The Girl on the Train Movie Review

The Girl on the Train isn’t skillfully made enough to realize its own trashiness. This differs greatly from David Fincher’s Gone Girl, which embraced its pulpy source material and had lots of fun with it. Based on a huge bestseller by Paula Hawkins, Train takes itself too seriously to be the guilty pleasure it ought to be. That’s a shame because Emily Blunt’s central performance continues her fine work rolling along.

She plays Rachel, a divorced alcoholic who spends the bulk of her time on the titled mode of transportation. Her boozy travels send her past her old home, where her ex (Justin Theroux) lives with his new wife and old mistress (Rebecca Ferguson) and baby. It is two houses down, however, where Rachel’s chemically imbalanced imagination is running wild. This is where Megan (Haley Bennett) and her husband Scott (Luke Evans) reside and the passenger watching them envisions their relationship to be the one she pines for. Of course, there’s far more beneath the surface and that goes for all the characters involved.

When Rachel realizes there’s more to the facade she’s conjured for the couple, it leads to a mystery and a disappearance that involves Allison Janney’s detective. It leads to questioning Rachel’s whereabouts on a typical blackout drunken evening. I suppose, too, it eventually leads to a twist that is one you’re likely to pick up on earlier than you should. Whether this is designed that way is something I don’t know, but it’s a flaw nonetheless.

Our title character’s abuse of her own body and mind and other abuses I won’t reveal gives Blunt a chance to shine. Her performance is really the only one worthy of note, though Bennett does have a couple moments of her own. The story is told in a flashback style that gives all the women some backlog, but it’s Rachel who merits our attention. If only director Tate Taylor didn’t seem intent on pushing a dour vibe instead of recognizing this is vacation paperback material, this could’ve worked better. Blunt almost makes it worth the trip, but not quite.

**1/2 (out of four)

Oscar Watch: The Girl on the Train

Two years ago, David Fincher’s Gone Girl successfully adapted its mega-hit novel source material. It earned $167 million stateside and nabbed an Oscar nomination for its lead, Rosamund Pike. This Friday’s The Girl on the Train has been compared to that title frequently. It’s based on a mystery thriller novel that scored with readers just last year. It’s expected to bring in a large female demographic when it debuts this weekend. It has a female lead (Emily Blunt) with a role some have speculated could garner Academy attention. In my previous Oscar prediction posts (they come out every Thursday folks!), I’ve listed Train as a possibility for Actress (Blunt), Supporting Actress (Haley Bennett), Adapted Screenplay, and even Picture. I will note that I had yet to include any of those nominations within the predicted five (or five to ten regarding Picture).

Well, today the critical reaction was unleashed on The Girl on the Train with numerous reviews rolling in. The verdict? Mixed. Very mixed. EW gave it a rave, but several other prominent writers were not kind at all. I don’t really believe this will endanger its box office prospects (I’ve got it slated for a $28.2M debut). Its Oscar prospects, on the other hand, appear… gone. This Thursday, I’ll have my updated post listing the possibilities for the previously mentioned categories. Blunt and Bennett have received some kind words in even some of the negative reviews. Yet their inclusion in the acting races appears far less likely than last week. Screenplay or Picture? Not a chance.

My Oscar Watch posts will continue…

 

The Girl on the Train Box Office Prediction

Just last year, the novel The Girl on the Train by Paula Hawkins became a massive bestseller and Universal Pictures wasted no time in getting the big screen adaptation to eager audiences. The book has been described as the “next Gone Girl” and the studio would love to replicate that film adaptation’s success here.

The thriller is directed by The Help‘s Tate Taylor and stars Emily Blunt with a supporting cast that includes Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans, Allison Janney, Edgar Ramirez, Lisa Kudrow, and Laura Prepon.

Train should undoubtedly bring in fans of the source material (including a hefty female demographic). Yet reaching the heights of Gone Girl seems like a fairly unlikely prospect. Two years ago in the same first October weekend, the David Fincher effort earned just over $37 million out of the gate. It wouldn’t shock me to see this top $30M for its opening weekend, but I believe a mid-high 20s gross is more probable. If Train manages solid audience buzz, it could keep chugging along with smallish drops in future weekends.

The Girl on the Train opening weekend prediction: $28.2 million

For my The Birth of a Nation prediction, click here:

https://toddmthatcher.com/2016/09/28/the-birth-of-a-nation-box-office-prediction/

For my Middle School: The Worst Years of My Life prediction, click here:

https://toddmthatcher.com/2016/09/28/middle-school-the-worst-years-of-my-life-box-office-prediction/