Best Supporting Actress: A Look Back

Today begins a new blog series where I’m looking back at five of the major Oscar categories from 1990 to the present: the four acting races and Best Picture. This is essentially the time period where I’ve closely watched and analyzed. My charge? Picking the three largest upsets in each said category and the three least surprising winners… a film or performer where it truly would have been a shock if they didn’t emerge victorious.

We begin with Best Supporting Actress and this is one in which there have been some genuine upsets over the past quarter century plus. Unlike some other races we’ll get to later, it was not a challenge to pick three unexpected winners.

The other agenda item here is I’m picking my personal selections for strongest and weakest overall field among the five nominees in the acting derby’s and five-ten for Best Picture.

For starters, here’s the list of women that won gold statues in the supporting race from 1990 to now:

1990 – Whoopi Goldberg, Ghost

1991 – Mercedes Ruehl, The Fisher King

1992 – Marisa Tomei, My Cousin Vinny

1993 – Anna Paquin, The Piano

1994 – Dianne Wiest, Bullets Over Broadway

1995 – Mira Sorvino, Mighty Aphrodite

1996 – Juliette Binoche, The English Patient

1997 – Kim Basinger, L.A. Confidential

1998 – Judi Dench, Shakespeare in Love

1999 – Angelina Jolie, Girl, Interrupted

2000 – Marcia Gay Harden, Pollock

2001 – Jennifer Connelly, A Beautiful Mind

2002 – Catherine Zeta-Jones, Chicago

2003 – Renee Zellweger, Cold Mountain

2004 – Cate Blanchett, The Aviator

2005 – Rachel Weisz, The Constant Gardner

2006 – Jennifer Hudson, Dreamgirls

2007 – Tilda Swinton, Michael Clayton

2008 – Penelope Cruz, Vicky Christina Barcelona

2009 – Mo’Nique, Precious

2010 – Melissa Leo, The Fighter

2011 – Octavia Spencer, The Help

2012 – Anne Hathaway, Les Miserables

2013 – Lupita Nyong’o, 12 Years a Slave

2014 – Patricia Arquette, Boyhood

2015 – Alicia Vikander, The Danish Girl

2016 – Viola Davis, Fences

2017 – Allison Janney, I, Tonya

I’ll begin with the least surprising winners. Truthfully, there are plenty of selections (and will be in each race) to pick from here. It’s normal procedure for the front runner to actually win. Here’s three that did just that:

3. Dianne Wiest, Bullets Over Broadway

Of the 28 recipients to choose from, note that 3 of them were under the direction of Woody Allen. None were surprise winners. That’s most evident with Wiest’s showcase work as an aging diva here. Her win here came just eight years following her Oscar winning role in another Allen pic, Hannah and Her Sisters.

2. Jennifer Hudson, Dreamgirls

Fans of the Broadway play this is based upon knew Ms. Hudson could have a legitimate breakthrough part here. She nailed it and her win was never in much doubt.

1. Anne Hathaway, Les Miserables

Similar to Hudson’s victory, Hathaway’s casting as Fantine and her “I Dreamed a Dream” dramatic solo made her the odds-on favorite from the moment the project was announced. That never changed.

Now we get to the upsets and there were four to choose from. I could easily include Anna Paquin in The Piano, who became the second youngest winner when she beat out favorite Winona Ryder for The Age of Innocence. Here’s 3 I rank as even more surprising:

3. Marcia Gay Harden, Pollock

Harden had won no significant precursors and Kate Hudson was expected to have her name called for Almost Famous. She wasn’t even nominated for a Golden Globe or SAG.

2. Juliette Binoche, The English Patient

While the film itself was the anticipated winner for Picture (which it did), the Oscars were expected to select the legendary Lauren Bacall for her work in Barbra Streisand’s The Mirror Has Two Faces. Yet it was Binoche’s performance that was unexpectedly honored.

1. Marisa Tomei, My Cousin Vinny

For starters, comedic roles are rarely nominated and wins are even more unheard of. Tomei was a newcomer in a picture that wasn’t a factor in any other category. Her competition was a list of venerable actresses: Judy Davis (Husbands and Wives), Joan Plowright (Enchanted April), Vanessa Redgrave (Howards End), and Miranda Richardson (Damages). The victory here was so shocking that conspiracy theories emerged that presenter Jack Palance had accidentally read the wrong name. That’s been debunked, but Tomei’s trip to the stage remains one of Oscar’s largest jaw droppers.

As for the fields, I’m going with 1991 for the weakest link in the chain. I probably would have given the award to Juliette Lewis in Cape Fear. However, the group was not particularly strong:

Mercedes Ruehl, The Fisher King (Winner)

Diane Ladd, Rambling Rose

Juliette Lewis, Cape Fear

Kate Nelligan, The Prince of Tides

Jessica Tandy, Fried Green Tomatoes

For the strongest field overall, I went with 2004 when Cate Blanchett won for her portrayal of Katherine Hepburn in Martin Scorsese’s The Aviator. The other nominees:

Laura Linney, Kinsey

Virginia Madsen, Sideways

Sophie Okonedo, Hotel Rwanda

Natalie Portman, Closer

And there you have it! I’ll have Supporting Actor up soon…

The Best Picture Coulda Been Contenders: 1990-2008

In 2009, the Academy underwent a change in the number of Best Picture nominees honored each year. The rule change allowed a fluctuation of five to ten nominees per year, as opposed to a finite five (all other categories stayed at that number).

As has been discussed on this blog, many felt the change was triggered by 2008’s The Dark Knight, the critically acclaimed comic book pic that was also highest earner of the year. It failed to a garner a Best Picture nod and the thinking was that it was time for more popular options to make it into the mix.

Since the change, the magic number has been nine nominated pictures in most years. This got me thinking: what if that rule had been in effect during prior years? What movies that failed to get a nomination would have certainly made it?

That brings us here. I have gone back to 1990 through 2008 and I’m listing two films from each year that I am confident would have made the shortlist. In selecting each title, here were some of the key indicators. If a Director was nominated for his work and the film failed to get nominated, that probably means it would have been included. Additionally, the screenplay races are a decent predictor of some titles that might have made the magic nine (or eight or ten). For reference sake, I am including the five movies that did get nominated.

So here goes! Two features from 1990-2008 that coulda and likely woulda been contenders…

1990

The Actual Nominees: Dances with Wolves (Winner), Awakenings, Ghost, The Godfather Part III, GoodFellas

The Two Coulda Been Contenders: The Grifters, Reversal of Fortune

1991

The Actual Nominees: The Silence of the Lambs (W), Beauty and the Beast, Bugsy, JFK, The Prince of Tides

The Two Coulda Been Contenders: Boyz N The Hood, Thelma & Louise

1992

The Actual Nominees: Unforgiven (W), The Crying Game, A Few Good Men, Howards End, Scent of a Woman

The Two Coulda Been Contenders: Malcolm X, The Player

1993

The Actual Nominees: Schindler’s List (W), The Fugitive, In the Name of the Father, The Piano, The Remains of the Day

The Two Coulda Been Contenders: Philadelphia, Short Cuts

1994

The Actual Nominees: Forrest Gump (W), Four Weddings and a Funeral, Pulp Fiction, Quiz Show, The Shawshank Redemption

The Two Coulda Been Contenders: Bullets Over Broadway, Three Colors: Red

1995

The Actual Nominees: Braveheart (W), Apollo 13, Babe, Il Postino, Sense and Sensibility

The Two Coulda Been Contenders: Dead Man Walking, Leaving Las Vegas

1996

The Actual Nominees: The English Patient (W), Fargo, Jerry Maguire, Secrets & Lies, Shine

The Two Coulda Been Contenders: The People Vs. Larry Flynt, Sling Blade

1997

The Actual Nominees: Titanic (W), As Good as It Gets, The Full Monty, Good Will Huinting, L.A. Confidential

The Two Coulda Been Contenders: Boogie Nights, The Sweet Hereafter

1998

The Actual Nominees: Shakespeare in Love (W), Elizabeth, Life is Beautiful, Saving Private Ryan, The Thin Red Line

The Two Coulda Been Contenders: Gods and Monsters, The Truman Show

1999

The Actual Nominees: American Beauty (W), The Cider House Rules, The Green Mile, The Insider, The Sixth Sense

The Two Coulda Been Contenders: Being John Malkovich, Topsy-Turvy

2000

The Actual Nominees: Gladiator (W), Chocolat, Crouching Tiger, Hidden Dragon, Erin Brockovich, Traffic

The Two Coulda Been Contenders: Almost Famous, Billy Elliot

2001

The Actual Nominees: A Beautiful Mind (W), Gosford Park, In the Bedroom, Lord of the Rings: The Fellowship of the Ring, Moulin Rouge!

The Two Coulda Been Contenders: Black Hawk Down, Mulholland Drive

2002

The Actual Nominees: Chicago (W), Gangs of New York, The Hours, Lord of the Rings: The Two Towers, The Pianist

The Two Coulda Been Contenders: Far from Heaven, Talk to Her

2003

The Actual Nominees: Lord of the Rings: The Return of the King (W), Lost in Translation, Master and Commander: The Far Side of the World, Mystic River, Seabiscuit 

The Two Coulda Been Contenders: City of God, In America

2004

The Actual Nominees: Million Dollar Baby (W), The Aviator, Finding Neverland, Ray, Sideways

The Two Coulda Been Contenders: Hotel Rwanda, Vera Drake

2005

The Actual Nominees: Crash (W), Brokeback Mountain, Capote, Good Night and Good Luck, Munich

The Two Coulda Been Contenders: Syriana, Walk the Line

2006

The Actual Nominees: The Departed (W), Babel, Letters from Iwo Jima, Little Miss Sunshine, The Queen

The Two Coulda Been Contenders: Pan’s Labyrinth, United 93

2007

The Actual Nominees: No Country for Old Men (W), Atonement, Juno, Michael Clayton, There Will Be Blood

The Two Coulda Been Contenders: Away from Her, The Diving Bell and the Butterfly

2008

The Actual Nominees: Slumdog Millionaire (W), The Curious Case of Benjamin Button, Frost/Nixon, Milk, The Reader

The Two Coulda Been Contenders: The Dark Knight, Doubt

And there you have it! There will be a part II to this post. What if the rule change had never occurred? From 2009 until the present, what would have been the five nominated Pictures if only that number was allowed. Stay tuned…

 

Downsizing Movie Review

Director Alexander Payne and his writing partner Jim Taylor enter new genre territory with Downsizing, but it’s filled with the themes found in their previous efforts. A central character searching for meaning in life, marital strife, and classism are on display. Unlike prior features, science fiction elements and a bigger budget are in the mix. This is a story loaded with intriguing prospects  that doesn’t lead to a totally rewarding whole.

A prologue shows the advent of a monumental discovery by Norwegian scientists – the ability to shrink humans to only five inches tall. The reasoning to do it is to save the Earth by significantly reducing pollution and overpopulation. Not all citizens who choose to go through the procedure are hardcore environmentalists. There’s also the added bonus that downsizing is a financial boon. Every dollar in big world translates to about a grand in the smaller one.

This is the primary reason why occupational therapist Paul (Matt Damon) and his wife Audrey (Kristin Wiig) choose their new path. The Omaha couple agree to downsize and populate the colony of Leisureland. In Nebraska, they’re scraping by. They will be millionaires post op. A surprise happens on the way to the procedure. Paul goes through with it, but Audrey backs out and leaves him.

Lonely Paul must adjust to his tiny new surroundings and life. His eventual divorce agreement causes him to trade his Leisureland mansion for an apartment (albeit a pretty nice one). Up to this point, Downsizing is pretty nifty. The leadup and explanations of how this new world works are fascinating. There’s some prejudice involved with the full size humans meeting those about to become small. Should they get full voting rights, for instance? We also discover there’s nefarious governments that forcibly shrink their dissidents.

Further exploration of themes like these could have made a potentially rich experience. Downsizing goes a different direction. Paul’s upstairs neighbor is a party animal played with expected gusto by Christoph Waltz. It’s through this freewheeling character that Paul meets Ngoc Lan (Hong Chau), a Vietnamese political activist who was punished by that government. She’s an amputee and cleaning lady with a heart of gold. Ngoc Lan takes Paul to the slums of Leisureland where he begins to medically assist its poor residents. He also begins to fall for his companion.

The picture, at this juncture, largely abandons its sci fi leanings and concentrates on issues of self-worth, love, and political themes. Of course, all these things have been present in many great science fiction efforts. However, the tone of Downsizing is a shifty one. There’s moments of satire that aren’t biting enough and an earnestness that can come off cloying. That latter description could sometimes apply to Damon’s work. Payne has directed a number of actors to Oscar nominations. His lead here displays the same syrupy conviction in which he once bought a zoo. Chau is a different story. She creates a character whose backstory might have been really rewarding if shown onscreen. Unfortunately, Ngoc Lan eventually becomes just the love interest to the blander protagonist.

Payne and Taylor deserve a degree of credit for crafting this odd concoction. There’s some original thoughts here and some sequences are truly impressive, especially the downsizing procedure itself. That said, the emotional payoff the filmmakers are reaching for never quite reached me. There are moments in About Schmidt, Sideways, The Descendants and Nebraska that did so more often and with an appreciated higher level of subtlety. So while I admire Downsizing for some big ideas, the overall impact is smaller.

**1/2 (out of four)

Downsizing Box Office Prediction

Director Alexander Payne’s latest Downsizing hits screens next Friday for a holiday release. The science fiction dramedy features Matt Damon, Kristin Wiig, Jason Sudeikis, Christoph Waltz, and Hong Chau.

Payne has seen his last three films – Sideways, The Descendants, Nebraska – all nab Best Picture nominations. Downsizing was once seen as an Oscar contender until it premiered at the Venice Film Festival months ago to mixed reviews (it stands at a muted 64% on Rotten Tomatoes). In fact, its only Academy chatter is focused on costar Chau, who could manage a Supporting Actress nod.

The near complete lack of awards chatter has muted the buzz for this project. The pic also has plenty of competition for its intended adult audience, including The Greatest Showman and various other genuine Oscar hopefuls.

Add that up and I feel Downsizing will experience a debut in the low double digits or teens. That would a bit under another Damon flick from an acclaimed director released over Christmas from six years ago, Cameron Crowe’s We Bought a Zoo. 

Downsizing opening weekend prediction: $11.7 million (Friday to Monday estimate)

For my Jumanji: Welcome to the Jungle prediction, click here:

https://toddmthatcher.com/2017/12/11/jumanji-welcome-to-the-jungle-box-office-prediction/

For my The Greatest Showman prediction, click here:

https://toddmthatcher.com/2017/12/12/the-greatest-showman-box-office-prediction/

For my Pitch Perfect 3 prediction, click here:

https://toddmthatcher.com/2017/12/12/pitch-perfect-3-box-office-prediction/

For my Father Figures prediction, click here:

https://toddmthatcher.com/2017/12/14/father-figures-box-office-prediction/

Oscar Watch: Downsizing

Blogger’s Update (09/19/17) – What Venice giveth, Toronto and Telluride taketh away. Since my original writing of this post on 08/30, Oscar prospects for Downsizing have dimmed due to mixed reaction from the aforementioned festivals.

A major piece of the 2017 Oscar puzzle has come into focus today with the debut of Alexander Payne’s Downsizing at the Venice Film Festival. This picture has been circled on the calendar of Academy Awards prognosticators since it was announced. Why? For starters, this is Payne’s seventh directorial feature and his previous five efforts have all received Oscar attention. For 1999’s Election, Payne received a nod for Adapted Screenplay. 2002’s About Schmidt landed two nominations in the acting races for Jack Nicholson and Kathy Bates. 2004’s Sideways nabbed five nominations, including Picture, Director, and a win for Payne and writing partner Jim Taylor for Adapted Screenplay. 2011’s The Descendants also received five nominations, with Payne winning once again for Adapted Screenplay. His last film, 2013’s Nebraska, garnered six nominations including Picture, Director, and Original Screenplay. His last five movies have resulted in a total of seven acting nods.

So yeah… pretty much anything Payne puts out is an automatic Oscar contender. That does not look to end with Downsizing, his science fiction comedic drama that has drawn rave reviews out of the gate. It’s not out until December 22, but trade reviews are up and they’re glowing with praise. The Hollywood Reporter: “Big and beautiful” and arguably his best film. Variety: “playful, spectacular, mischievous, and audacious”. Interestingly, both reviews reference it as like as a live-action Pixar feature.

Downsizing has a highly recognizable cast that includes Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Laura Dern, and Jason Sudeikis. I wouldn’t be surprised to see Damon in the mix for Best Actor, based on early word. Yet it’s a name you probably haven’t heard that you’ll soon become familiar with. Playing a Vietnamese refugee, Hong Chau has been singled out for her work and I’d venture to say she will be receiving a Supporting Actress nomination here.

Before today, Dunkirk was the only picture that I feel confident saying will receive a Best Picture nomination. Downsizing is now the second and it will probably land Payne directing and original screenplay (along with Jim Taylor) recognition. Beyond that – Cinematography, Editing, Production Design, and even Visual Effects categories are all feasible.

Bottom line: Downsizing just announced itself as a potential force this awards season. My Oscar Watch posts will continue…

Todd’s Top 10 Most Awaited Fall 2017 Movies

Well folks – summer is winding down and on the movie calendar, that means fall ushers in Oscar contenders, film festivals, and all kinds of other eagerly awaited releases! Today on the blog, I bring you my 10 most awaited pictures of the season. Getting the list down to that number wasn’t exactly easy, so I’ll cheat a bit and mention some that just “missed the cut”. They include sequels (Kingsman: The Golden Circle, Thor: Ragnarok), star vehicles like American Made with Tom Cruise and Roman Israel, Esq. with Denzel Washington, and Academy contenders like Battle of the Sexes, The Greatest Showman, Suburbicon, Darkest Hour, All the Money in the World, and The Disaster Artist.

Yet here are the ten that my personal movie calendar is most looking forward to (listed alphabetically):

Blade Runner 2049

Release Date: October 6

35 years after Ridley Scott made his landmark sci-fi pic, Sicario and Arrival director Denis Villeneuve enters this visually stunning world with Ryan Gosling, Jared Leto, and Robin Wright and Harrison Ford returning as Deckard.

Downsizing

Release Date: December 22

It may not be out until Christmas, but buzz will be out soon for this Oscar hopeful as it screens in Venice in just days. Alexander Payne’s fantastic filmography includes Election, About Schmidt, Sideways, The Descendants, and Nebraska. His latest is a sci-fi comedy/drama starring Matt Damon, Kristin Wiig, Christoph Waltz, Alec Baldwin, Neil Patrick Harris, Jason Sudeikis, and (get used to hearing this name) Hong Chau, who’s already garnering Supporting Actress talk.

NO TRAILER AT PRESS TIME

It

Release Date: September 8

Fall essentially kicks off with this adaptation of one of Stephen King’s greatest works. Trailers for It looks scary as hell and it could compete for both biggest September debut ever and highest horror opening of all time.

Justice League

Release Date: November 17

DC’s version of The Avengers has been the subject of shaky buzz, but I’m curious to see how Batman, Aquaman, The Flash, and others meld together. Oh… there’s another one in the form of Gal Gadot’s Wonder Woman, who just happened to headline the summer’s unexpected largest domestic hit (beating out other superheroes like the Guardians and Spidey).

mother!

Release Date: September 15

Darren Aronofsky’s latest looks to be in the vein of his Oscar nominated Black Swan and that’s a very good thing. Jennifer Lawrence, Javier Bardem, Ed Harris, and Michelle Pfeiffer star and if this trailer is any indication, we’re in for something very intriguing.

Murder on the Orient Express

Release Date: November 10

Michelle Pfeiffer makes another appearance on this list as she’s part of an impressive ensemble embroiled in this adaptation of Agatha Christie’s famed novel. Kenneth Branagh directs himself in the lead as Hercule Poirot. Other familiar faces include Johnny Depp, Daisy Ridley, Penelope Cruz, Judi Dench, Willem Dafoe, and Josh Gad.

The Papers

Release Date: December 22

As in the Pentagon Papers and the Washington Post‘s battle with the Nixon administration to release them. You think this one has Oscar bait potential? It’s directed by Steven Spielberg and stars Meryl Streep and Tom Hanks.

NO TRAILER AT PRESS TIME

Phantom Thread

Release Date: December 27

Here’s how little is really known about this project… we’re not even sure Phantom Thread is its title. What do we know? It’s master filmmaker Paul Thomas Anderson’s latest and reunites him with his There Will Be Blood star Daniel Day-Lewis.

NO TRAILER AT PRESS TIME

The Shape of Water

Release Date: December 8

Visionary director Guillermo del Toro’s latest looks to be a visual and potentially dramatic winner judging from its trailer. Sally Hawkins and Michael Shannon star in this 1960s set tale of a woman’s friendship with a strange creature.

Star Wars: The Last Jedi

Release Date: December 15

Last, but oh so far from the least. Rian Johnson takes over directorial duties for the year’s most anticipated release with Luke Skywalker (Mark Hamill) gaining significantly more screen time and Carrie Fisher making her final bow as Princess Leia.

And there you have it, folks! Let us look forward to a hopefully glorious autumn season…

Who Should Play Donald Trump?

This news should come as no surprise as HBO has announced they will be producing a miniseries in the near future focusing on the 2016 Presidential Election. The effort will come from the team behind Game Change, which told the tale of Sarah Palin (Julianne Moore) in her quest to become John McCain’s (Ed Harris) VP in 2008. Game director Jay Roach will be behind the camera.

There is little doubt the project will heavily focus on the man who became the 45th President of the United States. So that begs the question: who will play Donald Trump? I imagine this will be the focus on much speculation until an announcement is made, so I’ll get in on it too. I’ve come up with a dozen interesting choices outlined in this here post. However, before we move to that, let’s discuss some choices that are sure to bandied about.

Name one: Alec Baldwin. Of course, he may be the first actor people think of due to his portrayal of the President on SNL. Yet I find it extremely unlikely that Baldwin would be interested (he’s already announced his impression of POTUS on SNL is soon coming to an end). The filmmakers themselves also might not be wild about casting the performer only known for an exaggerated comedic take on Trump.

Then there’s some big names that might be given the role if they’re interested. Two that spring to mind immediately: Kevin Spacey and Bryan Cranston. Here’s another – Matthew McConaughey. After all, he’s worked with HBO before on “True Detective”.

Yet I wish to delve a bit deeper into Hollywood’s rolodex for some other names. Here’s a dozen of them for your consideration:

Tom Berenger

This choice seems unlikely as he’s probably not a big enough name anymore, but he’s the right age (67) and he does kind of bear a resemblance to POTUS. It’s been over three decades since Berenger was Oscar nominated for Platoon, but he’s popped up occasionally in recent years in pics like Training Day and Inception. 

Kenneth Branagh

The Irish actor has been known more lately for his work behind the camera, including 2015’s Cinderella. Later this year, he directs and stars in the remake of Murder on the Orient Express. That should be a high-profile project and could dovetail well into this very high-profile experience.

Kevin Costner

Coming off a supporting role in the blockbuster Hidden Figures, I question whether Costner could get the look down. Yet he’s a big star who HBO would probably consider.

Russell Crowe

This is a possible example of HBO going with the Oscar winner if he wants to do it. Crowe would be a huge actor to cast in the part and he could potentially add Emmy winner to his award shelf.

Thomas Haden Church

The Oscar nominee for 2004’s Sideways is currently on HBO right now alongside Sarah Jessica Parker in “Divorce”. I could see him pulling off the look for Trump and see him as an intriguing prospect. Possible issue: big enough name?

Greg Kinnear

Another Academy Award nominee for 1997’s As Good As It Gets, it’s been awhile since Kinnear has had a major showcase role. I could see him totally pulling this off and he’s near the top of my choices.

Viggo Mortensen

Mr. Mortensen could be a fascinating pick and he’s coming fresh off an Oscar nod for Captain Fantastic. Like Kinnear, this pick would fascinate me.

Edward Norton

Like Crowe, this would be an example of a major movie star taking on the part. Norton can be a chameleon and I like this idea.

Bob Odenkirk

The Emmy winner for “Better Call Saul” could nail this part, I suspect. He’s shown both dramatic and comedic chops in his body of work.

Kurt Russell

Russell is simply one of my favorite actors period. He’s more versatile than he gets credit for and I totally buy him making this work.

James Spader

Another high-profile choice due to his exposure on “The Blacklist”, he’s toward the top of my personal choices.

Owen Wilson

Of all the choices here, I could really see him getting the look down. The big question: could his very distinctive voice pull off the tones of The Donald?

So there you have it! What actors not mentioned do you feel could step into the President’s shoes? And how about this question: how will Donald Trump react to his casting on Twitter??