The Suicide Squad Review

I had no doubt while watching James Gunn’s The Suicide Squad that it’s a more realized vision of exactly what its director wanted. This was apparently not the case with David Ayer’s 2016 Suicide Squad and maybe we will see his Justice League style extended cut one day. For this latest DC Extended Universe pic, Warner Bros reportedly let Gunn do his thing without interference.

The result is a hard R rated and often gleefully bizarre experience. There are some truly funny moments and inspired action sequences mixed with a host of repetitive ones. At one point, Harley Quinn (Margot Robbie) makes light of a character named Milton who just got popped. The joke is that she doesn’t remember him being part of the team because he’s so forgettable. Milton isn’t the only one. Frankly, I’m struggling a bit with my overall take. This Squad is unquestionably an improvement over its predecessor. Yet I never quite got immersed in its raunchy comic book violence or irreverent attitude in the way I did with Deadpool or Gunn’s own Guardians of the Galaxy. 

Amanda Waller (Viola Davis) is still head of A.R.G.U.S., the government organization that has its own unique prison work release program. Felonious super villains are sent on black ops missions in the name of homeland security (or so they’re told). Many of the cast mates (including Will Smith’s Deadshot) are MIA this time around. Harley’s back as is Captain Boomerang (Jai Courtney). So is Waller’s right-hand man and Squad leader Rick Flag (Joel Kinnaman).

From the jump, we discover that no character may live past a scene or two and this does contribute to an unpredictable vibe. The newbies recruited include human weapons depot Bloodsport (Idris Elba), meaning of the word peace conflicted Peacemaker (John Cena), rodent whisperer Ratcatcher 2 (Daniela Melchior), and Polka-Dot Man (David Dastmalchian). His name? Just like it sounds. Our primary CG creation is King Shark (voice by Sylvester Stallone), who’s half man/half Jaws. If he reminds you a bit of Groot from Guardians, mission accomplished.

Speaking of missions, it is to stop a recent coup in the fictional South American land of Corto Maltese. Now that their government has been overthrown, someone needs to destroy a secretive laboratory housing an experiment called Project Starfish. Part of the Squad’s goal is to capture The Thinker (Peter Capaldi), a scientist who’s involved with the mysterious Starfish happenings. The eventual revelation of what that is pure B movie escapist joy that I won’t spoil.

Regarding our brand new characters, it’s a mixed lot. Elba’s Bloodsport has a character arc and motivations not unlike Smith’s Deadshot and it’s not terribly interesting. I will say his brief interaction with his daughter (Storm Reid) humorously didn’t go the way I thought it would. Cena uses his comedic chops effectively at times with his morally confused antihero. Gunn pushes pretty hard to make Ratcatcher 2 a heartwarming protagonist amidst the exploding heads and bodies being literally ripped apart. It could have gone the wrong way, but Taika Waititi’s casting as her dad helps save the day. King Shark’s contribution to that mayhem is rather amusing.

In one way, the more things change (and change they do from 2016) – the more they stay the same. This would be with Robbie’s Quinn, who retains the title of best performance and most enjoyable demented personality. For a while, she gets her own subplot that involves being romanced by the Corto Maltesian dictator (Juan Diego Botto) and being an unreliable torture subject. Those scenes work well and Robbie gets the lions share of the credit. Like in Suicide Squad, she’s the brightest star in The Suicide Squad. 

*** (out of four)

The New Mutants Box Office Prediction

***Blogger’s Update (08/27): On the eve of its premiere, I am increasing my prediction for The New Mutants from $4.9 million to $6.9 million. 

The COVID-19 pandemic has altered the release dates for scores of high profile feature films over the past several months. Yet in the case of The New Mutants, its series of delays has become a punchline in Hollywood that far preceded current world events. The film is the latest in the X-Men franchise and it seems 20th Century Fox has absolutely no confidence with it. It’s finally hitting screens after an original planned unveiling in (get this!) April 2018.

Mutants introduces new characters to the X-Men fold in what was originally planned as a potential trilogy. Josh Boone, best known for making The Fault in Our Stars, directs. The cast includes Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga, Blu Hunt, and Henry Zaga. Marketed more as a horror flick than comic book adaptation, reports out over the past two years indicate that its studio were not pleased with the final product.

After getting bumped from the spring of 2018, this was pushed to February 2019 and then August 2019 and then April 2020 (this was all during Disney’s acquisition of Fox). After the COVID situation hit, Disney/Fox finally settled on the late August output. Mutants will be closely watched as it is the second American theatrical wide release after Unhinged. 

Prior to COVID, the prospects for Mutants seemed doomed and that hasn’t changed. The X-Men franchise hit a low point in 2019 with Dark Phoenix. Its $32 million debut was easily the lowest of the series (no other X pic had premiered below $50 million). Mutants will blow that record out of the water. For starters, there’s the challenges facing any wide release at the moment (limited theater capacity, major markets still closed, etc…). I also suspect many casual moviegoers simply have no idea that Mutants even exists in the X-Men Universe.

I do not have a screen count for Mutants at press time, but I’m assuming it’s similar to the 2000 theaters that will greet Unhinged this weekend. If that holds, I’m not even confident that Mutants gets above $5 million in its first weekend. Disney and 20th Century Fox seem to be dumping this and I believe audiences will respond in kind.

The New Mutants opening weekend prediction: $6.9 million

The Shack Box Office Prediction

Next weekend, the faith-based drama The Shack hits theaters. Based on a bestselling 2007 novel by William P. Young, it hopes to lure in Christian audiences who have made various pictures exceed their opening weekend expectations.

Sam Worthington, Octavia Spencer, Radha Mitchell, Alice Braga, and Tim McGraw are among the cast headlining this tale of a man experiencing a crisis of faith after his young daughter is murdered.

Movies of this genre are often tough to predict and, as mentioned, they can often surprise with more than anticipated numbers. Solid word of mouth could allow this to have legs in subsequent weekends. I’ll predict a high single digits debut is likely.

The Shack opening weekend prediction: $9.7 million

 

For my Logan prediction, click here:

https://toddmthatcher.com/2017/02/23/logan-box-office-prediction/

For my Before I Fall prediction, click here:

https://toddmthatcher.com/2017/02/25/before-i-fall-box-office-prediction/