A Will Ferrell Netflix comedy with so-so reviews getting an Oscar Watch post? Welcome to 2020 folks! However, this entry’s existence may not be as crazy as it sounds. On June 26, Eurovision Song Contest: The Story of Fire Saga premiered on the streaming service. The pic casts Ferrell and Rachel McAdams as Icelandic crooners competing in the annual musical competition outlined in the title.
As mentioned, critical reaction has been mixed and it sits at 63% on Rotten Tomatoes. The film was originally scheduled for a May theatrical rollout before the COVID-19 pandemic altered that course.
Let’s get this out of the way: I saw Eurovision and the RT score makes a lot of sense. It has plenty of funny moments, but it’s not particularly memorable. In other words, the pic was never designed as an awards contender and will not be one. However, there could be a catch. Will Ferrell and Rachel McAdams belt out numerous songs and the climactic track is “Husavik” from composer Atli Orvarsson. In a year where it’s uncertain how many original songs will even be at Oscar voters disposal, the ballad could make a play.
Additionally, it isn’t totally out of the ordinary for comedies to compete in Original Song. In the 21st century, some examples include selections from Meet the Parents, A Mighty Wind, and Ted. My Oscar Watch posts will continue…
My top 25 personal favorite cinematic performances by the alumni of Saturday Night Live continues with part 3 covering numbers 15-11! If you missed the first two posts, you can find them right here:
15. Dan Aykroyd & John Belushi, The Blues Brothers (1980)
This is the first spin-off movie from the show and it’s certainly one of the best. Aykroyd and Belushi sold out stadiums with their musical act and their car chase friendly comedy was a major box office success as they embarked on their mission from God.
14. Adam Sandler, Uncut Gems (2019)
Now is the time to address what many might consider to be oversights on the list. This is the only Sandler entry. That’s right – no Billy Madison or Happy Gilmore or The Wedding Singer or any of his other blockbusters. While I certainly admire some of his work in those features, my Sandler preferences lie with his rare dramatic work. I could have given the nod to 2002’s Punch-Drunk Love, but last year’s Gems absolutely floored me and I believe it represents his best performance yet on the big screen.
13. Bill Murray, Lost in Translation (2003)
Speaking of comedic actors doing less humorous work, Murray nabbed his only Oscar nomination here. The Sofia Coppola directed critically acclaimed pic perfectly pairs its star with Scarlett Johansson and is further evidence of just how versatile Murray is. And he’s not done on this list…
12. Chevy Chase, Caddyshack (1980)
Be the ball.
At his best, no one pulls off smarmy charm better than Mr. Chase. I could have gone with Fletch as the selection, but he’s at his smarmy peak in this now revered classic.
11. Christopher Guest, Waiting for Guffman (1997)
Guest was only on SNL for one season alongside Billy Crystal and Martin Short. He had already starred in the fantastic mockumentary This is Spinal Tap, which set the standard for that type of film. Guest would go on to direct his own treasured pics in the genre including Best in Show and A Mighty Wind. As far as his own performances, my favorite is his dedicated community theater director Corky St. Clair.
We’ll get to the top ten in short order! Until then…
In 2002, the New York Film Critics Circle (NYFCC) went gaga over Todd Haynes’s drama Far From Heaven, bestowing it with their award for Best Picture, Director, Supporting Actor (Dennis Quaid), and Supporting Actress (Patricia Clarkson). Yet when it came time for Oscar nominations, none of those picks were reflected with the Academy.
Thirteen years later, could history repeat itself again for Mr. Haynes? It’s a worthy question as the NYFCC have showered love upon his latest project, Carol. The 1950s drama centering on a lesbian relationship won big at their ceremony today, taking Picture and Director. The Big Apple critics appreciation for Carol gives it a somewhat needed boost for its Oscar chances. When it screened at film festivals earlier this year, it seemed close to a lock for Picture recognition but its stock has waned some.
As I did yesterday with the National Board of Review’s selections, it’s important to show you how often each critics organization matches what the Academy ends up doing. With the NYFCC, 12 out of their last 15 selections for Best Picture (the ones in the 21st century) have gone onto Oscar nominations in the same category. The exceptions were the aforementioned Heaven, 2001’s Mulholland Drive, and 2006’s United 93.
The same 12/15 ratio extends to the Directing category in which winners were Academy snubbed. Besides Haynes, the others were Mike Leigh for 2008’s Happy Go Lucky and Kathyn Bigelow for 2012’s Zero Dark Thirty.
I believe it’s much more likely that Carol manages a slot in the Picture race come Oscar nomination time than Haynes himself, but we’ll see how that plays out well as my predictions continue to be updated on the blog.
As for the acting races – the NYFCC hit us with two surprises. The biggest was Supporting Actress where they selected Kristen Stewart for her work in the little seen Clouds of Sils Maria. While she’s been mentioned as a possibility, very few prognosticators (this one included) have picked her for a Oscar nomination. I still don’t see it happening, but this win does raise her profile for sure. It’s also worth noting that only 2 of the last 15 NYFCC recipients in this category haven’t received Academy attention (the aforementioned Clarkson for Heaven and Maria Bello in 2005’s A History of Violence). Even more surprising is that the NYFCC didn’t honor Rooney Mara’s work in Carol, since many consider her the most likely winner for the gold statue.
The other surprise was Best Actor, which went to Michael Keaton in Spotlight. The shocker was the category he won for because Mr. Keaton is being campaigned for in Supporting Actor and not lead. It’s highly likely that the Bat/Birdman will be recognized come Oscar time… just not in the race where the NYFCC feted him. Of note: three past winners in the 21st century didn’t get Oscar nods: Paul Giamatti in 2004’s Sideways and the last two recipients: Robert Redford for All is Lost and Timothy Spall as Mr. Turner.
Actress went to Saoirse Ronan for Brooklyn and her Academy nod seems pretty much assured. She joins Room‘s Brie Larson (who won the NBR yesterday), Joy‘s Jennifer Lawrence, and Carol‘s Cate Blanchett as front runners for award attention into the future. As with Actor, three winners out of the past 15 didn’t receive Academy attention: Hope Davis for 2003’s American Splendor, Sally Hawkins for 2008’s Happy Go Lucky, and Rachel Weisz for 2012’s The Deep Blue Sea.
Supporting Actor went to Mark Rylance in Bridge of Spies and he’s also a strong contender in the big race. It is worth noting that the NYFCC has actually picked five out of their last 15 winners that never made it to the Academy’s red carpet: the previously mentioned Quaid in 2002, Steve Buscemi for Ghost World (2001), Eugene Levy in A Mighty Wind (2003), Albert Brooks in Drive (2011), and Matthew McConaughey for Magic Mike and Bernie (2012).
Bottom line: a solid day for Carol and we’ll see if the momentum keeps up as my analysis for the 2015 awards season keeps rolling along…
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