Dreamworks returns to the September animation game next weekend with Abominable. The kiddie adventure comes from director Jill Culton and features the voices of Chloe Bennet, Albert Tsai, Sarah Paulson, and Eddie Izzard. It premiered days ago at the Toronto Film Festival to mostly solid reviews and sports a current Rotten Tomatoes score of 89%.
As mentioned, September (especially the later part of the month) has been fertile ground for animated features. While the HotelTransylvania and CloudywithaChanceofMeatballs franchises have seen debuts above $30 and $40 million, there’s also been several with starts in the $20-$25 million range. This includes OpenSeason (which Culton also made), Storks, TheLegoNinjagoMovie, and last year’s Smallfoot.
That’s precisely where I see Abominable landing and probably on the lower end of that scale.
Abominable opening weekend prediction: $20.7 million
The Warner Animation Group sets the Legos aside momentarily when Smallfoot debuts next weekend. The 3D computer animated comedic musical (a twist on the Bigfoot story) comes from director Karey Kirkpatrick. He made the well-received Over the Hedge over a decade ago and the not so well-received live-action Eddie Murphy pic Imagine That in 2009. Channing Tatum, James Corden, LeBron James, Zendaya, Common, Danny DeVito, and Gina Rodriguez are among the voices heard here.
As mentioned, the current animation department at Warner Bros has mostly been giving us Lego titles as of late. One exception was 2016’s Storks. It also opened in September and made $21.3 million for its start. That is likely a far better comparison that anything involving those famous blocks.
A low 20s to mid gross should put this in second place next weekend behind the Kevin Hart/Tiffany Haddish comedy Night School.
The October box office rolls along as three new titles debut: Ben Affleck’s CIA thriller The Accountant, stand-up concert pic Kevin Hart: What Now?, and Mattel toy adaptation Max Steel. You can peruse my detailed prediction posts on each here:
As I see it, my estimated high teens for Accountant should be enough of a number to make it #1. For #2, I’m looking at an extremely tight race between Mr. Hart and Ms. Emily Blunt for The Girl on the Train’s sophomore frame.
Due to a very low prognosis for Max Steel at $3.8 million, Miss Peregrine’s Home for Peculiar Children and Deepwater Horizon should round out the top five.
When it comes to where the readers are at with my newcomer estimates:
The Accountant – 48% Too Low, 43% Just About Right, 9% Too High
Kevin Hart: What Now? – 45% Just About Right, 33% Too High, 22% Too Low
Max Steel – 46% Too Low, 36% Too High, 18% Just About Right
And with that – my take on that top 5 for the weekend ahead:
1. The Accountant
Predicted Gross: $17.6 million
2. Kevin Hart: What Now?
Predicted Gross: $13.5 million
3. The Girl on the Train
Predicted Gross: $13.4 million (representing a drop of 45%)
4. Miss Peregrine’s Home for Peculiar Children
Predicted Gross: $8.2 million (representing a drop of 46%)
5. Deepwater Horizon
Predicted Gross: $6.8 million (representing a drop of 41%)
BOX OFFICE RESULTS (OCTOBER 7-9)
As expected, The Girl on the Train topped the charts, rolling in with $24.5 million. This is a pretty decent debut that did come in below my $28.2M forecast. However, its middling B Cinemascore grade indicates plenty of audience members weren’t wild about it.
Last weekend’s champ Miss Peregrine’s Home for Peculiar Children dropped to second with $15.1 million, a bit ahead of my $14.3M projection. The 10 day total stands at $51 million.
In its sophomore frame, Deepwater Horizon was third with $11.5 million – in line with my $11.9M estimate for a $38 million total.
The Magnificent Seven was fourth with $9 million (higher than my too clever $7.7M prediction) and has earned $75 million.
Storks rounded out the high five at $8.2 million (I said $9.3M) and it’s earned an underwhelming $49 million.
Lackluster newbies were sixth and seventh. Once considered a strong Oscar contender, the fading The Birth of a Nation disappointed with $7 million. I went higher with $10.5M.
Teen comedy Middle School: The Worst Years of My Life was right under with only $6.8 million (I said $7.8M).
And that’ll do it for now, folks! Until next time…
The first full weekend of the October box office brings us a trio of newcomers: big-screen adaptation of last year’s bestselling thriller The Girl on the Train, Nate Parker’s slavery drama The Birth of a Nation, and teen comedy Middle School: The Worst Years of My Life. You can peruse my detailed prediction posts on each of them here:
While my prediction for Train doesn’t get it near Gone Girl (the blockbuster pic released two years ago on the same weekend that it’s compared to the most), it shouldn’t have much trouble locking down the #1 position.
Birth has received plenty of publicity – first for its rave screenings at festivals and then regarding past legal issues for its director, writer, and star. I have this reaching just over double digits. As for Middle School, it could be stuck in a battle for the five spot with the third weekends of Magnificent Seven and Storks. That said, I’ll predict Storks has a small drop-off and leaps over both of them.
As for other holdovers, I expect current champ Miss Peregrine’s Home for Peculiar Children to dip a bit further in its sophomore frame than Deepwater Horizon. Both should move down a spot to second and third.
Here’s how the blog’s readers feel about my estimates for the newbies:
The Girl on the Train – 48% Just About Right, 37% Too Low, 15% Too High
The Birth of a Nation – 42% Too Low, 35% Just About Right, 23% Too High
Middle School – 58% Too Low, 25% Too High, 17% Just About Right
And with that, a top 7 predictions for the weekend ahead:
1. The Girl on the Train
Predicted Gross: $28.2 million
2. Miss Peregrine’s Home for Peculiar Children
Predicted Gross: $14.3 million (representing a drop of 50%)
3. Deepwater Horizon
Predicted Gross: $11.9 million (representing a drop of 41%)
4. The Birth of a Nation
Predicted Gross: $10.5 million
5. Storks
Predicted Gross: $9.3 million (representing a drop of 30%)
6. Middle School: The Worst Years of My Life
Predicted Gross: $7.8 million
7. The Magnificent Seven
Predicted Gross: $7.7 million (how about that?? – representing a drop of 51%)
Box Office Results (September 30-October 2)
Tim Burton nabbed his seventh #1 opener of his filmography as Miss Peregrine’s Home for Peculiar Children took in $28.8 million, schooling my $19.6M forecast. This is a pretty decent debut, though it’s unlikely to join the $100M club as six of the director’s other features have.
Deepwater Horizon premiered in second and I incorrectly had it making more than Peregrine and those strange kiddos. The big-budget disaster pic starring Mark Wahlberg had a muted start (especially considering its price tag) at $20.2 million, below my $24.7M estimate. Its best hope is for meager declines in coming weekends.
The Magnificent Seven was third, dipping a bit farther than anticipated in weekend 2 with $15.6 million. I predicted $18.2M. The Denzel Washington/Chris Pratt Western has made $61 million thus far.
Storks was fourth in its sophomore frame with $13.4 million (I was right there with a $13.2M estimate). The animated pic has grossed $38 million in ten days.
Sully was fifth with $8.2 million (I said $9.1M) as it entered nine digit territory with $105 million to date.
Lackluster newcomers filled the six and seven positions. The oft-delayed Masterminds earned $6.5 million, on the money with my $6.3M prediction. Disney’s Queen of Katwe failed to break through with audiences with just $2.4 million (less than half of my generous $5M projection).
And that’ll do it for now, folks! Until next time…
Four new titles roll out in wide release this weekend at the box office and they are: Mark Wahlberg’s true-life disaster pic Deepwater Horizon, Tim Burton’s YA fantasy Miss Peregrine’s Home for Peculiar Children, oft delayed Zach Galifianakis/Kristin Wiig comedy Masterminds, and Disney’s Ugandan chess prodigy tale Queen of Katwe. You can peruse my detailed prediction posts on each here:
As I see it, Deepwater Horizon should top Peregrine for the top spot. Both have the chance to debut higher than my predictions, but the trend over the last couple of weeks has been titles under performing and not over performing. If Magnificent Seven loses close to half its opening weekend audience, it should be third with Storks at the four spot (it should experience the smallest decline of holdovers).
My estimates for Masterminds and Queen of Katwe put them in the sixth and seventh positions with Sully holding on for another week in the top five.
Here’s how the blog readers feel about my projections for the newcomers:
Deepwater Horizon – 45% Too Low, 38% Just About Right, 17% Too High
Miss Peregrine’s Home for Peculiar Children – 69% Too Low, 16% Just About Right, 15% Too High
Masterminds – 54% Just About Right, 46% Too Low, 0% Too High
Queen of Katwe – 50% Just About Right, 38% Too Low, 12% Too High
And with that, a top 7 predictions for this weekend:
1. Deepwater Horizon
Predicted Gross: $24.7 million
2. Miss Peregrine’s Home for the Peculiar Children
Predicted Gross: $19.6 million
3. The Magnificent Seven
Predicted Gross: $18.2 million (representing a drop of 47%)
4. Storks
Predicted Gross: $13.2 million (representing a drop of 37%)
5. Sully
Predicted Gross: $9.1 million (representing a drop of 33%)
6. Masterminds
Predicted Gross: $6.3 million
7. Queen of Katwe
Predicted Gross: $5 million
Box Office Results (September 23-25)
As expected, TheMagnificentSeven remake with Denzel Washington and Chris Pratt easily topped the charts, though it did come in towards the bottom end of most expectations. The Western took in $34.7 million and I went considerably higher with $47.1M. Still, the opening is in line with Washington’s TheEqualizer from two years ago.
After the animated talking animal mega-hits that were Zootopia, Finding Dory, and The Secret Life of Pets – perhaps family audiences had their fill as Storks posted a debut on the lowest end of expectations. Despite positive reviews, the Warner Bros release made $21.3 million for second (below my $27.9M projection). Its best hope is for smallish declines in future weekends.
Sully dropped to third after two weeks on top with $13.5 million (under my $14.9M forecast) for a total of $92M.
Last weekend’s newcomers all posted lackluster debuts and they all experienced unimpressive second weekends as well. Bridget Jones’s Baby was fourth with $4.6 million (I said $5.1M) for a $16M total. Snowden was fifth with $4 million (I said $4.3M) for a $15M tally. Blair Witch dropped to sixth with $4 million as well (I predicted $3.4M) for a $16M overall gross.
This past weekend, all newcomers failed to connect with audiences, but the fourth weekend of September has two openings where their prospects look more solid. They are the Denzel Washington/Chris Pratt Western remake The Magnificent Seven and Warner Bros animated Storks. You can read my detailed prediction posts on each right here:
I have Seven slated for the second largest September debut of all time, just behind last year’s Hotel Transylvania 2. As for Storks, I’m predicting a solid second place start.
Sully should fall to third after two weeks on top. As for the aforementioned newbies from last weekend, Bridget Jones’s Baby seems likely to have the smallest decline in its sophomore frame over Blair Witch and Snowden. In fact, while Blair Witch had the highest opening of the fresh titles (which isn’t saying much), I have it primed for a massive drop due to its putrid D+ Cinemascore average.
As far as where the readers think I am with predictions on our two newcomers:
The Magnificent Seven: 36% Too High, 35% Just About Right, 29% Too Low – quite the even split!
Storks: 46% Too Low, 36% Just About Right, 18% Too High
In last weekend’s poll, 74% incorrectly (including I) guessed that Blair Witch would be #1 while 26% correctly said Sully.
And with that, let’s do a top six for this weekend:
1. The Magnificent Seven
Predicted Gross: $47.1 million
2. Storks
Predicted Gross: $27.9 million
3. Sully
Predicted Gross: $14.9 million (representing a drop of 31%)
4. Bridget Jones’s Baby
Predicted Gross: $5.1 million (representing a drop of 40%)
5. Snowden
Predicted Gross: $4.3 million (representing a drop of 47%)
6. Blair Witch
Predicted Gross: $3.4 million (representing a drop of 65%)
Box Office Results (September 16-18)
Sully once again landed (the pun is old, I know) safely in first place for the second weekend in a row with $21.6 million – just shy of my $23.3M forecast. The Tom Hanks hit has earned $70M thus far.
The curse of the Blair Witch applied to its dismal box office numbers as the sequel to the 1999 smash hit made just $9.5 million. I originally predicted $27.4 million before revising it down to $22.4M. I should have kept going down further and further. In a year that’s been mighty good for horror, the Witch debut gave us a rare dud. However, keeping things in perspective, it did only cost a measly $5 million to make, so it nearly doubled its budget in three days.
In more underwhelming sequel news – Renee Zellweger’s return to the big screen in her signature role was met with a shrug as Bridget Jones’s Baby earned $8.5 million, under my $12.3M estimate. The third entry in the franchise (and first in 12 years) posted its lowest debut in third, just under the $8.6M of 2004’s Bridget Jones: The Edge of Reason.
Oliver Stone’s Snowden was fourth with $8 million, a bit ahead of my $6.8M prediction. This is just an OK showing as mixed reviews and perhaps a distaste for political drama on the big screen contributed to its ambivalent roll out.
Don’t Breathe stayed in the top five with $5.6 million ($75M total). I incorrectly didn’t include it as its drop-off was smaller than I anticipated.
When the Bough Breaks was sixth in weekend #2 with $5.4 million (I said $5.6M). It’s made $22M.
Last and least – the Christian concert doc Hillsong – Let Hope Rise tanked with only $1.3 million – less than half of my $3M projection for an unlucky 13th place showing.
And that will do it for now, friends! Until next time…
Warner Bros keeps the onslaught of animated titles being delivered to theaters going with Storks, opening next weekend. The comedic adventure comes from Nicholas Stoller and Doug Sweetland. Mr. Stroller is known for his live-action genre titles like Forgetting Sarah Marshall, Get Him to the Greek, and the Neighbors franchise. The pic features the voices of Andy Samberg, Jennifer Aniston, Keegan-Michael Key, Jordan Peele, Kelsey Grammer, and Ty Burrell.
2016 has been a banner year for animated material with mega-hits like Zootopia, Finding Dory, and The Secret Life of Pets and critically acclaimed fare like Kubo and the Two Strings and Sausage Party. With all those titles mentioned, it’s a distinct possibility that an animated feature will really have to stand out now for family audiences to plunk down their dollars. Whether Storks fits that bill is a legit question.
September has been an occasionally fruitful month for the genre. Hotel Transylvania and its sequel are responsible for the month’s two largest openings at $42 and $48 million, respectively. The two Cloudy with a Chance of Meatballs flicks both opened above $30 million. Warner Bros should be ecstatic if Storks manages those numbers.
I don’t believe this will quite reach that level and a debut in the mid to high 20s seems more probable.
Storks opening weekend prediction: $27.9 million
For my The Magnificent Seven prediction, click here:
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