Oscars: The Case of Carey Mulligan in Maestro

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actress and that’s Carey Mulligan in Maestro. Let’s get to it!

Previous Oscar Acting Nominations:

An Education (2009, Actress); Promising Young Woman (2020, Actress)

The Case for Carey Mulligan:

After likely coming up just a little short to Frances McDormand (Nomadland) in 2020 for Promising Young Woman, Mulligan has made the cut at key precursors with the Golden Globes, Critics Choice, BAFTA, and SAG. As Leonard Bernstein’s spouse Felicia, she has a number of Oscar clips to choose from alongside costar Bradley Cooper.

The Case Against Carey Mulligan:

So do Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) and they’ve taken the hardware in ceremonies that have already occurred.

The Verdict:

The third time won’t be the charm for Mulligan.

My Case Of posts will continue with Cillian Murphy in Oppenheimer…

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