Thor: Love and Thunder Review

The 29th time is not the charm for the MCU with Thor: Love and Thunder, a franchise entry meant to be bursting with joy. It somehow feels middling the majority of the time and it’s a significant downgrade from Taika Waititi’s predecessor Thor: Ragnarok from 2017.

Our Asgardian God of a title character (Chris Hemsworth) has been through a lot in the last half of a cinematic decade. He’s lost his family (including Loki more than once) in earlier Thor and Avengers tales. That even caused him to turn to the bottle and humorously pack on the pounds during Avengers: Endgame. 

He found a new lease on life with the Guardians of the Galaxy during those previous Avengers epics. That’s where we find him at the outset, but it doesn’t last long. The Guardians are off on a new adventure while old acquaintances pop up for Thor. Jane Foster (Natalie Portman), who hasn’t been seen since 2013’s The Dark World, reappears in a cancer stricken state. She discovers that her ex’s hammer Mjolnir gives her super strengths. Her old beau needs all the help he can get with a new nemesis. Gorr the God Butcher (Christian Bale) is on a mission to off all the Gods (hence the name) after his own leader causes his young daughter to perish. That killing spree will eventually include Thor and the newish King of Asgard Valkyrie (Tessa Thompson).

In what has become a common theme in Marvel’s stories, the main villain sorta has a point with his murderous schemes. We see that most of the Gods, including Russell Crowe’s Zeus, have turned into lazy do-nothings. However, when Gorr snatches a bunch of Asgardian kids, the fight is on.

Ragnarok was able to find a measured balance between dramatic elements and Waititi’s comedic sensibilities. Thunder feels downright goofy most of the time with its screaming goats and Guns n Roses greatest hits soundtrack playing over the battles. Just a little patience from the director might’ve made it more tolerable. More often than not, it falls into self parody territory. Maybe it’s on purpose. That doesn’t make it worthwhile.

What’s clear is that Waititi was given plenty of freedom to paint his canvass with this fourth official pic in the Thor series. I wish that translated to a more fruitful experience. Thor and Jane’s romance in the first two movies was never exactly a highlight so their reunion left me ambivalent. To be honest, Portman almost seems a bit bored during her transformation to the Mighty Thor. Bale doesn’t seem disinterested but his bad guy is of the one note and forgettable variety.

Thor: Love and Thunder does have a few jokes that land (I chuckled at character mispronouncing Jane’s full name). Yet I couldn’t escape this thought when the credits rolled the first and second and final time… I’d rank this 29th MCU saga 29th.

** (out of four)

A.X.L. Box Office Prediction

Next weekend, moviegoers are treated to a biopic of the legendary and reclusive Guns N’ Roses lead singer with the release of A.X.L.! OK… not so much. On the contrary, this family adventure is a tale of a young man and his robot dog. Oliver Daly directs based on a short film he made and funds were reached for a feature film through a Kickstarter campaign. Alex Neustaedter, Becky G, Dominic Rains, and Thomas Jane are among the cast.

I must admit I’ve been rather surprised by the amount of TV ads I’ve seen for this. That said, with a pretty low theater count around 1700, I don’t expect much here at all. Family audiences have had plenty to feast on this summer and I don’t see them having much of an appetite for this.

A.X.L. opening weekend prediction: $2.1 million

For my The Happytime Murders prediction, click here:

https://toddmthatcher.com/2018/08/14/the-happytime-murders-box-office-prediction/

Top Ten Summer Hits of 1988: A Look Back

Today marks the first official day of summer 2018 and that means some seasonal traditions are back on the blog! For the past few years, I have recounted the top summer tunes from the last 30, 20, and 10 years. It’s a chance to put on our nostalgia goggles and for me to take a look back on if the songs are a summer smash or summer bummer in hindsight. We begin with the tracks of 1988. As in posts from previous summers, I rank each ditty on a scale of 1 (awful) to 10 (classic) and reveal the most important detail of all – whether said song is on my personal Apple Music collection.

In the coming days, we’ll travel to 1998 and 2008. In July, I’ll get to the movie side recounting the top 10 hits, notable pictures, and flops of ’88, ’98, and ’08.

Let’s get to it!

10. “I Don’t Wanna Live Without Your Love” by Chicago

This group that’s been around for decades scored numerous power ballad smashes in the 1980s. This is… one of them. And it’s not nearly as memorable as many of their others from earlier in the period. That said, it nearly deserves an extra half star for its gloriously cheesy music video.

My Ranking: 5

Is It On My Apple Music: Yes (but only because I have their greatest hits downloaded… I never listen to this one)

9. “I Don’t Wanna Go on with You Like That” by Elton John

Keeping on with the “I Don’t Wanna…” themed hits of three decades ago… ok, so it may not be one of the legend’s classic tunes, but this synth heavy concoction is a well-crafted effort at a time when Elton’s career needed a boost.

My Ranking: 8

Is It On My Apple Music? Yes

8. “Make Me Lose Control” by Eric Carmen

Best known for “Hungry Eyes” from Dirty Dancing, Carmen’s follow-up is a decent sing-along in the car with the windows down experience.

My Ranking: 7

Is It On My Apple Music?: No

7. “Sweet Child O’ Mine” by Guns n Roses

One of the signature tracks from the band with its unmistakable guitar riff to start it off, “Sweet Child O’ Mine” is part of our DNA now. That said, there are certainly songs from GnR I would rank higher.

My Ranking: 8 and a half

Is It On My Apple Music?: Yes

6. “Hands to Heaven” by Breathe

The London pop group came and went fairly quickly, but ballad “Hands to Heaven” was their initial smash. Cheesy, sure. Solid chorus – yes.

My Ranking: 6 and a half

Is It On My Apple Music?: No

5. “Pour Some Sugar on Me” by Def Leppard

VH-1 ranked it the second best song of the 1980s in a poll and it certainly is the signature tune of the rock group’s career. I wouldn’t go quite that far, but it’s pretty darn iconic. I will, however, confess that the hair bands fad isn’t totally my cup of tea for the most part.

My Ranking: 8 and a half

Is It On My Apple Music?: No

4. “Hold On to the Nights” by Richard Marx

Another rather cheesy power ballad, this was nevertheless a smash from Marx that actually kept Leppard’s “Sugar” from hitting #1.

My Ranking: 6

Is It On My Apple Music?: No

3. “Monkey” by George Michael

The fourth single from his landmark Faith album, this uptempo dance track (with production assistance from Jimmy Jam and Terry Lewis) gets the job done even if it doesn’t quite rank with some other classics from the 1987 multi-platinum effort.

My Ranking: 9

Is It On My Apple Music?: Yes

2. “The Flame” by Cheap Trick

A bit of a comeback single from the Illinois group, it found them traveling down the power ballad lane that dominated this particular summer. It’s fine. I don’t love it. Give me “I Want You To Want Me” any day.

My Ranking: 6 and a half

Is It On My Apple Music?: No

1. “Roll With It” by Steve Winwood

Is it catchy? Sure, but I was surprised to recall just how much of a hit this was. Four weeks at #1 and multiple Grammys, but I find it just perfectly adequate and far from a summer classic.

My Ranking: 7

Is It On My Apple Music?: No

I’ll have 1998 up soon! “I Don’t Wanna” keep you waiting long…

Music Biopics: The Name Game

A growing trend in movies for the past few years (and a bit beyond) is the musical biopic that incorporates one of the band or artist’s songs into the title. The latest example will come out this fall with Bohemian Rhapsody, the behind the scenes story of Queen.

2019 will bring us Rocketman with Taron Egerton as the legendary Elton John.

We’ve seen this trend in years past. For instance, the 1980s saw La Bamba about Richie Valens.

The 1990s gave us Angela Bassett in her Oscar nominated role playing Tina Turner in What’s Love Got to Do With It?

In 2005, we had Walk the Line with Joaquin Phoenix in his Academy nominated turn as Johnny Cash and Reese Witherspoon winning as June.

More recent ones have been in the hip hop world with Straight Outta Compton (N.W.A.) and All Eyez on Me (Tupac Shakur). There’s also Get On Up with Chadwick Boseman as the Godfather of Soul, James Brown.

So this got me thinking. What would be some other movie/song titles if certain iconic musicians got their biopic? For this blog post’s purposes, I tried to focus on artists where I feel a big screen treatment on them is at least feasible. In other words, while Rico Suave might be a spectacular title, I don’t envision two hours on Gerardo coming anytime soon.

There is already a Madonna flick reportedly in the works and it takes its name not from a tune, but from one of her tours – Blond Ambition. I suppose Material Girl or Like a Prayer could have worked, but Blond Ambition is just about perfect.

Some choices seem obvious. You gotta call the Bon Jovi story Livin on a Prayer, after all. And My Way seems like the natural fit for Frank Sinatra. And Born to Run for Bruce Springsteen. And there’s Piano Man for Billy Joel.

It doesn’t end there. Respect (Aretha Franklin) and Fire and Rain (James Taylor).

When it comes to some recently dearly departed legends, Prince presents a challenge because you can’t call it Purple Rain. And a number of his other massive hits don’t fit. When Doves Cry is probably the name the studio would go for considering it’s his biggest hit. Personally, I rather like the thought of My Name is Prince, taken from his Love Symbol album of 1992.

With Michael Jackson, Thriller would work but it’s hard to imagine Man in the Mirror not being the choice.

For David Bowie, Starman seems like the winner, but that’s also the name of a fairly well-known 1980s science fiction effort starring Jeff Bridges. That may not matter, but if so, Space Oddity or simply calling it Ziggy Stardust might fit.

Tom Petty? How about Free Fallin or Runnin Down a Dream. George Michael? Faith or Freedom. Whitney Houston? Tough one. Perhaps a studio would want I Will Always Love You. Maybe So Emotional works as well.

Some bands have more than one title that seem appropriate. Aerosmith has three great ones: Dream On, Sweet Emotion, or Walk This Way. With AC/DC – Back in Black or Thunderstruck.

Guns n Roses is an interesting one. Welcome to the Jungle is fantastic, but it was just the subtitle for the blockbuster Jumanji reboot. In this matter, you might have to go with their album name Appetite for Destruction, which is ideal.

Metallica could have For Whom the Bell Tolls or Enter Sandman. Nirvana might have Smells Like Teen Spirit as the studio choice, but I’m a little partial to Come As You Are.

I like Runnin with the Devil for Van Halen and I suppose Stairway to Heaven would be the choice for Led Zeppelin.

Let’s move off rock. How about Britney Spears? That may depend on what direction the studio goes. It could be Toxic or Stronger. Maybe Baby One More Time instead.

Stevie Wonder? Superstition or Sir Duke are possibilities, but I like Higher Ground.

With Bob Marley, maybe Get Up, Stand Up or One Love.

Circling back to hip hop, Fight the Power is the clear pick for Public Enemy and the same may hold true for Mama Said Knock You Out with LL Cool J.

And then there’s my favorite… the Rick James biopic Super Freak. Why hasn’t this been made already?

I could go on, but you get the idea. Let’s see if any of these suggested titles end up playing out in the future. Maybe there will be surprises… Barbie Girl: The Aqua Story, anyone?