR: 5) (-3)
9. Sasquatch Sunset (PR: 8) (-1)
10. Gladiator II (PR: Not Ranked)
Dropped Out:
Longlegs
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Emilia Pérez (PR: 5) (+3)
3. Gladiator II (PR: 7) (+4)
4. Sing Sing (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 2) (-3)
Other Possibilities:
6. Conclave (PR: Not Ranked)
7. Queer (PR: 4) (-3)
8. Challengers (PR: 10) (+2)
9. Blitz (PR: 6) (-3)
10. Here (PR: Not Ranked)
Dropped Out:
Nickel Boys
Nosferatu
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Sing Sing (PR: 2) (E)
3. TBD from Joker: Folie à Deux (PR: 6) (+3)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: Not Ranked)
Other Possibilities:
6. “Harper and Will Go West” from Will & Harper (PR: 7) (+1)
7. TBD from Mufasa: The Lion King (PR: 3) (-4)
8. TBD from Moana 2 (PR: 5) (-3)
9. “Ain’t No Love in Oklahoma” from Twisters (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 8) (-2)
Dropped Out:
“Claw Machine” from I Saw the TV Glow
“Release” from Trap
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Gladiator II (PR: 3) (+1)
3. Blitz (PR: 2) (-1)
4. Nosferatu (PR: 4) (E)
5. Wicked (PR: 5) (E)
Other Possibilities:
6. Furiosa: A Mad Max Saga (PR: 6) (E)
7. Joker: Folie à Deux (PR: 7) (E)
8. Conclave (PR: 8) (E)
9. Maria (PR: Not Ranked)
10. Beetlejuice Beetlejuice (PR: 9) (-1)
Dropped Out:
Queer
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 4) (+2)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Emilia Pérez (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 6) (E)
7. Wicked (PR: 7) (E)
8. Joker: Folie à Deux (PR: Not Ranked)
9. Sing Sing (PR: Not Ranked)
10. Civil War (PR: 9) (-1)
Dropped Out:
A Quiet Place: Day One
Nosferatu
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. Furiosa: A Mad Max Saga (PR: 6) (+2)
5. Here (PR: 5) (E)
Other Possibilities:
6. Twisters (PR: 8) (+2)
7. Mufasa: The Lion King (PR: 4) (-3)
8. Blitz (PR: 7) (-1)
9. Deadpool & Wolverine (PR: Not Ranked)
10. Godzilla x Kong: The New Empire (PR: 10) (E)
Dropped Out:
Nosferatu
And that adds up to these movies generating these numbers in terms of nods:
10 Nominations
Dune: Part Two
8 Nominations
Blitz, Emilia Pérez
7 Nominations
Conclave, Sing Sing
5 Nominations
Anora, Gladiator II
4 Nominations
Nosferatu, The Piano Lesson, Wicked
3 Nominations
A Different Man, Furiosa: A Mad Max Story, Nickel Boys, Queer, The Seed of the Sacred Fig
2 Nominations
Joker: Folie à Deux, Maria, Nightbitch, A Real Pain
1 Nomination
All We Imagine as Light, Black Box Diaries, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Grand Tour, Hard Truths, Here, His Three Daughters, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Memoir of a Snail, The Outrun, Soundtrack to a Coup D’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
Ana de Armas is Marilyn Monroe in Andrew Dominik’s Blonde and she’s the second Best Actress hopeful in my Case Of Posts.
The Case for Ana de Armas:
Despite the film itself garnering mixed reactions (more on that below), de Armas was widely praised. This resulted in nods at the Globes, SAG, and BAFTAs.
The Case Against Ana de Armas:
I’m talking really mixed reactions for the film. Blonde received the most Razzie nominations (8) of any 2022 title. Some critics and viewers outright despised the Netflix effort as evidenced by the 42% Rotten Tomatoes score and even lower 32% audience rating. She has yet to win anywhere.
Previous Nominations:
None
The Verdict:
The fact that so many had their knives out for Blonde makes her a non-factor in this competition (unless we see a shocking SAG or BAFTA victory). We should see the Academy’s ladies and gentlemen prefer Cate Blanchett (Tár) or Michelle Yeoh (Everything Everywhere All at Once).
My Case Of posts will continue with Colin Farrell in The Banshees of Inisherin!
If you missed my other write-ups for the Actress nominees, you can find them here:
Jared Leto has an Oscar for his supporting work in 2013’s Dallas Buyers Club. That film won another trophy for Makeup and Hairstyling. Three years later, Leto’s turn as The Joker in Suicide Squad contributed to a victory in that same category. Last weekend, House of Gucci (featuring a much ballyhooed turn from Leto) lost the Makeup derby to The Eyes of Tammy Faye. Why am I bringing this up?
Well, it’s an excuse for Morbius and Oscar to appear as words together in a post. The Sony/Marvel production (which casts Leto as the vampire antihero) is finally making its way to theaters on Friday after numerous COVID delays. There’s been rumors that it’s not of the highest quality and the lapsed review embargo seems to prove that. The Rotten Tomatoes meter is a mere 19% at time of publication.
That said, some of this genre fare can still materialize in Visual Effects or Makeup and Hairstyling (like Suicide Squad). I would say Morbius has a better chance at multiple Razzie nominations than any from the Academy. My Oscar Prediction posts will continue…
In 1999, M. Night Shyamalan’s breakout smash The Sixth Sense received six Oscar nominations, including Picture, Director, the supporting work of Haley Joel Osment and Toni Collette, and the screenplay that infamously shocked the moviegoing masses. It ended up winning none of them and since then, Shyamalan’s filmography has resulted in just one other nomination for his next 10 features (Original Score for The Village).
Conversely, we have seen 23 nods and some victories for the auteur’s work at the Razzies (which annually celebrates the worst in film). This includes four nominations each for Lady in the Water and The Happening, 8 for The Last Airbender, six with After Earth, and one for Glass.
This brings us to Old, his latest pic opening tomorrow. The review embargo lifted today and it currently sports a somewhat decent 61% Rotten Tomatoes score. That said, many critics say it encompasses the best of Shyamalan and the worst (get ready for some clunky dialogue).
No, Old will not contend for Best Picture at the Oscars (but it may not get Razzie love either). However, just a look at the trailers and TV spots indicates it could play in one race. The plot involves its cast of characters rapidly aging on a scenic beach and that involves makeup.
The Makeup and Hairstyling category is one where critical kudos doesn’t mean much. I give you previous pics such as Click, Norbit, The Lone Ranger, Jackass Presents: Bad Grandpa, and Maleficent: Mistress of Evil as evidence.
There will be more likely nominees in the mix such as Cruella and House of Gucci and Jessica Chastain’s forthcoming transformation as the title character in The Eyes of Tammy Faye. Yet perhaps Old could have a shot here and my sixth sense says that’s at least feasible. On the flip side, perhaps when nominations come out – we will discover Old‘s viability had been dead the entire time. My Oscar Watch posts will continue…
Glenn Close in Hillbilly Elegy is next up in my Case Of posts for Supporting Actress contenders. If you missed my first entry covering Maria Bakalova in Borat Subsequent Moviefilm, it is right here:
Three Supporting Actress nominations for The World According to Garp, The Big Chill, and The Natural. Four Actress nods for Fatal Attraction, Dangerous Liaisons, Albert Nobbs, and The Wife. And no victories thus far. With her 8th nomination for the Netflix drama, Glenn Close has tied Peter O’Toole for the most Academy mentions with zero podium trips. So there’s clearly an overdue factor for one of the most celebrated actresses. Her career includes three each of the following: Golden Globes, Tonys, and Emmys. There is no clear favorite to emerge here as previous precursor recipients have included Maria Bakalova at the Critics Choice Awards, Yuh-jung Youn (Minari) at SAG, and Jodie Foster (The Mauritanian) at the Globes (she missed Academy inclusion). In other words, anything could happen.
The Case Against Glenn Close
On paper, Close was looked at as a frontrunner all year. However, poor reviews for the picture itself stunted that momentum. In fact, she received a Razzie nod (honoring the worst in 2020) here and is only the third performer ever with that dubious distinction. For trivia completists, the other two are James Coco for Supporting Actor in 1981’s Only When I Laugh and Amy Irving in Supporting Actress for 1983’s Yentl. And while I mentioned the open nature of this particular contest, Close has yet to attain a precursor.
The Verdict
The 8th time is probably not the charm for Close unless the Academy really leans into the overdue sentiment.
My Case Of posts will continue with Daniel Kaluuya in Judas and the Black Messiah…
Originally scheduled for a theatrical release prior to the COVID-19 pandemic, Josh Trank’s Capone hits the VOD circuit tomorrow and reviews are out. The biopic casts Tom Hardy as notorious Chicago gangster Al Capone during the last illness ravaged years of his life. The supporting cast includes Linda Cardellini, Jack Lowden, Kyle MacLachlan, and Matt Dillon.
While it currently sports a 50% Rotten Tomatoes rating, the number does not quite tell the tale. Some critics are simply savaging it while others are far more kind. It’s probably safe to say that Capone will spur much chatter on both sides. The director became known to many moviegoers based on 2012’s well-received sci-fi tale Chronicle before his 2015 Fantastic Four reboot that was a commercial and critical flop.
Much of the review space has centered on Hardy’s work. Similar to his performance in Venom, some writers are calling it an inspired and somewhat bonkers portrayal. Others say it is just plain bonkers. A Supporting Actor nominee for 2015’s The Revenant, don’t expect a second nod here.
In fact, the level of vitriol from some makes you wonder if Capone could be a contender for some Razzie nods at the end of 2020. As for Oscar contention, the enthusiasm is steered in a different direction. My Oscar Watch posts will continue…
When it was released nearly 40 years ago in theaters, Stanley Kubrick’s The Shining was not considered the landmark horror classic that it is today. In fact, the film received zero Oscar nominations. It did score two Razzie nods. That ceremony celebrates the worst in moviemaking each year. Both Kubrick and Shelley Duvall as the terrified wife of Jack Nicholson’s Jack Torrance were singled out for their (apparently) subpar work.
That seems hard to fathom these days with its standing as one of the genre’s best. This weekend comes Doctor Sleep, the sequel to both Stephen King’s 1977 novel and Kubrick’s picture. Reviews are mostly solid, but not across the board and the Rotten Tomatoes score is at 78%.
Truth be told, Sleep was never expected to be an awards player and reaction so far hasn’t done anything to alter that. There is one potential, if unlikely, exception. Critical buzz has heaped praise on the supporting work of Rebecca Ferguson, who’s said to steal the show as a cult leader with psychic powers.
A performance being recognized in the horror space is quite rare. Just last year, there were numerous calls for Toni Collette to get Best Actress attention in Hereditary. It never happened. Ferguson absolutely needs critics groups to bestow her with wins in order to get anywhere on Academy voters radar. If that occurs, she may have a small shot. If so, she would be the sixth performer Oscar nominated from a King adaptation: Sissy Spacek and Piper Laurie in Carrie, Kathy Bates (who won for Misery), Morgan Freeman for The Shawshank Redemption, and Michael Clarke Duncan in The Green Mile.
Bottom line: Ferguson needs a whole lot of outside help to be a factor in the Supporting Actress derby and I wouldn’t count on it. My Oscar Watch posts will continue…
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