NBR Shoots for the Moon

Just as the New York Film Critics Circle (NYFCC) honored Martin Scorsese’s Killers of the Flower Moon as their best of 2023, the National Board of Review followed suit today. Like the Big Apple’s group, it’s not one of the more predictive precursors for Oscar glory. However, there are plenty of nominees solidifying themselves for at least making the cut with each victory.

That logic definitely applies to Killers, which took Best Film, Director, and Actress (Lily Gladstone). It’s pretty much of a lock for inclusion in the Academy’s Best Picture 10. Yet a win is far from guaranteed. I currently have it behind Oppenheimer. The last NBR Film recipient that took BP at the Oscars is 2018’s Green Book. Before that it was 2008’s Slumdog Millionaire.

The other big winner at NBR is The Holdovers. It’s the pick for Actor (Paul Giamatti), Supporting Actress (Da’Vine Joy Randolph), and Original Screenplay. I’m really beginning to think Randolph is a serious threat to be the gold statue Supporting Actress selection (even though I’ve had her ranked second behind Danielle Brooks from The Color Purple).

Mark Ruffalo is your Supporting Actor for Poor Things while Spider-Man: Across the Spider-Verse took the Animated prize, Anatomy of a Fall (ineligible for International Feature Film at the Oscars) is the International Film here, and Still: A Michael J. Fox Movie won Documentary.

It’s actually rare that all four acting recipients from NBR make the Oscar quintet in their respective races. I will say that Gladstone, Giamatti, Randolph, and Ruffalo all stand excellent chances.

Lastly, this Board selects other Top Films beyond their #1. This year the others are (alphabetically) Barbie, The Boy and the Heron, Ferrari, The Holdovers, The Iron Claw, Maestro, Oppenheimer, Past Lives, and Poor Things. There’s recently been about a 6-7 match correlation with Oscar. Killers is almost certainly in. The same can be said (with some of these more certain that others) for Barbie, The Holdovers, Maestro, Oppenheimer, Past Lives, and Poor Things. Heron and Ferrari are, at best, long shots. The Iron Claw is worth keeping an eye on for a late push.

And please continue to keep an eye on the blog for all speculation as Oscar nominations approach!

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