Angel Studios is hoping for more holiday luck in the form of Sight over the Memorial Day frame. Terry Chen stars as real-life figure Ming Wang, a Chinese immigrant who became a well-known eye surgeon in the United States. Andrew Wyatt directs. The supporting cast includes Greg Kinnear, Danni Wang, Raymond Ma, Bennet Wang, Jayden Zhang, Wai Ching Ho, and Fionnula Flanagan.
Last summer, the aforementioned distributor scored a major summer surprise via Sound of Freedom. Over the extended six-day July 4th weekend, it debuted to over $40 million with an eventual $184 million domestic total.
Follow-ups have brought in considerably less coin for Angel, which specialize in dramas with faith-based leanings. Last October, After Death premiered with just over $5 million. In December, The Shift came in with a little less than $5 million. Cabrini in March started with a tad over $7 million.
I’m eyeballing a similar prescription for Sight and maybe a little less comparatively. With an extra day of grosses, I think it gets over $5 million though not by much.
Sight opening weekend prediction: $5.3 million (Friday to Monday estimate)
For my Furiosa: A Mad Max Saga prediction, click here:
Kung Fu Panda 4 will attempt to kick Dune: Part Two out of the top spot this weekend and we also have Blumhouse horror flick Imaginary and faith-based biopic Cabrini debuting. You can peruse my detailed prediction posts on the trio of newcomers here:
I am estimating that DreamWorks Animation’s Panda franchise will continue its downward trend with a high 30s start after the longest layoff between entries.
If that occurs, that likely means a 2nd place showing behind the sophomore frame of Dune: Part Two. That hotly anticipated sequel opened right in line with expectations (more on that below) and had an A Cinemascore grade. Some of its business is understandably frontloaded, but its drop could hold up sturdier than other genre fare in the high 40s to low 50s range.
Blumhouse should have another profitable fright fest with Imaginary considering its reported low budget. However, I don’t envision it premiering anywhere near the studio’s biggest earners. A low double digits gross could put it in third.
That’s unless Cabrini overperforms and it’s the weekend wild car in my view. Coming from Angel Studios and the director of last summer’s smash Sound of Freedom, this could surprise if faith-based crowds turn out in force. On the other hand, Angel’s follow-ups like After Death and The Shift have only managed mid single digits out of the gate. I’m splitting the difference and forecasting a fourth place finish.
Finally, Bob Marley: One Love should round out the top five as it attempts to reach $100 million domestically.
Here’s how I see it playing out:
1. Dune: Part Two
Predicted Gross: $40.7 million
2. Kung Fu Panda 4
Predicted Gross: $38.1 million
3. Imaginary
Predicted Gross: $10.5 million
4. Cabrini
Predicted Gross: $8.9 million
5. Bob Marley: One Love
Predicted Gross: $5.2 million
Box Office Results (March 1-3)
I had Dune: Part Two doubling the debut of its 2021 predecessor and that’s precisely what occurred. The sequel, which landed even better reviews than the heavily Oscar nominated original, took in $82.5 million. That’s in line with my $83.6 million prediction and just over what Oppenheimer premiered with last summer. Christopher Nolan’s biopic (which is about to be crowned Best Picture) experienced only a 43% second weekend decline. As mentioned, Dune‘s should be more, but perhaps not by too much.
After two weeks in first, Bob Marley: One Love was second with $7.4 million and that’s right on target with my $7.5 million call. That biopic now stands at $82 million after three weeks.
Ordinary Angels remained in third with $3.8 million, falling shy of my $4.9 million projection. The faith-based drama with Hilary Swank has $12 million in its coffers after two weeks.
The Chosen Season 4: Episodes 7-8 was fourth with $3.2 million (I said $2.9 million). Since its Leap Day Thursday opening, the total is $4 million.
Finally, superheroine flop Madame Web was fifth with $3.1 million (I said $2.9 million) for a mere $40 million in its three frames of release.
Angel Studios is hoping that audiences of the faith-based variety flock to Cabrini this weekend. The tale of Italian immigrants in late 19th century New York comes from Alejandro Monteverde, who made the unexpected smash hit Sound of Freedom for the aforementioned production company last summer. Cristiana Dell’Anna stars in the title role of the real life eventual saint. Costars include David Morse, Romana Maggiora, Federico Iepali, Virginia Bocelli, Rolando Villazón, Giancarlo Giannini, and John Lithgow.
Early reviews are of the thumbs up variety with a 96% RT rating. As mentioned, the studio broke out in a major way with Freedom, which grossed an astonishing $184 million. This was assisted by a unique pay it forward marketing strategy. Angel follow-ups haven’t gotten anywhere near those numbers. October’s After Death took in just over $5 million for its start while December’s The Shift premiered to $4.4 million.
I will readily admit that I’m playing a guessing game with Cabrini. I haven’t seen a theater count and my estimate could shift when I do. A Catholic contingent could get this to higher figures than I’m about to project. Faith-based titles in general certainly have the ability to exceed expectations. It could also start out slow and hold well in subsequent weekends with Easter approaching. This might hit $10 million or even post a larger gross I’m not envisioning. $5 million is also possible. I’ll go higher single digits, but keep an eye on this post to see if I change it up or down before Friday.
Angel Studios has had a heavenly 2023 with the massive success of Sound of Freedom over the summer and the recent better than anticipated debut of the documentary After Death. They’ll try to replicate the good tidings with The Shift on December 1st. The low-budget sci-fi pic is directed by Brock Heasley with a cast led by Kristoffer Polaha, Neal McDonough, Elizabeth Tabish, Rose Reid, and Sean Astin.
This is not expected to come anywhere the bounty that Freedom brought in. It earned $40 million over an extended Fourth of July frame on its way to a $184 million domestic haul. The Shift, at the high end of its range, could make a fourth or fifth of that for starters. At the low end, it might premiere to a tenth of that figure.
Fair warning: I’ve underestimated both aforementioned Angel titles this year. If it made close to $10 million, I wouldn’t be surprised. $4-5 million is also feasible.
The Shift opening weekend prediction: $4.6 million
Blogger’s Update II (11/08): I am lowering my The Marvels prediction from $62.3 million to $46.3 million and that gives it the lowest MCU premiere ever.
**Blogger’s Update (11/07): It turns out Taylor Swift: The Eras Tour is indeed staying in theaters and I’m putting it in second with an anticipated drop in the mid 30s
The Marvel Cinematic Universe should have no trouble hitting #1 again with The Marvels, but the premiere is expected to be well on the low end of the now 33 pics in the franchise. We also have the faith-based musical Journey to Bethlehem and the wide expansion of Oscar hopeful The Holdovers out. You can peruse my detailed prediction posts on the trio here:
As of now, I have The Marvels having the third lowest MCU opening in its decade and a half run. It could possibly have the smallest of them all if it debuts below the $55 million that The Incredible Hulk (the second feature of the bunch) started with in 2008. **Keep an eye on this post through Thursday to see if my projection dwindles.
Five Nights at Freddy’s, after two weeks atop the charts, should slide to second. Its sophomore frame saw a gigantic plummet (more on that below). The third weekend shouldn’t be as dramatic a fall, but the 60-65% range is certainly possible.
Taylor Swift: The Eras Tour, per a previous announcement, is allegedly finished with its box office run after amassing $166 million domestically and easily setting concert pic records. That’s why you won’t find it in my projected five. If that dynamic changes, I’d place it in third or probably even second.
The 3-5 spots, therefore, should be a mix of Killers of the Flower Moon, Journey to Bethlehem, and The Holdovers and you could make decent arguments for the order. I’ve got it close.
Here’s how I see it shaking out:
1. The Marvels
Predicted Gross: $46.3 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $8.8 million
3. Five Nights at Freddy’s
Predicted Gross: $7.4 million
4. Journey to Bethlehem
Predicted Gross: $4.8 million
5. Killers of the Flower Moon
Predicted Gross: $4.5 million
6. The Holdovers
Predicted Gross: $3 million
Box Office Results (November 3-5)
November began with a whimper with the worst frame of 2023 thus far. As you may recall, this was the weekend Dune: Part Two was supposed to come out before its pushback to spring 2024.
That left Five Nights at Freddy’s in first place despite a gargantuan 76% drop to $19 million. I was more generous at $27.6 million. Even with its clearly front loaded business, the PG-13 horror flick (which is also available on Peacock) has delivered $113 million in its first ten days of release.
With scant competition in the marketplace, Taylor Swift: The Eras Tour eased just 12% for second place with $13.5 million. That remarkable hold placed it well above my $8.3 million take. As mentioned, it has finished (?) its run at $166 million as streamers mount a bidding war for the rights.
Killers of the Flower Moon also held better than I figured for third in its third weekend with $6.8 million. I went with $5.8 million. The Oscar contender has taken in $52 million.
Priscilla performed respectably in fourth with $5 million, besting my $3.9 million call. The biopic had a similar per theater average to Ms. Swift’s fourth frame gross. The performance represents earnings at the top end of its anticipated range.
I incorrectly didn’t make a call for Radical, the well-reviewed dramedy with Eugenio Derbez. It rounded out the top five with $2.6 million on just over 400 screens. That gave it the highest average of any movie in the top ten.
My #5 pick was After Death at $3.2 million. Yet it was all the way down in 8th (behind The Exorcist: Believer and PAW Patrol: The Mighty Movie) with $2 million after its 60% slide.
Finally, I had the Meg Ryan rom com What Happens Later (a phrase not used in many years) making $1.7 million. It came in slightly below that at $1.5 million for ninth position.
After a record breaking Halloween opening at the box office, Five Nights at Freddy’s will have no trouble dominating the charts again as November arrives. The only wide release is the expansion of biopic Priscilla from Sofia Coppola. You can peruse my detailed prediction post on it here:
While it played went well in limited release this weekend, Priscilla probably won’t impress as it goes nationwide. I’m projecting it at the lower end of its range for what could be a fourth or fifth place showing (depending on the second weekend drop for faith-based doc After Death).
Freddy’s is ready to easily be 1st again after its massive start (more on that below). It’s a reasonable assumption that its earnings will be quite front loaded. A mid 60s to even high 60s decline wouldn’t be a surprise, but that would still give it a second frame atop the landscape due to scant competition.
Taylor Swift: The Eras Tour and Killers of the Flower Moon (following a disappointing sophomore performance) should retain their spots in second and third. Here’s how I see it shaking out:
1. Five Nights at Freddy’s
Predicted Gross: $27.6 million
2. Taylor Swift: The Eras Tour
Predicted Gross: $8.3 million
3. Killers of the Flower Moon
Predicted Gross: $5.8 million
4. Priscilla
Predicted Gross: $3.9 million
5. After Death
Predicted Gross: $3.2 million
Box Office Results (October 27-29)
Based on the hugely successful series of video games, Five Nights at Freddy’s obliterated the previous best Halloween weekend of all time. It was held by 2011’s Puss in Boots with $34 million. Freddy’s more than doubled that mark with an astonishing $80 million. That’s good for the third highest horror start in history after It and its sequel. It bested my $68.3 million prediction and that’s all the more impressive considering it premiered simultaneously on Peacock.
Taylor Swift: The Eras Tour, after its own record setting two weeks on top, fell to second with $15.4 million. That’s a tad more than my $14.2 million take as it’s up to $150 million domestically.
Killers of the Flower Moon, despite great reviews and Oscar buzz, fell a troubling 60% in its second outing with $9.3 million. I assumed it would hold up much better at $13.4 million. The subpar ten-day tally (especially considering a $200 million budget) is $40 million.
I mistakenly left After Death out of top five. The documentary from Angel Studios (the company behind the unexpected summer smash Sound of Freedom) was fourth with $5 million.
The Exorcist: Believer rounded out the top five with $3.2 million (I said $3.5 million) for $59 million in four weeks.
PAW Patrol: The Mighty Movie was sixth with $2.3 million (I went with $2.9 million) for five week earnings of $59 million as well.
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